| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Sonata 'La Rizza' (Sonata quarta) | Cesario Gussago, composer | soprano, alto, tenor and bass | Renaissance | Sonatas | |||||
| Sonata à 4 | Salamone Rossi, composer | F major | soprano, alto, tenor and bass continuo and 3 Unspecified instruments |
Renaissance | Sonatas | ||||
| Song of the Israelites | Roger Teichmann, composer | soprano, alto, tenor and bass mixed chorus |
Modern | Sacred songs | |||||
| Songs and Musical Compositions | Stephen Foster, composer | voice and piano 2 voices and piano soprano, tenor and piano voice, mixed chorus and piano soprano, alto, tenor and bass mixed chorus and piano mixed chorus 2 voices, mixed chorus and piano 2 voices and mixed chorus 4 voices, mixed chorus and piano 4 voices and mixed chorus voice piano 4 flutes soprano flute, 2 violins and double bass |
Romantic | Songs, Sacred songs, Ballads, Serenades, Duets, Waltzes, Variations, Polkas, Pieces, Quadrilles | |||||
| Songs for 4 Voices, Op. 66 | Ferdinand Möhring, composer | Op.66 | soprano, alto, tenor and bass | Romantic | Songs | ||||
| Songs of Syon (Songs of Syon : a collection of psalms, hymns, & spiritual songs set, for the most part, to their ancient proper tunes) | George Ratcliffe Woodward, composer | voice mixed chorus soprano, alto, tenor and bass |
Romantic | Psalms, Hymns, Sacred songs, Chants | |||||
| Niedziela w Lesie | Heinrich Nitschmann, composer Heinrich Hoffmann, librettist |
Op.13 | soprano, alto, tenor and bass soprano, 2 altos and bass mixed chorus |
Romantic | Songs | ||||
| Sperent in te omnes | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Sprevit hic mundi peritura (De sancto Laurentio ; Martyris Christi colimus) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Spring and Autumn (Four-Part Song) | John Thomas, composer Thomas Moore, librettist |
D major | soprano, alto, tenor and bass soprano, alto, tenor, bass and piano |
Romantic | Songs | ||||
| Stabat Mater | Estêvão de Brito, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Stabat Mater | |||||
| Stabat Mater | Giovanni Maria Nanino, composer | "hypomixolydisch" 8th tone | soprano, alto, tenor and bass | Renaissance | Stabat Mater | ||||
| Stabat Mater | Manoel Dias de Oliveira, composer | D major | soprano, alto, tenor and bass mixed chorus |
Classical | Stabat Mater | ||||
| Stabat Mater | Francesco Zane, composer | FZ 73 | 2011 | mixed chorus soprano, alto, tenor and bass |
Classical | Stabat Mater | |||
| Stabat Mater | Anonymous, composer | D major | mixed chorus soprano, alto, tenor and bass |
Romantic | Stabat Mater | ||||
| Stabat Mater | Luca Spada, composer | Op.49 | 2016 | mixed chorus soprano, alto, tenor and bass |
Modern | Stabat Mater | |||
| Stella caeli (Eton Choirbook ; Stella caeli (coeli) extirpavit que lactavit) | Walter Lambe, composer | B flat major | mixed chorus soprano, alto, tenor and bass |
Renaissance | Sacred choruses | ||||
| Stephanus servus Dei | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Su'l carro della mente auriga siedi | Luca Marenzio, composer Torquato Tasso, librettist |
F major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Suitte faite pour Mr le Conte Darcours par Mr Degrignis pour les cromornes l'an 1660 | De Grignis, composer | 1660 | soprano, alto, tenor and bass 4 crumhorns |
Baroque | Suites | ||||
| Sunday Irmos, Greek chant, by order of Emperor Nikolay Pavlovich set for four voices (Ирмосы воскресные греческого напева по высочайшему повелению Государя Императора Николая Павловича положены на четыре голоса под руководством Директора Придворной Певческой Капеллы А. Львова) | Aleksey Lvov, composer | soprano, alto, tenor and bass | Romantic | Chants | |||||
| Super flumina Babylonis | Giovanni Pierluigi da Palestrina, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Super flumina Babylonis | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Surrexit Dominus vere | Anonymous, composer | G major | soprano, alto, tenor and bass | Romantic | Antiphons | ||||
| Sus, debout, gentilz pasteurs | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Sweet Day, So Cool | Charles Hubert Hastings Parry, composer George Herbert, librettist |
A major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| Swiftly from the mountain's brow (Glee for four voices) | Samuel Webbe, composer John Cunningham, librettist |
E flat major | soprano, alto, tenor and bass | Classical | Glees | ||||
| Sy c’est un grief tourment | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Sy de beauté vous estiez moins parfaitte | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| System für den Fugenbau (System für den Fugenbau, als Einleitung zur harmonischen Gesang-Verbindungs-Lehre vom Abt Vogler. Nach dem hinterlassenen Manuscripts des Autors herausgegeben. Nebst 35 Seiten erklaerende Notenbeispiele) | Georg Joseph Vogler, composer | soprano, alto, tenor and bass | Classical | Music theory, Fugues | |||||
