| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| A Collection of New Songs (A Collection of new Songs With a Through Bass to each Song, and a Sonata for two Flutes [recorders] Compos'd by Mr. Morgan) | Thomas Morgan, composer | voice and continuo voice, recorder and continuo recorder and continuo voice, 2 recorders and continuo voice, mixed chorus and continuo voice, mixed chorus, recorder and continuo 2 recorders and continuo |
Baroque | Songs, Sonatas | |||||
| A Collection of New Songs, for 1, 2, and 3 voices. accompany'd with instruments | Vaughan Richardson, composer | voice and continuo 2 voices and continuo 3 voices and continuo voice, mixed chorus and continuo voice, recorder and continuo voice, mixed chorus and orchestra voice, mixed chorus, strings and continuo |
Baroque | Songs | |||||
| A Collection of New Songs | Anthony Young, composer | voice and continuo 2 voices and continuo |
Baroque | Songs | |||||
| A Collection of Songs (A Collection of Songs for One, Two and Three Voices Together With such Symphonys for Violins or Flutes [recorders] As were by the Author design'd for any of Them; and a Thorough-Bass to Each Song Figur'd for an Organ, Harpsicord or Theorbo-Lute; Mr. Ino. Eccles General Collection of Songs) | John Eccles, composer | voice and continuo voice, recorder and continuo voice, oboe, violin and continuo 2 voices and continuo 2 voices, oboe, violin and continuo 3 voices and continuo voice, 2 violins, viola and continuo voice, strings and continuo voice, 2 recorders and continuo voice, continuo and bass 3 voices, 2 violins and continuo 2 voices, 2 violins and continuo voice, oboe and continuo voice, trumpet and continuo voice, violin and continuo |
Baroque | Songs, Grounds | |||||
| A Collection of Songs (A Collection of Songs Moral, Sentimental, Instructive, and Amusing) | Charles Hague, composer James Plumptre, librettist |
voice and continuo voice and keyboard 3 voices |
Classical | Songs, Folksongs, Canons | |||||
| A Collection of Songs | Richard Leveridge, composer | voice and continuo voice, mixed chorus and continuo 2 voices and continuo 3 voices and continuo voice, recorder and continuo voice, violin and continuo |
Baroque | Songs | |||||
| A Collection of Songs | Various, composer | voice and continuo | Baroque | Songs | |||||
| A Collection of Songs, in Several Languages | John Abell, composer | voice and continuo | Baroque | Songs | |||||
| A Collection of Songs (A Collection of Songs with their Recitatives and Symphonies for the German Flute, Violins, etc., with a Thorough Bass for the Harpsichord) | John Pixell, composer | Op.1 | voice and harpsichord voice and continuo voice, flute and continuo voice, violin and continuo voice, flute, violin and continuo voice, 2 violins and continuo voice, 2 horns and continuo voice, bassoon, violin and continuo voice, bassoon and harpsichord voice and orchestra voices, mixed chorus and orchestra |
Classical | Songs | ||||
| A Collection of the best old Scotch and English Songs (A Collection of the best old Scotch and English Songs set for the Voice with Accompaniments and Thorough-Bass for the Harpsichord) | James Oswald, composer | voice and continuo voice and harpsichord voice, 2 violins and continuo 2 voices and continuo 2 flutes 2 recorders |
Classical | Folksongs | |||||
| A False Designe to be Cruel (In vain fair Chloris) | Mary Dering, composer Edward Dering, librettist |
voice and continuo | Baroque | Airs | |||||
| A Fool's Preferment, or, The Three Dukes of Dunstable | Henry Purcell, composer Thomas D'Urfey, librettist |
Z.571 | voice and continuo | Baroque | Incidental music | ||||
| A Grasshopper and a Fly (An Allegory) | Henry Purcell, composer | G minor | Z.481 | voice and continuo | Baroque | Songs | |||
| Lass There Lives Upon the Green (A song in the play call'd Oronooko) | Raphael Courteville, composer | A major | voice and continuo | Baroque | Songs | ||||
| A miei pianti al fine un dì | Girolamo Frescobaldi, composer | F 7.32 | voice and continuo | Baroque | Arias | ||||
