| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| GLOSAS (Embellishments on Renaissance music by Vicente Parrilla) | Vicente Parrilla, composer | 2011 | soprano, alto, tenor and bass | Renaissance | Divisions | ||||
| Good News (Good News, or songs and tunes for Sunday schools, Christian associations, and special meetings.) | Rigdon McCoy McIntosh, composer | soprano, alto, tenor and bass mixed chorus voices and keyboard |
Romantic | Hymns, Sacred songs | |||||
| Good night, good night beloved (Good-Night, good-night beloved. Part song) | Maria Lindsay, composer Henry Wadsworth Longfellow, librettist |
D major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| Goodnight Song | Peter Dyson, composer | 2012 | soprano, alto, tenor and bass soprano, alto, tenor, bass and harp |
Modern | Songs | ||||
| Gott der Vater wohn uns bei | Arnold von Bruck, composer | 1534 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chorales | ||||
| Gott sei Dank durch alle Welt | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Baroque | Chorales | |||||
| Gott sei gelobet und gebenedeiet | Balthasar Resinarius, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| Gott sei gelobet und gebenedeiet | Johann Walter, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| Gott, deine Güte reicht so weit | Carl Ludwig Drobisch, composer Christoph Gellert, librettist |
E flat major | mixed chorus soprano, alto, tenor and bass |
Romantic | Motets | ||||
| Grosse Garce | Guillaume Costeley, composer | soprano, alto, tenor and bass | Renaissance | Chansons | |||||
| Guillot, un jour estant deliberé | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Guter, seltzamer, und künstreicher teutscher Gesang (Guter, seltzamer, und künstreicher teutscher Gesang, sonderlich ettliche Künstliche Quodlibet, Schlacht, und der gleichen, mit vier oder fünff stimmen, biss her, im truck nicht gesehen) | Wolfgang Schmeltzl, composer | soprano, alto, tenor and bass 5 voices |
Medieval | Songs, Quodlibets | |||||
| Haec Deum coeli (In purificatione Mariae ; Quod chorus vatum) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Halelwiah Drachefn (Halelwiah Drachefn, sef Casgliad o donau, at Wasanaeth yr Addoliad Dwyfol Haleliwia Drachefn) |
Various, composer | mixed chorus soprano, alto, tenor and bass 2 voices |
Classical | Psalms, Hymns | |||||
| Halleluja | Philipp Heinrich Erlebach, composer | C major | soprano, alto, tenor and bass mixed chorus |
Baroque | Sacred choruses | ||||
| Motet: Hans Beutler der wollt reiten aus | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Hark, Hark, the Lark | Benjamin Cooke, composer William Shakespeare, librettist |
B flat major | soprano, alto, tenor and bass soprano, 2 tenors and bass 4 voices and harpsichord 4 voices, violin and harpsichord voice and harpsichord voice, violin and harpsichord voice and harpsichord 4 hands |
Classical | Glees | ||||
| Hark! The Herald Angels Sing | Samuel Arnold, composer | B flat major | soprano, alto, tenor and bass 2 sopranos, alto and bass |
Classical | Hymns, Carols | ||||
| Harmonia cantionum ecclesiasticarum (Harmonia cantionum ecclesiasticarum: Kirchengesänge und geistliche Lieder D. Lutheri und anderer frommen Christen. Welche inn Christlichen Gemeinen dieser Landen auch sonsten zu singen gebreuchlich, sampt etlichen Hymnis, &c. Mit Vier Stimmen contrapuncts weise, richtig gesetzt, und in gute Ordnung zusammen gebracht, Durch Sethvm Calvisivm Cantorem zu S. Thomas in Leipzig) | Seth Calvisius, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Sacred songs, Chorales, Hymns | |||||
| Harmoniae angelicae cantionum ecclesiasticarum (Harmoniae Angelicae Cantionum Ecclesiasticarum, das ist, Englische frewden Lieder, vnd geistliche Kirchen Psalmen D. Martini Lutheri vnd anderer frommen gottseligen Christen, welche in den Christlichen Gemeinen vnd Versamlungen, auch bey Ausstheilung der hochwirdigen Sacramenten, So wol daheim zu Hause, Morgens vnd Abends, vor vnd nach Tisch nutzbarlich gesungen, auch auff Orgeln vnd Instrumenten gantz lieblich gebraucht werden mögen, mit vier Stimmen componirt, und auff fürnemer gottseliger Christen Begehr vnd Anhalten publicirt vnd in den Druck verfertiget) | Erhard Bodenschatz, composer | soprano, alto, tenor and bass | Renaissance | Chorales, Sacred songs, Psalms | |||||
| Harto,de tanta porfia | Anonymous, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Hastings's Church Music (Hastings's Church Music. ) | Thomas Hastings, composer | soprano, alto, tenor and bass mixed chorus voices and organ |