| Tag und auch Nacht (Carmen in re) | Ludwig Senfl, composer | soprano, alto, tenor and bass | Renaissance | Pieces | |||||
| Motet: Tag, Zeit noch Stund | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Taylor's Sacred Minstrel (Taylor's Sacred Minstrel: or American Church Music Book: ) | Virgil Corydon Taylor, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and keyboard |
Classical | Psalms, Hymns, Anthems, Chants | |||||
| Te Deum | Fábio Soldá, composer | 2004 | soprano, alto, tenor and bass orchestra mixed chorus and organ |
Modern | Te Deum | ||||
| Te Deum laudamus | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Te Deum | |||||
| Te mane laudum carmine (De sancta Trinitate ; O lux beata trinitas) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Te solo adoro (I only love thee) | Franz Schubert, composer Pietro Metastasio, librettist |
D major | D.34 | 1812 | soprano, alto, tenor and bass | Romantic | Songs | ||
| Villancico | Manuel Seco de Arpe, composer | Op.23 | mixed chorus soprano, alto, tenor and bass |
Modern | Villancicos | ||||
| Thanksgiving (A Sacred Chorus) | François-Hippolyte Barthélémon, composer | A major | mixed chorus soprano, alto, tenor and bass |
Classical | Sacred choruses | ||||
| The Anthem Book of the Methodist Episcopal Church (The Anthem Book of the Methodist Episcopal Church) | Charles Crozat Converse, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and organ |
Romantic | Anthems | |||||
| The Ash Grove | Thomas Dunhill, composer | mixed chorus soprano, alto, tenor and bass |
Traditional (folk) | Folksongs | |||||
| The Bees Madrigall (Melissomelos ; The Bees' Madrigal) | Charles Butler, composer | G minor | soprano, alto, tenor and bass | Renaissance | Madrigals | ||||
| The Better Day Coming Tomorrow (Concert Quartet) | Will Lamartine Thompson, composer Will Lamartine Thompson, librettist |
F major | soprano, alto, tenor and bass | Romantic | Quartets | ||||
| The Boatman's Good-Night (A Four-Part Song) | Francesco Schira, composer Henry Hersee, librettist |
D major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| The Boston Musical Institute's Collection of Church Music (The Boston Musical Institute's Collection of Church Music: comprising a great variety of psalm and hymn tunes, anthems, chants, sentences, and other set pieces; original and selected from the most eminent composers; the whole intended and calculated for congregational and the church service, with an accompaniment adapted to the organ and piano-forte. Arranged and composed by T. Comer, organist of King's Chapel, Boston, - and Director of Music to the Boston Musical Institute.) | Thomas Comer, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and organ |
Romantic | Psalms, Hymns, Anthems, Chants | |||||
| The Brethren's Tune and Hymn Book (The Brethren's Tune and Hymn Book: being a compilation of Sacred Music adapted to all the psalms and hymns and spiritual songs in the Brethren's Hymn Book.) | Various, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Psalms, Hymns, Sacred songs | |||||
| The Cathedral Magazine (The Cathedral Magazine, or Divine Harmony. being a Collection of the most Valuable & Useful Anthems in Score. Several of which are Selected, from the Works of the most Eminent Authors, both Antient and Modern. The whole Selected, and carefully revised, by Able Masters) | Various, composer | voices, mixed chorus and organ 3 voices 3 voices and organ 5 voices and continuo 2 mixed chorus and continuo soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo 5 voices and continuo |
Baroque | Anthems | |||||
| The Centenary Singer (The Centenary Singer. A collection of hymns and tunes popular during the last one hundred years complied as directed by the Music Committee of the Gen. Conference & Assoc. M. E. Choirs for the Sunday School Union.) | Various, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Hymns, Sacred songs, Psalms | |||||
| The Choir (The Choir: A Collection of Sacred Vocal Music for the use of the congregations and families of the Presbyterian Church of the Lower Provinces, B.N.A. [British North America, i.e. Canada] prepared by a committee appointed by synod.) | Various, composer | 3 voices soprano, alto, tenor and bass mixed chorus |
Romantic | Psalms, Hymns, Anthems | |||||
| The Church Praise Book (The Church Praise Book, A Selection of Hymns and Tunes for Christian Worship. Edited by Melancthon Woolsey Stryker, and Hubert Platt Main.) | Various, composer | soprano, alto, tenor and bass mixed chorus |
Romantic | Hymns, Psalms, Chants | |||||
| The Church Singer (The Church Singer. A Collection of Sacred Music. By Karl Reden and S. J. Goodenough.) | Charles Crozat Converse, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and organ |
Romantic | Hymns, Psalms, Anthems, Chants |
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