| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Cymon and Iphigenia | Thomas Augustine Arne, composer | voice and continuo | Baroque | Secular cantatas | |||||
| D'Amour me plaine | Vincenzo Bonizzi, composer | viol and continuo soprano and continuo voice and continuo |
Renaissance | Pieces, Chansons | |||||
| Dale's Collection of favorite Scotch Songs (Dale's Collection of Sixty favorite Scotch Songs, adapted for the Voice & Piano Forte or Harpsichord, with a thorough bass carefully revised, taken from the original manuscripts of the most celebrated Scotch authors & composers) | Joseph Dale, composer | voice and piano voice and harpsichord voice and continuo 2 voices and harpsichord 2 voices and piano 2 voices and continuo |
Classical | Folksongs | |||||
| Das System der großen Gesangschule des Bernacchi (Das System der großen Gesangschule des Bernacchi von Bologna, dargestellt von H. F. Mannstein; nebst klassischen, bisher ungedruckten Singübungen von Meistern aus derselben Schule H. F. Mannstein nebst klassischen, bisher ungedruckten Singübungen von Meistern aus derselben Schule Système de la grande Méthode de Chant de Bernacchi de Bologne avec des vocalises classiques jusqu' à présent inédites de maîtres de chant formés dans la même école. Redigé par H. F. Mannstein) |
Heinrich Ferdinand Mannstein, composer | voice voice and piano voice and continuo |
Romantic | Methods, Recitatives, Solfeggios | |||||
| Das walt’ mein Gott | Johann Sebastian Bach, composer | BWV 520 | voice and continuo | Baroque | Sacred songs | ||||
| De 150 Psalmen, voor den Zang gevarieerd (De CL Psalmen benevens de Lofzangen. In de Gereformeerde Kerke in gebruik, voor den Zang gevarieerd. Gesteld op de G Sleutel met een besyfferde Bas, door eene zeer kundige hand voor 't Orgel, Clavecimbaal, de Fiool, Fluit en andere Instrumenten.) | Various, composer | voice and continuo violin and continuo flute and continuo |
Classical | Psalms | |||||
| De Muzicale Zangwyzen van het Boek der Psalmen (De Muzicale Zangwyzen van het Boek der Psalmen, Nevens de Gezangen by de Hervormde Kerk van Nederlan in gebruik: Volgens de Nieuwe Dichtmaat en naar de tegenwoordige Zingwyze Ingericht; om te gebruik voor Muzicale Instrumenten. Alles t'samen gesteld en Verrykt met een Nieuw gecomponeerde Bas, om te Zingen en te Speelen; door George Neuman. De Muzijkale Zangwijzen van het Boek der Psalmen. Canto & Basso.) | Johann Georg Neumann, composer | voice and continuo 2 voices and continuo |
Baroque | Psalms | |||||
| De Zang-Godin aan 't Y (De Negen Zang Godinnen aan het Y; De Zang-Godin aan 't Y; Inhoudende zo wel eenige Bekende als Onbekende in 't Muzycq-gebragte Hollandsche Zang-Liederen, Over verscheidene Voorwerpen; Inhoudende voor 't meeste gedeelte Onbekende en nooit Gedrukte in 't Muzycq gebragte Hollandsche Zang-iederen, Door brave Instrumenten-Meesters voor verscheidene Instrumenten gecomponeert, en met voorwerpen van een goede smaak gepoëtizeert; Voor verscheide Instrumenten, na de hedendaagsche Gusto, gecomponeert door verscheide Kenners der Muziek, en met een goede smaak van Voorwerpen gepoëtizeert.) | Various, composer | voice and continuo 2 voices and continuo |
Baroque | Songs | |||||
| Deliciæ musicæ (Deliciæ musicæ: being, a Collection of the newest and best songs sung at court and at the publick theatres, most of them within the compass of the flute. With a thorow-bass, for the theorbo-lute, bass-viol, harpsichord, or organ. Composed by several of the best masters.) | Henry Playford, composer | voice and continuo 2 voices and continuo voice, trumpet and continuo voice, 2 recorders and continuo voice, mixed chorus and continuo 2 voices, mixed chorus and continuo |
Baroque | Songs | |||||
| Delirii d'amor divino | Giovanni Battista Brevi, composer | Op.5 | voice and continuo | Baroque | Sacred cantatas | ||||
| Den Svenska Psalmboken, S-Uu Leufsta Mus.ms.36 (Then Swenska Psalmboken) | Various, composer | voice and continuo keyboard |
Baroque | Psalms, Hymns, Chorales | |||||
| Der Choral-Gesang zur Zeit der Reformation (Der Choral-Gesang zur Zeit der Reformation, oder Versuch, die Frage zu beantworten: Woher kommt es, daß in den Choral-Melodien der Alten etwas ist, was heut zu Tage nicht mehr erreicht wird?) | Peter Mortimer, composer | voice and continuo | Classical | Music history, Music analysis, Chorales | |||||