Classical | Psalms, Hymns, Sacred songs, Anthems, Chants, Sacred choruses | |||||
| Motet: Hat uns der Teufel gen Teiningen bracht | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Hebrew Hymnal for School and Home (Kol Rina: Hebrew Hymnal for School and Home) | Various, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and organ mixed chorus mixed chorus and organ |
Early 20th century | Hymns | |||||
| Heimlich bin ich in Treuen dein | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Folksongs | |||||
| Helft mir Gotts güte preisen (Helfft mir Gotts güte preisen) | Leonhard Schröter, composer Paul Eber, librettist |
G minor | soprano, alto, tenor and bass | Renaissance | Carols | ||||
| Herbes et fleurs qu’on voit renaistre | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Here in Cool Grot (Glee for four voices) | Garrett Colley Wellesley Mornington, composer William Shenstone, librettist |
F major | soprano, alto, tenor and bass | Classical | Glees | ||||
| Herr Christ, der einig Gottes son | Johann Walter, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | |||||
| Herr Christe tu mir geben | Johannes Eccard, composer | C major | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chorales | ![]() |
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| Herr gedenke nicht | Heinrich August Neithardt, composer | soprano, alto, tenor and bass | Romantic | Motets, Sacred songs | |||||
| Herr Gott, dich loben wir (Te Deum) | Friedrich Silcher, composer | C major | soprano, alto, tenor and bass mixed chorus |
Romantic | Chorales, Te Deum | ||||
| Herr, unser Gott! | Joseph Schnabel, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Psalms | |||||
| Psalm 15 - Herr, wer wird wohnen in deiner Hütte | Arnold von Bruck, composer | soprano, alto, tenor and bass | Renaissance | Psalms | |||||
| Herz, Mut und Gier weicht nit von dir | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Heu me Domine | Vicente Lusitano, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Hic est Praecursor dilectus | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Hic vir despiciens mundum (In Festo Confessorum non Pontificum) | Tomás Luis de Victoria, composer | G (dorian) | soprano, alto, tenor and bass | Renaissance | Motets | ||||
| Hilf Gott, wie ist der menschen not | Johann Walter, composer | soprano, alto, tenor and bass | Renaissance | Sacred choruses | |||||
| Hilfft mich jetzt nit freüntlicher gruß | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Hispaniae schola musica sacra (Opera varia (saecal. XV, XVI, XVII et XVIII) diligenter excerpta, accurate revisa, sedulo concinnata a Philippo Pedrell) | Felipe Pedrell, composer | soprano, alto, tenor and bass mixed chorus soprano, alto, tenor, bass and mixed chorus 5 voices 6 voices 4 voices, mixed chorus and continuo 3 voices and mixed chorus organ |
Renaissance | Offertories, Magnificats, Responsories, Antiphons, Passions, Psalms, Canticles, Vespers, Hymns, Pieces, Intermedes, Interludes, Versets, Tientos, Fugues, Variations, Pavans | |||||
| Hoc in templo, summe Deus (De dedicatione vel Ecclesia ; Urbs beata Hierusalem) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Hoch vom Himmel komm ich her | Matthäus Luidke, composer | F major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chorales | ||||
| Hodie Christus natus est | Giovanni Paolo Cima, composer | G minor | soprano, alto, tenor and bass | Baroque | Motets | ||||
| Hodie Christus natus est (Canzona) | Luca Marenzio, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Canzonas | |||||
| Hodie nobis de coelo pax vera descendit | Costanzo Porta, composer | G mixolydian | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | ||||
| Home Thoughts (Part Song) | Walford Davies, composer Arthur Leslie Salmon, librettist |
1915 | soprano, alto, tenor and bass | Early 20th century | Songs | ||||
| Honorabile est inter omnes | Orlande de Lassus, composer | LV 477 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| Hör zu von neuen sachen | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Hostis Herodes impie (Hymnus de Epiphania Domini) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| How beautiful upon the mountains (Anthem from Isaiah, Chapter 52) | Robert Archibald Smith, composer | C major | soprano, alto, tenor and bass mixed chorus |
Classical | Anthems |
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