| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Comische Canons für drei Männerstimmen, WoO 183 (Comical Canons for three male voices) | Friedrich Kuhlau, composer | WoO 183 | 3 voices male chorus |
Classical | Canons | ||||
| Commencement Hymn (Commencement Hymn as sung by the Alumni of Harvard University) | John Knowles Paine, composer James Bradstreet Greenough, librettist |
G major (G-flat major optional) | 1862 | male chorus 2 tenors and 2 basses |
Romantic | Secular hymns | |||
| Comrades | Raymond Huntington Woodman, composer Richard Hovey, librettist |
B flat major | male chorus 2 tenors and 2 basses |
Early 20th century | Songs, Secular choruses | ||||
| Conseil tenu par les rats (Chœur à 4 voix d'hommes) | Louis Lacombe, composer Jean de La Fontaine, librettist |
D major | male chorus | Romantic | Secular choruses | ||||
| Conseil tenu par les rats, Op. 123 | Florent Schmitt, composer Jean de La Fontaine, librettist |
Op.123 | 1950 | 2 tenors, baritone and bass male chorus |
Modern | Secular choruses | |||
| Corriamo festosi | Gian Paolo Dal Dosso, composer | E flat major | 2013 | mixed chorus male chorus |
Modern | Sacred choruses | |||
| Cossack War Song | Horatio Parker, composer | male chorus | Romantic | Secular choruses | |||||
| Credo No. 2 | Rob Peters, composer | Op.96 | 1998 | male chorus | Modern | Credo | |||
| Crossing the Bar | William Rhys-Herbert, composer Alfred Tennyson, librettist |
D major | 1906 | 4 voices male chorus |
Romantic | Sacred songs | |||
| Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) | Franz Liszt, composer Alfred Guichon de Grandpont, librettist |
S.35 | 1865 | male chorus female chorus and piano childrens chorus and piano |
Romantic | Hymns | |||
| Cual la paloma (Himno a 4 voces) | Tomás Bretón, composer Rafael María Liern, librettist |
2 tenors, baritone and bass male chorus |
Romantic | Hymns | |||||
| Cupid Once Upon a Bed of Roses | John Varley Roberts, composer | E flat major | male chorus alto, 2 tenors and bass |
Romantic | Glees | ||||
| Cztery pieśni treści narodowej w łatwym układzie na chór męski a cappella | Various, composer | male chorus | Romantic | Songs | |||||
| Dalvísur (Fífilbrekka, gróin grund) | Halldór Jónsson, composer | C major | male chorus | Romantic | Songs | ||||
| Das deutsche Lied | Johann Wenzel Kalliwoda, composer Heinrich Weismann, librettist |
C major | 1838 | male chorus 2 tenors and 2 basses |
Romantic | Lieder | |||
| Das deutsche Vaterland II ((Was ist das deutsche Vaterland?)) | Franz Liszt, composer Ernst Moritz Arndt, librettist |
C major | S.74/2 | 1848 | male chorus | Romantic | Secular choruses | ||
| Das Dörfchen | Franz Schubert, composer Gottfried August Bürger, librettist |
D major | D.598 (1st version) | 1817 | male chorus male chorus and piano |
Romantic | Secular choruses | ||
| Das edle Herz (I) (The noble heart) | Anton Bruckner, composer Ernst von Marinelli, librettist |
A major | WAB 65 | 1851 | male chorus | Romantic | Songs | ||
| Das Felsenkreuz | Conradin Kreutzer, composer Ulrich Hegner, librettist |
E major | male chorus | Romantic | Songs | ||||
| Das Häschen | Gerard Bunk, composer Dutch traditional, librettist |
male chorus 2 tenors and 2 basses |
Early 20th century | Lieder | |||||
| Das heutige Vaterland | Georg Wilhelm Rauchenecker, composer | 1883 | male chorus | Romantic | Secular choruses | ||||
| Das Königslied (Ein König ist der Wein) | Adolf Eduard Marschner, composer Franz von Kobell, librettist |
D major | male chorus | Romantic | Lieder | ||||
| Das Lachen (Lieder für 3 Männerstimmen) | Georg Gerson, composer Johann Arnold Ebert, librettist |
D major | G.104 | 1817 | 2 tenors and bass male chorus |
Romantic | Lieder | ||
| Das Lachen | Georg Gerson, composer Johann Arnold Ebert, librettist |
C major - A flat major - C major | WoO 13 | 1824 | 2 tenors and 2 basses male chorus |
Romantic | Lieder | ||
| Das Lied vom deutschen Vaterland | Anton Bruckner, composer | D flat major | WAB 78 | 1845 | male chorus | Romantic | Lieder | ||
| Das Lied vom Rheinwein | Carl Friedrich Zöllner, composer | E flat major | male chorus | Romantic | Lieder | ||||
