| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Murus tuus | Jacquet of Mantua, composer | 6 voices | Renaissance | Motets | |||||
| Musae Sioniae, Fünfter Theil (Geistlicher Deutscher in der Christlichen Kirchen ublicher Lieder und Psalmen, mit 2-8 Stimmen) | Michael Praetorius, composer | RISM A/I: P 5352 | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices 2 voices and continuo 3 voices and continuo 4 voices and continuo 5 voices and continuo 6 voices and continuo 7 voices and continuo 8 voices and continuo |
Renaissance | Chorales, Hymns, Psalms, Motets | ||||
| Music divine | Thomas Tomkins, composer | 6 voices | Renaissance | Songs | |||||
| Music, Some Think No Music Is | Thomas Bateson, composer | 6 voices | Renaissance | Madrigals | |||||
| Musica divina di XIX autori illustri (Raccolta da Pietro Phalesio ; Nella quale si contengono i più Eccellenti Madrigali che boggidi si cantino.) | Pierre Phalèse Jr., composer | 4 voices 5 voices 6 voices 7 voices mixed chorus |
Renaissance | Madrigals | |||||
| Musica Gratulatio ({{TPtr}} :Musica gratulatio ad illustrissimum et potentissimvm principem, ac dominum, Dominum Ioachimum Fridericvm, marchionem Brandenburgicum Rom. Imperij Archicamerarium & Electorem, Borussiæ, Stetini, Pomeraniæ, Cassubiorum, Vandalorum, & Crosnæ in Silesia Ducem, Burggrauium Norinbergensem, rugiæq[ue] principem, etc. Dominum suum clementissimum, rerum gubernacula in Electoratu Marchio 1598. Anno suscipientem, Sex vocibus edita.) | Friedrich Pittanus, composer | 6 voices | Renaissance | Songs | |||||
| Musica Musarum germana | Jacob Handl, composer | HK 472 | 1596 | 6 voices | Renaissance | Madrigals | |||
| Musica Nova | Adrian Willaert, composer | 4 voices 5 voices 6 voices 7 voices mixed chorus |
Renaissance | Motets, Hymns, Madrigals | |||||
| Musica nuptialis ({{TPtr}} :Zwey Hochzeit Gesäng, zu Hochzeitlichen Ehren vnnd gefallen, Dem Ehrngeachten vnd Kunstreichen Herrn Johann Poppen, Fürstl. Sächs. Destillatorn zu Coburgk, Vnnd Der Ehrenden vnd viel Tugentsamen Jung-Frawen Künigund, Deß Ehrnvesten vnnd Fürnehmen Herrn Friderich Felders zu Gothaw, Eheleiblichen Tochter. Eins auß dem 62. Capitel Esaiæ, durch Melchior Francken [...]. Das Ander auß den 95. Psalm, durch Benedictum Fabrum [...]. Mit Sechs Stimmen Componirt.) | Benedikt Faber, composer | 6 voices | Renaissance | Sacred songs, Psalms, Wedding music | |||||
| Musica sacra (Anthologie des evangelischen Kirchengesangs) | Hans Michel Schletterer, composer | mixed chorus 2 mixed chorus 5 voices 6 voices 8 voices |
Classical | Sacred choruses | |||||
| Musica Transalpina | Nicholas Yonge, composer | 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Musica Transalpina, Book 2 (Musica transalpina. The second booke of madrigalles, to 5 & 6 voices: translated out of sundrie Italian Authors) | Nicholas Yonge, composer | 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Musikalischer Andachten, Teil 2 (Musikalischer Andachten, Ander Theil, das ist Geistliche Madrigalien Musicalischer Andachten Ander Theill Das ist Geistliche Madrigalien Mit 4. 5. und 6. Stimmen, sambt einem General-Baß, Benebenst einer Fünffstimmigen [fünff- und sechsstimmigen] Capella so nach beliebung, gebraucht oder außen gelassen werden kan. Componirt von Andreaß Hammerschmieden, Organisten zu Zittaw.) |
Andreas Hammerschmidt, composer | 1638 | 4 voices and continuo 5 voices and continuo 5 voices 6 voices and continuo 6 voices |
Baroque | Sacred songs, Madrigals, Motets | ||||
