| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| The Tribute of Praise (The Tribute of Praise: A collection of Hymns and Tunes for Public and Social Worship, and for use in the Family Circle and Sabbath School. Edited by Dr. Eben Tourjée) | Eben Tourjée, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Hymns, Psalms, Chants | |||||
| The Tunes of the Psalms | Henry Playford, composer | Hymn Tune Index code: | soprano, alto, tenor and bass | Baroque | Psalms | ||||
| The Way is Long and Weary | Arthur Sullivan, composer Adelaide A. Procter, librettist |
soprano, alto, tenor and bass | Romantic | Songs | |||||
| The Wellingborough Melodist (New Sacred Music. The Wellingborough Melodist; A Collection of original psalm and hymn tunes, for four voices, figured for the organ. Composed by W. Randall.) | William Randall of Wellingborough, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and continuo 4 voices 3 voices and continuo 3 voices |
Classical | Hymns, Psalms, Anthems, Canons | |||||
| The Whole Booke of Psalmes ({{TPtr}} :The Whole booke of psalms : with the hymnes euangelicall, and songs spirituall / composed into 4. parts by sundry authors, to such seuerall tunes, as haue beene, and are vsually sung in England, Scotland, Wales, Germany, Italy, France, and the Nether-lands, neuer as yet before in one volumne published ; also, 1. A briefe abstract of the prayse, efficacie, and vertue of the psalmes, 2. That all clarkes of churches, and the auditory, may know what tune each proper psalme may be sung vnto ; newly corrected and enlarged by Tho. Rauenscroft) | Thomas Ravenscroft, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Psalms | |||||
| The Woodland Maid | John Addison, composer Lumley Skeffington, librettist |
G major | soprano, alto, tenor and bass | Classical | Songs | ||||
| The Yattendon Hymnal (Hymns: The Yattendon Hymnal. Edited by Robert Bridges and H. Ellis Wooldridge. Yattendon 4-part Hymns) | Various, composer | soprano, alto, tenor and bass voice 2 sopranos and bass continuo and 2 sopranos |
Romantic | Hymns, Psalms | |||||
| The Young May Moon (Irish Air, the words arranged for choir by C.H. Lloyd) | Charles Harford Lloyd, composer Thomas Moore, librettist |
C major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Airs, Folksongs, Secular choruses | ||||
| There Rolls the Deep | Charles Hubert Hastings Parry, composer Alfred Tennyson, librettist |
G major | soprano, alto, tenor and bass mixed chorus |
Romantic | Songs | ||||
| There was Silence in Bethlehem's Fields (Carol for Four Voices) | John Stainer, composer | soprano, alto, tenor and bass | Romantic | Carols | |||||
| There's nae luck aboot the house | Charles Macpherson, composer | soprano, alto, tenor and bass mixed chorus |
Traditional (folk) | Folksongs | |||||
| These Sweeter Far Than Lilies Are | Walford Davies, composer | A major | Op.39 | 1913 | soprano, alto, tenor and bass | Early 20th century | Songs | ||
| Motet: Theur, hoch erleucht sein Nam | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Three Dickinson Songs (Three Dickinson Songs) | Craig Bakalian, composer Emily Dickinson, librettist |
2019 | soprano, alto, tenor and bass | Modern | Songs | ||||
| Three Sleeps (Partsong) | Gerrard Williams, composer F. Wyville Home, librettist |
A minor | soprano, alto, tenor and bass | Early 20th century | Songs | ||||
| Tiento XXVI Super Philomena - 4 Partes | Francisco Fernández Palero, composer | organ soprano, alto, tenor and bass |
Renaissance | Pieces | |||||
| Toll Nelson's knell (Dirge, to the Memory of Lord Viscount Nelson ... set to Music for Four Voices, by Thomas Attwood) | Thomas Attwood, composer William Lisle Bowles, librettist |
D minor | soprano, alto, tenor and bass | Classical | Dirges | ||||
| Tollite portas, K.152 (Offertorium pro Vigilia Nativitatis) | Johann Joseph Fux, composer | soprano, alto, tenor and bass | Baroque | Offertories | |||||
| Töne, lindernder Klang, WoO 28 | Johannes Brahms, composer | E minor | WoO 28 | soprano, alto, tenor and bass | Romantic | Canons | |||
