| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Odes and Select Pieces (I. O. G. T. Odes and Select Pieces for Festivals and Demonstrations, with music in both notations. The Music composed and arranged by Dr. H. T. Leslie) | Henry Temple Leslie, composer | soprano, alto, tenor and bass mixed chorus voice, mixed chorus and piano |
Romantic | Odes, Hymns | |||||
| Offertorio per la Domenica delle Palme à Capella, ò sia alla breve ("Improperium exspectavit cor meum") | Giovanni Giorgi, composer | soprano, alto, tenor and bass | Baroque | Offertories | |||||
| Officia Paschalia de resurrectione et ascensione Domini | Georg Rhau, composer | soprano, alto, tenor and bass | Renaissance | Masses, Motets, Introits | |||||
| Officiorum (ut vocant) de Nativitate etc., Tome 1 (Officiorum (ut vocant) de Nativitate, Circumcisione, Epiphania Domini, & Purificatione &c. Tomus Primus) | Georg Rhau, composer | soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Offt wünsch ich dir | Paulus Wüst, composer | soprano, alto, tenor and bass | Renaissance | Lieder | |||||
| Oh, dear! what can the matter be? | Granville Bantock, composer | E flat major | soprano, alto, tenor and bass | Traditional (folk) | Folksongs | ||||
| Old Daddy Longlegs (Choral Four-part Song) | Clara Angela Macirone, composer | C major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| Old English Lyrics | Gerrard Williams, composer | soprano, alto, tenor and bass | Early 20th century | Songs | |||||
| Omnes sancti Angeli Custodes nostri | Gregor Aichinger, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Omni die dic Mariae (Hymn of St. Casimir) | Grzegorz Gerwazy Gorczycki, composer | mixed chorus soprano, alto, tenor and bass |
Baroque | Hymns | |||||
| On Christmas Night (English traditional Carol arranged as a four-part song) | George Butterworth, composer | soprano, alto, tenor and bass | Romantic | Folksongs, Carols | |||||
| Opera nova de balli | Francesco Bendusi, composer | RISM A/I: B 1914 | 1553 | soprano, alto, tenor and bass | Renaissance | Dances | |||
| Offices for 4 voices | Cristóbal de Morales, composer | mixed chorus soprano, alto, tenor and bass soprano, 2 altos, 2 tenors and bass soprano, alto, 2 tenors and bass |
Renaissance | Requiems, Magnificats, Responsories, Motets | |||||
| Opusculum etlicher newer und alter Reuterliedlein | Melchior Franck, composer | RISM A/I: F 1645 | 1603 | soprano, alto, tenor and bass | Renaissance | Lieder | |||
| Or oïez les introïtes de taverne | Guiard, composer | RISM 1534/11 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | ||||
| Or sus, serviteurs du Seigneur (Pseaume 134) | Jan Pieterszoon Sweelinck, composer | F major | mixed chorus soprano, alto, tenor and bass |
Renaissance | Psalms | ||||
| Or vedi, Amor, che giovinetta donna | Luca Marenzio, composer Francesco Petrarca, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Oramus domine conditor (In ascensione Domini ; Festum nunc celebre) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Vyff Geistliche olde Ostergesenge van der fröliken uperstandinge van den Doden unses Heren unde heilandes Jesu Christi | Eucharius Hoffmann, composer | soprano, alto, tenor and bass | Renaissance | Sacred songs | |||||
| Oy, Joseph | Francisco Guerrero, composer | mixed chorus soprano, alto, tenor and bass alto, tenor, baritone and bass |
Renaissance | Madrigals, Sacred choruses, Villancicos | |||||
| Pai Nosso | Rodrigo Vitta, composer | 2006 | mixed chorus soprano, alto, tenor and bass |
Modern | Hymns | ||||
| Pange Lingua | Edward Lambert, composer Thomas Aquinas, librettist |
mixed chorus soprano, alto, tenor and bass |
Modern | Hymns | ![]() |
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| Pange Lingua | Bento Pereira, composer Thomas Aquinas, librettist |
G major | mixed chorus soprano, alto, tenor and bass |
Classical | Hymns | ||||
| Pange Lingua | Carmelo Luca Sambataro, composer | G major | 2009 | soprano, alto, tenor and bass | Modern | Hymns | |||
| Paradisisches Wunder-Spiel (Paradisisches Wunder-Spiel, Welches sich in diesen letzten Zeiten und Tagen in denen Abend-Laendischen Welt-Theilen als ein Vorspiel der neuen Welt hervor gethan. Bestehende in einer gantz neuen und ungemeinen Sing-Art auf Weise der Englischen und himmlischen Choeren eingerichtet. Da dann das Lied Mosis und des Lamms, wie auch das hohe Lied Salomonis samt noch mehrern Zeugnuessen aus der Bibel und andern Heiligen in liebliche Melodyen gebracht. Wobey nicht weniger der Zuruf der Braut des Lamms, sammt der Zubereitung auf den herzlichen Hochzeit-Tag trefflich Praefigurirt wird. Alles nach Englischen Choeren Gesangs-Weise mit viel Muehe und grosem Fleiss ausgefertigt von einem Friedsamen, der sonst in dieser Welt weder Namen noch Titul suchet.) | Various, composer | voices soprano, alto, tenor and bass 6 voices 7 voices |
