| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Plange quasi virgo | Carlo Gesualdo, composer | 6 voices | Renaissance | Responsories | |||||
| Plange quasi virgo, Responsoria | Fulvio Caldini, composer | Op.98 No.21 | 2009 | 6 voices mixed chorus |
Modern | Responsories | |||
| Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu | Fernando de las Infantas, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs | |||||
| Polyphonies vocales de la Renaissance en italien | Daniel Van Gilst, composer | 3 voices 5 voices 6 voices 7 voices |
Renaissance | Madrigals | |||||
| Posso cor mio partire | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Posthumous Glees (Under the Patronage of their Royal Highnesses The Duke and Duchess of York; Danby's Posthumous Glees, Being a Fourth Set for 3, 4 and 5 Voices. Also the Ode to Hope, presented by him to the Glee Club, & (by their permission) included in this Work. ... Published for the Benefit of His Widow and four Infant Children) | John Danby, composer | Book 4 of Glees | 3 voices 4 voices 5 voices 6 voices 2 sopranos, 2 altos, 2 tenors and 2 basses 2 mixed chorus |
Classical | Glees, Odes | ||||
| Potrò viver io più se senza luce | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Pour souhaitter | Josquin Desprez, composer | NJE 30.8 | 6 voices | Renaissance | Chansons | ||||
| Pracht Hoffart Stolz | Johann Baptist Reich, composer | 6 voices | Baroque | Songs | |||||
| Practische Musik-Werke (Practische Musik-Werke hervorragender Componisten des XVI-XVIII Jahrhunderts) | Siegfried Wilhelm Dehn, composer | 4 voices soprano, alto, tenor and bass 6 voices 2 sopranos, alto, 2 tenors and bass 8 voices 4 sopranos, 2 altos and 2 basses 9 voices 3 sopranos, 2 altos, 2 tenors and 2 basses 4 sopranos, 2 altos, tenor and 2 basses mixed chorus mixed chorus and strings mixed chorus and orchestra soprano, alto, tenor, bass, mixed chorus, strings and continuo soprano, alto, tenor, bass, mixed chorus and orchestra |
Baroque | Stabat Mater, Motets, Miserere, Improperia, Psalms, Masses, Offertories | |||||
| Praeter rerum seriem | Josquin Desprez, composer | NJE 24.11 | 6 voices | Renaissance | Motets | ||||
| Praise Our Lord all Ye Gentiles | William Byrd, composer | T 305 | 1611 | 6 voices | Renaissance | Psalms | |||
| Preces ecclesiasticæ | Eustache Du Caurroy, composer | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Motets | |||||
| Premier, - Dixiesme livre des chancons a quatre parties | Tielman Susato, composer | 4 voices 5 voices 6 voices |
Renaissance | Chansons | |||||
| Prendi l'aurata lira | Orlande de Lassus, composer Gabriele Fiamma, librettist |
LV 916 | 6 voices | Renaissance | Madrigals | ||||
| Primus Psalmus poenitentialis (Domine, ne in furore... miserere mei) | Orlande de Lassus, composer | LV 794 | 5 voices 6 voices |
Renaissance | Psalms | ||||
| Prolongati sunt dies mei, LV 975 | Orlande de Lassus, composer | 6 voices | Renaissance | Sacred songs | |||||
| Pseaume 117 (Toutes gens loüés le Seigneur) | Claude Le Jeune, composer | 6 voices | Renaissance | Psalms | |||||
| Psalm 124 | Salamone Rossi, composer | 6 voices | Baroque | Psalms | |||||
| Psalmes, Songs, and Sonnets | William Byrd, composer | RISM A/I: B 5221 | 1611 | 3 voices 4 voices 5 voices 6 voices 3 viols 4 viols 5 viols 6 viols voice |
Renaissance | Psalms, Songs | |||
| Psalmody: or a Collection of Psalm Tunes in the Ancient and Modern Stiles, with Several Festival Hymns, All set in a very easy Manner (chiefly designed for the Use of Country Churches) for one, two, three, and four Voices, with Choruses. The whole so contrived as to be Sung with or without an Organ. To which are added, Canons for three, four, five, and six Voices, with a Thorough Bass. | John Alcock Sr., composer | voices and continuo mixed chorus and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo 5 voices and continuo 6 voices and continuo voice, mixed chorus and continuo mixed chorus 2 voices 3 voices 4 voices 5 voices 6 voices |
Baroque | Psalms, Hymns, Canons | |||||
| Psalmorum selectorum, Tomus 1 (Psalmorum selectorum a praestantissimis huius nostri temporis in arte musica artificibus in harmonias quatuor, quinque, et sex vocum redactorum ...) | Johann vom Berg, composer | 4 voices 5 voices 6 voices |
Renaissance | Psalms | |||||
| Psalmorum selectorum, Tomus 3 (Tomvs tertivs psalmorvm selectorvm, qvatvor et plvrivm vocvm) | Johann vom Berg, composer | 4 voices 5 voices 6 voices |
