| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Magi viderunt stellam (In Epiphania Domini) | Tomás Luis de Victoria, composer | G (dorian) | soprano, alto, tenor and bass | Renaissance | Motets | ||||
| Magníficat | Joan Baptista Comes, composer | soprano, alto, tenor and bass mixed chorus |
Baroque | Magnificats | |||||
| Magnificat and Nunc Dimittis (4 part) | Peter Dyson, composer | 2001 | soprano, alto, tenor and bass mixed chorus |
Modern | Magnificats, Canticles | ||||
| Magnificat | Steffano Bernardi, composer | mixed chorus soprano, alto, tenor and bass |
Baroque | Magnificats | |||||
| Magnificat octavi toni (Magnificat on the Eighth Tone) | Nicolas Gombert, composer | 1552 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Magnificats | ||||
| Magnificat octavi toni (Octo tonorum (i)) | Orlande de Lassus, composer | LV 286 | 1567 | soprano, alto, tenor and bass 2 sopranos, alto, 2 tenors and bass mixed chorus |
Renaissance | Magnificats | |||
| Magnificat primi toni (Magnificat on the First Tone) | Nicolas Gombert, composer | 1552 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Magnificats | ||||
| Magnificat primi toni | Moritz von Hessen-Kassel, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Magnificats | |||||
| Magnificat quinti toni (Magnificat on the Fifth Tone) | Nicolas Gombert, composer | 1552 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Magnificats | ||||
| Magnificat secundi toni | Moritz von Hessen-Kassel, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Magnificats | |||||
| Magnificat septimi toni (Magnificat on the Seventh Tone) | Nicolas Gombert, composer | 1552 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Magnificats | ||||
| Magnificat sexti et primi toni (Magnificat on the Sixth or First Tones) | Nicolas Gombert, composer | 1552 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Magnificats | ||||
| Magnificat tertii et octavi toni (Magnificat on the Third or Eighth Tones) | Nicolas Gombert, composer | 1552 | mixed chorus soprano, alto, tenor and bass 2 mixed chorus 2 sopranos, 2 altos, 2 tenors and 2 basses |
Renaissance | Magnificats | ||||
| Magnificat (Mon âme exalte le Seigneur) | Hervé Roullet, composer | C sharp minor | Op.59 | 2010 | mixed chorus soprano, alto, tenor and bass |
Modern | Magnificats | ||
| Magnum Nomen Domini (O proclaim the mighty name Emmanuel) | Michael Praetorius, composer | '' Musae Sioniae'', Sechster Theil, LIV | soprano, alto, tenor and bass mixed chorus |
Renaissance | Sacred choruses | ||||
| Mais qui sert la richesse à l’homme | Guillaume Costeley, composer | soprano, alto, tenor and bass | Renaissance | Chansons | |||||
| Malvaggio horrido gelo | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Madrigals | |||||
| Man sagt von gelt und grossem gůt | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Man sieht nun wohl, wie stet du bist | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Folksongs | |||||
| Manuscript, D-Mbs Mus.ms. 1503 h (14 Tänze / Polyphonische Tänze des 16. Jh. / Italienische Tänze aus dem frühen sechzehnten Jahrhunderts / Italian dances of the early sixteenth century) | Anonymous, composer | 1550 | soprano, alto, tenor and bass | Renaissance | Dances | ||||
| Bologna MS Q21 | Various, composer | soprano, alto, tenor and bass | Renaissance | Madrigals, Canons | |||||
| Maria Magdalene et altera Maria | Andrea Gabrieli, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Maria-Liederen (Maria-Liederen (erste reeks) voor Kerk en Huisgezin) | Various, composer | voice soprano, alto, tenor and bass |
Classical | Sacred songs, Folksongs | |||||
| Mass for Four Voices | William Byrd, composer | T 1 | 1592 | soprano, alto, tenor and bass | Renaissance | Masses | ![]() |
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| Mass for 4 Voices | Edward Lambert, composer | Vocal / choral | soprano, alto, tenor and bass mixed chorus |
Modern | Masses | ![]() |
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| Mass for 4 Voices in F major (Missa quatuor vocibus concinenda) | Pietro Alessandro Pavona, composer | F major | soprano, alto, tenor and bass mixed chorus |
Classical | Masses | ||||
| Mass in A major (Messa a quatro Del Sige. Antonio Lotti Maestro della Ducal Capella di S. Marco) | Antonio Lotti, composer | A major | soprano, alto, tenor and bass | Baroque | Masses | ||||
| Messe in D-Dur / Mass in D-Major | Dominik Giesen, composer | soprano, alto, tenor and bass | Romantic | Masses | |||||
