| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| 100 Magnificat (Ivbilvs. B. Virginis. hoc est. Centvm Magnificat ab Orlando de Lasso ... IV. V. VI. VII. IIX. et X. vocibus composita. Nvnc vero Rvdolphi de Lasso) | Orlande de Lassus, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices |
Renaissance | Magnificats | |||||
| 106 Motets | Various, composer | D-Dl Mus.1-D-6 | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Motets | ||||
| 12 Kirchen Hymnen für drey, vier und acht Vocal-Stimmen | Georg Joseph Vogler, composer | 3 voices 4 voices 8 voices |
Classical | Hymns | |||||
| 13 Canons | Anonymous, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Canons | |||||
| 14 Motets (Quatuordecim motetta ad quatuor et octo voces) | Franz Xaver Witt, composer | Op.4 | male chorus 4 voices 8 voices |
Romantic | Motets | ||||
| Cent Cinquante Pseaumes de David | Paschal de L'Estocart, composer Clément Marot, librettist Théodore de Bèze, librettist |
A/I: L 2075 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Psalms | ||||
| 16 Canons, ULB Mus.Ms. 1455 | Various, composer | 3 voices 4 voices 8 voices |
Classical | Canons | |||||
| 16 Psalms and 4 Magnificats for 8 voices (Primus [Secundus] Chorus Psalmorum Octo Vocum Theodori Riccij) | Teodoro Riccio, composer | 1588 | 8 voices 2 mixed chorus |
Renaissance | Psalms, Magnificats | ||||
| 17 Motets for 8 voices, Liber 1 (Motecta octonis vocibus) | Antonio Gualtieri, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| 19 Magnificats for 4, 5, 6 and 8 voices (Magnificat octo tonorum, quatuor, quinque, sex et octo vocum) | Teodoro Riccio, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Magnificats | |||||
| 2 Melodiae nuptiales ({{TPtr}} :Duæ melodiæ nuptiales oder Zwey Geistliche Hochzeit: vnd Brautgesänge, Auff dz den 3. Novemb. dieses instehenden 1620 st. Jares wolangestellete Hochzeitliche Ehren: vn[d] Frewdenfest, Wie dann auch zu Ehren, Günstigem belieben, vnd sonderem wolgefallen, Den Wol-Ehrenfesten, Ehrbarenm Fürsichtigen, Hoch- vnd Wolweisen Herren Christophoro Hoppen [...] Als dem Herrn Breutigam, Vnd dann Der Viel Ehrenvndtugendreichen Jungfrauen Barbaræ Des [...] Herren Gregor I Tanners [...] Tochter, Als der Braut, Mit 8. Stimmen Componiret, vnd wolgedachtem Herren Breutigam vnd Braut aus treuhertziger wolmeinder affection, zu einem glücklichem Frewdenwunsch præsentiret von Melchior Straus [...]) | Melchior Straus, composer | 8 voices | Baroque | Wedding music | |||||
| 2. Pentecostes | Andreas Raselius, composer | 8 voices | Renaissance | Sacred choruses | |||||
| 26 Motets (Mielich-Codex ; Rore-Codex) | Cipriano de Rore, composer | D-Mbs Mus.ms B | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | ||||
| 27 Madrigali a sei voci, libro 1 (Il primo libro de madrigali a sei voci, con tre a sette & tre a otto & uno a duodeci) | Teodoro Riccio, composer | 6 voices 7 voices 8 voices 12 voices |
Renaissance | Madrigals | |||||
| 28 Hymni Sacri (Hymni Sacri, quorum in ecclesia perfesta maxime solennia usus est, ad Harmoniam Musicam applicati a Leonarto Schrotero Torgense, Schole Magdeburgensis Musico) | Leonhard Schröter, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Hymns | |||||
| 29 Canons | Joseph Haydn, composer | Hob.XXVIIb:9, 43, 10, 12, 11, 39, 34, 16, 17, 14, 41, 13, 44, | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Classical | Canons | ||||
| 29 Chansons, Livre 4 (Livre quatrieme des chansons ... a six, sept, & huict parties) | André Pevernage, composer | 6 voices 7 voices 8 voices |
Renaissance | Chansons, Sacred songs | |||||
| 3 Eight-Part Motets (Drei 8 stimmige Motette) | Felix Woyrsch, composer | Op.69 | 8 voices 2 mixed chorus |
Romantic | Motets | ||||
| 3 Evangelien-Motetten (3 Gospel Motets) | Josquin Desprez, composer | 4 voices 6 voices 8 voices |
Renaissance | Motets | |||||
| 3 Kanons | Gerard Bunk, composer | 1927 | 2 mixed chorus 8 voices female chorus 2 sopranos and 2 altos 3 voices |
Early 20th century | Canons | ||||
| 3 Motets II | Giovanni Gabrieli, composer | 7 voices 8 voices |
Baroque | Motets | |||||
| 30 Canons zu 2-8 Stimmen | Felix Draeseke, composer | WoO | 2 voices 2 Unspecified instruments 3 voices 3 Unspecified instruments 4 voices 4 Unspecified instruments 6 voices 6 Unspecified instruments 8 voices 8 Unspecified instruments |
Romantic | Canons | ||||
| 35 Canons 'Opusculum novum' (Opvscvlvm novvm. Hoc est. Canones, dvarvm, trivm, et plvrivm vocvm, ante hac neqve visi neqve prelo svbiecti, nunc primum, summa diligentia compositi & in vnum libellum redacti, un vsum & gratiam omnium artis Musicae cultorum, studiosorum & tyronum. A Rvdolpho de Lasso) | Rudolph de Lassus, composer | 2 voices 2 Unspecified instruments 3 voices 3 Unspecified instruments 4 voices 4 Unspecified instruments 5 voices 5 Unspecified instruments 6 voices 6 Unspecified instruments 7 voices 7 Unspecified instruments 8 voices 8 Unspecified instruments 9 voices 9 Unspecified instruments 10 voices 10 Unspecified instruments 12 voices 12 Unspecified instruments |
