Composition search
- Compositions
- for 8 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Missa super Osculetur me (Octo vocum) | Orlande de Lassus, composer | H x, 187 | 1582 | 8 voices | Renaissance | Masses |  |
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| Missa, motecta vesperarumqae psalmi, octonis vocibus concinendi | Pietro Maria Marsolo, composer | RISM A/I: M 748 | 8 voices 12 voices |
Renaissance | Masses, Motets, Psalms | |
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| Missae quaternis, v, vi et viii vocibus | Hans Leo Hassler, composer | 4 voices 5 voices 6 voices 8 voices mixed chorus |
Renaissance | Masses | |
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| Missae posthumae (Orlandi de Lasso ... Missae posthumae, ritv veteri Romano Catholico, in modos qva senos qva octonos temperatae hactenvs ineditae; et omnivm qvas edidit, lectissimae: vulgatae demum affectv, stvdio svmtv superstitis filij Rvdolphi de Lasso ...) | Orlande de Lassus, composer | LV 627, 1146-1150 | 6 voices 8 voices |
Renaissance | Masses | |
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| Missae quattuor, quinque, sex, et octo vocibus | Tomás Luis de Victoria, composer | 4 voices 5 voices 6 voices 8 voices mixed chorus |
Renaissance | Masses | |
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| Missae tres octonis vocibus, liber primus | Giammateo Asola, composer | 8 voices | Renaissance | Masses | |
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| Missae, Magnificat, Motecta, Psalmi ({{TPtr}} :Thomæ Ludovici de Victoria abulensis. Sacræ Cæsareæ Maiestatis Capellani. Missæ, Magnificat, Motecta, Psalmi, & alia quam plurima. Quæ partim Octonis, alia Nonis, alia Duodenis vocibus concinuntur. Hæc omnia sunt in hoc libro ad pulsandum in organis. Ad Philippum III. Orbis utriusque; Monarcham maximum. Permissu superiora. Matriti, Ex Typographia Regia. Anno M. DC.) | Tomás Luis de Victoria, composer | 4 voices 8 voices 9 voices 12 voices |
Renaissance | Masses, Magnificats, Motets, Psalms, Antiphons, Sequences, Hymns, Litanies | |
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| Missarum, Liber 1 | Juan Esquivel Barahona, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Masses | |
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| Missodia Sionia (Missodia Sionia continens cantiones sacras, ad officium quod vocant summum, ante meridiem in ecclesia usitatas ... per harmoniam 2. 3. 4. 5. 6. & 8. vocibus (chorali cumprimis observata) ita concinnatas, ut tam in choro quam organo Motectarum etiam loco non incommode usurpari possint) | Michael Praetorius, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices mixed chorus |
Renaissance | Sacred choruses, Motets | |
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| Modi sacri sive cantus musici | Christian Erbach, composer | RISM A/I: E 725 | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices |
Baroque | Sacred songs | |
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| Moralia | Jacob Handl, composer | 5 voices 6 voices 8 voices |
Renaissance | Secular choruses | |
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| Motecta Festorum totius anni cum communi sanctorum (Motecta festorum totius anni cum Communi Sanctorum, quae partim senis, partim quinis, partim quaternis, alia octonis vocibus concinuntur) | Tomás Luis de Victoria, composer | mixed chorus 4 voices 5 voices 6 voices 8 voices |
Renaissance | Motets | |
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| Motecta liber primus (Motecta multiplici vocum numero concinenda, liber primus) | Girolamo Giacobbi, composer | 5 voices 6 voices 7 voices 8 voices |
Baroque | Motets | |
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| Motecta, que partim quaternis, partim quinis, alia senis, alia octonis vocibus concinuntur ({{TPtr}} :Thomæ Ludovici de Victoria abulensis. Motecta que partim. Quaternis. Partim, quinis, alia, senis, alia Octonis Vocibus Concinuntur. Venetijs Apud Filios Antonij Gardani. 1572) | Tomás Luis de Victoria, composer | RISM-A/V 1421 | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Motets, Antiphons | |
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| Motectæ sacræ | Leonhard Lechner, composer | RISM A/I: L 1286 | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Motets | |
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| Motetti a 8 voci, Libro 1 (Motetti a otto voci ... comodi per le voci, e per cantar con ogni stromento) | Giovanni Croce, composer | 8 voices mixed chorus |
Renaissance | Motets | |
