| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Chiar' Angioletta | Giovanni Gabrieli, composer | Ch.117 | 8 voices | Renaissance | Secular choruses | ||||
| Christ unser Herr zum Jordan kam | Michael Praetorius, composer | 2 mixed chorus 8 voices |
Baroque | Motets, Sacred choruses | |||||
| Circus symphoniacus (Circvs symphoniacvs Rvdolphi de Lasso. Commissi in arenam phonomachi dvodeni. undeni. noveni. Saepe Plures. Pauciores. Nvmero pari. impari. Dati in praelum & praelium propriam impensam. Aere proprio. Odarvm circensivm syllabvs) |
Rudolph de Lassus, composer | 16 voices 4 mixed chorus 12 voices 11 voices 10 voices 3 mixed chorus 9 voices 8 voices 2 mixed chorus |
Renaissance | Psalms, Hymns, Magnificats | |||||
| Dritter Theil Fest- und Aposteltägige Evangelische Sprüche | Johann Christenius, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Motets | |||||
| Compositions françaises de 4 à 8 voix | Orlande de Lassus, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Chansons | |||||
| Concerti di Andrea et di Gio: Gabrieli | Andrea Gabrieli, composer | 6 voices 7 voices 8 voices 10 voices 12 voices 16 voices |
Baroque | Madrigals, Motets, Masses, Psalms | |||||
| Concerto de pastori | Giovanni Giacomo Gastoldi, composer | 8 voices | Renaissance | Balletts | |||||
| Concerto primo 'La Battaglia' (Concerto primo per sonare) | Adriano Banchieri, composer | 8 voices 8 Unspecified instruments |
Baroque | Concertos | |||||
| Confitebor tibi Domine | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Confitebor tibi Domine a8 (Psalm 111, primi toni) | Adrian Willaert, composer | 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Confitemini Domino | Philipp Dulichius, composer | 8 voices 2 mixed chorus |
Baroque | Motets, Psalms | |||||
| Congratulamini mihi omnes | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Continuatio cantionum sacrarum (Continuatio Cantionum sacrarum quatuor, quinque, sex, septem, octo et plurium vocum, de festis praecipuis anni, a praestantissimis Italiae Musicis nuperrime concinnatarum) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets, Sacred songs | |||||
| Convito musicale | Orazio Vecchi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals, Canzonas, Canzonettas | |||||
| Coppia real | Orazio Vecchi, composer | 8 voices | Renaissance | Madrigals | |||||
| Corollarium cantionum sacrarum (Corollarivm Cantionvm Sacrarvm Qvinqve, Sex, Septem, Octo, Et Plvrivm Vocvm, De Festis Præcipvis Anni : Quarum quædam anteà, à præstantissimis nostræ ætatis musicis, in Italia separatim editæ sunt, quædam vero nuperrimè concinnatæ, nec uspiam typis excusæ, at nunc in unum quasi corpus redactæ studio & opera Friderici Lindneri &c.) | Friedrich Lindner, composer | 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets | |||||
| Credidi, propter quod locutus sum (Psalm 116, quarti toni) | Adrian Willaert, composer | 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Crudelissima doglia! (Madrigal) | Antonio Politano, composer | 2011 | 8 voices | Modern | Madrigals | ||||
| Cymbalum Davidicum (Cymbalum Davidicum, das ist: Geistliche Melodeyen unnd Gesaenge, auss den Psalmen Davids mehrentheils genommen, zu Befoerderung Goettlichen Nahmens Ehre, der Christlichen Kirchen Zierde, und Erweckung hertzlicher Freude, mit 5. 6. und 8. Stimmen componiret) | Bartholomäus Helder, composer | 5 voices 6 voices 8 voices 2 mixed chorus |
Renaissance | Psalms, Motets | |||||
| Cymbalum Sionium sive Cantiones Sacrae (Cymbalum Sionium sive Cantiones Sacrae, 5. 6. 8. 10. & 12. vocum) | Johann Hermann Schein, composer | 5 voices 6 voices 8 voices 10 voices 12 voices |
Renaissance | Sacred songs, Motets | |||||
| D’amours me plains et non de vous m’amye | Jean Guyot, composer | 8 voices | Renaissance | Chansons | |||||
| Da pacem Domine in diebus nostris | Johann Matthaeus Schmiedeknecht, composer | D major | 8 voices 2 mixed chorus |
Baroque | Motets | ||||
| Danck-Lied ({{TPtr}} :Danck-Lied für die ewigwehrende Güte Gottes aus dem 136. Psalm, zu Glückwünschung auff des Ehrnvesten Achtbaren und Wolbenahmten H. Johannis Willvdovii Churfl. Brandenb. wolbestelten Cammer-Meister im Hertzogthumb Preussen, Vnd dessen Hertzliebsten Braut Der Ehrbaren vnd Thugendreichen Jungfrawen Catharinæ Des auch Ehrnvesten und Vornehmgeachten Herrn Michel Gericken Mitbürgers und Meltzenbräwers der Churfl. Altstadt Königsberg Ehleiblichen, Mit 8. Stimmen gesetzet.) | Johann Stobäus, composer | 8 voices 2 mixed chorus |
