| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Cottage Melodies (Cottage Melodies; a hymn and tune book, for prayer and social meetings and the home circle. By William B. Bradbury, author of "The Jubilee," etc, etc. assisted by Sylvester Main) | William Batchelder Bradbury, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Hymns, Psalms, Sacred songs | |||||
| Credidi in B-flat major (Salmo a capella in Si bemolle maggiore) | Leonardo Leo, composer | B flat major | soprano, alto, tenor and bass | Baroque | Psalms | ||||
| Cresce la pena mia | Bartolomeo Tromboncino, composer | soprano, alto, tenor and bass soprano, alto, tenor and bass soprano, alto, tenor and bass |
Renaissance | Frottolas | |||||
| Cross and Crown | John Rogers Thomas, composer George Cooper, librettist |
E major | voice and guitar voice and piano soprano, alto, tenor and bass 4 voices and guitar soprano, alto, tenor, bass and piano |
Romantic | Sacred songs | ||||
| Crudel, di che peccato a doler t'hai | Giulio Fiesco, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass | Renaissance | Madrigals | |||||
| Crux fidelis | Manoel Dias de Oliveira, composer | C minor | soprano, alto, tenor and bass | Classical | Motets | ||||
| Crux Fidelis | Giovanni Pierluigi da Palestrina, composer Venantius Fortunatus, librettist |
mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Crux fidelis, inter omnes | Felice Anerio, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Cum egrotasset Iob fleuit | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Cum invocarum, exaudivit me | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Psalms | |||||
| Cymbalum Genethliacum (Cymbalum Genethliacum, das ist Funffzehen Schoene, Liebliche und Anmutige, Newe Jahrs unnd Weinacht Gesenge, neben einem Corollario dreyer anderer Melodeyen mit 4. 5. und 6. Stimmen, nach jtziger ahrt componiret, mit Lateinischen und deutschen Texten gezieret, und in Druck vorfertiget durch Bartholomaeum Helderum Gothanum) | Bartholomäus Helder, composer | soprano, alto, tenor and bass 5 voices 6 voices |
Renaissance | Sacred songs, Motets | |||||
| D'amour me plainctz et du mal que je sens | Claude Goudimel, composer | 1549 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chansons | ||||
| D'amour me plains | Rogier Pathie, composer | soprano, alto, tenor and bass | Renaissance | Chansons | |||||
| D'un seul soleil vient toute ma lumière (" From one sun comes all my light") | Clément Janequin, composer | soprano, alto, tenor and bass | Renaissance | Chansons | |||||
| D’ou vient que ce beau tems | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Hymn: Da Jakob nu das Kleid ansah | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Hymns | |||||
| Da truncken sie die liebe lange nacht | Wolff Heintz, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Secular choruses | |||||
| Dah Dah! | Richard Kram, composer | G minor | 2015 | soprano, alto, tenor and bass | Modern | Songs | |||
| Dakota Odowan (Dakota Hymns. Published by The Dakota Mission of the American Board and the Presbyterian Board of Foreign Missions.) | Various, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and keyboard mixed chorus mixed chorus and keyboard |
Romantic | Hymns | |||||
| Danceries, Livre 2 (Second livre de danceries) | Pierre Attaingnant, composer | soprano, alto, tenor and bass | Renaissance | Dances | |||||
| Danceries, Livre 3 (Troisieme livre de danceries a quatre et cinq parties, veu par Claude Gervaise (le tout en un volume) nouvellement imprimé à Paris par la vefue de Pierra Attaingant.) | Claude Gervaise, composer | soprano, alto, tenor and bass soprano, alto, tenor and 2 basses |
Renaissance | Dances, Pavans, Galliards, Allemandes | |||||
| Danceries, Livre 4 (Quart livre de danceries ; Quart livre de danceries, A quatre parties cõtenant XIX pavanes & XXXI gaillardes. En ung livre seul, veu et corrige par Claude gervaise sçavant Musicien.) | Pierre Attaingnant, composer | soprano, alto, tenor and bass soprano, alto, tenor and 2 basses 2 sopranos, alto, tenor and bass |
Renaissance | Dances, Pavans, Galliards | |||||
| Danceries, Livre 5 (Cinquiesme livre de danceries ; Cinquiesme livre de danceries, A quatre parties, contenant dix bransles gays, huict bransles de Poictou, trente cinq bransles de Champaigne, Le tout en ung livre seul veu et corrige par Claude gervaise scavant Musicien.) | Pierre Attaingnant, composer | soprano, alto, tenor and bass | Renaissance | Dances | |||||
| Danceries, Livre 6 (Sixieme livre de danceries mis en musique à quatre parties par Claude Gervaise, nouvellemẽt imprimé à Paris par la vefue de Pierre Attaingnãt) | Claude Gervaise, composer | soprano, alto, tenor and bass | Renaissance | Dances | |||||
| Danceries, Livre 7 (Septieme livre de danceries, mis en musique a quatre parties par Estienne du Tertre, nouvellement imprimé à Paris par la vefve de Pierre Attaingnant) | Estienne du Tertre, composer | soprano, alto, tenor and bass soprano, alto, 2 tenors and bass |
Renaissance | Dances, Pavans, Galliards, Allemandes | |||||
| Dans cette étable (Noël populaire) | Joseph Noyon, composer | soprano, alto, tenor and bass mixed chorus |
Early 20th century | Carols | |||||
