Composition search
- Compositions
- for soprano, alto, tenor, bass, mixed chorus and orchestra
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Beatus vir in B-flat major | Antonio Caldara, composer | B flat major | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms |  |
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| Beatus vir in C major | Antonio Caldara, composer | C major | 1724 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |
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| Beatus vir in C major | Antonio Caldara, composer | C major | 1736 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |
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| Beatus vir | Jan Dismas Zelenka, composer | C major | ZWV 76 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |
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| Bei Gott ist mein Heil | Christoph Graupner, composer Johann Conrad Lichtenberg, librettist |
C major | GWV 1174/35 | 1735 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Beim Aufgang der Sonne | Karl Heinrich Sämann, composer | Op.11 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| Benedictus in G major | Francesco Nicola Fago, composer | G major | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Benedictus | |
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| Bereitet die Wege, bereitet die Bahn (Prepare the Paths, Prepare the Road!) | Johann Sebastian Bach, composer | A major | BWV 132 | 1715 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Bethany (Sacred Cantata in Two Parts) | William Rhys-Herbert, composer William ApMadoc, librettist |
soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred cantatas | |
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| Bleib bei uns, denn es will Abend werden (Stay with us, for Evening Falls) | Johann Sebastian Bach, composer Nikolaus Selnecker, librettist Martin Luther, librettist |
C minor | BWV 6 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Bleibe bei uns, denn es will Abend werden | Johann Christoph Fischer, composer | 1750 | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Sacred cantatas | |
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| Der Herr denket an uns | Marco Mulzer, composer | G-Dur | 2004 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas |  |
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| Cantata on the Accession of Emperor Leopold II (Kantate auf die Erhebung Leopold II zur Kaiserwürde) | Ludwig van Beethoven, composer Severin Anton Averdonk, librettist |
WoO 88 | 1790 | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Secular cantatas | |
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| Cantata on the Death of Emperor Joseph II (Cantata auf den Tod Kaiser Joseph des Zweiten) | Ludwig van Beethoven, composer Severin Anton Averdonk, librettist |
C minor | WoO 87 | 1790 | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Secular cantatas | |
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| Cantate "Les Droits de l'Homme" | Colette Mourey, composer Emile Céard, librettist |
D minor | 2017 | soprano, alto, tenor, bass, mixed chorus and orchestra | Modern | Secular cantatas | |
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| Cantate du Pauvre (Soliloques du Pauvre, Jehan Rictus) | Emmanuel Chavaneau, composer | 2019 | soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, flute, oboe, clarinet, bassoon, horn, 2 violins, viola, cello, double bass and harpsichord |
Modern | Secular cantatas | |
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| Cantico delle creature (Oratorium) | Conrad Artmüller, composer | C major | 2008 | soprano, alto, tenor, bass, mixed chorus and orchestra | Early 20th century | Sacred oratorios | |
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| Cantus lugubris in obitum Friderici Magni (Cantus lugubris in obitum Friderici Magni Borussorum Regis ad voces alternas magnamque orchestram accomodatus; Trauer-Cantate auf den Tod Friedrichs des Zweitens) | Johann Friedrich Reichardt, composer | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Secular cantatas, Funeral music | |
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| Caractacus | Edward Elgar, composer Harry Arbuthnot Acworth, librettist |
Op.35 | 1897 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| Childe Jesus (A Christmas Cantata) | Joseph Waddell Clokey, composer | soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, 2 violins, viola and cello |
Early 20th century | Sacred cantatas | |
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| Chöre des bei dem Erntefest im Bubeneč versammelten böhmischen Landvolkes (Klavierauszug. Chöre des bey dem Aerntefest im Bubenecz versammelten Boemischen Landvolkes in Gegenwart I. I. M. M. des Koenigs und der Koeniginn von Boehmen in Musick gesetzt von Vinzenz Maschek) | Vincenc Mašek, composer Johann Baptist von Alxinger, librettist |
soprano, alto, tenor, bass, mixed chorus and orchestra mixed chorus and orchestra female chorus and orchestra male chorus and orchestra |
Classical | Secular choruses | |
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| Christen, ätzet diesen Tag (Christians, etch this Day) | Johann Sebastian Bach, composer | C major | BWV 63 | 1714 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Christmas | Arthur Somervell, composer | 1926 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred oratorios | |
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| Christmas Oratorio (The Word was made flesh) | Michael Stenov, composer | D major | Op.11 | 2011 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred oratorios | |
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| Christoforus (Legende für Soli, Chor und Orchester) | Josef Gabriel Rheinberger, composer Franziska von Hoffnaass, librettist |
Op.120 | 1880 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred cantatas | |
