| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| In Natali Domini gaudent omnes Angeli | Leonhard Schröter, composer | G minor | soprano, alto, tenor and bass | Renaissance | Carols, Chorales | ||||
| In Nomine | John Thorne, composer | D ('minor' mode) | 4 Unspecified instruments soprano, alto, tenor and bass 2 sopranos, tenor and bass |
Renaissance | In nomines | ||||
| In Nomine à 4 | Anonymous, composer | G minor | soprano, alto, tenor and bass 4 viols |
Renaissance | In nomines | ||||
| In Praise of Neptune | Edward German, composer Thomas Campion, librettist |
A flat major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| In suprema nocte coenae (De corpore Christi ; In supremae nocte coena) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| In te speravi Domine | Orlande de Lassus, composer Liber Psalmorum, librettist |
mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets, Psalms | |||||
| In the Forest (In the forest. For choir (or quartet) of mixed voices. Music founded on the tonus perigrinus (peregrinus)) | Hugh S. Roberton, composer John Murray Gibbon, librettist |
E minor / modal | mixed chorus soprano, alto, tenor and bass |
Early 20th century | Secular choruses | ||||
| In this mazy life's career | John Wall Callcott, composer | E flat major | voice and piano soprano, alto, tenor and bass mixed chorus |
Classical | Hymns | ||||
| In voce exultationis | Giuseppe Ottavio Pitoni, composer Liber Psalmorum, librettist |
G major | soprano, alto, tenor and bass | Baroque | Motets | ||||
| Incipit lamentatio | Gregorio Allegri, composer | soprano, alto, tenor and bass | Renaissance | Lamentations | |||||
| Inclina cor meum, à 4 | Philippe Rogier, composer | RISM A/I/R 1936 | soprano, alto, tenor and bass | Renaissance | Motets | ||||
| Inclina Domine | Cristóbal de Morales, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Inclina Domine aurem tuam | Cristóbal de Morales, composer | D minor | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| Iniquos odio habui | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Intende voci orationis meae (Offertorium pro feria VI. post Dominicam III. in Quadragesima) | Johann Joseph Fux, composer | K.156 | mixed chorus soprano, alto, tenor and bass |
Baroque | Offertories | ||||
| Inter natos mulierum | Cristóbal de Morales, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Inter vestibulum et altare (Feria IV Cinerum) | Cristóbal de Morales, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Io mi pensai | Jacob Arcadelt, composer | soprano, alto, tenor and bass | Renaissance | Madrigals | |||||
| Ir Christen algeleiche | Arnold von Bruck, composer | 1534 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| Iris, vos rigueurs inhumaines (Air de cour) | Antoine de Boësset, composer | D minor | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Baroque | Airs | ||||
| Isis (An Elegy; Serious Glee) | Anonymous, composer William Mason I, librettist |
F major | soprano, alto, tenor and bass | Classical | Elegies, Glees | ||||
| Íslenzk sálmasöngsbók (Íslenzk sálmasöngsbók, međ fjórum röddum) | Bjarni Þorsteinsson, composer | mixed chorus soprano, alto, tenor and bass |
Romantic | Psalms, Sacred choruses | |||||
| Iste confessor | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| Iste Sanctus pro lege Dei sui (In festo unius Martyris) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Isti qui amicti sunt | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| It was a lover and his lass (Glee) | Richard John Samuel Stevens, composer | G major | soprano, alto, tenor and bass | Classical | Glees | ||||
| It's a Bonnie World | Arthur Brueton, composer Miss Goyne, librettist |
F major | soprano, alto, tenor, bass and piano soprano, alto, tenor and bass |
Romantic | Songs | ||||
| Ite in universum mundum | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Iustorum animae (Justorum animae) | Riccardo Quadri, composer | 2020 | soprano, alto, tenor and bass | Modern | Sacred songs | ![]() |
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| J’aime mon dieu et sa saincte parolle | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| J’ayme trop mieux souffrir la mort | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Janitor coeli, doctor orbis pariter (De sancto Petro et Paulo ; Aurea luce et decore) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Je n’ay plaisir si-non en ta presence | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Je ne l'ose dire (La la la je ne lo) | Pierre Certon, composer | G minor | soprano, alto, tenor and bass | Renaissance | Chansons | ||||
| Je ne veux point a l’amour consentir | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Je plains le tems de ma jeunesse folle | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Je sens sur mon ame plouvoir | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Je t’ayme, ma belle, ta danse me plait | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Je veux aymer ardantement | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Je voy des glissantes eaux le ruisseaux | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Jesu, corona virginum (Hymnus de Virginibus) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| Jesu nostra redemptio (Hymnus in Ascensione Domini) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| De corpore Christi | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Jesus Christus, ob er wohl | Arnoldi, composer | soprano, alto, tenor and bass | Baroque | Motets | |||||
| Eyn Lobsang auff dem Osterfest | Johann Walter, composer Martin Luther, librettist |
1524 | mixed chorus soprano, alto, 2 tenors and bass soprano, alto, tenor and bass |
Renaissance | Chorales | ||||
| Jesus, meine Zuversicht | Johann Crüger, composer Luise Henriette Von Oranien, librettist Otto Von Schwerin, librettist |
soprano, alto, tenor and bass mixed chorus |
Baroque | Chorales | |||||
| Jesus, meine Zuversicht | Johann Sebastian Bach, composer Luise Henriette Von Oranien, librettist Otto Von Schwerin, librettist |
C major | BWV 365 | 1725 | mixed chorus soprano, alto, tenor and bass |
Baroque | Chorales | ||
| Motet: Jetzt bringt Sanct Martin Gsellschaft viel | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Jetzt merk ich wol, dasz ich mich soll zum Glück | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Motet: Jetzt Scheiden bringt mir Schwer | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Jewish Hymnal (Jewish Hymnal for Religious Schools. New Jewish Hymnal for Religious Schools and Junior Congregations.) | Various, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and organ mixed chorus mixed chorus and organ |
Early 20th century | Hymns |
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