Compositions for 8 voices

Title click for details	Creators	Key	Opus	Composed	Instrumentation	Period/style	Type
Ein feste Burg à 8	Michael Praetorius, composer	F major			8 voices	Renaissance	Psalms
Ein kindt geborn zu Bethlehem I	Leonhard Schröter, composer	G minor			2 mixed chorus 8 voices	Renaissance	Chorales, Carols
Ein kindt geborn zu Bethlehem III	Leonhard Schröter, composer	G minor			2 mixed chorus 8 voices	Renaissance	Chorales, Carols
Ergo rex vivat	Orlande de Lassus, composer		LV 1132		8 voices 2 mixed chorus	Renaissance	Motets
Eton Choirbook (MS 178 from Eton College Library, England)	Various, composer		GB-ETc MS 178		4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 13 voices	Renaissance	Motets, Magnificats, Passions
Eulogodia Sionia ({{TPtr}} :Eulogodia Sionia continens cantiones sacras in ecclesia conclusionis loco ad dimissionem usitatas ... per harmoniam 2. 3. 4. 5. 6. 7. & 8. vocibus (chorali cumprimis observata) ita concinnatas, ut tam in choro quam organo Motectarum etiam loco non incommode usurpari possint)	Michael Praetorius, composer				2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices	Renaissance	Sacred songs, Motets
Evangelischer Sprüche (Deutsche Sonntaegliche Evangelische Sprüche von Advent biß auff Trinitatis [von Trinitatis bis auf Advent])	Melchior Vulpius, composer				4 voices 5 voices 6 voices 8 voices	Renaissance	Sacred songs
Expurgate vetus fermentum	Giovanni Pierluigi da Palestrina, composer				8 voices 2 mixed chorus	Renaissance	Motets
Felicissimum thalamum / Cantate Domino canticum novum ({{TPtr}} :Felicissimvm Thalamvm Nobilissimo atq[ue] Eximio Domino Sponso, Sigismundo Scharffio; Ac Nobilißimæ, Virtutibusq[ue] Sexus sui Ornatißimæ Virgini Sponsæ, Annæ: Nobilissimi, Amplissimi ac Prudentissimi, Domini Heinrici A Mullhen; Viri quondam in Cniphovio Consularis optimè Meriti, nunc beati, Filiæ Anno M. DC. XLII. XIII. Januarij. : Hac Harmonia VIII. Vocum.)	Johann Stobäus, composer				8 voices	Baroque	Wedding music
Fili, non te frangant labores	Giovanni Pierluigi da Palestrina, composer				8 voices 2 mixed chorus	Renaissance	Motets
Florilegium selectissimarum cantionum (Florilegium selectissimarum Cantionum, praestantissimorum aetatis nostrae autorum, 4. 5. 6. 7. & 8. Vocum, in illustri Gymnasio Portensi, ante & post cibum sumtum, nunc temporis vsitarum, in gloriam Dei, scholae decus, & studiosae juventutis vtilitatem collectum & editum studio ac labore M. Erhardi Bodenschatz)	Erhard Bodenschatz, composer		Florilegium selectissimarum cantionum		4 voices 5 voices 6 voices 7 voices 8 voices	Renaissance	Motets, Sacred songs
Fratres, ego enim accepi	Giovanni Pierluigi da Palestrina, composer	G (minor)			2 mixed chorus 8 voices	Renaissance	Motets
Freut euch des Herren ihr Gerechten	Johann Konrad Geisthirt, composer	G major			8 voices 2 mixed chorus	Baroque	Motets
Fugarum libellus (Liebliche Fugen und Geistliche Lieder allen Kunstliebenden Musicis zu gefallen auff mancherley art, mit Drey, Vier, Fünff, und mehr Stimmen Componiret und im Druck verfertiget)	Johann Friedrich Görlitz, composer				3 voices 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices	Renaissance	Canons
Gabriel angelus locutus est	Tiburtio Massaino, composer				8 voices 2 mixed chorus	Renaissance	Antiphons
