| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Een Kindeken is ons geboren | John Bull, composer | G major | MB 53 | keyboard | Renaissance | Pieces | ![]() |
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| Een Kindeken is ons geboren in D la sol re | John Bull, composer | D major | MB 55 | keyboard | Renaissance | Pieces | |||
| Eenige Beginselen voor het Clavier Spel ({{TPtr}} :Eenige Beginselen / voor het / CLAVIER SPEL / met XII zeer gemakkelyke / MUZIEK STUKJES, tot dienst van / LEERLINGEN. / Eerste deeltje.) | Various, composer | keyboard | Classical | Airs, Minuets | |||||
| Ein guter Dantz | Bernhard Schmid I, composer | keyboard | Renaissance | Dances | |||||
| Ein kleiner Kanon in c-moll | Daniel Léo Simpson, composer | C minor | 1971 | keyboard | Modern | Canons | |||
| Ein new künstlich Tabulaturbuch (Ein New Künstlich Tabulaturbuch darin sehr gute Moteten vnd liebliche Deutsche Tenores jetziger zeit vornehmer Componisten auff die Orgel vnnd Instrument abgesetzt beydes den Organisten vnnd der Iugendt dienstlich. Mit gantzem fleis zusammen gebracht auffs beste colorirt vberschlagen corrigirt vnd in Druck vorfertiget Durch Eliam Nicolaum Ammorbach) | Elias Nikolaus Ammerbach, composer | organ keyboard |
Renaissance | Motets | |||||
| Einer Neuen Kunstlichen Tabulatur auff Orgel und Instrument () | Bernhard Schmid I, composer | organ keyboard |
Renaissance | Pieces, Motets, Lieder, Passamezzos, Galliards | |||||
| Einheit und Manigfaltigkeit des Contrapunkts und des Canons (Einheit und Manigfaltigkeit des Contrapunkts und des Canons in ein und achtzig Satzen dargestellt) | Simon Sechter, composer | Op.46 | soprano, alto and bass soprano, alto, tenor and bass 2 sopranos, 2 altos and bass keyboard |
Classical | Canons, Pieces | ||||
| Einige bekannte Choralmelodien (Einige bekannte Choralmelodien nach meinem Geschmake. J. W. Köhler) | Johann Wilhelm Köhler, composer | organ keyboard |
Baroque | Chorales | |||||
| Elegies et Phantaisies | Stephan Beneking, composer | 1998 | keyboard | Modern | Elegies, Fantasias | ![]() |
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| Elementarbuch der Tonkunst zum Unterricht beim Klavier (Elementarbuch der Tonkunst zum Unterricht beim Klavier für Lehrende und Lernende mit praktischen Beispielen. Eine musikalische Monatschrift.) | Heinrich Philipp Bossler, composer | keyboard clavichord piano |
Classical | Methods, Music theory, Studies | |||||
| Elizabethan Virginal Composers | Various, composer | harpsichord keyboard |
Renaissance | Pieces | |||||
| Embedded Inventions | Mark Alburger, composer | Op.20 | 1979 | piano keyboard |
Modern | Inventions | |||
| Engellischer Mascharada (English Masquerade) | Johann Rudolf Radeck, composer | G minor | organ keyboard |
Renaissance | Pieces | ||||
| Engelsche Fortuyn (Fortune My Foe) | Jan Pieterszoon Sweelinck, composer | G minor | Swv 45 | organ keyboard |
Renaissance | Pieces | |||
| English Suite No. 1 | Johann Sebastian Bach, composer | A major | BWV 806 | 1715 | harpsichord keyboard |
Baroque | Suites | ![]() |
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| English Suite No. 2 in A minor | Johann Sebastian Bach, composer | A minor | BWV 807 | 1715 | keyboard | Baroque | Suites | ![]() |
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| English Suite No. 3 | Johann Sebastian Bach, composer | G minor | BWV 808 | 1715 | keyboard | Baroque | Suites | ![]() |
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| English Suite No. 4 in F major | Johann Sebastian Bach, composer | F major | BWV 809 | 1715 | keyboard | Baroque | Suites | ||
| English Suite No. 5 in E minor | Johann Sebastian Bach, composer | E minor | BWV 810 | 1715 | keyboard | Baroque | Suites | ![]() |
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| English Suite No. 6 in D minor | Johann Sebastian Bach, composer | D minor | BWV 811 | 1715 | keyboard | Baroque | Suites | ![]() |
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| Entrée | Leopold Mozart, composer | A minor | keyboard | Baroque | Intradas | ||||
| Esercizio in forma di Toccata (Uno de' trentadue esercizi per clavicembalo fatti in forma di Toccata) | Francesco Pollini, composer | E flat major | Op.42 | 1820 | keyboard piano |
Classical | Exercises, Toccatas | ||
| Essercizi per gravicembalo (Lessons for Harpsichord) | Domenico Scarlatti, composer | K.1-30 | keyboard | Baroque | Exercises | ||||
| Etudes | Gaël Liardon, composer | keyboard organ |
Modern | Studies | |||||
| Etwas für Clavier und Gesang (Etwas für Clavier und Gesang von Schubart) | Christian Friedrich Daniel Schubart, composer | keyboard clavichord keyboard 4 hands clavichord 4 hands voice and keyboard |
Classical | Sonatas, Pieces, Odes | |||||