| Der getreue Music-Meister | Georg Philipp Telemann, composer | voice, violin and continuo oboe and continuo viola and continuo viol and continuo recorder and continuo cello and continuo bassoon and continuo violin and continuo flute and continuo 2 recorders and continuo 2 violins and continuo 2 flutes and continuo harpsichord viol 2 viols 2 flutes 2 violins 2 chalumeaus 2 horns flute and violin recorder and violin keyboard violin lute voice and continuo |
Baroque | Lieder, Arias, Sonatas, Airs, Polonaises, Pastorales, Capriccios, Trios, Partitas, Duets, Intradas, Pieces, Suites, Minuets, Inventions, Gigues, Chaconnes, Fantasias | ![]() |
||||
| Der lieben Sonnen Licht und Pracht | Johann Sebastian Bach, composer Christian Scriver, librettist |
BWV 446 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Der Tag ist hin, die Sonne gehet nieder | Johann Sebastian Bach, composer Johann Christoph Rube, librettist |
BWV 447 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Der Tag mit seinem Lichte | Johann Sebastian Bach, composer Paul Gerhardt, librettist |
BWV 448 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Det Danske Syngende Nymphe-Chor | Samuel Simon Weise, composer | voice and continuo | Baroque | Songs | |||||
| Deutsche Sappho, oder Musicalische Getichte (So wol mit lebendiger Stimme, als unter allerhand Instrumente, auch wol von einer Person allein zugleich zu spielen und singen, gesetzt) | Christoph Kaldenbach, composer | 3 voices voice and continuo 2 voices and continuo 3 voices and continuo voice, 2 violins and continuo voice, continuo and 2 Unspecified instruments |
Baroque | Songs | |||||
| Di canzonette e di cantate | Paolo Antonio Rolli, composer Paolo Antonio Rolli, librettist |
voice and continuo | Baroque | Canzonettas, Secular cantatas | |||||
| Di Licori un guardo F 7.13 | Girolamo Frescobaldi, composer | voice and continuo | Baroque | Arias | |||||
| Dich bet ich an, mein höchster Gott | Johann Sebastian Bach, composer | BWV 449 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Die alte Zions-Harpfe (Die alte Zions-Harpfe, des höchst-seeligen Königs, Propheten und Poeten Davids Ehre, nach denen hundert und funfzig Psalmen in eben so vielen Liedern ...) | Johann Löhner, composer | voice and continuo | Baroque | Psalms | |||||
| Die bitt're Leidenszeit beginnet abermal | Johann Sebastian Bach, composer Heinrich Elmenhorst, librettist |
BWV 450 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Die güldne Sonne (Die goldne Sonne, voll Freud' und Wonne) | Johann Sebastian Bach, composer Paul Gerhardt, librettist |
BWV 451 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Die mit Teutschen Saiten überzogene Heilige Kron-Harffe ({{TPtr}} :Die mit Teutschen Saiten überzogene Heilige Kron-Harffe; oder Verfassung des gantzen Psalter Davids in Teutsche Reim-Gebände: Vermittelst sonderbarer darzu, mit dem Basso continuo, neu-verfertigter Kunst-Melodeyen, abzusingen, unter lieblichen Sinn-Blumen und Bildungs-Gewächsen, als wie in einem Geist-erfreulichen Lust- und Artzney-Garten; so nebst behöriger Erläuterung, wie auch einer kurtzen Gebets-Andacht, jedwederm Psalm, aus Christlicher Bewegung beygepflantzet, ausgesonnen, und ingesamt verfertigt worden durch eine Herrn-Stands-Person, und fürnehmes Mit-Glied der Hochlöbl. Frucht-bringenden Gesellschafft.) | Hieronymus Gradenthaler, composer Wolfgang Helmhardt von Hohberg, librettist Johann Ludwig Prasch, librettist |
voice and continuo | Baroque | Psalms | |||||
| Différens Solfèges d'une difficulté graduelle (Différens Solfèges d'une difficulté graduelle pour l'Exercice du Phrasé, du Style et de l'Expression, avec des Remarques nécessaires et und Basse chiffrée pour l'Accompagnement) | Giuseppe Maria Cambini, composer | voice and continuo 2 voices and continuo |
Classical | Solfeggios, Exercises | |||||
| Diporti di Euterpe (Diporti di Euterpe, overo Cantate & ariette a voce sola) | Barbara Strozzi, composer Sebastiano Baldini, librettist Giovanni Pietro Monesi, librettist Rottilio Lipedi, librettist Pietro Dolfino, librettist Marc'Antonio Corraro, librettist Francesco Piccoli, librettist Giovanni Tani, librettist Nicola Beregani, librettist |
Op.7 | voice and continuo | Baroque | Secular cantatas, Ariettas | ||||
| Dir, dir, Jehova, will ich singen | Johann Sebastian Bach, composer Bartholomäus Crasselius, librettist |
BWV 452 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Divine Harmony, 2nd Collection (Divine Harmony the 2d Collection being Select Anthems for a Voice a lone as also some for 3 and 4 Voices with a Thorough Bass for the Organ, Harpsicord, or Arch Lute. Compos'd by Several Eminent Authors and perform'd at the Chappel Royal being very proper not only in private Devotion but also for Choirs. The whole fairly Engraven.) | Various, composer | voice and continuo 3 voices and continuo 4 voices and continuo |