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| Christum wir sollen loben schon (Christ we shall praise splendidly) | Johann Sebastian Bach, composer | E minor | BWV 121 | 1724 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Christus der ist mein Leben (Ein Lied auf Ostern) | Georg Philipp Telemann, composer | F major, C major | TWV 1:138 | 1754 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Christus kommt her von den Vätern | Gottfried Heinrich Stölzel, composer | G major | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Completoria (Compietta Concertata Con Strumenti 1729) | Antonio Caldara, composer | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred songs | |
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| Completorium (Cum Hymno et Respon. brevi) | Grzegorz Gerwazy Gorczycki, composer | D major | soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, 2 trumpets, 2 violins and organ |
Baroque | Hymns, Responsories | |
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| Confitebor tibi Domine | Jan Dismas Zelenka, composer | B flat major | ZWV 100 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |
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| Confitebor | Jan Dismas Zelenka, composer | E minor | ZWV 72 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |
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| Confitebor tibi Domine | Jan Dismas Zelenka, composer | E minor | ZWV 73 | 1728 | soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus and orchestra |
Baroque | Psalms | |
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| Coronation Cantata | Aleksandr Glazunov, composer Viktor Krylov, librettist |
Op.56 | 1895 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| Credidi | Jan Dismas Zelenka, composer | A minor | ZWV 85 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Psalms | |
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| CULTUS LATREUTICO-MUSICUS (CULTUS LATREUTICO-MUSICUS. HOC EST: MISSÆ SEX BREVES, Unà cum 2. DE REQUIEM, QUARUM Longiuscula una , altera brevissima. CONCERTATÆ A Canto, Alto, Tenore, Basso, 2. Violinis, 2. Violis, Violone, Organo, 4. Ripp: OPERA ET STUDIO. P. MEINRADI SPIESS, Celeberrimi & Imperialis Monasterii B.V.M. Ursinensis Professi. Ord. S. Benedicti. OPUS IV.) | Meinrad Spieß, composer | Op.4 | 1719 | soprano, alto, tenor, bass and orchestra soprano, alto, tenor, bass, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra soprano, alto, tenor, bass, strings and continuo |
Baroque | Masses, Requiems | |
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| Cum Sancto Spiritu | Gaetano Donizetti, composer | C minor | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Gloria | |
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| Cum Sancto Spiritu | Gaetano Donizetti, composer | D major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Gloria | |
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| Cum Sancto Spiritu | Gaetano Donizetti, composer | D major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Gloria | |
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| Cum Sancto Spiritu | Gaetano Donizetti, composer | C major | A 584 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Gloria | |
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| Danke für alles dem der dich geschaffen | Gottfried Heinrich Stölzel, composer | G major | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Secular cantatas | |
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| Danket dem Herrn | Georg Philipp Telemann, composer Erdmann Neumeister, librettist |
F major | TWV 1:163 | 1710 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Darum will ich auch erwehlen, das sie verspotten, JLB 3 (Concerto a 4 voci (&c); Dominica Septuagesimæ Darum will ich auch erwehlen, das sie verspotten à 4 Voci 2 Violini Viola e Continuo di J L Bach; J.J. Do[min]ica Septuagesimæ Concerto à 2 Violini, Viola, 4 Voci, e Cont. Bach) | Johann Ludwig Bach, composer | JLB 3 | 1720 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Das Blut Christi wird unsre Gewissen reinigen | Georg Philipp Telemann, composer Johann Friedrich Helbig, librettist |
B flat major | TWV 1:171 | 1720 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Das Hallelujah von Pfeffel (Das Hallelujah von Pfeffel für vier Singstimmen in Solo Parthien und Chören mit Begleitung von 2 Hörner 2 Clarinetten 2 Fagotten u. einer Bass-Posaune yur Verherrlichung des Gottesdienstes in Musik gesetzt ... von Freiherrn Max von Droste Hülshoff) | Maximilian Friedrich von Droste zu Hülshoff, composer Gottlieb Konrad Pfeffel, librettist |
B flat major | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred choruses | |
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| Das ist je gewisslich wahr (This is now the gospel truth) | Georg Philipp Telemann, composer Johann Friedrich Helbig, librettist |
G major | TWV 1:183 | 1719 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Das ist meine Freude | Georg Philipp Telemann, composer Johann Friedrich Helbig, librettist |
F major | TWV 1:188 | 1719 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Das Leiden und der Tod Jesu Christi, WacR III:6 (Der sterbende Jesus; Passions-Oratorium; Der sterbende JESUS ein Singestück in Musik gesetzt von Johann Heinrich Rolle) | Johann Heinrich Rolle, composer Christian August Albrecht, librettist |
B flat major | WacR III:6 | 1762 | soprano, alto, tenor, bass, mixed chorus and orchestra | Classical | Passions, Sacred oratorios | |
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| Das Lied von der Glocke (The Song of the Bell) | Max Bruch, composer Friedrich Schiller, librettist |
Op.45 | 1877 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Secular cantatas | |
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| Das neugeborne Kindelein | Christian Liebe, composer | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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| Das neugeborne Kindelein (The newborn little child) | Johann Sebastian Bach, composer | G minor | BWV 122 | 1724 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | |
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