Renaissance | Canons | |||||
| 37 Motets, Book 2 (Secundus liber sacrarum cantiones, quas vulgo motectas appellant: quinque, sex, octo et duodecima vocibus compositarum: quae tam vivae voci, quam omnibus Instrumentis sunt accomodatae) | Teodoro Riccio, composer | 5 voices 6 voices 8 voices 12 voices 5 Unspecified instruments 6 Unspecified instruments 8 Unspecified instruments 12 Unspecified instruments |
Renaissance | Motets, Sacred songs | |||||
| 38 Cantiones tum sacrae tum profanae (Cantiones tum sacrae (quae vulgo Moteta vocantur;) tum profanae, quinque, sex, & octo vocum) | Jacob de Brouck, composer | 5 voices 6 voices 8 voices |
Renaissance | Sacred songs, Motets, Chansons | |||||
| 4 Madrigals | Various, composer | 5 voices 8 voices |
Renaissance | Madrigals | |||||
| 4 Part Songs | Edward Elgar, composer | Op.53 | 1907 | 8 voices mixed chorus |
Romantic | Songs, Secular choruses | |||
| 40 Motets, Book 1 (Sacrae cantiones, quas vulgo motecta vocant, quinque, sex, et octo vocum, tum viva voca, tum etiam omnis generis instrumentis cantatu commodissimae) | Teodoro Riccio, composer | 5 voices 6 voices 8 voices 5 Unspecified instruments 6 Unspecified instruments 8 Unspecified instruments |
Renaissance | Motets, Sacred songs | |||||
| Six Songes for My Deare Herte | Peter Dyson, composer see below, librettist |
1985 | mixed chorus soprano, alto, tenor and bass 8 voices |
Modern | Songs | ![]() |
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| 7 Masses (Liber Missarum) | Philippe de Monte, composer | 5 voices 6 voices 8 voices |
Renaissance | Masses | |||||
| A Collection of Catches, Canons and Glees | Thomas Warren, composer | 3 voices 4 voices 5 voices 6 voices 8 voices 8 voices and continuo 9 voices 2 voices, mixed chorus and continuo 3 voices and continuo 3 voices and mixed chorus soprano, alto, tenor, bass and continuo bass and male chorus mixed chorus male chorus |
Classical | Catches, Rounds, Canons, Glees, Madrigals, Odes | |||||
| A Plain and Easy Introduction to Practical Music ({{TPtr}} :A plaine and easie introduction to practicall musicke, set down in forme of a dialogue, devided into three partes, the first teacheth to sing with all things necessary for the knowledge of prickt-song. The second treateth of descante and to sing two parts in one upon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, five or more parts with many profitable rules to that effect. With new songs of 2, 3, 4, and 5 parts) | Thomas Morley, composer | voice 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices |
Renaissance | Music theory, Methods, Songs, Canons | |||||
| A Thanksgiving Anthem | Daniel Hardy, composer | C major | 1791 | voices soprano, alto, tenor and bass 8 voices mixed chorus |
Classical | Anthems | |||
| Ad te, Domine, levavi animam meam | Philippe de Monte, composer | 8 voices | Renaissance | Motets, Psalms | |||||
| Adoramus te, Jesu Christe a 8 | Jacob Handl, composer Catholic Liturgy, librettist |
G major | 8 voices 2 mixed chorus |
Renaissance | Sacred choruses | ||||
| Age quod agis (Mottetto a 8 voci) | Andrea Turchetto, composer Latin phrase, librettist |
G minor | 1998 | 8 voices mixed chorus |
Baroque | Motets | |||
| Al sol de la tierra y cielo | Gonzalo Pillajo, composer | 2 mixed chorus 8 voices |
Baroque | Sacred choruses | |||||
| Allein Gott in der Höh sei Ehr | Michael Praetorius, composer | 8 voices 2 mixed chorus |
Baroque | Chorales, Motets | |||||
| Alma Redemptoris Mater | Arcangelo Crivelli, composer | 8 voices 2 mixed chorus |
Renaissance | Antiphons | |||||
| Alma redemptoris Mater | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Antiphons, Motets | |||||
| Alma redemptoris Mater | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Antiphons, Motets | |||||
| Alma, se stata fossi a pieno accorta | Giovanni Nasco, composer Pietro Bembo, librettist |
G Mixolydian | 8 voices | Renaissance | Madrigals | ||||
| Amor, ond'è che tutto disarmato | Mateo Flecha el Joven, composer | 8 voices 2 mixed chorus |
Renaissance | Madrigals | |||||
| Amor, se così dolce e il mio dolore | Cipriano de Rore, composer | 8 voices 2 mixed chorus |
Renaissance | Madrigals | |||||
| Angeles ad pastores ait | Michael Praetorius, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Antifone, letanie, e Te Deum a otto voci | Maurizio Cazzati, composer | Op.19 | 8 voices 8 voices and organ |
Baroque | Antiphons, Litanies, Te Deum | ||||
| Apparuit gratia Dei | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Ascendo ad Patrem meum | Giuseppe Jannacconi, composer | G major | 8 voices 2 mixed chorus |
Classical | Antiphons | ||||
| Audi dulcis amica mea | Johann Steffens, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Ave Maria | Jacob Handl, composer Sacred music, librettist |
G minor | 8 voices 2 mixed chorus |
Renaissance | Ave Maria | ||||
| Ave Maria | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Ave Maria |
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