Composition search
- Compositions
- for voice and continuo
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Es ist vollbracht! Vergiß ja nicht dies Wort (Es ist vollbracht! Vergiss ja nicht dies Wort) | Johann Sebastian Bach, composer Johann Eusebius Schmidt, librettist |
BWV 458 | 1735 | voice and continuo | Baroque | Sacred songs |  |
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| Es kostet viel, ein Christ zu sein | Johann Sebastian Bach, composer Christian Friedrich Richter, librettist |
BWV 459 | 1735 | voice and continuo | Baroque | Sacred songs | |
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| Esloigné de ce qu'on ayme | Michel de La Barre, composer | voice and continuo | Baroque | Pieces | |
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| Exaudi me, Domine | Lodovico da Viadana, composer | Op.12 No.1 | voice and continuo | Baroque | Motets | |
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| Exempel-Buch der Anweisung zum Singen (Exempel-Buch der Anweisung zum Singen, zum Gebrauche der Schulen und anderer Liebhaber des Gesanges) | Johann Adam Hiller, composer | voice voice and continuo |
Classical | Methods | |
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| Exemplarische Organisten-Probe (Exemplarische Organisten-Probe Im Artikel vom General-Bass. Welche mittelst 24. leichter, und eben so viel etwas schwerer Exempel, aus allen Tonen, des Endes anzustellen ist, daß einer, der diese 48. Prob-Stücke Rein trifft, und das darinn Enthaltene wohl anbringt, sich vor andern rühmen möge: Er sey ein Meister im accompagniren. Alles zum unentbehrlichen Unterricht und Behuf, nicht nur einiger Herren Organisten und Clavicymbalisten ex professo, sondern Aller Liebhaber der Music, Zuförderst derer, die der Haupt-Wissenschafft des Claviers, des General-Basses, und des geschickten, manierlichen Accompagnements fließig obliegen, Mit den nothwendigsten Erläuterungen und Anmerkungen, bey jedem Exempel, und mit einer ausführlichen, zur Probe dienenden Theoretischen Vorbereitung, uber verschiedene musicalische Merckwürdigkeiten, versehen von Mattheson.) | Johann Mattheson, composer | organ keyboard 2 keyboards voice and continuo continuo |
Baroque | Methods, Music theory, Exercises, Partimenti, Pieces | |
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| Exercices pour la voix (Exercices pour la voix (avec un discours preleminaire,)) | Manuel García Sr., composer | voice and continuo voice and piano |
Classical | Exercises, Methods | |
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| Fables sur de petits airs et sur des vaudevilles choisis avec la basse | Various, composer | voice and continuo | Baroque | Airs | |
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| Fair Amoret is Gone Astray | John Eccles, composer William Congreve, librettist |
D major | voice and continuo | Baroque | Songs | |
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| Fair Chloe | John Alcock Sr., composer | A major | voice and continuo voice, recorder and continuo voice, flute and continuo |
Baroque | Songs | |
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| Fair Silvia | William Boyce, composer | G minor | voice and continuo voice, recorder and continuo voice, flute and continuo |
Baroque | Songs | |
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| Farewell, All Joys | Henry Purcell, composer | G minor | Z.368 | 1685 | voice and continuo | Baroque | Songs | |
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| Farewell, Ye Rocks (The Storm) | Henry Purcell, composer | Z.463 | 1685 | voice and continuo | Baroque | Songs | |
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| Fere selvaggie (Aria Quarta) | Giulio Caccini, composer Francesco Cini, librettist |
voice and continuo | Baroque | Arias | |
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| Fiat cor meum immaculatum | Anonymous, composer | voice and continuo | Baroque | Sacred songs | |
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| Filli mia se vi pensate (Canzone) | Alessandro Ghivizzani, composer | C major | voice and continuo | Baroque | Canzoni | |
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| Flocks are sporting (A Pastoral) | Henry Carey, composer | G major | 1739 | voice and continuo voice, recorder and continuo voice, flute and continuo |
Baroque | Pastorales | |
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| Flore, cantate française | Jean-Baptiste Stuck, composer | voice and continuo | Baroque | Secular cantatas | |
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| Fly Swift, Ye Hours | Henry Purcell, composer | D minor | Z.369 | 1692 | voice and continuo | Baroque | Songs | |
