| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Que dis-tu | Orlande de Lassus, composer Pierre de Ronsard, librettist |
LV 589 | 8 voices 2 mixed chorus |
Renaissance | Chansons | ||||
| Quem vidistis pastores | Antonio Cifra, composer | 8 voices 2 mixed chorus |
Renaissance | Sacred songs | |||||
| Quem vidistis pastores for 8 voices | Tiburtio Massaino, composer | 8 voices 2 mixed chorus |
Renaissance | Antiphons | |||||
| Quid vulgo memorant | Orlande de Lassus, composer | LV 1131 | 8 voices 2 mixed chorus |
Renaissance | Motets | ||||
| Recueil des morceaux de musique ancienne (Recueil des morceaux de musique ancienne exécutés aux concerts de la Société de musique vocale religieuse et classique, fondée à Paris en 1843) | Joseph Napoléon Ney, composer | 3 voices 4 voices 5 voices 6 voices 8 voices 9 voices 12 voices |
Romantic | Antiphons, Motets, Psalms, Pavans, Responsories, Masses, Madrigals, Canons | |||||
| Reges Tharsis | Pompeo Cannicciari, composer | 8 voices 2 mixed chorus 8 voices and continuo 2 mixed chorus and continuo |
Baroque | Motets, Sacred choruses | |||||
| Regina caeli laetare | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Antiphons, Motets | |||||
| Regina cæli, lætare | Tomás Luis de Victoria, composer | 2 mixed chorus 8 voices |
Renaissance | Motets, Antiphons, Hymns | |||||
| Regina cæli lætare (version à 8 voix) | Pierre Robert, composer | 8 voices 2 mixed chorus |
Baroque | Motets | |||||
| Regina coeli | Giovanni Croce, composer Sacred music, librettist |
F major | 8 voices 2 mixed chorus |
Renaissance | Antiphons | ||||
| Responsoria Nativitatis Domini (Hodie nobis caelorum rex) | Giovanni Maria Nanino, composer | 8 voices 2 mixed chorus |
Renaissance | Responsories | |||||
| S'una fede amorosa (Dialogus 8. Vocum) | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 499 | 8 voices 2 mixed chorus |
Renaissance | Madrigals | ||||
| Sacrae Cantiones cum 5, 6 et pluribus vocibus (Sacrae Cantiones cum quinque, sex et pluribus vocibus, de festis praecipuis totius anni, a praestantissimis Italiae Musicis nuperrime concinnatae ...) | Friedrich Lindner, composer | 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets, Sacred songs | |||||
| Sacrae symphoniae | Caspar Hassler, composer | mixed chorus 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices 16 voices |
Renaissance | Motets | |||||
| Sacrae Symphoniae (Sacrae Symphoniae, Ioannis Gabrielii. Sereniss. Reip. Venetiar. Organistae in ecclesia Divi Marci. Senis, 7, 8, 10, 12, 14, 15, & 16, Tam vocibus, Quam Instrumentis.) | Giovanni Gabrieli, composer | Ch.6–52, 170–185 | mixed chorus 6 voices 7 voices 8 voices 8 Unspecified instruments cornett, 6 trombones and viola 2 mixed chorus 10 voices 12 voices 10 Unspecified instruments 8 cornetts and 2 trombones 3 mixed chorus 14 voices 15 voices 12 Unspecified instruments 2 cornetts, 12 trombones and violin 4 mixed chorus 16 voices |
Renaissance | Symphonies, Motets, Canzonas, Sonatas, Magnificats | ||||
| Sacrarum cantionum (Sacrarum cantionum, cum quatuor, 5. 6. 7. & 8. vocibus concinendarum) | Benedikt Faber, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Sacred songs | |||||
| Sacrarum cantionum (Sacrarum cantionum quinque, sex, septem et octo vocibus compositarum, et tum vivae voci tum musicis instrumentis aptatarum) | Johannes Wanning, composer | 1579 | 5 voices 6 voices 7 voices 8 voices 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments 8 Unspecified instruments |
