| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Practische Musik-Werke (Practische Musik-Werke hervorragender Componisten des XVI-XVIII Jahrhunderts) | Siegfried Wilhelm Dehn, composer | 4 voices soprano, alto, tenor and bass 6 voices 2 sopranos, alto, 2 tenors and bass 8 voices 4 sopranos, 2 altos and 2 basses 9 voices 3 sopranos, 2 altos, 2 tenors and 2 basses 4 sopranos, 2 altos, tenor and 2 basses mixed chorus mixed chorus and strings mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra |
Baroque | Stabat Mater, Motets, Miserere, Improperia, Psalms, Masses, Offertories | |||||
| Praise the Lord O Ye Gentils All (A Psalme before Morning Prayer) | Thomas Tallis, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Psalms | |||||
| Praxis pietatis melica (Das ist: Uebung der Gottseligkeit in Christlichen und Trostreichen Gesängen) | Johann Crüger, composer | voice and continuo tenor, bass and continuo soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo |
Baroque | Sacred songs, Hymns, Chorales | |||||
| Precatus est Moyses | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Primo libro de ricercari et canzoni (Il primo libro de ricercari et canzoni a quattro voci, con due toccate e doi dialoghi a otto) | Aurelio Bonelli, composer | soprano, alto, tenor and bass 2 sopranos, 2 altos, 2 tenors and 2 basses |
Renaissance | Ricercars, Canzonas, Toccatas, Madrigals | |||||
| Primum virtutes igneae (De omnibus sanctis ; Omnes superni ordines) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Procissão de Ramos I | Emerico Lobo de Mesquita, composer | G major | soprano, alto, tenor and bass mixed chorus |
Classical | Corteges | ![]() |
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| Prometheus Unbound (Scenes from Shelley's Prometheus Unbound) | Charles Hubert Hastings Parry, composer Percy Bysshe Shelley, librettist |
1880 | soprano, alto, tenor and bass mixed chorus orchestra |
Romantic | Secular choruses | ||||
| Psalm 127 | Salamone Rossi, composer | F major | soprano, alto, tenor and bass | Renaissance | Psalms | ||||
| Psalm 133 (Psalmus Centesimus tregesimus Tertius Davidis: Docto, Nec no erudito Viro pietate & virtute præstanti Domino Philippo Meyer, Ciui Eiuelstadiensi, amico ac Mœcenati suo, compositus quatuor vocibus à M. Davide Aquino Transvadano amicitiæ ac gratitudinis ergò.) | David Aquinus, composer | soprano, alto, tenor and bass | Renaissance | Psalms | |||||
| Psalm 138 | Claude Goudimel, composer | D major | 1570 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Psalms | |||
| Psalm 42 | Claude Goudimel, composer Théodore de Bèze, librettist |
G major | 1551 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Psalms | |||
| Psalm 99 (Or est maintenant l'Eternel regnant) | Claude Goudimel, composer | A major | soprano, alto, tenor and bass | Baroque | Psalms | ||||
| Psalmen Davids ({{TPtr}} :Psalmen Davids wie die hiebevor unter allerley Melodeyen in Teutsche Gesang-reimen, durch den Hern Casparum Ulenbergium bracht: Nachmals aber fur die gemeine Jugent einfeltig mit vier Stimmen gesetzt, und jtzundt widerumb auffs New mit Fleisz ubersehen und Corrigiert, auch die beygefuegte Lobsaenge des Alten und Newen Testaments desz obgedachten Ulenbergij, mit vier Stimmen hinzugeordnet. durch Cunradum Hagium Rintelejum Westphalum) | Konrad Hagius, composer Caspar Ulenberg, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Psalms, Sacred songs, Chorales | |||||
| Psalmen für Kirchen und Schulen (Psalmen für Kirchen und Schulen auff die gemeine Melodejen syllaben weiß zu vier Stimmen gesetzt) | David Wolkenstein, composer | RISM A/I: W 1725 | soprano, alto, tenor and bass | Renaissance | Psalms | ||||
| Psalms (The Whole Booke of Psalmes, with their Wonted Tunes) | Richard Allison, composer | 1592 | soprano, alto, tenor and bass 2 sopranos, tenor and bass |
Renaissance | Psalms | ||||
| Psalms (Psalms, selected from the version of the Revd. Jas. Merrick, A. M. The Music partly New, and partly Chosen, from the Works of the most Eminent Composers, By the Revd. W. D. Tattersall, A. M.) | William de Chair Tattersall, composer James Merrick, librettist |
3 voices soprano, alto, tenor and bass |
Classical | Psalms, Canons | |||||
| Psalter und Harfe (Psalter und Harfe für das deutsche Haus. Ein evangelischer Liederschatz von 532 Kirchenliedern mit 560 Melodien in vierstimmigem Tonsatz für Gesang, Harmonium oder Klavier von Johannes Zahn) | Johannes Zahn, composer | mixed chorus soprano, alto, tenor and bass mixed chorus and piano mixed chorus and harmonium |