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| Fortgepflanzter Musikalisch-Poetischer Lustwald (G. Neumarks von Mühlhausen aus Thüringen Fortgepflantzter Musikalisch=Poetischer Lustwald, Jn dessen erstem Theile, so wohl zu Aufmunterung Gottseeliger Gedanken, und zur Erbauung eines Christlichen Tugendsamen Lebens anführende Geist- und Weltliche Gesänge; Als auch zu keuscher Ehrenliebe dienende Schäferlieder, mit ihren beigefügten Melodien und völliger Musikalischen Zusammenstimmung enthalten sind. Jm Zweiten, so wohl Geist- als Weltliche weitläuftigere Poetische Gedanken, Glükkwünschungen, Lobschriften, Leichreden, Trauer- und Hochzeitsversche begriffen. Jm Dritten, sind allerhand kurtze Gedichte, Uberschriften, Sinn- Lehr- Trost- Straff- und Wahlsprüche, gleichfals Geist- und Weltlich zu befinden) | Georg Neumark, composer Georg Neumark, librettist |
voice, 2 violins and continuo voice, violin and continuo voice and continuo voice, 2 violas and continuo voice, 3 violas and continuo 5 voices and continuo 2 voices and continuo voice, 2 trombones and continuo voice, 2 viols and continuo voice, viol and continuo 3 sopranos, tenor and continuo continuo and 4 Unspecified instruments 3 trumpets, 3 trombones and continuo 3 trombones, 2 violins and continuo |
Baroque | Lieder, Sacred songs, Dances | |
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| From Silent Shades (Bess of Bedlam) | Henry Purcell, composer | C major | Z.370 | 1683 | voice and continuo | Baroque | Songs | |
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| Frondi tenere e belle (Ombra mai fu) | Lorenzo Benigna, composer Niccolò Minato, librettist |
Op.10 | 2021 | voice and continuo | Baroque | Recitatives | |
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| Fuggilotio Musicale (Madrigali, sonetti, arie, canzoni, et scherzi per cantare nel chitarrone, clavicembalo, o altro instrumento a una, e due voci) | Giulio Romano, composer | Op.2 | voice and continuo 2 voices and continuo |
Baroque | Madrigals, Arias, Canzonas, Scherzos | |
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| Fye Amarillis, Cease to Grieve | John Eccles, composer | A minor | voice and continuo | Baroque | Songs | |
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| Gedenke doch, mein Geist | Johann Sebastian Bach, composer | BWV 509 | 1725 | voice and continuo | Baroque | Arias | |
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| Geistliche Oden (Geistliche Oden in Melodien gesetzt von einigen Tonkünstlern in Berlin) | Various, composer Christian Fürchtegott Gellert, librettist |
voice and keyboard voice and continuo soprano, alto, tenor and bass mixed chorus |
Baroque | Odes, Lieder, Sacred songs | |
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| Erster Theil Geistlicher Concerten und Harmonien | Ambrosius Profe, composer | voice and continuo 2 voices and continuo 3 voices and continuo soprano, alto, tenor, bass and continuo 5 voices and continuo mixed chorus and continuo voice, 2 violins and continuo 5 voices, 2 violins and continuo 6 voices, 2 violins and continuo 7 voices, 2 violins and continuo mixed chorus, 2 violins and continuo |
Baroque | Sacred concertos, Motets, Methods | |
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| Ander Theil Geistlicher Concerten und Harmonien | Ambrosius Profe, composer | voice and continuo 2 voices and continuo 3 voices and continuo soprano, alto, tenor, bass and continuo 5 voices and continuo 7 voices and continuo mixed chorus and continuo 2 voices, 2 violins and continuo 5 voices, 2 violins and continuo 6 voices, 2 violins and continuo mixed chorus, 2 violins and continuo |
Baroque | Sacred concertos, Motets | |
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| Dritter Theil Geistlicher Concerten und Harmonien | Ambrosius Profe, composer | voice and continuo 2 voices and continuo 3 voices and continuo soprano, alto, tenor, bass and continuo 5 voices and continuo 6 voices and continuo mixed chorus and continuo 3 voices, 2 violins and continuo soprano, alto, tenor, bass, 2 violins and continuo 5 voices, 2 violins and continuo 6 voices, 2 violins and continuo mixed chorus, 2 violins and continuo |
Baroque | Sacred concertos, Motets | |
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| Geistliches Singspiel, bestehend in 12 Geistlichen Sing-Arien, 2 Recitativen, und 4 kleine Sinfonien | Herman Friedrich Voltmar, composer | voice and continuo voice, flute and continuo |
Classical | Singspiele, Sacred cantatas | |
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| Gellerts geistliche Oden und Lieder (Herrn Prof. Gellerts geistliche Oden und Lieder, in Music gesetzt von Johannes Schmidlin) | Johannes Schmidlin, composer Christian Fürchtegott Gellert, librettist |
voice and continuo 4 voices and continuo |
Classical | Sacred songs, Odes, Lieder | |