Renaissance | Sacred songs, Motets | ||||
| Sacrarum symphoniarum continuatio (Sacrarum symphoniarum continuatio. Diversorum excellentissimorum authorum. Quaternis, V. VI. VII. VIII. X. & 12 vocibus tam vivis, quam Instrumentalibus accommodata.) | Caspar Hassler, composer | mixed chorus 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets | |||||
| Sacræ Cantiones (Sacrae Cantiones &c. Octonis vocibus decantandae) | Serafino Cantone, composer | 8 voices 2 mixed chorus |
Renaissance | Sacred songs, Masses, Motets | |||||
| Sacræ cantiones | Hieronymus Praetorius, composer | Tomus primus | 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Sacred songs, Motets | ||||
| Sacræ cantiones | Tomás Luis de Victoria, composer | 4 voices 5 voices 6 voices 8 voices 12 voices |
Renaissance | Sacred songs | |||||
| Sacræ symphoniæ (Sacræ symphoniæ, quas vulgo motetas appellant, tam de totius anni festis solennibus, quam de tempore, 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 15 & 16. tam vocibus quam instrumentis accomodatæ) | Lambert de Sayve, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices 11 voices 12 voices 13 voices 15 voices 16 voices |
Renaissance | Motets | |||||
| Sacre Muse beate | Philippe Le Duc, composer | 8 voices 2 mixed chorus |
Renaissance | Madrigals | |||||
| Sacred mirth: or, the pious soul´s daily delight. (Sacred mirth: ) | William Tans'ur, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices 2 voices and continuo 3 voices and continuo 4 voices and continuo 3 Unspecified instruments 4 Unspecified instruments |
Baroque | Hymns, Psalms, Anthems, Canons | |||||
| Sacri Concentus quator, 5, 6, 7, 8, 9, 10 & 12 vocum | Hans Leo Hassler, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices 12 voices |
Renaissance | Motets, Sacred concertos | |||||
| Sacri Modulorum | Andreas Hakenberger, composer | RISM A/I: H 1897 | 8 voices 2 mixed chorus |
Renaissance | Motets | ||||
| Sacro Sanctae dei Laudes (SACRO SANCTAE DEI LAVDES. OCTONIS VOCIBVS INFRACTIS DECANTANDAE. Per R. D. Io: Mattheum Asulam Veronensem nuper edite.) | Giammateo Asola, composer | 8 voices | Renaissance | Motets | |||||
| Sacrorum Concentuum, Liber 1 (Sacrorum concentuum octonis vocibus modulandorum) | Adam Gumpelzhaimer, composer | RISM A/I: G 5139 | 2 mixed chorus 8 voices |
Baroque | Motets, Sacred choruses, Canons | ||||
| Sacrorum Concentuum, Liber 2 (Sacrorvm concentvvm octonis vocibvs modvlandorvm) | Adam Gumpelzhaimer, composer | RISM A/I: G 5143 | 2 mixed chorus 8 voices 2 mixed chorus and continuo 8 voices and continuo |
Baroque | Motets, Sacred choruses, Canons | ||||
| Salve Regina for 8 voices | Antonio Cifra, composer | 8 voices 2 mixed chorus |
Renaissance | Salve Regina | |||||
| Salve Regina | Tomás Luis de Victoria, composer | 2 mixed chorus 8 voices |
Renaissance | Salve Regina | |||||
| Salve Regina (Salve Regina, mater misericordiae) | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Salve Regina | |||||
| Selectissimae cantiones (Selectissimae cantiones, quas vulgo motetas vocant, partim omnino novae, partim nusquam in Germania excusae, sex et pluribus vocibus compositae) | Orlande de Lassus, composer | LV 1568.3 | 1568 | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices |
Renaissance | Motets | |||
