| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| O crux splendidior | Andrea Gabrieli, composer | 8 voices | Renaissance | Magnificats, Antiphons | |||||
| O Domine Jesu Christe | Giovanni Gabrieli, composer | Ch 14 | 2 mixed chorus 8 voices |
Renaissance | Motets | ||||
| O Domine Jesu Christe | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| O doux parler | Orlande de Lassus, composer Pierre de Ronsard, librettist |
LV 455 | 8 voices 2 mixed chorus |
Renaissance | Chansons | ||||
| O gloriosa Domina | Tiburtio Massaino, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| O Iesu Christe miserere nobis | Nicolas Gombert, composer | 8 voices | Renaissance | Motets | |||||
| O Ildephonse | Tomás Luis de Victoria, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| O là, o che bon eccho | Orlande de Lassus, composer | 8 voices 2 mixed chorus |
Renaissance | Villanelle | |||||
| O magnum mysterium (O magnum mysterium, et admirabile sacramentum, ut animalia viderent Dominum natum) | Giovanni Gabrieli, composer | Ch.3 | 8 voices | Renaissance | Motets | ||||
| O Maria gloriosa | Giovanni Francesco Anerio, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| O notte o ciel o mar (Madrigal) | Antonio Politano, composer | 2010 | 8 voices | Modern | Madrigals | ||||
| O pretiosum et admirandum convivium | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| O quam suavis est | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| O salutaris à8 | Andrea Gabrieli, composer Catholic Liturgy, librettist |
G minor | 8 voices 2 mixed chorus |
Renaissance | Sacred songs | ![]() |
|||
| O suavitas et dulcedo | Philippe de Monte, composer | 8 voices | Renaissance | Motets | |||||
| O tu che fra le selve occulta vivi | Luca Marenzio, composer Torquato Tasso, librettist |
8 voices | Renaissance | Madrigals | |||||
| O vui Greghette belle inamuràe | Annibale Padovano, composer Antonio Molino, librettist |
F major | 8 voices mixed chorus |
Renaissance | Madrigals | ||||
| Oculi omnium (Benedictio Mensae) | Hieronymus Praetorius, composer | 8 voices | Renaissance | Motets | |||||
| Officium Hebdomadæ Sanctæ | Tomás Luis de Victoria, composer | RISM-A/I: V-1432 | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Antiphons, Passions, Motets, Lamentations, Responsories, Canticles, Psalms, Hymns, Improperia | ||||
| Omnes de Saba | Orlande de Lassus, composer Catholic Liturgy, librettist |
LV 973 | 8 voices | Renaissance | Motets | ![]() |
|||
| Omnes gentes plaudite | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Opera Omnia | Tomás Luis de Victoria, composer | 4 voices 5 voices 6 voices 8 voices 9 voices 12 voices mixed chorus 2 mixed chorus 2 mixed chorus and organ 3 mixed chorus 3 mixed chorus and organ |
Renaissance | Motets, Masses, Magnificats, Canticles, Hymns, Lamentations, Antiphons, Psalms, Sequences, Litanies | |||||
| Opus Melicum (Opvs Melicvm, Methodicum & Plane nouum. Continens harmonias selectiores IV. V. VI. VII. VIII. IX. X. & XII. vocvm, singulis Dominicis & Festis diebus ita accommodatas, vt non tam vertis suis Dominicis, quam diuersis etiam commode inseruiant, sed iterum atque iterum in laudem praepotentis Dei tum organo, tum vero vtplurimum Viua Voce, cantari in publico Ecclesiae conuentu possint. Omnibus omnium Ecclesiarum & Scholarum Cantoribus apprime vtile & necessarium) | Friedrich Weissensee, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 2 mixed chorus 9 voices 10 voices 12 voices |
Renaissance | Motets, Sacred songs | |||||
| Opus plane novum cantionum ecclesiasticarum in duas partes divisum ({{TPtr}} :Opus Plane Novum Cantionvm Ecclesiasticarum in duas partes divisum. : Prior Continet Missas Ad Imitationem Cantionum Orlandi, Marentii Et Aliorum probatissimorum Musicorum 5. 6. 7. 8. & plurium Vocum: Posterior Introitus, Kyrie, Sequentia., Et Plures Alias Cantiones Ad Melodias Chorales, Sex, Quinq[eu]; & quatuor vocum concentu adornatas, & ita dispositas, Ut Singulis Diebus Festis Et Dominicis Per Universum anni spacium in Ecclesijs commodè decantari possint. : Ad Laudem Dei Et Ecclesiarum Usum Nunc Primum In Lvcem Editvm. Pars Prior) | Bartholomäus Gesius, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Masses, Introits, Kyrie, Sequences, Sacred songs | |||||
| Or che soave l'aura | Benedetto Pallavicino, composer | 8 voices | Renaissance | Madrigals | |||||
