| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Ver Inferno e il mio petto | Jacob Arcadelt, composer Lorenzo de' Medici, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Verbesserung der Forkel’schen Veränderungen über 'God save the King' (Verbesserung der Forkel’schen Veränderungen über das Englische Volkslied "God save the King" Improvement of Forkel's Variations on the English national song 'God save the King' Kontrapunktische Bearbeitung des Englischen Volkslieds God save the King) |
Georg Joseph Vogler, composer | keyboard clavichord 2 violins, viola and cello soprano, alto, tenor and bass |
Classical | Music analysis, Music theory, Variations | |||||
| Verbum caro factum est | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Hymn: Vergebens ist all Müh und Kost | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Hymns | |||||
| Vergine bella, che di sol vestita | Vincenzo Ruffo, composer Francesco Petrarca, librettist |
mixed chorus soprano, alto, tenor and bass |
Renaissance | Madrigals | |||||
| Vergine santa d'ogni gratia piena | Stephano Rossetti, composer Francesco Petrarca, librettist |
mixed chorus soprano, alto, tenor and bass |
Renaissance | Madrigals | |||||
| Vermischte Gedichte (Vermischte Gedichte ... mit Klaviermelodien von Abeille [und Schubart]) | Eberhard Friedrich Hübner, composer Eberhard Friedrich Hübner, librettist |
voice and keyboard soprano, alto, tenor and bass mixed chorus |
Classical | Lieder | |||||
| Versuch von kleinen leichten Motetten und Arien (Versuch von kleinen leichten Motetten und Arien für Schul- und Singechöre) | Georg Peter Weimar, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Motets, Sacred songs | |||||
| Vertrawen hertzlichen gar | Arnold von Bruck, composer | 1534 | soprano, alto, tenor and bass | Renaissance | Lieder | ||||
| Vespere autem Sabbati | Jacob Handl, composer | G | soprano, alto, tenor and bass mixed chorus |
Renaissance | Vespers | ||||
| Vezzosi augelli in fra le verdi fronde | Luca Marenzio, composer Torquato Tasso, librettist |
A minor | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Vidi aquam egredientem (Tempore Paschali) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Antiphons | |||||
| Vidi turbam magnam | Costanzo Porta, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Vierstimmige Chor-Arien (Vierstimmige Chor-Arien, zum neuen Jahre, bey Hochzeiten, Geburtstagen und Leichenbegaengnissen zu singen; nebst vier lateinischen Sanctus zu den Praefationen) | Johann Adam Hiller, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Sacred choruses, Secular choruses, Sanctus | |||||
| Vierstimmige Gesänge von englischen Tonsetzern mit deutschen Worten | Various, composer | soprano, alto, tenor and bass 4 voices and piano |
Classical | Glees | |||||
| Vierstimmige Kirchengesänge | Johann Sebastian Bach, composer | mixed chorus soprano, alto, tenor and bass |
Baroque | Chorales | |||||
| Vierstimmige Motetten und Arien (Vierstimmige Motetten und Arien in Partitur, von verschiedenen Componisten, zum Gebrauche der Schulen und anderer Gesangsliebhaber gesammelt und herausgegeben von Johann Adam Hiller) | Johann Adam Hiller, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo mixed chorus 2 mixed chorus |
Classical | Motets, Hymns, Psalms, Funeral music | |||||
| Vigilate et orate (Dominica in ramis palmarum) | Cristóbal de Morales, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Vire, vire Jan | Jean Courtois, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chansons | |||||
| Virtute magna | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Virtute magna reddebant Apostoli | Giovanni Croce, composer | F major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | ||||
| Volkslied | Louis Ehlert, composer | D minor | soprano, alto, tenor and bass mixed chorus |
Romantic | Lieder | ||||
| Vollständiges Altenburger Choral-Melodien-Buch (Vollständiges Altenburger Choral-Melodien-Buch in Buchstaben, vierstimmig gesetzt und herausgegeben von J. Fr. Sam. Döring, Cantor.) | Johann Friedrich Samuel Döring, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and organ |
Classical | Chorales | |||||