Gaudeamus omnes	Guillaume Bouzignac, composer				8 voices 2 mixed chorus	Renaissance	Motets
Geistliche Deudsche Lieder (Nawe schöne außerlesene Geistliche Deudsche Lieder, mit Fünff, und Sechs Stimmen, gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen, sampt einem Dialogo mit Acht Stimmen)	Antonio Scandello, composer				5 voices 6 voices 7 voices 8 voices	Renaissance	Sacred songs, Lieder
Geistliche Musicalische Lustgarten, Teil 1 (Geistlichen Musicalischen Lustgartens Erster Theil darinnen allerley schoene liebliche Harmonien, von Psalmen unnd andern troestreichen Texten zu finden ... so wol voce als instrumentis zu musiciren und zu gebrauchen, mit 4. 5. 6. 7. 8. und 9. Stimmen componiret)	Melchior Franck, composer				4 voices 5 voices 6 voices 7 voices 8 voices 9 voices	Renaissance	Sacred songs, Motets
Gemma Musicalis I (Gemma musicalis: selectissimas varii stili cantiones (vulgo Italis madrigali et Napolitane dicuntur) quatuor, quinque, sex et plurium vocum continens ... Liber Primus)	Friedrich Lindner, composer				4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices	Renaissance	Madrigals
Gemma Musicalis II (Liber Secundus Gemmae Musicalis: selectissimas varii stili cantiones, quae madrigali et napolitane Italis dicuntur, quatuor, quinque, sex & plurium vocum, continens)	Friedrich Lindner, composer				4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices	Renaissance	Madrigals
Gemma Musicalis III (Tertius Gemmae Musicalis Liber: selectissias diversorum autorum cantiones, Italis Madrigali & Napolitane dictas, octo, septem, sex, quinque & quatuor vocum continens)	Friedrich Lindner, composer				4 voices 5 voices 6 voices 7 voices 8 voices	Renaissance	Madrigals
Haec dies quam fecit Dominus	Giovanni Pierluigi da Palestrina, composer				8 voices 2 mixed chorus	Renaissance	Motets
Haec est dies praeclara	Giovanni Pierluigi da Palestrina, composer				8 voices 2 mixed chorus	Renaissance	Motets
Halt, was du hast (Motette)	Johann Michael Bach, composer	E minor			8 voices 2 mixed chorus	Baroque	Motets
Harmonia 8 vocum ({{TPtr}} :Harmonia 8. Vocum Quam Amplissimis Viris Prudentia Ervditione, Avtoritate & gubernationis fide præstantissimis Dn. Consulibus, Syndico, Camerarijs & cæteris Senatoribus florentissimæ Reip: Stetinensium Nec non Spectatissimis Doctissimis juxtà ac Integerrimis Viris Dn. Provisoribus Templorum Divi Jacobi & Nicolai. Dnis Favitoribus ac Promotoribus sius summa ebservantia colendis.)	Johann Remsched, composer				8 voices 2 mixed chorus	Baroque	Songs
Harmonia Celeste (Harmonia Celeste di diversi eccellentissimi musici a 4, 5, 6, 7 et 8 voci, nuovamente raccolta per Andrea Pevernage ; Nella quale si contengono i più Eccellenti Madrigali che boggidi si cantino.)	André Pevernage, composer				4 voices 5 voices 6 voices 7 voices 8 voices	Renaissance	Madrigals
Harmonia Sacra	Andreas Hakenberger, composer		RISM A/I: H 1898		6 voices 7 voices 8 voices 9 voices 10 voices 12 voices	Renaissance	Motets
Ha-shirim asher li-Shlomo (The Songs of Salomon)	Salamone Rossi, composer				3 voices 4 voices 5 voices 6 voices 7 voices 8 voices	Baroque	Sacred songs, Psalms
Hei mihi Domine à 8	Francesco Bianciardi, composer Catholic Liturgy, librettist	A minor			8 voices 2 mixed chorus	Renaissance	Motets
