| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Ode en laquelle Jesus Christ (Ode, en laquelle Jesus Christ, vray Dieu et vray homme, ramentoit à tous Chrestiens les biens qu’ils obtiennent par luy. Distinguee en douze parties ou sections.) | Paschal de L'Estocart, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Chansons, Psalms | |||||
| Oeuvres vocales de la Renaissance par différents auteurs | Daniel Van Gilst, composer | 2 voices 3 voices 4 voices 6 voices |
Renaissance | Chansons | |||||
| Of Joys and Pleasing Pains (Of Joys and Pleasing Paines I Late went Singing) | John Wilbye, composer | 6 voices mixed chorus |
Renaissance | Madrigals | |||||
| Officiorum Missalium, Liber 2 (Officiorum Missalium, quibus introitus, alleluia et communiones de omnibus, omnium sanctorum per totum anni circulum, diebus festis & solennibus quinq; & sex vocum continentur) | Franz Sale, composer | 5 voices 6 voices |
Renaissance | Masses | |||||
| Officium Ascensionis Domini (Officium Ascensio Domini à 6) | Orlande de Lassus, composer | LV Anh.124 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium Corporis Christi (Corpus Christi à 6) | Orlande de Lassus, composer | LV Anh.125 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium Epiphaniae Domini (Epiphania Domini à 6) | Orlande de Lassus, composer | LV Anh.126 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium Hebdomadæ Sanctæ | Tomás Luis de Victoria, composer | RISM-A/I: V-1432 | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Antiphons, Passions, Motets, Lamentations, Responsories, Canticles, Psalms, Hymns, Improperia | ||||
| Officium in feira secunda post Resurrectionem (Feria 2a post Resurrectionem à 6) | Orlande de Lassus, composer | LV Anh.127 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium in feira tertia post Resurrectionem (Feria 3a post Resurrectionem à 6) | Orlande de Lassus, composer | LV Anh.128 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium in Quinquagesima (Quinquagesima à 6) | Orlande de Lassus, composer | LV Anh.130 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium primum in Nativitate Domini à 6 | Orlande de Lassus, composer | LV Anh.131 | 1585 | 6 voices | Renaissance | Masses | |||
| Officium Resurrectionis Domini (Resurrectio Domini à 6) | Orlande de Lassus, composer | LV Anh.132 | 1560 | 6 voices | Renaissance | Masses | |||
| Officium Sancti Michaelis (Sex vocum) | Orlande de Lassus, composer | LV Anh.133 | 1585 | 6 voices | Renaissance | Masses | |||
| Omnes gentes plaudite | Agostino Agazzari, composer | 6 voices | Renaissance | Motets | |||||
| Omnia sunt hominum | Adam Gumpelzhaimer, composer | 6 voices | Renaissance | Motets | |||||
| Omnis spiritus laudet | Agostino Agazzari, composer | 6 voices | Renaissance | Motets | |||||
| Opera Omnia | Tomás Luis de Victoria, composer | 4 voices 5 voices 6 voices 8 voices 9 voices 12 voices mixed chorus 2 mixed chorus 2 mixed chorus and organ 3 mixed chorus 3 mixed chorus and organ |
Renaissance | Motets, Masses, Magnificats, Canticles, Hymns, Lamentations, Antiphons, Psalms, Sequences, Litanies | |||||
| Opus Melicum (Opvs Melicvm, Methodicum & Plane nouum. Continens harmonias selectiores IV. V. VI. VII. VIII. IX. X. & XII. vocvm, singulis Dominicis & Festis diebus ita accommodatas, vt non tam vertis suis Dominicis, quam diuersis etiam commode inseruiant, sed iterum atque iterum in laudem praepotentis Dei tum organo, tum vero vtplurimum Viua Voce, cantari in publico Ecclesiae conuentu possint. Omnibus omnium Ecclesiarum & Scholarum Cantoribus apprime vtile & necessarium) | Friedrich Weissensee, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 2 mixed chorus 9 voices 10 voices 12 voices |
Renaissance | Motets, Sacred songs | |||||
| Opus plane novum cantionum ecclesiasticarum in duas partes divisum ({{TPtr}} :Opus Plane Novum Cantionvm Ecclesiasticarum in duas partes divisum. : Prior Continet Missas Ad Imitationem Cantionum Orlandi, Marentii Et Aliorum probatissimorum Musicorum 5. 6. 7. 8. & plurium Vocum: Posterior Introitus, Kyrie, Sequentia., Et Plures Alias Cantiones Ad Melodias Chorales, Sex, Quinq[eu]; & quatuor vocum concentu adornatas, & ita dispositas, Ut Singulis Diebus Festis Et Dominicis Per Universum anni spacium in Ecclesijs commodè decantari possint. : Ad Laudem Dei Et Ecclesiarum Usum Nunc Primum In Lvcem Editvm. Pars Prior) | Bartholomäus Gesius, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Masses, Introits, Kyrie, Sequences, Sacred songs | |||||