Renaissance | Psalms | |||||
| Psalmorum selectorum, tomus 4 (PSALMORVM SELECTORVM A' PRAESTANTISSIMIS HVIVS NOSTRI TEMPORIS IN ARTE MVSICA ARTIFICIBVS IN HARMONIAS QVATVOR, QVINQVE, ET SEX VOCVM REDACTORVM TOMVS PRIMVS (-QVARTVS), QVI CVM FERÈ, VT RELIQVI tres, nouos, & hactenus in publico non conspectos uel auditos Psalmos contineat, Recens natus recte dici potest, [Stimmen], Bd.: 4, TOMVS QVARTVS PSALMORVM SELECTORVM, QVATVOR ET PLVRIVM VOCVM, Noribergae, 1554) | Johann vom Berg, composer | 4 voices 5 voices 6 voices |
Renaissance | Psalms, Motets | |||||
| Psalms, Book 1 (Cinquante Pseaumes de David, mis en musique à 4, 5, 6, & 7 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7244 | 4 voices 5 voices 6 voices 7 voices |
Renaissance | Psalms | ||||
| Psalms, Book 2 (Livre Second des Pseaumes de David, nouvellement mis en musique à 4, 5, 6, 7, 8 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7247 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Psalms | ||||
| Psalms, Book 3 (Livre Troisieme des Pseaumes de David, nouvellement mis en musique à 4, 5, 6, 7, 8 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7248 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Psalms | ||||
| Psalms, Book 4 (Livre Quatriesme et Conclusionnal des Pseaumes de David, nouvellement mis en musique à 4, 5, 6, 7, 8 parties) | Jan Pieterszoon Sweelinck, composer | RISM A/I: S 7253 | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Psalms | ||||
| Pseaumes en vers mezurez | Claude Le Jeune, composer Jean-Antoine de Baïf, librettist |
2 voices 3 voices soprano, alto, tenor and bass 5 voices 6 voices 7 voices 8 voices 2 mixed chorus |
Renaissance | Psalms | |||||
| Pulchra es, o Maria virgo | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Qual vive Salamandra in fiamma ardente | Luca Marenzio, composer | F major | 6 voices | Renaissance | Madrigals | ||||
| Quam bonus Israel Deus | Orlande de Lassus, composer | LV 997 | 6 voices | Renaissance | Motets | ||||
| Quam magnificata sunt | Orlande de Lassus, composer | LV 197 | 6 voices | Renaissance | Motets | ||||
| Quam pulchra es | Orlande de Lassus, composer | LV 838 | 6 voices | Renaissance | Motets | ||||
| Quando dal terzo cielo | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Madrigals | |||||
| Quant’ in mille anni il ciel (Quanto in mille anni il ciel) | Nollet, composer | 6 voices | Renaissance | Madrigals | |||||
| Quante specie d'animali (madrigal for 6 voices mixed chorus) | Carlo Pedini, composer | 1979 | 6 voices mixed chorus |
Modern | Madrigals | ||||
| Quare tristis es anima mea | Orlande de Lassus, composer | LV 207 | 6 voices | Renaissance | Motets | ||||
| Quartus Psalmus poenitentialis (Miserere mei, Deus) | Orlande de Lassus, composer | LV 797 | 5 voices 6 voices |
Renaissance | Psalms, Motets | ||||
| Quasi improvisa desiata e chiara | Alessandro Striggio, composer | 6 voices | Renaissance | Madrigals | |||||
| Quel rosignuol, che sì soave piagne | Giaches de Wert, composer | 6 voices | Renaissance | Madrigals | |||||
| Quel vivo sole ardente | Marco da Gagliano, composer | 6 voices | Renaissance | Madrigals | |||||
| Queste non son più lacrime che fuore | Philippe Verdelot, composer Lodovico Ariosto, librettist |
6 voices | Renaissance | Madrigals | |||||
| Queste non son piu lagrime | Giaches de Wert, composer Lodovico Ariosto, librettist |
6 voices mixed chorus |
Renaissance | Madrigals | |||||
| Questi ch'indizio fan del mio tormento | Alessandro Striggio, composer Lodovico Ariosto, librettist |
6 voices mixed chorus |
Renaissance | Madrigals | |||||
| Questi ch’inditio fan (These that bee Certaine Signes) | Alfonso Ferrabosco Sr., composer Lodovico Ariosto, librettist |
Ch.193 | 6 voices | Renaissance | Madrigals | ||||
| Qui habitat in adjutorio altissimi | Josquin Desprez, composer | NJE 18.8 | 1520 | 6 voices | Renaissance | Canons, Motets | |||
| Quicquid Adam | Gregor Lange, composer | 6 voices mixed chorus |
Renaissance | Motets | |||||
| Quid trepidas | Orlande de Lassus, composer | LV 399 | 6 voices | Renaissance | Motets | ||||
| Quinque Absolutiones | Pedro Rimonte, composer | 6 voices | Renaissance | Sacred choruses | |||||
| Quintus Psalmus poenitentialis (Domine exaudi orationem meam et clamor) | Orlande de Lassus, composer | LV 798 | 5 voices 6 voices |
Renaissance | Psalms |
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