| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Missa Quam pulchri sunt | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Missa quando lieta sperai | Giovanni Pierluigi da Palestrina, composer | soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Missa Quarti toni | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Missa Quatuor vocum (Madrid Mass) | Domenico Scarlatti, composer | soprano, alto, tenor and bass | Baroque | Masses | |||||
| Missa Quem Dicunt Homines | Antonius Divitis, composer | soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Missa Se la face ay pale | Guillaume Dufay, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Masses | ![]() |
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| Missa - Primi Toni | Giovanni Pierluigi da Palestrina, composer | G minor | 1582 | soprano, alto, tenor and bass 2 sopranos and alto soprano, alto, 2 tenors and bass |
Renaissance | Masses | |||
| Missa sexti toni | Antonio Lotti, composer | E flat major | soprano, alto, tenor and bass | Baroque | Masses | ||||
| Missa Simile est regnum cœlorum | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Missa super cantu Romano | Pedro de Heredia, composer Ordinarium Missae, librettist |
soprano, alto, tenor and bass | Renaissance | Masses | |||||
| Missa super Frère Thibault (Sine nomine) | Orlande de Lassus, composer | H. iii/75 | 1570 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Masses | |||
| Missa tota in canone (Quatuor vocibus assuetis, absque instrumentis // Missa Quatuor vocum Tota in Canone. Composta e dedicata R. D. Abbati Maximiliano Stadler.) | Engelbert Aigner, composer | A major | soprano, alto, tenor and bass | Romantic | Masses, Canons | ![]() |
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| Missa „Un gay bergier“ | Jacob Handl, composer Catholic Liturgy, librettist |
G major | soprano, alto, tenor and bass | Renaissance | Masses | ![]() |
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| Missa Vulnerasti cor meum | Cristóbal de Morales, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Masses | |||||
| Missarum diversorum auctorum (Missarum diversorum auctorum : Liber primus) | Ottaviano Petrucci, composer Ordinarium Missae, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Masses | |||||
| Missarum, Liber 1 (Misse Josquin ; Missarum Josquin Liber Primus) | Josquin Desprez, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Masses | |||||
| Missarum, Liber 1 | Cristóbal de Morales, composer | RISM A/I: M 3580 | soprano, alto, tenor and bass 5 voices 6 voices |
Renaissance | Masses | ||||
| Missarum, Liber 2 (Christophori Moralis Hyspalensis, Missarvm. Liber Secvndvs) | Cristóbal de Morales, composer | RISM A/I: M 3582 | 1540 | soprano, alto, tenor and bass 5 voices |
Renaissance | Masses | |||
| Missarum, Liber 3 (Missarum Josquin Liber Tertius) | Josquin Desprez, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Masses | |||||
| Mit deiner zucht | Matthias Greiter, composer | soprano, alto, tenor and bass | Renaissance | Lieder | ![]() |
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| Mit fried und freud ich far dahin | Johann Walter, composer Martin Luther, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | |||||
| Mit Lust thät ich ausreiten | Ludwig Senfl, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Mitten wir im Leben sind (Media vita in morte sumus) | Arnold von Bruck, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Antiphons | |||||
| Mitten wir im leben sind | Johann Walter, composer | soprano, alto, tenor and bass | Renaissance | Sacred songs | |||||
| Mon amytié tousiours augmente | Jacob Arcadelt, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Chansons | |||||
| Moralis Hispani et multorum ({{TPtr}} :Moralis Hispani, et Mvltorum eximiae artis virorvm, mvsica cvm vocibvs qvatvor, vvlgo motecta cognominata: Cuius pars paribus vocibus cantanda est: reliqua vero plena voce apta est decantari. bactenus non typijs excussa, nunc autem in lucem prodit. / Moralis Hispani, et reliqvorvm, mvsica vocvm qvatvor, cvivs pars est aeqvali voce, reliqva impari decantanda. modo in lvcem emissa.) | Cristóbal de Morales, composer | RISM A/I: M 3605 | soprano, alto, tenor and bass | Renaissance | Motets | ||||
| Motet for Four Voices (Since First Thy Word Awaked My Heart) | Horace Hollinrake, composer Thomas Moore, librettist |
B flat major | 1925 | soprano, alto, tenor and bass | Early 20th century | Motets | |||
| Motettorum, Book 10 (Liber decimus : Passiones dominice in ramis palmarum veneris sancte : necnon lectiones feriarum quinte, sexte ac sabbati hebdomade sancte multaque alia quadragesime congruentia continet) | Pierre Attaingnant, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Muses, chantez le loz de la princesse | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Musicalischer Freuden- und Andachtswecker (Musicalischer Freuden- vnd Andachtswecker, oder Geistliche Gesaenglein fuer Gottliebende Andaechtige Hertzen von Johann Staden ... auff die Art seiner hiebevor aussgangenen Hauss-Music, meistentheils mit vier, sampt etlichen von fuenff und sechs Stimmen, componirt.) | Johann Staden, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Sacred songs | |||||