Baroque | Anthems | |||||
| Divine lodi musicali, Libro 1 | Giovanni Battista Riccio, composer | RISM A/I: R 1283 | alto, bass and continuo soprano, bass and continuo tenor, bass and continuo 2 altos and continuo 2 tenors and continuo continuo and 2 sopranos continuo and 2 basses 2 sopranos, bass and continuo 2 tenors, bass and continuo voice and continuo soprano, bass and continuo recorder, continuo and bass 2 recorders and continuo |
Baroque | Motets | ||||
| Donzelle fuggite lasciva belta (Canzone) | Francesco Cavalli, composer | C major | voice and continuo | Baroque | Canzoni | ||||
| Doulce memoire | Vincenzo Bonizzi, composer | viol and continuo soprano and continuo voice and continuo |
Renaissance | Pieces, Chansons | |||||
| Draw Near, You Lovers | Henry Purcell, composer | D minor | Z.462 | voice and continuo | Baroque | Songs | |||
| Dunque, ove tu Signor | Domenico Mazzocchi, composer | voice and continuo | Baroque | Sacred cantatas | |||||
| Eco armonica delle muse | Giovanni Battista Bassani, composer | Op.7 | voice and continuo | Baroque | Secular cantatas | ||||
| El pan de la vida (Jacara a3 y a Duo) | Francisco Losada, composer | voice and continuo | Baroque | Sacred songs | |||||
| Eleganti canzoni ed arie italiane del secolo XVII (Elegant Italian songs and arias of the seventeenth century) | Luigi Torchi, composer | voice and continuo 3 voices and continuo |
Baroque | Songs, Arias | |||||
| Elementi teorici della musica () | Luigi Antonio Sabbatini, composer | voice and continuo continuo continuo voice |
Classical | Music theory, Solfeggios, Canons | |||||
| Elements of Thorough Bass and Composition, Op. 5 (Elements of Thorough Bass and Composition, In which the Rules of Accompaniment for the Harpsichord or Piano-Forte are rendered amusing by the Introduction of Eight Italian, Eight French & Twelve English Songs collected from the Works of eminent Composers Antient & Modern. With proper Lessons for Practice, Written by way of conversation between the Master & his Pupil for the Use of such performers as are unacquainted with the principles of Harmony ... by Edward Miller Mus:D.) | Edward Miller, composer | Op.5 | continuo harpsichord piano voice and continuo voice and keyboard |
Classical | Music theory, Methods, Partimenti, Songs | ||||
| Elévations, 10 Motets pour 1, 2 et 3 voix | Pierre Robert, composer | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo voices, strings and continuo |
Baroque | Motets | |||||
| Elévations et motets (Elévations et motets à voix seule, avec la basse continue) | Sébastien de Brossard, composer | voice and continuo | Baroque | Motets | |||||
| Élévations et Motets | François Couperin, composer | voice and continuo voice, strings and continuo voices and continuo voices, strings and continuo |
Baroque | Motets | ![]() |
||||
| En voz adieux - altro modo | Vincenzo Bonizzi, composer | viol and continuo soprano and continuo voice and continuo |
Renaissance | Pieces, Chansons | |||||
| En voz adieux | Vincenzo Bonizzi, composer | viol and continuo soprano and continuo voice and continuo |
Renaissance | Pieces, Chansons | |||||
| English songs of the Georgian period | Alfred Moffat, composer | voice and continuo voice and piano |
Baroque | Songs | |||||
| Intro nave dorata | Girolamo Frescobaldi, composer | F 7.10 | voice and continuo | Baroque | Arias | ||||
| Ermuntre dich, mein schwacher Geist | Johann Sebastian Bach, composer Johann Rist, librettist |
BWV 454 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Erwürgtes Lamm, das die verwahrten Siegel | Johann Sebastian Bach, composer | BWV 455 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Es glänzet der Christen inwendiges Leben | Johann Sebastian Bach, composer Christian Friedrich Richter, librettist |
BWV 456 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Es ist nun aus mit meinem Leben | Johann Sebastian Bach, composer Magnus Daniel Omeis, librettist |
BWV 457 | 1735 | voice and continuo | Baroque | Sacred songs | |||
| Es ist vollbracht! Vergiß ja nicht dies Wort (Es ist vollbracht! Vergiss ja nicht dies Wort) | Johann Sebastian Bach, composer Johann Eusebius Schmidt, librettist |
BWV 458 | 1735 | voice and continuo | Baroque | Sacred songs |
©2026 CMI