Classical | Chorales, Sacred songs | |||||
| Psaumes et Cantiques à l'usage des Eglises nationales de Vaud, Neuchâtel et Genève (Recueil de Psaumes et Cantiques à l'usage des Eglises nationales de Vaud, Neuchâtel et Genève. Adopté par les Autorites ecclesiastiques des trois cantons) | Various, composer | soprano, alto, tenor and bass soprano, alto, tenor, bass and keyboard mixed chorus mixed chorus and keyboard |
Classical | Psalms, Canticles, Hymns | |||||
| Psaumes et cantiques à l'usage des églises réformées (Recueil de psaumes et cantiques à l'usage des églises réformées) | Various, composer | soprano, alto, tenor and bass mixed chorus |
Classical | Psalms, Canticles | |||||
| Pseaumes en vers mezurez | Claude Le Jeune, composer Jean-Antoine de Baïf, librettist |
2 voices 3 voices soprano, alto, tenor and bass 5 voices 6 voices 7 voices 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Puis que ce beau mois | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Puis que la toy trespure et saicte | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Pulvis et umbra sumus | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Pungente dardo, che'l mio cor consumi | Jacquet de Berchem, composer | soprano, alto, tenor and bass | Renaissance | Madrigals | |||||
| Put me not to rebuke O Lord | Henry Loosemore, composer | soprano, alto, tenor and bass | Baroque | Sacred songs | |||||
| Quae virgo peperi (Nativitatis Mariae ; Gaude visceribus) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Quam pulchri sunt gressus tui (In Conceptione Beatae Mariae) | Tomás Luis de Victoria, composer | F major | soprano, alto, tenor and bass | Renaissance | Motets | ||||
| Quand l’ennuy facheux vou prend | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Quand le berger veid la bergere | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Quand ma maitresse rid | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Quanti mercenarii | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Quare tristis es anima mea | Orlande de Lassus, composer | LV 472 | soprano, alto, tenor and bass | Renaissance | Motets, Psalms | ||||
| Quarta et sexta feria (De sancto Nicolao ; Exsultet aula coelica) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Quasi cedrus exaltata sum in Libano | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Que de passions et douleurs | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Quell' innocente figlio, ''Aria dell' Angelo'' (This innocent son, ''Aria of the Angel'') | Franz Schubert, composer Pietro Metastasio, librettist |
D.17 | 1812 | soprano 2 sopranos soprano, alto and tenor soprano, alto, tenor and bass |
Romantic | Arias | |||
| Quem terra pontus (Assumptionis Mariae) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Qui luna sol et omnia (Assumptionis Mariae ; Cui luna sol et omnia ; Quem terra, pontus) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Qui n’en riroit | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Qui paracletus diceris (In die Pentecostes ; Veni creator spiritus) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Qui pius prudens (De Confessoribus ; Iste confessor Domini) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Qui terrena triumphat - Qui manducat hunc panem | Giuseppe Ottavio Pitoni, composer | G | soprano, alto, tenor and bass mixed chorus |
Baroque | Motets, Sacred choruses | ||||
| Qui vagitus infantiae (De sancto Nicolao ; Exsultet aula coelica) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Qui voit alors que les ventz du printemps | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Quia vidisti me, Thoma, credidisti | Orlande de Lassus, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Quid estis pusillanimes et contristamini | Orlande de Lassus, composer | LV 473 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | ||||
| Quinque Salutationes Domini nostri Hiesu Christi | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Quis dabit oculis | Ludwig Senfl, composer | 1519 | soprano, alto, tenor and bass | Renaissance | Motets | ||||
| Quo Christus, invictus Leo (In festo S. Paschae ; Chorus novae Hierusalem) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Quocunque pergis, virgines Sequuntur (De Virginibus ; Jesu, corona virginum) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns |
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