| Vor Leid und Schmerz | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Vordísin (Jeg heyri hljòma glaða, sem hjarta vekja þrà) | Jón Friðfinnsson, composer | A major | mixed chorus soprano, alto, tenor and bass |
Romantic | Songs | ||||
| Vorhvöt | Jón Laxdal, composer Páll J. Árdal, librettist |
D major | mixed chorus soprano, alto, tenor and bass |
Romantic | Songs | ||||
| Voria che tu cantass'una canzon | Antonio Scandello, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Canzonas | |||||
| Vorria morire per uscir di guai | Hubert Waelrant, composer | F major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Canzonettas | ||||
| Vos saecli iusti iudices (Vos secli justi judices ; De Apostolis ; Exsultet coelum laudibus) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Vox in Rama audita est | Jacobus Clemens non Papa, composer | D (dorian) | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | ||||
| Waken Lords and Ladies gay (Four-part song) | Georgina Bairnsfather, composer Walter Scott, librettist |
G major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Songs | ||||
| Wanderers Nachtlied | Franz Xaver Schnyder von Wartensee, composer | E flat major | soprano, alto, tenor and bass | Romantic | Lieder | ||||
| Wann ich lang such der Gsellschaft viel | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Wartime Christmas | Carlotta Ferrari, composer Joyce Kilmer, librettist |
2020 | mixed chorus soprano, alto, tenor and bass |
Modern | Carols | ||||
| We Are But Strangers Here. (Fatherland.) | Arthur Sullivan, composer Thomas Rawson Taylor, librettist |
soprano, alto, tenor and bass | Romantic | Hymns | |||||
| Welcome, Yule! | Charles Hubert Hastings Parry, composer | B flat major | 1915 | mixed chorus soprano, alto, tenor and bass |
Romantic | Carols | |||
| Wenn der Herr Zion erlösen wird (Messis Christanorum / Der Christen Erndte/Psalm 126) | Johann Hermann Schein, composer | G minor | soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo |
Baroque | Psalms | ||||
| Wer Gott nicht mit uns | Johann Walter, composer | 4 voices soprano, alto, tenor and bass |
Renaissance | Sacred choruses | |||||
| Wer nur den lieben Gott lässt walten (Wer weiß, wie nahe mir mein Ende) | Johann Sebastian Bach, composer Georg Neumark, librettist |
A minor | BWV 434 | 1725 | mixed chorus soprano, alto, tenor and bass |
Baroque | Chorales | ||
| Wer säh dich für ein solche | Malchinger, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Wer wolt dir nit in ehr sein holdt (Elslin) | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Westminster Tropes | Mark Alburger, composer | Op.42 | 1991 | soprano, alto, tenor and bass soprano, alto, tenor, bass and keyboard voice and keyboard unison chorus and piano oboe and piano alto, bass and piano oboe and English horn soprano, alto, tenor, bass and piano flute, oboe and guitar unison chorus and piano flute, oboe and piano soprano, alto, tenor, bass, oboe and organ mixed chorus and organ voice, mixed chorus and guitar voice and mixed chorus voice and piano |
Modern | Sacred songs, Pieces | |||
| When Allen-a-Dale Went A-Hunting. (Glee for Four Voices.) | Robert Lucas Pearsall, composer | G major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Glees | ||||
| When Christ was born of Mary free | Charles Hubert Hastings Parry, composer Harleian MS, librettist |
D major | 1915 | soprano, alto, tenor and bass mixed chorus |
Romantic | Carols | |||
| Where weeping yews and nodding cypress wave (Elegy) | Francis Hutcheson, composer | G minor | soprano, alto, tenor and bass | Classical | Glees, Elegies | ||||
| Who Rides for the King? | Reginald Somerville, composer Harold Boulton, librettist |
C major | soprano, alto, tenor and bass mixed chorus |
Romantic | Songs | ||||
| Why fumeth in sight | Thomas Tallis, composer Matthew Parker, librettist |
soprano, alto, tenor and bass | Renaissance | Psalms | |||||
| Motet: Wie das Glück will, bin ich im Spiel | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Wie get es zu | Arnold von Bruck, composer | 1534 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | ||||
| Motet: Wie ist dein Trost | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Wie wol ich kan, und bin ein man | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder |
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