| Eva Christina Becker Clavierbuch, D-LEb Go.S.648 (Clavi Cembalo bestehet aus leichten vor das Clavier gesetzten Partien, Welche sich nicht allein von Frauenzimmern sondern auch von andern Musicalischen Liebhabern spielen lassen Possessor Jgfr: Eva Christina Beckerin, in Giersdorff Anno. 1771; Flügel-Buch des Adolf Kauer; [half-title] 12 Stuck Polonoisen di Clavessin, Possessor Jgfr: Eva Christina Beckerin, in Giersdorff Anno. 1771) | Various, composer | 1771 | keyboard voice and keyboard |
Classical | Pieces, Polonaises, Lieder, Sacred songs | ||||
| Exemplarische Organisten-Probe (Exemplarische Organisten-Probe Im Artikel vom General-Bass. Welche mittelst 24. leichter, und eben so viel etwas schwerer Exempel, aus allen Tonen, des Endes anzustellen ist, daß einer, der diese 48. Prob-Stücke Rein trifft, und das darinn Enthaltene wohl anbringt, sich vor andern rühmen möge: Er sey ein Meister im accompagniren. Alles zum unentbehrlichen Unterricht und Behuf, nicht nur einiger Herren Organisten und Clavicymbalisten ex professo, sondern Aller Liebhaber der Music, Zuförderst derer, die der Haupt-Wissenschafft des Claviers, des General-Basses, und des geschickten, manierlichen Accompagnements fließig obliegen, Mit den nothwendigsten Erläuterungen und Anmerkungen, bey jedem Exempel, und mit einer ausführlichen, zur Probe dienenden Theoretischen Vorbereitung, uber verschiedene musicalische Merckwürdigkeiten, versehen von Mattheson.) | Johann Mattheson, composer | organ keyboard 2 keyboards voice and continuo continuo |
Baroque | Methods, Music theory, Exercises, Partimenti, Pieces | |||||
| Fabordon I de vihuela | Alonso Mudarra, composer | keyboard harp vihuela |
Renaissance | Pieces | |||||
| In exitu Israel | Diego Pisador, composer | Tonus peregrinus | keyboard harp vihuela |
Renaissance | Pieces | ||||
| Fabordones del cuarto tono | Antonio de Cabezón, composer | keyboard harp vihuela |
Renaissance | Variations | |||||
| Fabordones del octavo tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |||||
| Fabordones del quinto tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |||||
| Fabordones del séptimo tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |||||
| Fabordones del tercer tono | Antonio de Cabezón, composer | keyboard harp guitar |
Renaissance | Pieces | |||||
| Fantaisie et Sonate (Fantaisie et Sonate pour le pianoforte) | Johann Wilhelm Hässler, composer | Op.17 | piano keyboard |
Classical | Fantasias, Sonatas | ||||
| Fantasia "Ay me, poore heart" | Giles Farnaby, composer | G major | FVB 233 | keyboard | Renaissance | Pieces | |||
| Fantasia "Faire Wether" | John Mundy, composer | A minor | FVB 3 | keyboard | Renaissance | Fantasias | |||
| Fantasia 7 (in place of Ricercar 7) | Giovanni Paolo Cima, composer | keyboard organ harpsichord 4 Unspecified instruments |
Renaissance | Fantasias | |||||
| Fantasia and Fugue (Fantasie und Fuge) | Johann Sebastian Bach, composer | A minor | BWV 904 | 1725 | keyboard organ |
Baroque | Fantasias, Fugues | ![]() |
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| Fantasia and Fugue (Fantasie und Fuge) | Johann Sebastian Bach, composer | A minor | BWV 944 | 1714 | keyboard | Baroque | Fantasias, Fugues | ![]() |
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| Fantasia and Fugue (Fantasie und Fuge) | Johann Sebastian Bach, composer | BWV 906 | 1738 | keyboard | Baroque | Fantasias, Fugues | ![]() |
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| Fantaisia and Fugue in C minor (Fantasia e Fuga a 4) | Carl Philipp Emanuel Bach, composer | C minor | H. 75.5 | 1754 | organ keyboard |
Classical | Fantasias, Fugues | ||
| Fantasia and Fugue (Fantasie und Fuge) | Johann Sebastian Bach, composer | D minor | BWV 905/Anh.II 87 | keyboard | Baroque | Fantasias, Fugues | |||
| Fantasia aus C | Johann Krieger, composer | C major | keyboard | Baroque | Fantasias | ||||
| Fantasia decima sopra quattro soggietti | Girolamo Frescobaldi, composer | F 6.10 | keyboard | Renaissance | Fantasias | ||||
| Fantasia for keyboard (Fantasia) | Thomas Morley, composer | FVB 124 | keyboard harpsichord organ |
Renaissance | Fantasias | ||||
| Fantasia fürs Clavier | Carl Johann Friedrich Haltmeier, composer | D major | harpsichord keyboard clavichord |
Baroque | Fantasias | ||||
| Fantasia I sopra Ut-Re-Mi-Fa-Sol-La | Johann Jacob Froberger, composer | C major | FbWV 201 | keyboard | Baroque | Fantasias | |||
| Fantasia II in a-Moll, FbWV 202 | Johann Jacob Froberger, composer | A minor | FbWV 202 | keyboard | Renaissance | Fantasias | |||
| Fantasia III in C-Dur, FbWV 203 | Johann Jacob Froberger, composer | C major | FbWV 203 | keyboard | Renaissance | Fantasias |
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