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Creators Key Opus Composed Instrumentation Period/style Type Listen Code
Odes and Select Pieces (I. O. G. T. Odes and Select Pieces for Festivals and Demonstrations, with music in both notations. The Music composed and arranged by Dr. H. T. Leslie) Henry Temple Leslie, composer soprano, alto, tenor and bass
mixed chorus
voice, mixed chorus and piano
Romantic Odes, Hymns
Offertorio per la Domenica delle Palme à Capella, ò sia alla breve ("Improperium exspectavit cor meum") Giovanni Giorgi, composer soprano, alto, tenor and bass Baroque Offertories
Officia Paschalia de resurrectione et ascensione Domini Georg Rhau, composer soprano, alto, tenor and bass Renaissance Masses, Motets, Introits
Officiorum (ut vocant) de Nativitate etc., Tome 1 (Officiorum (ut vocant) de Nativitate, Circumcisione, Epiphania Domini, & Purificatione &c. Tomus Primus) Georg Rhau, composer soprano, alto, tenor and bass Renaissance Masses
Offt wünsch ich dir Paulus Wüst, composer soprano, alto, tenor and bass Renaissance Lieder
Oh, dear! what can the matter be? Granville Bantock, composer E flat major soprano, alto, tenor and bass Traditional (folk) Folksongs
Old Daddy Longlegs (Choral Four-part Song) Clara Angela Macirone, composer C major soprano, alto, tenor and bass Romantic Songs
Old English Lyrics Gerrard Williams, composer soprano, alto, tenor and bass Early 20th century Songs
Omnes sancti Angeli Custodes nostri Gregor Aichinger, composer mixed chorus
soprano, alto, tenor and bass
Renaissance Motets
Omni die dic Mariae (Hymn of St. Casimir) Grzegorz Gerwazy Gorczycki, composer mixed chorus
soprano, alto, tenor and bass
Baroque Hymns
On Christmas Night (English traditional Carol arranged as a four-part song) George Butterworth, composer soprano, alto, tenor and bass Romantic Folksongs, Carols
Opera nova de balli Francesco Bendusi, composer RISM A/I: B 1914 1553 soprano, alto, tenor and bass Renaissance Dances
Offices for 4 voices Cristóbal de Morales, composer mixed chorus
soprano, alto, tenor and bass
soprano, 2 altos, 2 tenors and bass
soprano, alto, 2 tenors and bass
Renaissance Requiems, Magnificats, Responsories, Motets
Opusculum etlicher newer und alter Reuterliedlein Melchior Franck, composer RISM A/I: F 1645 1603 soprano, alto, tenor and bass Renaissance Lieder
Or oïez les introïtes de taverne Guiard, composer RISM 1534/11 mixed chorus
soprano, alto, tenor and bass
Renaissance Chansons
Or sus, serviteurs du Seigneur (Pseaume 134) Jan Pieterszoon Sweelinck, composer F major mixed chorus
soprano, alto, tenor and bass
Renaissance Psalms
Or vedi, Amor, che giovinetta donna Luca Marenzio, composer
Francesco Petrarca, librettist
soprano, alto, tenor and bass
mixed chorus
Renaissance Madrigals
Oramus domine conditor (In ascensione Domini ; Festum nunc celebre) Thomas Stoltzer, composer soprano, alto, tenor and bass
mixed chorus
Renaissance Hymns
Vyff Geistliche olde Ostergesenge van der fröliken uperstandinge van den Doden unses Heren unde heilandes Jesu Christi Eucharius Hoffmann, composer soprano, alto, tenor and bass Renaissance Sacred songs
Oy, Joseph Francisco Guerrero, composer mixed chorus
soprano, alto, tenor and bass
alto, tenor, baritone and bass
Renaissance Madrigals, Sacred choruses, Villancicos
Pai Nosso Rodrigo Vitta, composer 2006 mixed chorus
soprano, alto, tenor and bass
Modern Hymns
Pange Lingua Edward Lambert, composer
Thomas Aquinas, librettist
mixed chorus
soprano, alto, tenor and bass
Modern Hymns
Pange Lingua Bento Pereira, composer
Thomas Aquinas, librettist
G major mixed chorus
soprano, alto, tenor and bass
Classical Hymns
Pange Lingua Carmelo Luca Sambataro, composer G major 2009 soprano, alto, tenor and bass Modern Hymns
Paradisisches Wunder-Spiel (Paradisisches Wunder-Spiel, Welches sich in diesen letzten Zeiten und Tagen in denen Abend-Laendischen Welt-Theilen als ein Vorspiel der neuen Welt hervor gethan. Bestehende in einer gantz neuen und ungemeinen Sing-Art auf Weise der Englischen und himmlischen Choeren eingerichtet. Da dann das Lied Mosis und des Lamms, wie auch das hohe Lied Salomonis samt noch mehrern Zeugnuessen aus der Bibel und andern Heiligen in liebliche Melodyen gebracht. Wobey nicht weniger der Zuruf der Braut des Lamms, sammt der Zubereitung auf den herzlichen Hochzeit-Tag trefflich Praefigurirt wird. Alles nach Englischen Choeren Gesangs-Weise mit viel Muehe und grosem Fleiss ausgefertigt von einem Friedsamen, der sonst in dieser Welt weder Namen noch Titul suchet.) Various, composer voices
soprano, alto, tenor and bass
6 voices
7 voices
Baroque Hymns, Chorales, Sacred songs, Psalms
