| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| The Church Singer (The Church Singer. A Collection of Sacred Music. By Karl Reden and S. J. Goodenough.) | Charles Crozat Converse, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and organ |
Romantic | Hymns, Psalms, Anthems, Chants | |||||
| The Conqueror | Charles Eddy Leslie, composer | soprano, alto, tenor and bass mixed chorus voice, mixed chorus and piano mixed chorus and piano |
Romantic | Hymns, Anthems, Glees, Songs, Rounds, Chants | |||||
| The Coronation (The Coronation: A new collection of music for Choirs and Singing Schools. By Theodore F. Seward and Chester G. Allen, assisted by Dr. Lowell Mason) | Theodore Frelinghuysen Seward, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Psalms, Hymns, Sacred songs, Anthems | |||||
| The Cowley Carol Book (For Christmas, Easter, and Ascension-tide) | George Ratcliffe Woodward, composer | soprano, alto, tenor and bass mixed chorus voices and piano |
Romantic | Carols | |||||
| The Crane Book (Songs and instrumentals after poetry by Stephen Crane) | C. René Hirschfeld, composer Stephen Crane, librettist |
Op.117 | 2014 | voice and leadsheet voice, tenor saxophone, trombone and double bass soprano, alto, tenor and bass soprano saxophone, alto saxophone, tenor saxophone and baritone saxophone 2 violins |
Jazz | Songs, Pieces | |||
| The Crown of Praise (The Crown of Praise: a collection of music, consisting of hymn-tunes, gospel songs, anthems, glees and part-songs. For singing schools, choirs and conventions, by Aldine S. Kieffer and J. H. Tenney.) | Aldine Silliman Kieffer, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and piano |
Romantic | Hymns, Sacred songs, Anthems, Glees | |||||
| The Day Is Past and Over | Joseph Barnby, composer John Mason Neale, librettist |
F major | soprano, alto, tenor and bass mixed chorus |
Romantic | Songs | ||||
| The Dulcimer () | Isaac Baker Woodbury, composer | soprano, alto, tenor and bass 4 voices and organ mixed chorus and organ |
Romantic | Psalms, Hymns, Anthems, Motets, Chants | |||||
| The Eclectic Tune Book (The Eclectic Tune Book, a selection of standard church tunes: with new and appropriate pieces, for the opening and closing of public worship. Edited by Wm. B. Bradbury.) | William Batchelder Bradbury, composer | soprano, alto, tenor and bass mixed chorus voices and keyboard |
Romantic | Psalms, Hymns, Anthems, Chants, Methods | |||||
| The Elves' Dance (The Dance of the Elves) | John Bennet, composer | soprano, alto, tenor and bass | Renaissance | Madrigals | |||||
| The English Girl (Four-Part Song) | Bruce Steane, composer Eliza Cook, librettist |
F major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| The Evening Primrose | Andrew David Boden, composer John Clare, librettist |
G major | 1988 | mixed chorus soprano, alto, tenor and bass |
Modern | Secular choruses | |||
| The Fall of Babylon | Joseph Nicholds, composer | D major (edition in C major) | soprano, alto, tenor and bass | Classical | Sacred choruses | ||||
| The Four Jolly Smiths | Henry Temple Leslie, composer | C major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| The Free Church Psalmody (The Psalmody of the Free Church of Scotland. Prepared under the superintendence of George Hogarth, Esq., by T. L. Hately, precentor to the General Assembly.) | Various, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Psalms, Hymns | |||||
| The Golden Lyre (The Golden Lyre: ) | Virgil Corydon Taylor, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and keyboard |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| The Gospel Harmonist (The Gospel Harmonist; A Collection of Sacred Music; consisting of Tunes of all Metres, and also Sentences, Anthems for a variety of Occasions, Chants, &c. &c.; being a selection from the best authors, with many original tunes and anthems, composed expressly for the work, by professors and amateurs of this country. To which is prefixed, a familiar introduction to the art of singing, on the Pestalozzian system, designed for the aid of those who are entirely unacquainted with the science of music. By Thomas Whittemore.) | Thomas Whittemore, composer | soprano, alto, tenor and bass mixed chorus voices and organ |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| The Greeting Glee | Nathan Barker, composer | B flat major | soprano, alto, tenor and bass mixed chorus |