| Musicque de Joye ; Musique de Joye | Jacques Moderne, composer | RISM 1550 | soprano, alto, tenor and bass | Renaissance | Fantasias, Pavans, Galliards | ||||
| Musikalisches Allerley | Various, composer Friedrich von Hagedorn, librettist Johann Andreas Cramer, librettist Johann Peter Uz, librettist Gotthold Ephraim Lessing, librettist Moses Mendelssohn, librettist Johann Arnold Ebert, librettist Karl Wilhelm Ramler, librettist Christian Felix Weisse, librettist Johann Wilhelm Ludwig Gleim, librettist |
keyboard clavichord voice and keyboard 2 flutes continuo and 2 sopranos soprano, alto, tenor and bass organ flute and continuo soprano and continuo voice and continuo soprano, alto and continuo soprano, alto, tenor, bass and continuo mechanical instrument soprano, alto, tenor and continuo |
Classical | Variations, Marches, Lieder, Duets, Pieces, Psalms, Allemandes, Chorale preludes, Gigues, Sonatas, Courantes, Sonatinas, Polonaises, Odes, Minuets, Sinfonias, Anglaises, Allegros, Rounds, Suites, Rondos, Vaudevilles | |||||
| Musikalisches Kunstbuch | Johann Theile, composer | 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments soprano, alto, tenor and bass 2 violins, cello and continuo continuo and 3 Unspecified instruments continuo and 4 Unspecified instruments |
Baroque | Fugues, Canons, Sonatas, Arias, Masses | |||||
| My Delight and Thy Delight | Charles Hubert Hastings Parry, composer Robert Bridges, librettist |
F major | soprano, alto, tenor and bass | Romantic | Songs | ||||
| My Earl of Essex | Stephen Potter, composer | D minor | 1984 | mixed chorus soprano, alto, tenor and bass |
Modern | Songs | |||
| My Soul does Magnify the Lord (Magnificat) | John Farmer, composer | soprano, alto, tenor and bass | Renaissance | Magnificats | |||||
| Nativitas unde gaudia / Nativitas tua, Dei genitrix | Antoine Brumel, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Motets | |||||
| Natus est nobis Deus de Deo | Jacob Handl, composer | G dorian | soprano, alto, tenor and bass mixed chorus |
Renaissance | Motets | ||||
| Ne timeas Maria | Tiburtio Massaino, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Ne timeas Maria (In Annuntiatione Beatæ Mariæ) | Tomás Luis de Victoria, composer | soprano, alto, tenor and bass | Renaissance | Motets | |||||
| Neue Pavanen, Galliarden, Curranten, Balletten, Intraden und Canzonen (Neue Pavanen, Galliarden, Curranten, Balletten, Intraden und Canzonen, mit Vier und Fuenff Stimmen, fuernemlichen von den Instrumental Musicis fueglich zugebrauchen) | Johann Staden, composer | soprano, alto, tenor and bass 2 sopranos, alto, tenor and bass |
Renaissance | Pavans, Galliards, Courantes, Balletti, Intradas, Canzonas | |||||
| New Sacred Melodies (New Sacred Melodies Suitable for Public & Private Devotion, and Adapted to the Psalm and Hymns In the New Version, Dr. Watts, Dr. Rippon's, Dr. Collyer's, Mr. Wesley's, Countess of Huntingdon's & Dr. Doddridge's Hymn Books, also some Original Hymns, (Never before Published) by The Rev. Jas. White (Lowestoft). The Whole Composed & Arranged for Four Voices With an Accompaniment for the Piano Forte or Organ, by W. J. White (St. Albans).) | W. J. White, composer | soprano, alto, tenor and bass mixed chorus soprano, alto, tenor, bass and organ soprano, alto, tenor, bass and piano mixed chorus and organ mixed chorus and piano |
Classical | Psalms, Hymns | |||||
| Newe Deudsche Geistliche Gesenge | Georg Rhau, composer | RISM B/I: 1544 | 1544 | 4 voices 5 voices mixed chorus soprano, alto, tenor and 2 basses soprano, alto, tenor and bass soprano, 2 altos and tenor |
Renaissance | Sacred songs, Chorales | |||
| Newer Pavanen, Galliarden und Intraden (Newer Pavanen, Galliarden unnd Intraden, auff allerley Instrumenten zu musiciren bequem, mit Vier, Fuenff und Sechs Stimmen gesetzt) | Melchior Franck, composer | soprano, alto, tenor and bass 5 Unspecified instruments 6 Unspecified instruments |
Renaissance | Pavans, Galliards, Intradas | |||||
| Newe Teutsche geistliche und weltliche Liedlein (Newe Teutsche Geistliche und Weltliche Liedlein, mit vier und fuenff stimmen, welche nit allein lieblich zu singen, sonder auch auff allerley Instrumenten zugebrauchen) | Caspar Glanner, composer | soprano, alto, tenor and bass 5 voices soprano, alto, tenor and bass 5 Unspecified instruments |
Renaissance | Lieder, Sacred songs | |||||
| No longer mourn for me (Madrigal) | Arthur Somervell, composer William Shakespeare, librettist |
B flat major | soprano, alto, tenor and bass | Romantic | Madrigals | ||||
| Nobis natus, nobis datus (De corpore Christi ; Pange lingua gloriosi) | Thomas Stoltzer, composer | soprano, alto, tenor and bass 2 sopranos, alto, tenor and bass mixed chorus |
Renaissance | Hymns | |||||
| Noblesse gist au coeur du vertueux | Guillaume Costeley, composer | mixed chorus soprano, alto, tenor and bass |
Renaissance | Chansons | |||||
| Noel | Antoine Busnois, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Carols | |||||
| Nolo mortem peccatoris | Thomas Morley, composer John Redford, librettist |
D minor | mixed chorus soprano, alto, tenor and bass |
Renaissance | Anthems | ||||
| Non ex virili semine (In vigilia natalis Domini ; Intende qui regis ; Veni redemptor gentium) | Thomas Stoltzer, composer | soprano, alto, tenor and bass mixed chorus |
Renaissance | Hymns |
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