| Premier Livre de Danseries (Liber Primus Leviorum Carminum, omnis fere generis tripudia complectens, padoanas nimirum, passmezo, alemandas, gaillardis, Branles & similia, omnibus Instrumentis Musicis apprime convenientia, iam demism. summa cura e varijs libris collecta. Premier Livre de Danseries, contenant plusieurs Pavanes, Passomezo, Almandes, Gailliardes, Bransles &c. le tout convenable sur tous instrumens musicalz, nouvellement amasse hors de plusieurs livres) |
Pierre Phalèse, composer | 4 Unspecified instruments soprano, alto, tenor and bass |
Renaissance | Pavans, Passamezzos, Allemandes, Galliards, Fantasias | |||||
| Das Grab (The Grave) | Franz Schubert, composer Johann Gaudenz von Salis-Seewis, librettist |
C minor | D.329a | 1815 | soprano, alto, tenor and bass mixed chorus |
Romantic | Songs | ||
| Das Grab (The Grave) | Franz Schubert, composer Johann Gaudenz von Salis-Seewis, librettist |
E flat major | D.643a | 1819 | soprano, alto, tenor and bass | Romantic | |||
| Das ist meine Freude | Anonymous, composer | soprano, alto, tenor and bass | Baroque | Motets | |||||
| Das Vaterunser (Das Vaterunser für vier Singstimmen gesetzt) | Maksym Berezovsky, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Sacred choruses | |||||
| Deerfield Collection of Sacred Music (Deerfield Collection of Sacred Music, compiled from the most approved authors, ancient and modern, with a view to that simplicity, which is indispensable, and that variety, which is important in the services of the church, classed according to their affinities of expression: together with a musical grammar, containing the necessary definitions, and a variety of remarks and directions, relative to pronunciation, adaptation and expression. By Samuel Willard, minister of Deerfield.) | Samuel Willard, composer | 3 voices soprano, alto, tenor and bass mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| Dein armer hauf, Herr, thut klagen | Johann Walter, composer | soprano, alto, tenor and bass | Renaissance | Sacred songs | |||||
| Dem dunkeln Schoß der heilgen Erde | Johannes Brahms, composer Friedrich Schiller, librettist |
D major | WoO 20 | 1860 | mixed chorus soprano, alto, tenor and bass |
Romantic | Secular choruses | ||
| Den Menschen, die aus dieser Zeit | Melchior Ludolf Herold, composer | F major | 1808 | soprano, alto, tenor and bass mixed chorus |
Classical | Chorales | |||
| Der ehlich Stand ist billig g'nannt | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Der evangelische Kirchenchor (Der evangelische Kirchenchor. Vierzig leicht ausführbare geistliche Gesänge zu allen Festen etc. für Sopran, Alt, Tenor u. Bass bearbeitet) | Max Reger, composer | WoO VI/17 | 1901 | mixed chorus soprano, alto, tenor and bass |
Romantic | Sacred choruses | ![]() |
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| Der gantz Psalter Davids (Der gantz Psalter Davids, wie derselbig in Teutsche Gesang verfasset, Mit vier [4] Stimmen kunstlich und lieblich von newem gesetzt, durch Sigmund Hemmeln seligen Fuerstlichen Wuertenbergischen Capellmeistern, dergleichen zuvor im Truck nie auszgegangen.) | Sigmund Hemmel, composer | soprano, alto, tenor and bass | Renaissance | Psalms | |||||
| Der Heilig Geist vom Himmel kam (for chorus SATB) | Johannes Eccard, composer | E flat major | mixed chorus soprano, alto, tenor and bass 2 sopranos, alto, tenor and 2 basses |
Renaissance | Motets | ||||
| Der König der Himmel - ein Kind | Max Jentsch, composer | D major | soprano, alto, tenor and bass mixed chorus |
Traditional (folk) | Folksongs, Carols | ||||
| Der Morgenstern ist aufgedrungen | Carl Thiel, composer Daniel Rumpius, librettist |
G major | voices soprano, alto, tenor and bass |
Romantic | Folksongs | ||||
| Der pfarher von sant Veit | Anonymous, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Der praktische Organist ({{TPtr}} :Der praktische Organist. Neue vollstaendige Sammlung von Orgelstuecken aller Art. Ein Hand- und Hilfsbuch zur allseitigen Ausbildung und zum kirchlichen Gebrauche. Mit Originalbeitraegen der bekanntesten und vorzueglichsten Orgelcomponisten herausgegeben von J. G. Herzog) | Johann Georg Herzog, composer | organ voice and organ soprano, alto, tenor and bass 2 sopranos, alto, 2 tenors and bass |
Romantic | Pieces | |||||
| Der Psalter Davids Gesangweis (Der Psalter Davids Gesangweis, vom Herr D. Cornelio Beckern [..] verfertiget, Jetzo auffs new mit vier Stimmen abgesetzet durch Sethum Calvisium) | Seth Calvisius, composer Cornelius Becker, librettist |
soprano, alto, tenor and bass | Renaissance | Psalms | |||||
| Der Reif und auch der kalte Schnee | Melchior Franck, composer | soprano, alto, tenor and bass mixed chorus |
Baroque | Songs | |||||
| Der Sonnengesang des Heiligen Franz von Assisi | Herbert Collum, composer | A major | 1955 | soprano, alto, tenor and bass mixed chorus |
Modern | Sacred songs | |||
| Der Wirt und die Gäste (Brüder, unser Brüder lebe, diese gute ; Singode) | Carl Philipp Emanuel Bach, composer Johann Wilhelm Ludwig Gleim, librettist |
B flat major | H.600 | 1766 | soprano, alto, tenor and bass | Classical | Odes | ||
| Deus in adiutorium I (Deus in adiutorium) | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Psalms | |||||
| Deus in adiutorium II (Deus in adiutorium) | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Psalms | |||||
| Deus in adjutorium | Pascal Picard, composer | B flat major | Op.11 | 2014 | soprano, alto, tenor and bass mixed chorus |
Modern | Sacred choruses | ||
| Deus misereatur nostri (Laetentur et exultent) | Johann Walter, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets |
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