Romantic | Glees | ||||
| The Hallelujah (Hallelujah; or, Devotional psalmody: being a selection of classical and congregational tunes of the most useful metres ... To which are prefixed Essays on Psalmody, by John Burder ... and J. J. Waite) | John James Waite, composer | soprano, alto, tenor and bass mixed chorus soprano, alto, tenor, bass and organ mixed chorus and piano |
Romantic | Psalms, Hymns, Chants, Anthems | |||||
| The Handel Collection of Church Music (The Handel Collection of Church Music, containing a complete collection of Psalm and Hymn Tunes, Chants, Sentences and anthems, to which is added a full and complete elementary course, a Cantata for Singing Schools, entitled The Storm King, by B. F. Baker, and an abridged arrangement of Handel's Oratorio of Samson. By A. N. Johnson.) | Artemas Nixon Johnson, composer | soprano, alto, tenor and bass mixed chorus 4 voices and organ mixed chorus and organ |
Romantic | Psalms, Hymns, Chants, Anthems, Secular cantatas | |||||
| The Harmonic Minstrelsey (The Harmonic Minstrelsey. Containing a new collection of sacred music - in three and four parts, comprising variety in stile, tune, time and measure; and well proportioned to all the different metres and keys commonly used in churches - Together, with a number of Set-Pieces, Choruses and Anthems, appropriate to ordinations, dedications, thanksgivings, &c. - chiefly original. To which is prefixed - the necessary rules for learners. The whole being calculated and designed for the use of schools and public worship. By Walter Janes.) | Walter Janes, composer | 3 voices soprano, alto, tenor and bass mixed chorus 3 voices and bass soprano, alto, tenor and bass 4 voices and 4 Unspecified instruments |
Classical | Psalms, Hymns, Anthems, Sacred choruses | |||||
| The Harp of Glory (The best of all. The Harp of Glory. The Best Old Hymns. The Best New Hymns. The Cream of Song for All Religious Work and Worship ... Evangelists, Gospel Singers and Quartette Singers will find this book well suited to their work) | William Thomas Dale, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and piano |
Romantic | Hymns, Sacred songs | |||||
| The Harp of Judah (The Harp of Judah; a collection of sacred music, for choirs, musical conventions, singing schools, and the home circle. By L. O. Emerson, author of "Golden Wreath," "Golden Harp," "Sabbath Harmony," &c.) | Luther Orlando Emerson, composer | soprano, alto, tenor and bass 4 voices and organ mixed chorus and organ |
Romantic | Hymns, Psalms, Anthems, Chants | |||||
| The Harp of the West (The Harp of the West: A Collection of Sacred Music, arranged for the organ and piano forte: consisting of selections from the most distinguished composers, and a number of original pieces from the editors. By F. J. Webster and A. T. Sharpe, professors of music.) | Various, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and organ |
Romantic | Psalms, Hymns, Anthems, Chants | |||||
| The Heroes (Four-Part Song [advertised as Patriotic Part-Song for Mixed Voices]) | Frederic Hymen Cowen, composer Clifton Bingham, librettist |
E major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano soprano, alto, tenor, bass and orchestra |
Romantic | Songs | ||||
| Vocal Music "The Hymn of the Four Voices Without Lyrics" | Dae-Ho Eom, composer | 2018 | soprano, alto, tenor and bass | Modern | Hymns | ||||
| The Judgment of Solomon | Nathan Adam Mondry, composer | 2018 | soprano, alto, tenor and bass recorder 2 violins viol cello bassoon harpsichord piano |