| A Paraphrase upon the Psalmes of David: by G[eorge] S[andys]: set to New Tunes for Private Devotion, and a thorough Base for Voice or Instrument. By Henry Lawes, one of the Gentlemen of His Majesties Chapell-Royall. | Henry Lawes, composer George Sandys, librettist |
voice and continuo 2 voices 3 voices 4 voices |
Baroque | Psalms | |||||
| A Pocket Companion for Gentlemen and Ladies ({{TPtr}}
:A Pocket Companion for Gentlemen and Ladies: being a collection of the finest Opera Songs & Airs, in English and Italian. A Work never before attempted. Carefully corrected, & also Figur'd for the Organ, Harpsicord, and Spinet, by Mr. Rid. Neale, Organist of St. James's Garlick-hith. A Pocket Companion for Gentlemen and Ladies. being A Collection of Favourite Songs, out of the most Celebrated Opera's compos'd by Mr. Handel, Bononcini, Attilio, &c. In English and Italian, to which is Added Several Choice Songs of Mr. Handel's never before Printed. carefully corrected and Figur'd for the Harpsichord. The whole transpos'd for the Flute [recorder] in the most proper Keys.) |
Various, composer | voice and continuo voice, recorder and continuo |
Baroque | Songs, Arias | |||||
| A Second Collection of New Songs and Ballads (A Second Collection of New Songs and Ballads, with the songs and dialogues in the first and second part of Massaniello) | Thomas D'Urfey, composer Thomas D'Urfey, librettist |
voice voice and continuo voice, recorder and continuo |
Baroque | Songs, Ballads | |||||
| St. George, he is our patron, boys | Robert Hudson, composer | voice and continuo | Classical | Songs | |||||
| A Tale out of Anacreon (At dead low ebb of night) | Henry Lawes, composer | voice and lute voice and viol voice and bass voice and continuo |
Renaissance | Airs | |||||
| A Third Collection of New Songs (A Third Collection of New Songs, never printed before. The Words by Mr. D'Urfey. Set to Music by the best Masters in that Science, viz. Dr. John Blow, Mr. Henry Purcell, Senior Baptist, Mr. Courtiville, Mr. William Turner, Mr. Thomas Farmer, Mr. John Lenton, Mr. Samuel Akeroyd. With Thorow-Basses for the Theorbo, and Bass-Viol) | Thomas D'Urfey, composer Thomas D'Urfey, librettist |
voice and continuo voice, mixed chorus and continuo 2 voices and continuo 3 voices |
Baroque | Songs, Catches | |||||
| A Thousand Sev'ral Ways I Tried | Henry Purcell, composer | B flat major | Z.359 | 1684 | voice and continuo | Baroque | Songs | ||
| A Touch on the Times | Henry Carey, composer | G major | voice and continuo | Baroque | Songs | ||||
| A Treatise on Singing (A Treatise on Singing, Explaining in the most simple manner, All the Rules for learning to sing by Note, without the Assistance of an Instrument, with some Observations on Vocal Music, interspersed with Original Examples, Solfeggi, Airs, Duettos &c. &c. Selected, & Compressed from the most Eminent Authors both Ancient and Modern, (particularly some Beautiful Vocal Pieces of Sacred Music, from the M.S.S of Jomelli, and Sacchini, never before published. In the collection of the late James Harris & W. B. Earle Esqr. Salisbury with direction for a graceful management & Delivery of the Voice.) | Joseph Corfe, composer | voice voices voice and continuo voices and continuo |
Classical | Methods, Performance practice, Arias, Solfeggios | |||||
| About the Sweet Bag of the Bee | Henry Lawes, composer Robert Herrick, librettist |
voice and continuo | Renaissance | Airs | |||||
| Accenti queruli | Giovanni Felice Sances, composer | C major | voice and continuo | Baroque | Secular cantatas | ||||
| Ach, dass nicht die letzte Stunde (Ach, daß nicht die letzte Stunde) | Johann Sebastian Bach, composer Erdmann Neumeister, librettist |
BWV 439 | 1735 | voice and continuo | Baroque | Sacred songs | ![]() |
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| Acuto gelo | Luigi Rossi, composer | voice and continuo | Baroque | ||||||
| Ad te clamo | Pierre Gautier, composer | voice and continuo | Baroque | Motets | ![]() |