Baroque | Hymns, Chorales, Sacred songs, Psalms | |||||
| Part Songs | Walford Davies, composer | Op.40 | 1913 | soprano, alto, tenor and bass | Early 20th century | Songs | |||
| Parvuls filius | Jacobus Clemens non Papa, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Pascha nostrum | Francesco Zane, composer | FZ 81 | 2013 | soprano, alto, tenor and bass mixed chorus |
Classical | Offertorium | |||
| Pase el agoa ("Pase el agoa" del [[Cancionero de Palacio (Various)|Cancionero Musical de Palacio]]) | Anonymous, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Villancicos, Secular choruses | |||||
| Passacaglia | Ali Riza Saral, composer | 1988 | soprano, alto, tenor and bass | Classical | Passacaglias | ||||
| Passio secundum Matthæum | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Passions | |||||
| Pastores, dicite, quidnam vidistis? (Responsorium III de Maitines de Navidad) | Cristóbal de Morales, composer | G minor | mixed chorus soprano, alto, tenor and bass |
Renaissance | Responsories | ||||
| Pater Noster | Carmelo Luca Sambataro, composer | G major | 2009 | soprano, alto, tenor and bass | Modern | Sacred choruses | |||
| Pater noster (Lord's Prayer) | Pascal Picard, composer | C major | Op.15 | 2014 | mixed chorus soprano, alto, tenor and bass |
Modern | Hymns, Sacred choruses | ||
| Pavana & Gagliarda I | Carlo Farina, composer | soprano, alto, tenor and bass soprano, alto, tenor and continuo |
Baroque | Pavans, Galliards | |||||
| Pavane et gaillarde des dieux | Pierre Phalèse, composer | G minor | 4 Unspecified instruments soprano, alto, tenor and bass |
Renaissance | Pavans, Galliards | ||||
| Payne’s Album für Musik | Various, composer | voice and piano piano violin and piano cello and piano soprano, tenor, bass and piano soprano, female chorus and piano soprano, female chorus and organ piano 4 hands voice, violin and piano voice, cello and piano soprano, alto, tenor and bass mixed chorus |
Romantic | Pieces, Songs | |||||
| Pearce Did Love Fair Petronel | Giles Farnaby, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals, Secular choruses | |||||
| Pearls of Truth (Pearls of Truth in Song for Sabbath Schools, Prayer and Praise Meetings by Rev. S. J. Oslin, and L. G. McClendon, assisted by Jas. H. Ruebush) | Stephen Jesse Oslin, composer | soprano, alto, tenor and bass mixed chorus mixed chorus and keyboard |
Romantic | Hymns, Sacred songs, Anthems | |||||
| Peccantem me quotidie (Responsorio VII del Officium Defunctorum) | Cristóbal de Morales, composer | A minor | mixed chorus soprano, alto, tenor and bass |
Renaissance | Responsories | ||||
| Per lignum servi facta sumus | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Perrette, disoit Jehan | Guillaume Costeley, composer | soprano, alto, tenor and bass | Renaissance | Chansons | |||||
| Petrus beatus | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Hymns | |||||
| Philippe, qui videt me | Antoine Brumel, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Phillida Bewailed | Giles Farnaby, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Madrigals, Secular choruses | |||||
| Piagne e sospira | Claudio Monteverdi, composer Torquato Tasso, librettist |
SV 93 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Pietose rime e voi freddi sospiri | Jacob Arcadelt, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Plange quasi virgo | Marc Antonio Ingegneri, composer Sacred music, librettist |
F major | soprano, alto, tenor and bass mixed chorus |
Renaissance | Responsories | ||||
| Polluerunt templum (Commune plurimorum Martyrum extra temp. Paschale) | Johann Joseph Fux, composer | K.253 | mixed chorus soprano, alto, tenor and bass |
Baroque | Introits | ||||
| Pour on him, O Lord! thy blessings (Corale: A Prayer for the Prince of Wales; A Corale written in honour of the anniversary of the birthday of H.R.H. the Prince of Wales, and performed at Windsor Castle, 9th Nov. 1842, in the presence of Her Most Gracious Majesty the Queen) | Charles Guynemer, composer Mary Ann Bird, librettist |
G major | mixed chorus soprano, alto, tenor and bass 2 sopranos 2 sopranos and bass |
Romantic | Chorales | ||||
| Practische Musik-Werke (Practische Musik-Werke hervorragender Componisten des XVI-XVIII Jahrhunderts) | Siegfried Wilhelm Dehn, composer | 4 voices soprano, alto, tenor and bass 6 voices 2 sopranos, alto, 2 tenors and bass 8 voices 4 sopranos, 2 altos and 2 basses 9 voices 3 sopranos, 2 altos, 2 tenors and 2 basses 4 sopranos, 2 altos, tenor and 2 basses mixed chorus mixed chorus and strings mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra |
Baroque | Stabat Mater, Motets, Miserere, Improperia, Psalms, Masses, Offertories |
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