| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| How beautiful upon the mountains (Anthem from Isaiah, Chapter 52) | Robert Archibald Smith, composer | C major | soprano, alto, tenor and bass mixed chorus |
Classical | Anthems | ||||
| How sleep the brave (Glee for four voices) | Benjamin Cooke, composer | D major | soprano, alto, tenor and bass | Classical | Glees | ||||
| How still and peaceful is the grave | Christopher Tye, composer | soprano, alto, tenor and bass | Renaissance | Anthems | |||||
| Hujus obtentu Deus alme nostris | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| Humptie Dumptie ("Humptie Dumptie", Choral Four-part Song) | Clara Angela Macirone, composer | G major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Songs | ||||
| Hush, Hush! Tread Softly | Craig Bakalian, composer John Keats, librettist |
multi | 2015 | soprano, alto, tenor and bass | Modern | Songs | |||
| Hvi vil du dig saa klage | Carl Nielsen, composer Nikolaj Frederik Severin Grundtvig, librettist |
F major | CNW 177 | soprano, alto, tenor and bass soprano, alto, tenor and bass mixed chorus mixed chorus and piano |
Early 20th century | Hymns | |||
| Hymns and Tunes as sung at St. Thomas's Church (Hymns and Tunes as sung at St. Thomas's Church, New York. Music Composed and Adapted by George William Warren) | George William Warren, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and organ mixed chorus mixed chorus and organ |
Romantic | Hymns, Psalms, Carols | |||||
| Hymns of Praise and Prayer, with Tunes (Hymns of Praise and Prayer. Collected and edited by James Martineau, LL.D., D.D. with Tunes, selected, harmonized, and in part composed by Russell Martineau, M.A., James T. Whitehead, and Basil Martineau) | Various, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and organ |
Romantic | Hymns, Psalms | |||||
| I am the Light | Richard McIntyre, composer Frederick Lowe, librettist |
C major | 1999 | soprano, alto, tenor and bass mixed chorus |
Modern | Sacred songs | |||
| The service for the burial of the dead | Thomas Morley, composer | soprano, alto, tenor and bass | Renaissance | Anthems, Funeral music | |||||
| I languish to complain me | John Bennet, composer | soprano, alto, tenor and bass | Renaissance | Madrigals | |||||
| I lieti amanti e la fanciulle tenere | Luca Marenzio, composer Jacopo Sannazaro, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| I will arise, and go to my father | Robert Creighton, composer | E flat major | mixed chorus and organ soprano, alto, tenor and bass soprano, alto, tenor, bass and organ |
Baroque | Anthems | ||||
| Ich armes Keuzlein kleine (Ich armes Käuzlein kleine) | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Songs | |||||
| Motet: Ich armes Meidlein klag mich sehr | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Ich dienet eim Herren drei ganze Jahr | Oswald Reuter, composer | soprano, alto, tenor and bass | Renaissance | Sacred songs | |||||
| Motet: Ich hätt mir ein Endlein fürgenommen | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Ich kenn des Klaffers Eigenschaft | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Ich klag den tag | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Folksongs | |||||
| Ich sag und clag (Ich sag und clag vergangen tag ellend) | Ludwig Senfl, composer | soprano, alto, tenor and bass | Renaissance | Pieces | |||||
| Ich scheid dahin | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Motet: Ich schell mein Horn | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Ich soll und musz ein Bulen haben | Ludwig Senfl, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Ich weis mir eine Mülnerin | Arnold von Bruck, composer | 1534 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Secular choruses | ||||
| Ich weiß mir ein Meidlein (Ich weiss nur ein hübsches Meidlein) | Orlande de Lassus, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Ich weisz ein stolze Mullerin | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets, Lieder | |||||
| Ich wünsch alln Frauen Ehr durch einer Frauen | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Folksongs | |||||
| If I Can Stop One Heart From Breaking | Carlotta Ferrari, composer Emily Dickinson, librettist |
2021 | mixed chorus soprano, alto, tenor and bass |
Modern | Songs | ||||
| Ihrsgleichen lebt auf Erden nicht (Irsgleichen lebt auff erden nicht) | Thomas Stoltzer, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Folksongs | |||||
| Il bianco e dolce cigno | Jacob Arcadelt, composer | 4 voices soprano, alto, tenor and bass |
Renaissance | Madrigals | |||||
| Il primo libro de balli a quattro voci accommodati per cantar et sonar d'ogni sorte de istromenti | Giorgio Mainerio, composer | RISM A/I: M 187 | soprano, alto, tenor and bass | Renaissance | Dances | ||||
| Il primo libro de ricercari a quattro voci | Annibale Padovano, composer | soprano, alto, tenor and bass | Renaissance | Ricercars | |||||
| Il vero modo di diminuir (Il vero modo di diminuir, con tutte le sorti stromenti. Di fiato, & corda, & di voce humana) | Girolamo Dalla Casa, composer | soprano voice viol lute soprano, alto, tenor and bass |
Renaissance | Divisions, Methods, Cadenzas, Performance practice, Madrigals, Chansons | |||||
| Il vero secondo libro de madrigali d'Arcadelt novamente stampato | Jacob Arcadelt, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Illumina oculos meos | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Iluminare Jerusalem | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Im meyen hört man die hanen kreen | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Songs | |||||
| Immutemur habitu (Feria IV Cinerum) | Cristóbal de Morales, composer | D minor/D major | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| Improperium expectavit cor meum | Orlande de Lassus, composer | D minor | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets, Psalms | ||||
| In dead of night profound (A Christmas Carol. For one voice or more ... In double counterpoint; The Treble of one strain becoming the Base of the next and the Base of the former the Treble of the latter throughout the verse) | Henry East Havergal, composer | F major | soprano, alto, tenor and bass mixed chorus |
Romantic | Carols, Canons | ||||
| In dich hab ich gehoffet, Herr | Heinrich Schütz, composer | SWV 446 | soprano, alto, tenor and bass mixed chorus |
Baroque | Chorales | ||||
| In diser welt, hab ich kein gelt | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| In dulci jubilo | Johann Sebastian Bach, composer | F major | BWV 368 | 1725 | mixed chorus soprano, alto, tenor and bass |
Baroque | Chorales | ||
| In Freud erhebt sich ganz mein Herz | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| In Gottes Namen fahren wir | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| In hoc apparuit (ovvero) Dell'amore non vano | Carmelo Luca Sambataro, composer | 2010 | soprano, alto, tenor and bass | Modern | Motets | ||||
| In illo tempore assumpsit Jesus Duodecim | Cristóbal de Morales, composer | G minor | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| In illo tempore cum turba plurima (Responsorio IX del Domingo de Sexagésima) | Cristóbal de Morales, composer | 1553 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| In myne zynn (In mijnen sin) | Antoine Busnois, composer | soprano, alto, tenor and bass soprano, alto, tenor and bass |
Renaissance | Songs | |||||
| In Natali Domini gaudent omnes Angeli | Leonhard Schröter, composer | G minor | soprano, alto, tenor and bass | Renaissance | Carols, Chorales |
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