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| Gelosia ch'a poco à poco nel mio cor | Luigi Rossi, composer | 1640 | voice and continuo | Baroque | Secular cantatas | |
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| Gentle Shepherds, You that Know (A Pastoral Elegy on the Death of Mr. John Playford) | Henry Purcell, composer | Z.464 | 1687 | voice and continuo | Baroque | Songs | |
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| Gesang-Lehre (Gesanglehre) | Joseph Preindl, composer | Op.33 | voice voice and continuo voice and piano |
Classical | Methods | |
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| Gesang-Schule (Gesang-Schule für gebildete Stände. Ein theoretisch practisches Handbuch für Alle, welche den höhern Gesang lieben, lernen oder lehren, zunächst als Leitfaden für seine Schülerausgearbeitet von C. G. Nehrlich) | Christian Gottfried Nehrlich, composer | voice voice and piano voice and continuo |
Romantic | Methods, Performance practice, Exercises | |
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| Gesänge am Clavier | Johann Philipp Kirnberger, composer Karl Wilhelm Ramler, librettist Justus Friedrich Wilhelm Zachariae, librettist Gottfried August Bürger, librettist Matthias Claudius, librettist Gottlob Wilhelm Burmann, librettist |
voice and continuo voice and keyboard 2 voices and continuo 2 mixed chorus and continuo 4 mixed chorus 16 trumpets and 4 timpanis |
Classical | Songs, Lieder, Canons | |
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| Gesanglehre ({{TPtr}}
:Gesanglehre des Conservatoriums der Musik in Paris enthaltend die Grundregeln des Gesanges, Uebungen für die Stimme, Solfeggien aus den besten ältern und neuern Werken und Arien in jeder Art von Bewegung und Charakter. Verfasst von Bernardo Mengozzi, Cherubini, Garat, Gossec, Méhul, Rich[t]er, Ginguéné, Langlé, Plantade und Guichard Methode de chant Singeschule) |
Bernardo Mengozzi, composer | voice voice and continuo voice and piano |
Classical | Methods | |
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| Gia morta e la fiamma | Carlo Milanuzzi, composer | 1628 | voice and continuo | Baroque | Ariosos | |
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| Gib dich zufrieden und sei stille | Johann Sebastian Bach, composer Paul Gerhardt, librettist |
C minor | BWV 460 | 1735 | voice and continuo | Baroque | Sacred songs | |
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| Gib dich zufrieden und sei stille | Johann Sebastian Bach, composer Paul Gerhardt, librettist |
G minor (1st version); E minor (2nd version) | BWV 511 | 1725 | voice and continuo | Baroque | Chorales | |
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| Gib dich zufrieden und sei stille (ii) | Johann Sebastian Bach, composer Paul Gerhardt, librettist |
E minor | BWV 512 | 1725 | voice and continuo | Baroque | Sacred songs | |
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| Gioia del Paradiso | Tommaso Cecchino, composer | voice and continuo | Baroque | Madrigals | |
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| Gloria in excelsis Deo (Hymne des Anges) | Louis-Nicolas Clérambault, composer | C.99 | voice and continuo | Baroque | Hymns | |
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| Gott lebet noch | Johann Sebastian Bach, composer Johann Friedrich Zihn, librettist |
BWV 461 | 1735 | voice and continuo | Baroque | Sacred songs | |
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| Gott mein Herz dir Dank zusendet | Johann Sebastian Bach, composer | BWV 521 | voice and continuo | Baroque | Sacred songs | |
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| Gott, wie groß ist deine Güte | Johann Sebastian Bach, composer | BWV 462 | 1735 | voice and continuo | Baroque | Sacred songs | |
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| Grammatica, o siano regole di ben cantare (Gesangmethode, oder Anweisung zum regelmässig guten Gesange) | Anna Maria Pellegrini Celoni, composer | voice voice and continuo |
Romantic | Methods, Performance practice | |
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| Gratias agimus tibi | Leonardo Leo, composer | voice and continuo | Baroque | Gloria | |
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| Great God of Sleep (Cantata) | William Hayes, composer | F major | voice and continuo | Baroque | Secular cantatas | |
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| Haec dies motet for solo voice and continuo | Francesco Turini, composer | voice and continuo | Baroque | Motets | |
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| Hark What Mean those Holy Voices (Stuttgart) | Anonymous, composer | voice and continuo | Baroque | Psalms | |
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