Composition search
- Compositions
- for voice and continuo
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Airs sérieux et à boire | Sébastien de Brossard, composer | voice and continuo | Baroque | Airs |  |
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| Airs sérieux et à boire | Du Buisson, composer | voice and continuo | Baroque | Airs | |
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| Airs serieux et a boire, meslez de brunetes, d’ariettes, vaudevilles, et rondes de table | Jacques Naudé l’aîné, composer | voice and continuo | Baroque | Airs, Ariettas | |
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| Airs sérieux et à boire | Nicolas Renier, composer | voice and continuo | Baroque | Airs | |
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| Recueil d'airs sérieux, à boire, et à danser (Livre premier) | Jacques Cochereau, composer | voice 2 voices voice and continuo 2 voices and continuo voice, continuo and soprano |
Baroque | Airs | |
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| Livre d’airs sérieux et à boire (livre troisième) | Jacques Cochereau, composer | voice 2 voices voices voice and continuo voice, flute and continuo voice, strings and continuo |
Baroque | Airs | |
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| Recueil d'airs à boire et sérieux melé de vaudevilles ou brunettes suivy d'un air italien | Joseph Bodin de Boismortier, composer | Op.16 | 1727 | voice and continuo | Baroque | Arias, Songs | |
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| Airs spirituels (Premier Livre d'airs spirituels de feu M. de Basilly a deux parties) | Bertrand de Bacilly, composer Jacques Testu de Belval, librettist |
voice voice and continuo 2 voices and continuo |
Baroque | Airs, Sacred songs | |
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| Al fonte, al prato | Giulio Caccini, composer | voice and continuo voice and lute |
Baroque | Songs | |
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| Alcune opere di diversi auttori a diversi voci (Alcune opere di diversi auttori a diversi voci, passagiate principalmente per la viola bastarda, ma anche per ogni sorte di stromenti, e di voci) | Vincenzo Bonizzi, composer | viol and continuo soprano and continuo voice and continuo |
Baroque | Pieces, Chansons, Madrigals | |
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| Allerhand Oden und Lieder, Theil 1 (Erster Theil Allerhand Oden vnnd Lieder, welche auff allerley, als Italianische, Frantzösische, Englische vnd anderer Teutschen guten Componisten, Melodien vnd Arien gerichtet, Hohen vnd Nieder Stands Persohnen zu sonderlicher Ergetzlichkeit, in vornehmen Conviviis vnd Zusammenkunfften, bey Clavi Cimbalen, Lauten, Tiorben, Pandorn, Violen di Gamba gantz bequemlich zu gebrauchen, vnd zu singen, Gestellet vnd in Truck gegeben, Durch Gabrieln Voigtländer. Ihrer Hoch-Printzlicher Durchleuchtigkeit zu Dennemarck vnd Norwegen etc. wolbestelten Hoff-Feld-Trommetern vnd Musico.) | Gabriel Voigtländer, composer | voice and continuo voice and lute voice and viol |
Renaissance | Odes, Lieder | |
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| Alma Redemptoris Mater | Natale Monferrato, composer | voice and continuo | Baroque | Antiphons, Hymns | |
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| Alme luce beate | Giulio Caccini, composer | D minor | voice and continuo | Baroque | Sacred songs | |
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| Amanti, io vi so dire | Benedetto Ferrari, composer | voice and continuo | Baroque | Arias | |
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| Amarilli (Amarilli, mia bella) | Giulio Caccini, composer Giovanni Battista Guarini, librettist |
G minor | 1601 | voice and continuo | Baroque | Madrigals, Songs | |
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| Amidst the Shades and Cool Refreshing Streams | Henry Purcell, composer | A minor | Z.355 | 1687 | voice and continuo | Baroque | Songs | |
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| Amintas, to My Grief I See | Henry Purcell, composer | D minor | Z.356 | 1679 | voice and continuo | Baroque | Songs | |
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| Amintor, Heedless of his Flocks | Henry Purcell, composer | C minor | Z.357 | 1681 | voice and continuo | Baroque | Songs | |
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| Amintor's Welladay (Chloris now thou art fled away) | Henry Lawes, composer | voice and lute voice and viol voice and continuo |