Baroque | Wedding music | |||||
| Daran ist erschienen die Liebe Gottes | Johann Konrad Geisthirt, composer | G major | 8 voices 2 mixed chorus |
Baroque | Motets | ||||
| Das ist meine Freude | Johann Ludwig Bach, composer | B flat major | 8 voices 2 mixed chorus |
Baroque | Motets, Psalms | ||||
| Der preussischen Fest-Lieder (Volume 1: [Erster Theil] Der preussischen Fest-Lieder vom Advent an biss Ostern Volume 2: [Ander Theil] Der preussischen Fest-Lieder von Ostern an biss Advent) |
Johannes Eccard, composer | 5 voices 6 voices 7 voices 8 voices |
Baroque | Lieder, Sacred songs | |||||
| Deus misereatur nostri | Philipp Dulichius, composer | 8 voices 2 mixed chorus |
Baroque | Psalms | |||||
| Deus misereatur nostri | Orlande de Lassus, composer | LV 266 | 8 voices 2 mixed chorus |
Renaissance | Sacred songs, Psalms | ||||
| Deus venerunt gentes | Luca Marenzio, composer | 8 voices | Renaissance | Sacred songs | |||||
| Di moi mon cueur (Dialogus. 8. Vocum) | Orlande de Lassus, composer | LV 498 | 8 voices | Renaissance | Chansons | ||||
| Dialoghi musicali de diversi eccellentissimi autori (Dialoghi musicali de diversi eccellentissimi autori, a sette, otto, nove, dieci, undeci, & dodeci voci, novamente posti in luce. Con due battaglie a otto voci, per sonar de istrumenti da Fiato, di Annibale Podoano, & di Andrea Gabrieli [...]) | Various, composer | 7 voices 8 voices 9 voices 10 voices 11 voices 12 voices 8 Unspecified instruments |
Renaissance | Madrigals, Pieces | |||||
| Dic mihi quem portas | Orlande de Lassus, composer | LV 390 | 8 voices 2 mixed chorus |
Renaissance | Motets | ||||
| Die Strafe liegt auf ihm | Otto Nicolai, composer | 8 voices mixed chorus |
Romantic | Sacred choruses | |||||
| Dies sanctificatus illuxit nobis | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Diliges Dominum Deum | William Byrd, composer | 8 voices | Renaissance | Sacred songs, Motets | |||||
| Disciplinam et sapientiam docuit eos Dominus | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Divine Recreations (Being a Collection of Psalms, Hymns, and Canons, in 2, 3, and 4 Parts: with Easy, Grave, and Pleasant Tunes adapted to each of them) | Various, composer | 2 voices 3 voices 4 voices 8 voices mixed chorus |
Baroque | Psalms, Hymns, Canons | |||||
| Dixit Dominus | Gregorio Allegri, composer | 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Dixit Dominus | Antonio Cifra, composer | 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Dixit Dominus (Psalm 109, Septimi toni) | Adrian Willaert, composer | 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Domine exaudi orationem meam | Giovanni Gabrieli, composer | Ch.15 | 1597 | mixed chorus 2 mixed chorus 8 voices 8 Unspecified instruments |
Renaissance | Motets | |||
| Domine in virtute tua | Giovanni Pierluigi da Palestrina, composer | 8 voices 2 mixed chorus |
Renaissance | Motets | |||||
| Donne, la pura luce | Ruggiero Giovannelli, composer Cristoforo Castelletti, librettist |
8 voices 2 mixed chorus |
Renaissance | Madrigals | |||||
| Drunk with Love (Song of Songs Five) | Craig Bakalian, composer | 2014 | 8 voices mixed chorus |
Modern | Sacred songs | ![]() |
|||
| Duo seraphim | Francesco Croatti, composer | 8 voices | Renaissance | Motets | |||||
| Duo seraphim Clamabant | Gregor Aichinger, composer | 8 voices | Renaissance | Motets | |||||
| Ecce quam bonum (Ecce quam bonum et quam jucundum habitare fratres in unum) | Anonymous, composer | 8 voices | Baroque | Psalms | |||||
| Ecclesiasticae cantiones (Ecclesiasticarum cantionum) | Leonhard Paminger, composer | 4 voices 5 voices 6 voices 8 voices 2 mixed chorus |
Renaissance | Antiphons, Responsories, Hymns, Motets, Canons | |||||
| Edite Caesareo | Orlande de Lassus, composer | LV 344 | 1568 | 8 voices | Renaissance | Motets | |||
| Ehre sei Gott in der Höhe | Otto Nicolai, composer | 8 voices 2 mixed chorus |
Romantic | Motets | |||||
| Ein feste Burg à 8 | Michael Praetorius, composer | F major | 8 voices | Renaissance | Psalms |
©2026 CMI