Baroque | Secular cantatas | ||||
| The Lee Shore | Samuel Coleridge-Taylor, composer Thomas Hood, librettist |
F sharp minor | soprano, alto, tenor and bass | Romantic | Songs | ||||
| The Lord's Prayer | Thomas Cooke, composer | F major | soprano, alto, tenor and bass mixed chorus 4 voices and organ 4 voices and piano |
Classical | Anthems | ||||
| The Morning Cometh (Joy cometh in the Morning. Psalm xxx, 5) | Horace Lorenzo Hastings, composer | G major | 1879 | mixed chorus soprano, alto, tenor and bass |
Romantic | Psalms, Hymns | |||
| The New Choir and Congregation (The New Choir and Congregation: A Collection of Hymns, Tunes, Anthems, Chants, and Responsive Services for The Choir and "All The People." by Geo. F. Root.) | George Frederick Root, composer | 4 voices mixed chorus soprano, alto, tenor and bass |
Romantic | Hymns, Psalms, Anthems, Chants, Liturgies | |||||
| The Odd-Fellows' Glee | Nathan Barker, composer | C major | mixed chorus soprano, alto, tenor and bass |
Romantic | Glees | ||||
| The Odeon (The Odeon: A collection of Secular Melodies, arranged and harmonized for four voices, designed for adult singing schools, and for social music parties. By G. J. Webb and Lowell Mason, professors in the Boston Academy of Music.) | George James Webb, composer | soprano, alto, tenor and bass 4 voices and piano mixed chorus and piano |
Romantic | Songs, Glees, Secular hymns | |||||
| The Offering () | Lucien Southard, composer | soprano, alto, tenor and bass mixed chorus voices and organ mixed chorus and organ |
Romantic | Psalms, Hymns, Anthems, Chants, Motets | |||||
| The Parochial Psalmist (The Parochial Psalmist, or a selection of psalms and hymns, set to appropriate tunes, arranged for four voices, together with chants, sanctuses and responses. Edited by the Rev. John Frederick Lloyd, A.M.) | Various, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and organ |
Romantic | Psalms, Hymns, Chants | |||||
| The Presbyterian Psalmodist (The Presbyterian Psalmodist; a collection of tunes adapted to the psalms and hymns of the Presbyterian Church in the United States of America. Approved by the General Assembly. Edited by Thomas Hastings.) | Thomas Hastings, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and organ mixed chorus and piano |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| The Psalm-Singer's Pocket Companion (The psalm-singer's pocket companion: Containing, first, a new introduction, with such directions for singing, as is proper and necessary for learners. Secondly, the psalms of David new tun'd, with such musick, as will best express the words to their proper sense. Also, chanting-tunes for Te Deum, Jubilate Deo, Magnificat, Nunc Dimittis, and Deus Miseratur. Likewise, nine anthems and six hymns. All being composed in Four Musical Parts, according to the most authentick Rules. By Uriah Davenport. The Psalm-Singer's Companion) |
Uriah Davenport, composer | soprano, alto, tenor and bass mixed chorus |
Baroque | Psalms, Hymns, Anthems, Chants | |||||
| The Psalmist's Recreation ({{TPtr}} :The Psalmist's Recreation. Containing Select Portions of the Psalms, Properly adapted to A Set of Psalm-Tunes Entirely New. Composed for 4 Voices, according to the most Authentic Rules, and now first Published, for the Use of Country Choirs. To which is added, an Excellent Anthem, Composed for 4 Voices, with a Thorough Bass for the Organ or Bassoon, &c.) | John Arnold, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo soprano, alto, tenor, bass and organ soprano, alto, tenor, bass and bassoon mixed chorus mixed chorus and continuo mixed chorus and organ mixed chorus and bassoon |
Baroque | Psalms, Anthems | |||||
| The Raven (A descriptive poem by Edgar A. Poe. Arranged as a recitative chant by George Barker.) | George Arthur Barker, composer Edgar Allan Poe, librettist |
G major | soprano, alto, tenor and bass mixed chorus |
Romantic | Chants, Recitatives | ||||