Renaissance | Airs | |
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| Among the myrtles (Amidst the myrtles; Love's Sweet Repose) | Henry Lawes, composer Robert Herrick, librettist |
voice and lute voice and viol voice and continuo |
Renaissance | Airs | |
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| Amor l'ali m'impenna | Giulio Caccini, composer Giovanni Battista Guarini, librettist |
voice and continuo voice and lute |
Baroque | Songs | |
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| Amour, cruel amour | Sébastien de Brossard, composer | 1678 | voice and continuo | Baroque | Songs | |
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| Amphion Anglicus (''Title-page transcription'' ) | John Blow, composer | voices, strings and continuo voices and continuo voice and continuo |
Baroque | Songs, Airs |  |
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| An Introduction to Psalmody (An Introduction to Psalmody. Containing some Instruction for Young Beginners, explain'd in a familiar & easie manner, by way of Dialogue. By John Church, a Member of ye Collegiate Church of St. Peters Westminster, and Gentleman in Ordinary of His Majesty's Chapel Royal. To Which is added a Select Number of the best Psalm Tunes extant; in 3 and 4 Parts; as they are now Sung in Parish Churches & other Places of Divine Worship. Also a Collection, containing some Hymns compos'd by Dr. William Croft; & some Anthems & Hymns by Mr. Tho: Ravenscroft & the Author; for 1, 2, and 3 voices.) | John Church, composer | 3 voices 4 voices mixed chorus mixed chorus and continuo voice and continuo voices and continuo |
Baroque | Methods, Psalms, Hymns, Anthems | |
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| And is this All? What One Poor Kiss? | Mary Dering, composer Edward Dering, librettist |
voice and continuo | Baroque | Airs | |
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| Antiphonæ, unica voce decantandæ | Natale Monferrato, composer | Op.17 | voice and continuo alto and continuo soprano and continuo mezzosoprano and continuo |
Baroque | Antiphons | |
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| Anweisung zum musikalisch-richtigen Gesange (Anweisung zum musikalisch-richtigen Gesange, mit hinlänglichen Exemplen erläutert) | Johann Adam Hiller, composer | voice voice and continuo |
Classical | Methods, Performance practice | |
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| Anweisung zum musikalisch-zierlichen Gesange | Johann Adam Hiller, composer | 1780 | voice voice and continuo |
Classical | Methods, Performance practice | |
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| Aperi oculos tuos Domine et vide afflictionem nostram | Amante Franzoni, composer | voice and continuo | Baroque | Sacred songs | |
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| Apollo's Cabinet: or the Muse's Delight ({{TPtr}} :Apollo's Cabinet: or the Muse's Delight. An Accurate Collection of English and Italian Songs, Cantatas and Duetts, Set to Music for the Harpsichord, Violin, German-Flute, &c. with Instructions for the Voice, Violin, Harpsichord or Spinet, German-Flute, Common-Flute, Hautboy, French-Horn, Basson, and Bass-Violin. Also, A Compleat Musical Dictionary, And several Hundred English, Irish and Scots Songs, without the Music.) | Various, composer | voice violin flute recorder harpsichord oboe horn bassoon cello 2 voices voice and harpsichord 2 voices and continuo voice and continuo voice, violin and continuo voice, flute and continuo |
Baroque | Methods, Songs, Secular cantatas, Duets | |
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| Appear Apollo's Darling (A song sung by Mr. Robart at the instalment of His Highness the Duke of Glocester) | Daniel Purcell, composer | D minor | voice and continuo | Baroque | Songs | |
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| Är det hela tidsfördrivet? | Johan Helmich Roman, composer | E minor | 1740 | voice and continuo | Baroque | Sacred songs | |
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| Ariadne's Lament (Theseus, O Theseus, hark) | Henry Lawes, composer William Cartwright, librettist |
voice and lute voice and viol voice and continuo |
Baroque | Airs | |
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| Arie | Giacomo Carissimi, composer | voice and continuo 2 voices and continuo 3 voices and continuo |