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| Motetti a 8 voci, Libro 2 | Giovanni Croce, composer | 8 voices mixed chorus |
Renaissance | Motets | |
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| Il primo libro de motetti, a sette, otto, & vno a quindici voci | Guglielmo Lipparino, composer | RISM A/I: L 2573 | 7 voices 8 voices 15 voices |
Baroque | Motets | |
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| Motettorum, Book 3 (Liber tertius : viginti musicales quinque, sex, vel octo vocum motetos habet) | Pierre Attaingnant, composer | 5 voices 6 voices 8 voices |
Renaissance | Motets | |
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| Motettorum quae partim quinis, partim senis, partim octonis vocibus concinantur, liber secundus (Motettorum, Liber 2) | Giovanni Pierluigi da Palestrina, composer | RISM-A/I: P-705 | 5 voices 6 voices 8 voices |
Renaissance | Motets | |
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| Musae Sioniae, Erster Theil (Geistliche Concert Gesänge ... mit 8 Stimmen, Orgel und Chor, lebendiger Stimmen und allerhand Instrumenten) | Michael Praetorius, composer | RISM A/I: P 5348 | 8 voices 8 voices and continuo |
Renaissance | Chorales, Hymns, Psalms, Motets | |
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| Musae Sioniae, Ander Theil (Geistliche Concert Gesänge ... mit 8 und 12 Stimmen gesetzet) | Michael Praetorius, composer | RISM A/I: P 5349 | 8 voices 12 voices 8 voices and continuo 12 voices and continuo |
Renaissance | Chorales, Hymns, Psalms, Motets | |
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| Musae Sioniae, Theil 3 | Michael Praetorius, composer | RISM A/I: P 5350 | 8 voices 9 voices 12 voices 8 voices and continuo 9 voices and continuo 12 voices and continuo |
Renaissance | Chorales, Hymns, Psalms, Motets | |
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| Musae Sioniae, Vierdter Theil (Geistliche Concert Gesänge über die fürnembste Deutsche Psalmen und Lieder, wie sie in der Christlichen Kirchen gesungen werden mit 8 Stimmen) | Michael Praetorius, composer | 2 mixed chorus 2 mixed chorus 2 mixed chorus and organ 8 voices 8 voices 8 voices and organ |
Renaissance | Hymns, Psalms | |
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| Musae Sioniae, Fünfter Theil (Geistlicher Deutscher in der Christlichen Kirchen ublicher Lieder und Psalmen, mit 2-8 Stimmen) | Michael Praetorius, composer | RISM A/I: P 5352 | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices 2 voices and continuo 3 voices and continuo 4 voices and continuo 5 voices and continuo 6 voices and continuo 7 voices and continuo 8 voices and continuo |
Renaissance | Chorales, Hymns, Psalms, Motets | |
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| Musarum Sioniarum (Motectae et Psalmi latini...IV. V. VI. VII/ VIII. IX. X. XII. XVI. vocum, choro et organis accommodatae. I. pars) | Michael Praetorius, composer | 8 voices voices mixed chorus |
Renaissance | Motets, Psalms | |
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| Musica sacra (Anthologie des evangelischen Kirchengesangs) | Hans Michel Schletterer, composer | mixed chorus 2 mixed chorus 5 voices 6 voices 8 voices |
Classical | Sacred choruses | |
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| Neue Schöne Deutsche und Lateinische Gesänge ({{TPtr}} :Stephani Höpneri, Musici vnd Cantoris in Franckfurt an der Oder. Newe Schöne Deutsche vnd Lateinische Gesänge, so zuvor nie im Druck gewesen, Auff sonderliche Sontage vnd die fürnembsten Jahr- vnd Danckfeste, auch zu Hochzeitlichen Ehrentage, Jn der Kirchen auff Orgell vnd Choro, via voce vnd Instrumentis Musicis zugleich vnd Concertweise, nach Anordnung eines jeglichen Cantoris gantz bequem: Nebenst der Historia vom Leiden vnd Sterben vnsers Erlösers vnd Seligmachers Jesu Christi auß dem Evangelisten Matthæo mit drey Theilen: Vnd andern, so bey Christlichen Leichbegengnissen tröstlich, gantz vollstimmig, so wol für kleine alß grosse Schulen, Gott dem Allmechtigen zu Lob, Ehr vnd Preiß, vnd allen frommen Hertzen zu Christlicher Andacht nützlichlich zugebrauchen, mit 4. 5. 6. 7. 8. vnd 12. Stimmen.) | Stephan Hoepner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 12 voices |
Renaissance | Sacred songs | |
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| Neue Teutsche gesang (Neue Teutsche gesang nach art der welschen Madrigalien un[d] Canzonetten, mit 4.5.6. unnd 8. Stimmen. Durch Hanns Leo Hasler, von Nuermberg) | Hans Leo Hassler, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Songs, Madrigals, Canzonets | |