| Or soit loué l’Eternel | Jan Pieterszoon Sweelinck, composer | 8 voices | Renaissance | Psalms | |||||
| Osculetur me osculo | Orlande de Lassus, composer | LV 735 | 8 voices 2 mixed chorus |
Renaissance | Motets | ||||
| Parte la Vita mia | Benedetto Pallavicino, composer | 8 voices | Renaissance | Madrigals | |||||
| Parvulus hodie natus est nobis | Girolamo Giacobbi, composer | 8 voices | Renaissance | Motets | |||||
| Pater noster, qui es in coelis | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Pater Peccavi a 8 | Jacobus Clemens non Papa, composer | 8 voices mixed chorus |
Renaissance | Motets | |||||
| Patrocinium musices | Adam Berg, composer | 4 voices 5 voices 6 voices 8 voices mixed chorus |
Renaissance | Motets, Masses, Passions, Magnificats, Intonations, Hymns | |||||
| Petite Nymfe folatre | Jean de Castro, composer | D minor | 8 voices | Renaissance | Chansons | ||||
| Piccolo requiem corale | Fulvio Caldini, composer | Juvenilia No.11 | 1987 | 8 voices mixed chorus |
Modern | Requiems | |||
| Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu | Fernando de las Infantas, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs | |||||
| Improperia | Giovanni Pierluigi da Palestrina, composer | 8 voices | Renaissance | Motets | ![]() |
||||
| Practische Musik-Werke (Practische Musik-Werke hervorragender Componisten des XVI-XVIII Jahrhunderts) | Siegfried Wilhelm Dehn, composer | 4 voices soprano, alto, tenor and bass 6 voices 2 sopranos, alto, 2 tenors and bass 8 voices 4 sopranos, 2 altos and 2 basses 9 voices 3 sopranos, 2 altos, 2 tenors and 2 basses 4 sopranos, 2 altos, tenor and 2 basses mixed chorus mixed chorus and strings mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra |
Baroque | Stabat Mater, Motets, Miserere, Improperia, Psalms, Masses, Offertories | |||||
| Praeter rerum seriem | Vicente Lusitano, composer | 1551 | 8 voices 2 mixed chorus |
Renaissance | Motets | ||||
| Princeps Marte potens, Guilielmus | Orlande de Lassus, composer | LV 1076 | 8 voices | Renaissance | Motets | ||||
| Psalm 43 (Richte mich, Gott) | Salomon Jadassohn, composer | Op.96 | 8 voices mixed chorus |
Romantic | Psalms, Motets | ||||
| Psalmen und Geistliche Lieder (Kirchengesäng: Psalmen und Christliche Lieder, auff die gemeynen Melodeyen mit vier Stimmen simpliciter gesetzt) | Hans Leo Hassler, composer | RISM A/I: H 2332 | 4 voices 5 voices 8 voices |
Baroque | Psalms, Sacred songs | ||||
| Psalmodia ad vespertinas (Psalmodia ad vespertinas omnium solennitatum horas octonis vocibus infractis decantada : canticaq; duo B. Virginis Mariæ, unum primi toni integrum, alterum quinti toni in versiculos divisum : Io. Matthæo Asula Veronensi auctore) | Giammateo Asola, composer | 8 voices | Renaissance | Psalms, Vespers | |||||
| Psalmus centesimus (Psalmus centesimus musicis octo vocum numeris adornatus) | Bartholomäus Gesius, composer | 8 voices | Renaissance | Psalms | |||||
| Psalmus David Quinquagesimus II | Francesco Corteccia, composer | 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Psalms, Book 2 (Livre Second des Pseaumes de David, nouvellement mis en musique à 4, 5, 6, 7, 8 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7247 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Psalms | ||||
| Psalms, Book 3 (Livre Troisieme des Pseaumes de David, nouvellement mis en musique à 4, 5, 6, 7, 8 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7248 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Psalms | ||||
| Psalms, Book 4 (Livre Quatriesme et Conclusionnal des Pseaumes de David, nouvellement mis en musique à 4, 5, 6, 7, 8 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7253 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Psalms | ||||
| Pseaumes en vers mezurez | Claude Le Jeune, composer Jean-Antoine de Baïf, librettist |
2 voices 3 voices soprano, alto, tenor and bass 5 voices 6 voices 7 voices 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Quae est ista | Nicola Parma, composer | 8 voices | Renaissance | Psalms | |||||
| Quam pulchra es | Philipp Dulichius, composer | 8 voices 2 mixed chorus |
Baroque | Motets | |||||
| Que dis-tu | Orlande de Lassus, composer Pierre de Ronsard, librettist |
LV 589 | 8 voices 2 mixed chorus |
Renaissance | Chansons |
©2026 CMI