Part Songs Walford Davies, composer Op.40 1913 soprano, alto, tenor and bass Early 20th century Songs
Parvuls filius Jacobus Clemens non Papa, composer soprano, alto, tenor and bass
mixed chorus
Renaissance Motets
Pascha nostrum Francesco Zane, composer FZ 81 2013 soprano, alto, tenor and bass
mixed chorus
Classical Offertorium
Pase el agoa ("Pase el agoa" del [[Cancionero de Palacio (Various)|Cancionero Musical de Palacio]]) Anonymous, composer mixed chorus
soprano, alto, tenor and bass
Renaissance Villancicos, Secular choruses
Passacaglia Ali Riza Saral, composer 1988 soprano, alto, tenor and bass Classical Passacaglias
Passio secundum Matthæum Tomás Luis de Victoria, composer soprano, alto, tenor and bass Renaissance Passions
Pastores, dicite, quidnam vidistis? (Responsorium III de Maitines de Navidad) Cristóbal de Morales, composer G minor mixed chorus
soprano, alto, tenor and bass
Renaissance Responsories
Pater Noster Carmelo Luca Sambataro, composer G major 2009 soprano, alto, tenor and bass Modern Sacred choruses
Pater noster (Lord's Prayer) Pascal Picard, composer C major Op.15 2014 mixed chorus
soprano, alto, tenor and bass
Modern Hymns, Sacred choruses
Pavana & Gagliarda I Carlo Farina, composer soprano, alto, tenor and bass
soprano, alto, tenor and continuo
Baroque Pavans, Galliards
Pavane et gaillarde des dieux Pierre Phalèse, composer G minor 4 Unspecified instruments
soprano, alto, tenor and bass
Renaissance Pavans, Galliards
Payne’s Album für Musik Various, composer voice and piano
piano
violin and piano
cello and piano
soprano, tenor, bass and piano
soprano, female chorus and piano
soprano, female chorus and organ
piano 4 hands
voice, violin and piano
voice, cello and piano
soprano, alto, tenor and bass
mixed chorus
Romantic Pieces, Songs
Pearce Did Love Fair Petronel Giles Farnaby, composer soprano, alto, tenor and bass
mixed chorus
Renaissance Madrigals, Secular choruses
Pearls of Truth (Pearls of Truth in Song for Sabbath Schools, Prayer and Praise Meetings by Rev. S. J. Oslin, and L. G. McClendon, assisted by Jas. H. Ruebush) Stephen Jesse Oslin, composer soprano, alto, tenor and bass
mixed chorus
mixed chorus and keyboard
Romantic Hymns, Sacred songs, Anthems
Peccantem me quotidie (Responsorio VII del Officium Defunctorum) Cristóbal de Morales, composer A minor mixed chorus
soprano, alto, tenor and bass
Renaissance Responsories
Per lignum servi facta sumus Tiburtio Massaino, composer soprano, alto, tenor and bass Renaissance Motets
Perrette, disoit Jehan Guillaume Costeley, composer soprano, alto, tenor and bass Renaissance Chansons
Petrus beatus Tomás Luis de Victoria, composer soprano, alto, tenor and bass Renaissance Hymns
Philippe, qui videt me Antoine Brumel, composer mixed chorus
soprano, alto, tenor and bass
Renaissance Motets
Phillida Bewailed Giles Farnaby, composer mixed chorus
soprano, alto, tenor and bass
Renaissance Madrigals, Secular choruses
Piagne e sospira Claudio Monteverdi, composer
Torquato Tasso, librettist
SV 93 soprano, alto, tenor and bass
mixed chorus
Renaissance Madrigals
Pietose rime e voi freddi sospiri Jacob Arcadelt, composer soprano, alto, tenor and bass
mixed chorus
Renaissance Madrigals
Plange quasi virgo Marc Antonio Ingegneri, composer
Sacred music, librettist
F major soprano, alto, tenor and bass
mixed chorus
Renaissance Responsories
Polluerunt templum (Commune plurimorum Martyrum extra temp. Paschale) Johann Joseph Fux, composer K.253 mixed chorus
soprano, alto, tenor and bass
Baroque Introits
Pour on him, O Lord! thy blessings (Corale: A Prayer for the Prince of Wales; A Corale written in honour of the anniversary of the birthday of H.R.H. the Prince of Wales, and performed at Windsor Castle, 9th Nov. 1842, in the presence of Her Most Gracious Majesty the Queen) Charles Guynemer, composer
Mary Ann Bird, librettist
G major mixed chorus
soprano, alto, tenor and bass
2 sopranos
2 sopranos and bass
Romantic Chorales
Practische Musik-Werke (Practische Musik-Werke hervorragender Componisten des XVI-XVIII Jahrhunderts) Siegfried Wilhelm Dehn, composer 4 voices
soprano, alto, tenor and bass
6 voices
2 sopranos, alto, 2 tenors and bass
8 voices
4 sopranos, 2 altos and 2 basses
9 voices
3 sopranos, 2 altos, 2 tenors and 2 basses
4 sopranos, 2 altos, tenor and 2 basses
mixed chorus
mixed chorus and strings
mixed chorus and orchestra
soprano, alto, tenor, bass, mixed chorus, strings and continuo
soprano, alto, tenor, bass, mixed chorus and orchestra
Baroque Stabat Mater, Motets, Miserere, Improperia, Psalms, Masses, Offertories
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