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| Newe außerlesene Teutsche Lieder (Newe außerlesene Teutsche Lieder, mit vier, fuenff und mehr stimmen, welche gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen) | Christian Hollander, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Lieder, Sacred songs | |
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| Newe deutsche Gesänge (Newe Deutsche Gesänge mit Fünff Stimmen, vnd Eins mit Achten, nach Art der Welchen Madrigalen Conponiret Durch Andream Hakenberger Pomeranum Der Königlichen Stadt Dantzig Cappellenmeister zu S. Marien Kirchen) | Andreas Hakenberger, composer | 5 voices 8 voices |
Renaissance | Madrigals | |
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| Newe Deutsche Weltliche Cantzonette (Newe Deutsche Weltliche Cantzonette, derenetliche auff ein besondere art der Italienischen Concerten gerichtet, und auff aller hand Musicalischen Instrumenten zu gebrauchen sindt, mit vier, fuenff, sechs, sieben und acht Stimmen componirt) | Andreas Myller, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments 8 Unspecified instruments |
Renaissance | Canzonettas | |
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| Newe Weinacht Liedlein mit 4 und 8 Stimmen | Leonhard Schröter, composer | 4 voices 5 voices 8 voices |
Renaissance | Carols, Lieder, Sacred songs | |
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| Niederländische und Deutsche Motetten des 17. Jahrhunderts | Various, composer | 4 voices 5 voices 5 voices and continuo 8 voices mixed chorus mixed chorus and continuo |
Renaissance | Motets |  |
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| No More War | Frederic Rzewski, composer | 2005 | 8 voices | Modern | Canons | |
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| Novi thesauri musici | Antonio Gardano, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | |
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| Novi thesauri musici, Libro 2 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | |
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| Novi thesauri musici, Libro 3 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | |
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| Novi thesauri musici, Libro 4 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 8 voices 12 voices |
Renaissance | Motets | |
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| Novi thesauri musici, Libro 5 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 7 voices 8 voices 12 voices |
Renaissance | Motets | |
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| Novum et insigne opus musicum (Novum et insigne opus musicum quinis, senis, septenis, octonis, & pluribus vocibus compositum ad totius anni festivitates) | Thomas Fritsch, composer | 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices |
Baroque | Motets | |
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| Nun bitten wir | Michael Praetorius, composer | 8 voices | Renaissance | Hymns | |
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| Nun grüß dich Gott (Dialogus 8. Vocum) | Orlande de Lassus, composer | 8 voices | Renaissance | Lieder | |
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| Nun lob, mein Seel, den Herren | Johannes Kugelmann, composer | F major | 8 voices | Renaissance | Canons | |
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| Nunc dimittis | Orlande de Lassus, composer | LV Anh.110-123 | 1565 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Canticles | |
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| Nunc Dimittis | Hieronymus Praetorius, composer | 8 voices 2 mixed chorus |
Renaissance | Sacred songs, Motets | |
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| Nunc dimittis servum tuum | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |
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| Nunc dimittis sexti toni (Octo vocum) | Orlande de Lassus, composer | LV Anh.121 | 8 voices | Renaissance | Canticles | |
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| O admirabile commercium | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |
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| O bone Jesu | Giovanni Pierluigi da Palestrina, composer | 1588 | 8 voices | Renaissance | Motets | |
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| O crux splendidior | Andrea Gabrieli, composer | 8 voices | Renaissance | Magnificats, Antiphons | |
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