| Selectissimae cantiones (Selectissimae cantiones, quas vulgo motetas vocant, partim omnino novae, partim nusquam in Germania excusae, sex et pluribus vocibus compositae) | Orlande de Lassus, composer | LV 1579.2 | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices |
Renaissance | Motets | ||||
| Selva di varia ricreatione (Selva di Varia Ricreatione Di Horatio Vecchi, Nelle quale si contengono Varii Sogetti, À 3, à 4, à 5, à 6, à 7, à 8, à 9 & à 10 voci. Cioe Madrigali, Capricci, Balli, Arie, Iustiniane, Canzonette, Fantasie, Serenate, Dialoghi, un Lotto amoroso, con una Battaglia à Diece nel fine, & accommodatevi la Intavolatura di Liuto alle Arie, a i Balli, & alle Canzonette.) | Orazio Vecchi, composer | 3 voices 4 voices 4 voices and lute 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices |
Renaissance | Pieces, Madrigals, Capriccios, Arias, Canzonettas, Serenatas | |||||
| Siehe wie fein und lieblich ist's ({{TPtr}} :Der CXXXIII. Psalm, Sihe, wie fein vnd lieblich ists &c. Denen Durchleuchtigen, Hochgebornen Fürsten vnd Herzen, Herrn Christian, vnd Herrn Joachim-Ernsten, Gebrüdern, Marggraffen zu Brandenburg, in Preussen, zu Stetin, Pommern, der Cassuben vnd Wenden, auch in Schlesien zu Crossen vnd Jägerndorff, Hertzogen &c. Burggraffen zu Nürmberg vnd Fürsten zu Rügen &c. Meinen gnädigen Fürsten vnd Herren. Wegen langverhoffter, nunmehro aber glücklich vollzogener Landtsvereinigung Vnd dann auch Zu Vnterthänigsten gehorsamb vnd schuldigen Danckbarkeit Componirt) | Wolfgang Gastenhover, composer | 8 voices 2 male chorus |
Baroque | Psalms | |||||
| Sparge la morte (Madrigal in memoriam Paolo Aralla) | Antonio Politano, composer | 2008 | 8 voices | Modern | Madrigals | ||||
| Spiritus sanctus replevit | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Splendore della Gloria (Inno natalizio per doppio coro a 8 voci miste) | Carlo Pedini, composer | 2020 | 2 mixed chorus 8 voices |
Modern | Hymns | ||||
| Stabat Mater (Stabat mater dolorosa) | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Stabat Mater | |||||
| Stabat Mater (Sequentia: Stabat mater, octo vocum) | Orlande de Lassus, composer Traditional Hymn, librettist |
LV 879 | 1585 | 8 voices 2 mixed chorus |
Renaissance | Stabat Mater | |||
| Steh auf, meine Freundin (Stehe auf, meine Freundin) | Philipp Dulichius, composer | 8 voices 2 mixed chorus |
Baroque | Motets | |||||
| Sub tuum praesidium | Giovanni Pierluigi da Palestrina, composer | 8 voices | Renaissance | Motets | |||||
| Super flumina Babylonis | Philippe de Monte, composer | 8 voices | Renaissance | Motets | |||||
| Surge illuminare Jerusalem | Giovanni Pierluigi da Palestrina, composer | 8 voices | Renaissance | Motets | |||||
| Surrexit pastor bonus | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| T'amo mia vita | Giovanni Giacomo Gastoldi, composer | 8 voices | Renaissance | Madrigals | |||||
| Tant seulement ton amour je demande | Jean Guyot, composer | 8 voices | Renaissance | Chansons | |||||
| Tantum ergo | Johann Baptist Henneberg, composer | 2 male chorus 8 voices |
Classical | Hymns | |||||
| Tenebrae factae sunt, Responsoria | Fulvio Caldini, composer | Op.98 No.14 | 2003 | 8 voices | Modern | Responsories | |||
| Teutsche Liedlein, Books 1-5 (Frische teutsche Liedlein) | Georg Forster, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments 8 Unspecified instruments |
Renaissance | Lieder |
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