Baroque | Arias | |
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| Arie | Francesco Durante, composer | voice and continuo | Baroque | Arias | |
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| Arie a una e due voci, Primo libro | Domenico Visconti, composer | voice and continuo 2 voices and continuo |
Baroque | Arias | |
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| Arie a voce sola | Loreto Vittori, composer | voice and continuo | Baroque | Arias | |
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| Arie e Cantate (Arie, e cantate a voce sola di [...] Libro primo) | Maurizio Cazzati, composer | Op.11 | voice and continuo bass and continuo |
Baroque | Arias, Sacred cantatas | |
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| Arie in stil francese a una e due voci | Giovanni Lorenzo Gregori, composer | Op.1 | voice and continuo 2 voices and continuo |
Baroque | Arias | |
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| Arie madrigali et corenti (Arie Madrigali et Corenti a 1, 2, 3 di B.M.) | Biagio Marini, composer | Op.3 | voice and continuo 2 voices and continuo 3 voices and continuo 2 voices 3 voices continuo and 2 sopranos violin and continuo |
Baroque | Arias, Madrigals, Courantes, Galliards, Scherzos, Balletti | |
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| Arie musicali (Arie musicali, per cantarsi nel gravicembalo e tiorba, a una, a dua, e a tre voci.) | Girolamo Frescobaldi, composer | voice and continuo 2 voices and continuo 3 voices and continuo |
Baroque | Arias, Canzonas, Madrigals, Songs | |
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| Arie, e Cantate a voce sola (Arie, e Cantate a voce sola di Mauritio Cazzati Mastro di Capella in S. Petronio di Bologna, dedicate a gl'Illustrissimi Signori Consorti li Signori Conte Girolamo Boselli, e Contessa Don' Anna Margarita Canossa miei Padroni Colendissimi. Opera XXXXI) | Maurizio Cazzati, composer | Op. 41 | voice and continuo | Baroque | Arias, Secular cantatas | |
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| Arie, Libro 1 (Arie a una voce) | Stefano Landi, composer | voice and continuo | Baroque | Arias | |
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| Arie, Libro 1 (Libro Primo di Arie, passegiate á una voce per cantar, e sonar del Chitarone, +& altri simile instromenti, di Giuanni Nauwach, nella corte del serenissiomo Duca di Sassonia Elettore Musico di Camera) | Johann Nauwach, composer | voice and lute voice and continuo |
Baroque | Arias | |
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| Libro secondo d'Arie (Libro secondo d'Arie a una e più voci) | Giovanni Girolamo Kapsperger, composer | Book 2 | voice and continuo 2 voices and continuo 2 voices |
Renaissance | Arias | |
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| Arie, Libro 2 (Il Secondo libro d arie musicali ad una voce) | Stefano Landi, composer | voice and continuo | Baroque | Arias | |
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| Arie (Arie di Barbara Strozzi ... Opera Ottaua) | Barbara Strozzi, composer | Op.8 | voice and continuo voice, 2 violins and continuo |
Baroque | Secular cantatas, Arias, Serenatas | |
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| Arien (Etlicher theils geistlicher, theils weltlicher, zur Andacht guten Sitten, teuscher Liebe und Ehren-Lust dienender Lieder) | Heinrich Albert, composer | voice and continuo voices and continuo |
Baroque | Arias, Sacred songs | |
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| Ariette a voce sola, opera sesta | Barbara Strozzi, composer | Op.6 | 1657 | voice and continuo | Baroque | Ariettas | |
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| Ariose vaghezze | Carlo Milanuzzi, composer | Opp.7, 8, 9, 11, 15, 17, 18, 20 | voice and continuo voice and harpsichord voice and guitar voice and harp |
Baroque | Ariosos | |
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| Armonia ecclesiastica de concerti ([Partitura dell']Armonia ecclesiastica de concerti a 1, 2, 3, e 4 voci, con una messa, Magnificat, letanie, falsibordoni, & canzoni francese, parimente a quattro.) | Michel Angelo Grancini, composer | Op.1 | voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo 4 Unspecified instruments keyboard |
Baroque | Sacred songs, Masses, Magnificats, Litanies, Pieces, Canzonas | |
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