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| Addio cara libertà | Giovanni Cesare Netti, composer | TN I.1a | voice and continuo | Baroque | Secular cantatas | ||||
| Advice to Caelia | John Stanley, composer | A major | voice and continuo voice, recorder and continuo |
Baroque | Songs | ||||
| Aelbianische Musen-Lust (Aelbianische Musen-Lust in 175. unterschiedlicher beruehmter Poeten auserlesenen, mit ahnmuhtigen Melodeien beseelten, Lust-Ehren-Zucht und Tugend-Liedern, bestehende.) | Constantin Christian Dedekind, composer Martin Opitz, librettist |
voice and continuo 2 voices and continuo |
Baroque | Lieder, Canzonettas | |||||
| Affetti amorosi (Canzonette ad una voce sola) | Giovanni Stefani, composer | voice and continuo | Baroque | Canzonettas | |||||
| Affetti canori, cantate et ariette | Giovanni Battista Bassani, composer | Op.6 | 1684 | voice and continuo | Baroque | Secular cantatas, Arias | |||
| Air Nouveau: Agréables ruisseaux | Jean Desfontaines, composer | 1678 | voice and continuo | Baroque | Airs | ||||
| Ah! Cruel Nymph (Ah! Cruel Nymph, You Give Despair) | Henry Purcell, composer | Z.352 | voice and continuo | Baroque | Songs | ||||
| Ah! How Pleasant 'Tis to Love | Henry Purcell, composer | C major | Z.353 | 1688 | voice and continuo | Baroque | Songs | ||
| Ah! What Pains | Henry Purcell, composer | Z.354 | voice and continuo | Baroque | Songs | ||||
| Airs à deux parties (Airs à deux parties, avec les seconds couplets en diminution) | Joseph de La Barre, composer | voice and continuo 2 voices 2 voices and continuo |
Baroque | Airs | |||||
| Airs à une, II. III. et IV. parties avec la basse-continue | Michel Lambert, composer | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo voices, 2 violins and continuo voices, 2 flutes and continuo |
Baroque | Airs | |||||
| Airs et romances (avec accompagment de clavecin) | Isabelle de Charrière, composer | voice and harpsichord voice and continuo voice, 2 violins and harpsichord voice, flute, violin and continuo |
Classical | Arias, Romances, Chansons | |||||
| Airs françois dans le goût italien, sérieux et à boire | Giuseppe Fedeli, composer | voice and continuo 2 voices and continuo 3 voices and continuo |
Baroque | Arias | |||||
| Italian arias | Paolo Lorenzani, composer | voice, 2 violins and continuo voice and continuo |
Baroque | Airs, Arias | |||||
| Airs Italiens, Menuets et Sonates, Op. 2 (Airs Italiens chantes a la Comedie Italienne, Menuets et Sonates en Duo pour la Mandoline, qui peuvent s'executer sur le violon, et le pardessus de viole) | Antonio Riggieri, composer | Op.2 | voice and continuo 2 mandolins mandolin and continuo |
Classical | Airs, Minuets, Sonatas | ||||
| Airs nouveaux sérieux et à boire | Jean-Baptiste Drouart de Bousset, composer | voice and continuo | Baroque | Airs | |||||
| Airs nouveaux sérieux et à boire | René de Bousset, composer | voice voice and continuo 2 voices 2 voices and continuo voice, flute and continuo |
Baroque | Airs | |||||
| Airs nouveaux, sérieux et à boire | Nicolas Renier, composer | voice and continuo voice 2 voices 3 voices 4 voices voice, continuo and soprano |
Baroque | Airs, Duets, Musettes, Canons, Chansons, Trios | |||||
| Airs sérieux (Airs sérieux à deux par Mademoiselle de Menetou) | Françoise-Charlotte de Senneterre Ménétou, composer | voice and continuo | Baroque | Airs, Songs | |||||
| Recueil d'airs serieux et a boire | Jean-Baptiste Drouart de Bousset, composer | voice and continuo | Baroque | Airs | |||||
| Airs sérieux et à boire ({{TPtr}} :Recueil d'airs sérieux et à boire à une et deux voix avec accompagnement de flûte et de violon et la basse-continue... Brunettes, musettes, récits de basses, ariettes et vaudevilles...) | François Bouvard, composer | voice, flute and continuo voice bagpipe voice and violin 2 voices voice and continuo |
Baroque | Airs, Ariettas, Gavottes, Duets, Minuets, Rondeaux, Chansons, Country dances | |||||
| Airs sérieux et à boire | Sébastien de Brossard, composer | voice and continuo | Baroque | Airs |
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