| Or ch’a noi torna la stagion novella | Andrea Gabrieli, composer | 6 voices | Renaissance | Madrigals | |||||
| Or se mi mostra la mia carta il vero | Alessandro Striggio, composer Lodovico Ariosto, librettist |
C major | 6 voices mixed chorus |
Renaissance | Madrigals | ||||
| Ornando come suole (Ornate corda vestra) | Orlande de Lassus, composer | LV 915 | 6 voices | Renaissance | Madrigals | ||||
| Out of the Deep | Thomas Morley, composer | 5 voices 6 voices |
Renaissance | Anthems | |||||
| Ove ch'i posi gli occhi lassi o giri | Adrian Willaert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Pacis amans | Orlande de Lassus, composer | LV 387 | 6 voices | Renaissance | Motets | ||||
| Paradisisches Wunder-Spiel (Paradisisches Wunder-Spiel, Welches sich in diesen letzten Zeiten und Tagen in denen Abend-Laendischen Welt-Theilen als ein Vorspiel der neuen Welt hervor gethan. Bestehende in einer gantz neuen und ungemeinen Sing-Art auf Weise der Englischen und himmlischen Choeren eingerichtet. Da dann das Lied Mosis und des Lamms, wie auch das hohe Lied Salomonis samt noch mehrern Zeugnuessen aus der Bibel und andern Heiligen in liebliche Melodyen gebracht. Wobey nicht weniger der Zuruf der Braut des Lamms, sammt der Zubereitung auf den herzlichen Hochzeit-Tag trefflich Praefigurirt wird. Alles nach Englischen Choeren Gesangs-Weise mit viel Muehe und grosem Fleiss ausgefertigt von einem Friedsamen, der sonst in dieser Welt weder Namen noch Titul suchet.) | Various, composer | voices soprano, alto, tenor and bass 6 voices 7 voices |
Baroque | Hymns, Chorales, Sacred songs, Psalms | |||||
| Parto da voi | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Passa la nave | Adrian Willaert, composer | 6 voices | Renaissance | Madrigals | |||||
| Passa la nave mia colma d'oblio | Pietro Vinci, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Passa la nave mia colma d'oblio | Adrian Willaert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Passando con pensier per un boschetto | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Passio Domini nostri Iesu Christi secundum Matthaeum (Matthäus-Passion) | Jacob Handl, composer | HK 124 | 6 voices mixed chorus |
Renaissance | Passions | ||||
| Passio Domini nostri Jesu Christi secundum Mattheum (Matthäus-Passion) | Orlande de Lassus, composer | LV 534 | 6 voices | Renaissance | Passions | ||||
| Passionen | Orlande de Lassus, composer | 1575 | 4 voices 5 voices 6 voices mixed chorus |
Renaissance | Passions | ||||
| Pater noster | Orlande de Lassus, composer | 6 voices | Renaissance | Motets | |||||
| Pater noster, LV 830 | Orlande de Lassus, composer | LV 830 | 6 voices | Renaissance | Motets | ||||
| Pater noster | Josquin Desprez, composer Sacred music, librettist |
G minor | NJE 20.9 | 6 voices | Renaissance | Motets | |||
| Pater noster, Op. 53 (Pater noster, Op. 53 per coro a 6 v.m. (for 6 voices mixed Choir)) | Sergio Militello, composer Catholic Liturgy, librettist |
Op.53 | 2021 | 6 voices mixed chorus |
Modern | Sacred songs | |||
| Pater peccavi | Adrian Willaert, composer | 6 voices | Renaissance | Motets | |||||
| Patrocinium musices | Adam Berg, composer | 4 voices 5 voices 6 voices 8 voices mixed chorus |
Renaissance | Motets, Masses, Passions, Magnificats, Intonations, Hymns | |||||
| Peccavi super numerum | Giaches de Wert, composer | 6 voices | Renaissance | Motets | |||||
| Per duo coralli ardenti | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Percelebres dic mysta modos (Puer celebres dic mysta modos) | Jacobus Clemens non Papa, composer | 6 voices | Renaissance | Motets | |||||
| Petite camusette (Petite camusette à la mort m'avez mis) | Josquin Desprez, composer | NJE 30.7 | 6 voices | Renaissance | Chansons | ||||
| Petite et accipietis | Curtio Valcampi, composer | 6 voices | Renaissance | Motets | |||||
| Philippi Jacobi | Andreas Raselius, composer | 6 voices | Renaissance | Sacred choruses | |||||
| Pie Jesu Domine | Eustache Du Caurroy, composer | 6 voices | Renaissance | Canons | |||||
| Pien d’un vago penser | Adrian Willaert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Piu volte un bel desio | Orlande de Lassus, composer Gabriele Fiamma, librettist |
LV 911 | 6 voices | Renaissance | Madrigals | ||||
| Plange quasi virgo | Carlo Gesualdo, composer | 6 voices | Renaissance | Responsories |
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