| The Salem Collection of Classical Sacred Musick (The Salem Collection of Classical Sacred Musick; in three and four parts: consisting of Psalm Tunes and Occasional Pieces, selected from the works of the most eminent composers: suited to all the metres in general use. To which is prefixed, a short introduction to psalmody.) | Various, composer | 3 voices soprano, alto, tenor and bass mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| The Scottish Metrical Psalter | Various, composer | soprano, alto, tenor and bass 5 voices |
Renaissance | Psalms, Music history | |||||
| The Seraph (The Seraph, A Selection of Psalm and Hymn Tunes, Many of them Original for four voices, Adapted to the Various Metres used in the Established Churches, Chapels & Dissenting Congregations in this Country, to which is prefixed A New Musical Catechism with improved scales & examples By John Robertson.) | John Robertson, composer | 4 voices mixed chorus soprano, alto, tenor and bass |
Classical | Psalms, Hymns, Anthems | |||||
| The Shepherd Strephon | John Mundy, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Madrigals, Secular choruses | |||||
| The Shining River (The Shining River. A collection of new music for Sunday Schools. By H. S. & W. O. Perkins. Authors of various Musical Works.) | Henry Southwick Perkins, composer | soprano, alto, tenor and bass mixed chorus voices and piano |
Romantic | Sacred songs, Hymns, Chants | |||||
| The Spacious Firmament (Festive Anthem) | H. Ernest Nichol, composer Joseph Addison, librettist |
D | H.E.N. 211. | mixed chorus soprano, alto, tenor and bass organ |
Romantic | Anthems | |||
| The summer days are come again | Michael Köhne, composer Samuel Longfellow, librettist |
F major | 2015 | mixed chorus soprano, alto, tenor and bass |
Traditional (folk) | Songs | |||
| The Tabernacle (The Tabernacle: a collection of hymn tunes, chants, sentences, motetts and anthems, adapted to public and private worship, and to the use of Choirs, Singing Schools, Musical Societies and Conventions: together with a complete treatise on the principles of musical notation. By B. F. Baker & W. O. Perkins.) | Benjamin Franklin Baker, composer | soprano, alto, tenor and bass 4 voices and organ mixed chorus and organ |
Romantic | Hymns, Psalms, Anthems, Chants, Motets | |||||
| The Temple Choir (A collection of sacred and secular music, comprising a great variety of Tunes, Anthems, Glees, Elementary Exercises and Social Songs, suitable for the choir, the singing school and the social circle. By Theodore F. Seward, assisted by Dr. Lowell Mason and Wm. B. Bradbury.) | Theodore Frelinghuysen Seward, composer | voices soprano, alto, tenor and bass mixed chorus |
Romantic | Hymns, Psalms, Anthems, Glees, Songs, Exercises | |||||
| The Temple Star (The Temple Star: for Singing-Schools, Conventions, Choirs, Day-Schools, and Musical Societies. Containing a theoretical statement of the principles of vocal music, by B.C. Unseld, of the Virginia Normal Music School. Glees and songs for the Singing-School, Sabbath-School Music, Hymn Tunes, and Anthems and Chants. Edited by Aldine S. Kieffer) | Aldine Silliman Kieffer, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Hymns, Sacred songs, Glees, Anthems, Chants | |||||
| The Timbrel (The Timbrel, A Collection of Sacred Music, selected and arranged from the best European and American Authors; together with numerous original compositions. By B. F. Baker and I. B. Woodbury) | Benjamin Franklin Baker, composer | soprano, alto, tenor and bass 4 voices and organ mixed chorus and organ |
Romantic | Hymns, Psalms, Anthems, Chants | |||||
| The Tribute of Praise (The Tribute of Praise: A collection of Hymns and Tunes for Public and Social Worship, and for use in the Family Circle and Sabbath School. Edited by Dr. Eben Tourjée) | Eben Tourjée, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Hymns, Psalms, Chants |
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