Hochzeit Gesänge mit fünff sechs und acht Stimmen (Hochzeit gesänge mit Fünff Sechs vnd Acht stimmen, Zu Hochzeitlichen Ehren vnd sondern wolgesagen: Dem Erbaren vnd Namhafften Friderico Hartman Buch-bindern vnd hendlern in der Stadt Franckfurdt an der Oder, Breutigam)	Bartholomäus Gesius, composer				5 voices 6 voices 8 voices	Renaissance	Wedding music
Hodie Christus natus est	Giovanni Gabrieli, composer		Ch.C8		8 voices	Renaissance	Antiphons
Hodie Christus natus est	Giovanni Pierluigi da Palestrina, composer				8 voices	Renaissance	Motets
Hodie gloriosa semper virgo Maria (In Assumptione Beatae Mariae Virginis)	Giovanni Pierluigi da Palestrina, composer				8 voices 2 mixed chorus	Renaissance	Motets
Hodie lucerna ante solem lucet	Tiburtio Massaino, composer				8 voices 2 mixed chorus	Renaissance	Motets
Hodie nobis coelorum rex	Jacob Handl, composer				8 voices	Renaissance	Motets
Hola Caron (Dialogue)	Orlande de Lassus, composer		LV 454		8 voices 2 mixed chorus	Renaissance	Chansons
Hor che nel suo bel seno	Andrea Gabrieli, composer				8 voices	Renaissance	Madrigals
Hört zu und seid getrost (Newe Weihnacht Liedlein)	Leonhard Schröter, composer	F major			mixed chorus 4 voices 8 voices	Renaissance	Sacred songs
Hymni totius anni ({{TPtr}} :Thomæ Ludovici a Victoria abulensis. Hymni totius anni, secundum Sanctæ Romanæ Ecclesiæ consuetudinem. Qui quattuor concinuntur vocibus, Una cum quattuor Psalmis, pro præcipuis festivitatibus, qui octo vocibus modulantur. Ad Gregorium XIII. Pont. Max. Romæ. Ex Typographia Dominici Basae. M. D. LXXXI. Romæ apud Franciscum Zanettum. MDLXXXI.)	Tomás Luis de Victoria, composer		RISM-A/I: V-1428		4 voices 8 voices	Renaissance	Hymns, Psalms
Hymnodia Sionia (Hymnodia Sionia continens hymnos sacros XXIV. anniversarios selectos, in ecclesia usitatos, per harmoniam duabus, 3. 4. 5. 6. 7. & 8. vocibus, (chorali cumprimis observata,) ita concinnatos, ut tam in choro quam organo, motectarum etiam loco percommode usurpari possint)	Michael Praetorius, composer				3 voices 4 voices 5 voices 6 voices 7 voices 8 voices organ	Renaissance	Hymns, Pieces
Ich hebe meine Augen auf	Philipp Dulichius, composer				8 voices 2 mixed chorus	Baroque	Motets, Psalms
Il secondo libro dei madrigali a cinque e sei voci, con due dialoghi	Horatio Faa, composer				5 voices 6 voices 8 voices 10 voices	Renaissance	Madrigals
In Deo laudabo (In Deo laudabo - Salmo 56(55))	Carlotta Ferrari, composer			2016	8 voices 2 mixed chorus	Modern	Psalms
In dulci iubilo	Leonhard Schröter, composer	F major			8 voices 2 mixed chorus	Renaissance	Carols
In dulci jubilo	Hieronymus Praetorius, composer	F major			8 voices	Baroque	Carols
In dulci jubilo	Michael Praetorius, composer				8 voices 2 mixed chorus	Renaissance	Sacred songs
In te Domine speravi	Benedetto Pallavicino, composer				8 voices	Renaissance	Motets
Inclina Domine	Claudin de Sermisy, composer				8 voices	Renaissance	Psalms, Motets
Ingredere	Francesco Corteccia, composer	F major		1539	8 voices	Renaissance	Intermezzos
Iniquos odio habui	Luca Marenzio, composer				8 voices	Renaissance	Sacred songs
Inviolata, integra et casta es	Vicente Lusitano, composer			1551	8 voices 2 mixed chorus	Renaissance	Motets

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