| Das menschliche Leben | Louis Hetsch, composer Johann Christoph Friedrich Haug, librettist |
C major | 2 tenors and 2 basses male chorus |
Romantic | Songs | ||||
| Das Mühlenrad (Duits volksliedje) | Jef Tinel, composer | male chorus | Early 20th century | Folksongs | |||||
| Das schöne Liebchen | Siegfried Strohbach, composer | B flat minor | 1970 | male chorus | Modern | Folksongs | |||
| Das Ständchen | Carl Heinrich Kunze, composer | G major | male chorus 2 tenors and 2 basses |
Romantic | Secular choruses | ||||
| Das stille Tal (Im schönsten Wiesengrunde; Gi Talo Gi Halom Tasi (nat.anthem of Northern Mariana islands).Originally its a folkslied named Drei Lilien,Drei Lilien) | Gustav Wohlgemuth, composer Wilhelm Ganzhorn, librettist |
male chorus | Romantic | Folksongs | |||||
| Das Tal des Espingo (The Valley of the Espingo, A Ballad) | Josef Gabriel Rheinberger, composer Paul Heyse, librettist |
B flat minor | Op.50 | 1869 | 4 voices, male chorus and orchestra male chorus |
Romantic | Ballads | ||
| Das treue, deutsche Herz | Ernst Julius Otto, composer Julius Otto, librettist |
4 voices male chorus |
Romantic | Lieder | |||||
| De Boogah Man (Part-Song For Four-Part Chorus of Men's Voices) | William Johnston McCoy, composer Paul Laurence Dunbar, librettist |
male chorus | Early 20th century | Secular choruses | |||||
| De Profundis | Farid Zehar, composer | F minor | 2 tenors and 2 basses male chorus |
Early 20th century | Psalms | ||||
| Dear Friend of Mine (Secular Quartette/Quartet for Male Voices) | James Cartwright Macy, composer | C major | male chorus 2 tenors and 2 basses male chorus and piano 2 tenors, 2 basses and piano |
Romantic | Quartets | ||||
| Délivrance | Émile Morhange, composer | E flat major | male chorus | Romantic | Secular choruses | ||||
| Dem Vaterlande (Nimm deine schönsten Melodieen) | Franz Abt, composer Johann Jakob Sprüngli, librettist |
Op.58 No.1 | 1848 | male chorus | Romantic | Secular choruses | |||
| Der Abendhimmel (I) | Anton Bruckner, composer Joseph Christian von Zedlitz, librettist |
A flat major | WAB 55 | 1862 | male chorus | Romantic | Secular choruses | ||
| Der Abendhimmel (II) | Anton Bruckner, composer Joseph Christian von Zedlitz, librettist |
F major | WAB 56 | 1866 | male chorus | Romantic | Secular choruses | ||
| Der alte Barbarossa | Friedrich Silcher, composer Friedrich Rückert, librettist |
male chorus | Classical | Secular choruses | |||||
| Die brüderliche Theilung (Humoreske v. Friedrich Rückert für vier Männerstimmen) | Carl Loewe, composer Friedrich Rückert, librettist |
G major | 2 tenors and 2 basses male chorus |
Romantic | Humoresques | ||||
| Der Geistertanz, D.494 | Franz Schubert, composer Friedrich von Matthisson, librettist |
A flat major | D.494 | 1816 | male chorus | Romantic | Dances | ||
| Der gute Kamerad (Ich hatt’ einen Kameraden) | Friedrich Silcher, composer Ludwig Uhland, librettist |
1825 | male chorus | Romantic | Folksongs, Funeral music | ||||
| Der Käfer und die Blume (Preislied) | Václav Veit, composer Cäsar von Lengerke, librettist |
1852 | male chorus | Romantic | Secular choruses, Lieder | ||||
| Der Lehrerstand (The post of the teacher) | Anton Bruckner, composer | E flat major | WAB 77 | 1847 | male chorus | Romantic | Songs | ||
| Der reitende Bäckergesell | Franz Willms, composer folk song, librettist |
F major | male chorus | Romantic | Folksongs | ||||
| Der Spielmann ist da (Lustig schreite ich ohne Sorgen) | Karl Attenhofer, composer Otto Hausmann, librettist |
G major | male chorus | Romantic | Secular choruses | ||||
| Der Sternenkranz (Der Sternenkranz für Vier Männer-stimmen) | Franz Paul Lachner, composer Chr. Häufler, librettist |
A major | Op.40 | male chorus | Romantic | Secular choruses | |||
| Der Sturm, Op. 60 (Der Sturm Gedicht von Friedr. Treitschke für 4 Männerstimmen mit willkührlicher Begleitung des Piano-forte) | Franz Paul Lachner, composer Georg Friedrich Treitschke, librettist |
E flat major | Op.60 | male chorus male chorus and piano |
Romantic | Secular choruses | |||
| Der Tag erscheint, WWV 68 | Richard Wagner, composer Christoph Christian Hohlfeldt, librettist |
D major | WWV 68 | 1843 | male chorus | Romantic | Sacred choruses |
©2026 CMI