| Tota pulchra es amica mea | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Tous les regres (All feelings of remorse ; Touss les regres ; Tous les regrets qui les coeurs tormentés) | Pierre de La Rue, composer | soprano, alto, tenor and bass | Renaissance | Chansons | |||||
| Toutes les nuitz je ne pense qu’en celle | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Tra verdi campi a la stagion novella | Orazio Vecchi, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Tribulationem et dolorem inveni | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Trinitas sancta unitasque (Dominicis diebus ; O pater sancte) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Trinklied im Wald | Ferdinand Hiller, composer | B flat major | 1839 | soprano, alto, tenor and bass mixed chorus |
Romantic | Lieder | |||
| Tristes erant apostoli | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| Tu es Petrus | Agostino Mercuri, composer Catholic Liturgy, librettist |
soprano, alto, tenor and bass mixed chorus |
Romantic | Sacred choruses | |||||
| Tu es Petrus | Luca Spada, composer | Op.31 | 2013 | 2 sopranos, alto, tenor and bass soprano, alto, tenor and bass soprano, alto and bass soprano, alto and tenor |
Renaissance | Sacred choruses | |||
| Tutti i madrigali a quattro voci (Tutti i madrigali di Cipriano di Rore a quattro voci, spartiti et accomodati per sonar d'ogni sorte d'istrumento perfetto, et per qualunque studioso di contrapunti) | Cipriano de Rore, composer | RISM A/I: R 2513 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Tutto'l di piango e poi la notte | Luca Marenzio, composer Francesco Petrarca, librettist |
D minor | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Ubangiji, Hear our Prayers | Edewede Oriwoh, composer | soprano, alto, tenor and bass | Modern | Sacred choruses | |||||
| "Ueber allen Gipfeln" für gemischten Chor a cappella, Op. 46 | Gerard Bunk, composer Johann Wolfgang von Goethe, librettist |
E flat major | Op.46 | 1912 | mixed chorus soprano, alto, tenor and bass |
Early 20th century | Lieder | ||
| Un usurier enterra son avoir | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Unseglich schmertz entpfindt mein | Ludwig Senfl, composer | soprano, alto, tenor and bass | Renaissance | Pieces | |||||
| Untexted a 4 | Josquin Desprez, composer | NJE 28.39 | soprano, alto, tenor and bass | Renaissance | Pieces | ||||
| Urbs beata Jerusalem | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| Ut Heremita Solus (Ut heremita solus, textless motet for 4 voices) | Johannes Ockeghem, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Vago augelleto che cantando vai | Mateo Flecha el Joven, composer Francesco Petrarca, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Valde honorandus est | Giovanni Pierluigi da Palestrina, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Vatene lieta homai, coppia d’amici | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Madrigals | |||||
| Vater unser im Himmelreich | Arnold von Bruck, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Sacred choruses | |||||
| Vater unser im Himmelreich | Johann Weinmann, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Sacred choruses | |||||
| Vau. Et egressus est (Lectio secunda, Feria quinta in Cœna Domini) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass 2 sopranos, alto, tenor and bass |
Renaissance | Lamentations | |||||
| Vedi le valli e i campi che si smaltano | Luca Marenzio, composer Jacopo Sannazaro, librettist |
C major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Veni Creator | Charles F. Feast, composer Rabanus Maurus, librettist |
E major | soprano, alto, tenor and bass mixed chorus |
Romantic | Sacred songs | ||||
| Veni Emmanuel | Angelo Maria Trovato, composer | F major | 2015 | mixed chorus soprano, alto, tenor and bass |
Modern | Hymns | |||
| Veni Sancte Spiritus | Pietro Cattaneo, composer Catholic Liturgy, librettist |
E minor | 2017 | soprano, alto, tenor and bass | Modern | Sacred choruses | |||
| Veni sponsa Christi (In festo Virginum) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Venus est par cent mille noms | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Ver Inferno e il mio petto | Jacob Arcadelt, composer Lorenzo de' Medici, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals |
©2026 CMI