| Mass in G minor for 4 Voices (Missa a 4) | Georg Christoph Wagenseil, composer | G minor | soprano, alto, tenor and bass | Classical | Masses | ||||
| Matona mia cara | Orlande de Lassus, composer | F major | LV 663 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Villanelle | |||
| Matthäus Passion (Das Leiden vnnd Sterben Unsers Herrn Erlösers Jesu Christi auß dem heiligen Evangelisten Matthaeo; Das Leiden und Sterben Unsers Herrn Erlösers Jesu Christi auß dem heiligen Evangelisten Matthäo; St Matthew Passion) | Melchior Vulpius, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Passions | |||||
| Meditabor in mandatis tuis | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets, Psalms | |||||
| Mein freundlichs B | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Hymns | |||||
| Mein gblüt und sin | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Mein Mütterlein | Heinrich Isaac, composer | soprano, alto, tenor and bass | Renaissance | Songs | |||||
| Mein schönste Zier | Johannes Eccard, composer | F major | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| Meister, wir haben die ganze Nacht gearbeitet (Motet, Luke 5,5,5) | Melchior Vulpius, composer | D minor | 1619 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||
| Melodeyen Gesangbuch (Melodeyen Gesangbuch Darinn D. Luthers und ander Christen gebreuchlichsten Gesenge, ihren gewoehnlichen Melodeyen nach, durch Hieronymum Praetorium, Joachimum Deckerum, Jacobum Praetorium, Davidem Scheidemannum. Musicos und verordnete Organisten in den vier Caspelkirchen zu Hamburg, in vier stimmen ubergesetzt, begriffen sindt.) | Various, composer | soprano, alto, tenor and bass | Renaissance | Chorales, Sacred songs, Hymns | |||||
| Melodia Sacra (Melodia Sacra; or The Psalms of David, The Music Composed by the most celebrated Authors, Ancient & Modern, Adapted to the Version of the One Hundred and Fifty [150] Psalms, as Authorized and Sung in the United Churches of England and Ireland, with Hymns, Anthems & Chorusses, Arranged by David Weyman, Member of the Cathedrals of Christ Church and St. Patrick, Dublin, for One, Two, Three or Four Voices, with a Figured Bass for the Organ or Piano Forte.) | David Weyman, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano soprano, alto, tenor, bass and organ mixed chorus mixed chorus and organ mixed chorus and piano voice and piano |
Classical | Psalms, Hymns, Anthems, Sacred choruses, Chants | |||||
| Melodie na Psałterz Polski (Melodiæ Ná Psalterz Polski, przez Mikoláiá Gomólke vczynioné) | Mikołaj Gomółka, composer Jan Kochanowski, librettist |
soprano, alto, tenor and bass | Renaissance | Psalms | |||||
| Melodier til Landstads Salmebog | Ludvig Mathias Lindeman, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Chorales, Hymns | |||||
| Melopoiæ (Melopoiæ sive harmoniæ tetracenticæ super XXII genera carminum heroicorũ elegiacorũ lyricorum & ecclesiasticorũ hymnorũ per Petrum Tritonium et alios doctos sodalitatis litterariæ nostræ musicos secundũ naturas & tempora syllabarũ et pedum compositæ et regulate ductu Chunradi Celtis foeliciter impresse) | Petrus Tritonius, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Songs, Secular hymns | |||||
| Mement | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Menando un giorno | Luca Marenzio, composer Jacopo Sannazaro, librettist |
C major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Mensch, wiltu legen seliglich | Johann Walter, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Sacred songs | |||||
| Mercy n’aura qui ne prend a mercy | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Messa Cristo Re | Claudio Macchi, composer | D minor | 2012 | mixed chorus soprano, alto, tenor and bass |
Modern | Masses | |||
| Messa della Santissima Trinità | Claudio Macchi, composer | G minor | 2012 | mixed chorus soprano, alto, tenor and bass |
Modern | Masses | |||
| Messa Eucaristica | Claudio Macchi, composer Sacred music, librettist |
G minor | 2019 | mixed chorus soprano, alto, tenor and bass |
Modern | Masses | |||
| Messa Il buon Pastore | Claudio Macchi, composer | C major | 2012 | mixed chorus soprano, alto, tenor and bass |
Modern | Masses | |||
| Messe für den Gründonnerstag (Complement to Bruckner's "Messe für den Gründonnerstag" WAB 9) | Michael Stenov, composer Catholic Liturgy, librettist |
D minor | Op.71 | 2017 | mixed chorus soprano, alto, tenor and bass |
Romantic | Masses | ![]() |
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