| Musique (Musique de Guillaume Costeley, organiste et vallet de chambre, du Roy) | Guillaume Costeley, composer | 3 voices 4 voices 5 voices 6 voices mixed chorus |
Renaissance | Chansons | |||||
| Musique française de la Renaissance par différents auteurs (24 Pièces vocales de quatre à sept voix) | Daniel Van Gilst, composer | 4 voices 5 voices 6 voices 7 voices mixed chorus 2 mixed chorus |
Renaissance | Chansons | |||||
| My Phyllis bids Me Pack Away (My Phyllis bids Me Pack) | Thomas Weelkes, composer | 6 voices | Renaissance | Madrigals | |||||
| My Tears do Not Avail Me | Thomas Weelkes, composer | 6 voices | Renaissance | Madrigals | |||||
| N'est-ce pas un grand desplaisir (N'esse pas ung grant pesplaisir) | Josquin Desprez, composer | NJE 29.17 | 6 voices | Renaissance | Chansons | ||||
| Nasce la gioia | Giovanni Ferretti, composer | 6 voices | Renaissance | Canzonas | |||||
| Nata, et grata polo | André Pevernage, composer | 6 voices | Renaissance | Motets | |||||
| Natus est nobis | Manuel da Fonseca, composer | 6 voices | Renaissance | Sacred songs | |||||
| Né fero sdegno mai, Donna | Luca Marenzio, composer Luigi Tansillo, librettist |
G Mixolydian | 6 voices | Renaissance | Madrigals | ||||
| Ne glorieris in crastinum | Andreas Raselius, composer | 6 voices | Renaissance | Motets, Sacred choruses | |||||
| Nectar et ambrosiam | Orlande de Lassus, composer | 6 voices | Renaissance | Motets | |||||
| Nel più fiorito Aprile | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Nervi d'Orfeo, di eccellentissimi autori, a cinque et sei voci | Hendrik Lodewijcxszoon Van Haestens, composer | 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Nessun visse già mai più di me lieto | Luca Marenzio, composer Francesco Petrarca, librettist |
6 voices soprano, 4 altos and tenor |
Renaissance | Madrigals | |||||
| Neue Schöne Deutsche und Lateinische Gesänge ({{TPtr}} :Stephani Höpneri, Musici vnd Cantoris in Franckfurt an der Oder. Newe Schöne Deutsche vnd Lateinische Gesänge, so zuvor nie im Druck gewesen, Auff sonderliche Sontage vnd die fürnembsten Jahr- vnd Danckfeste, auch zu Hochzeitlichen Ehrentage, Jn der Kirchen auff Orgell vnd Choro, via voce vnd Instrumentis Musicis zugleich vnd Concertweise, nach Anordnung eines jeglichen Cantoris gantz bequem: Nebenst der Historia vom Leiden vnd Sterben vnsers Erlösers vnd Seligmachers Jesu Christi auß dem Evangelisten Matthæo mit drey Theilen: Vnd andern, so bey Christlichen Leichbegengnissen tröstlich, gantz vollstimmig, so wol für kleine alß grosse Schulen, Gott dem Allmechtigen zu Lob, Ehr vnd Preiß, vnd allen frommen Hertzen zu Christlicher Andacht nützlichlich zugebrauchen, mit 4. 5. 6. 7. 8. vnd 12. Stimmen.) | Stephan Hoepner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 12 voices |
Renaissance | Sacred songs | |||||
| Neue Teutsche gesang (Neue Teutsche gesang nach art der welschen Madrigalien un[d] Canzonetten, mit 4.5.6. unnd 8. Stimmen. Durch Hanns Leo Hasler, von Nuermberg) | Hans Leo Hassler, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Songs, Madrigals, Canzonets | |||||
| Neve e Rose ha nel volto | Andrea Gabrieli, composer | 6 voices | Renaissance | Madrigals | |||||
| Newe außerlesene Teutsche Lieder (Newe außerlesene Teutsche Lieder, mit vier, fuenff und mehr stimmen, welche gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen) | Christian Hollander, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Lieder, Sacred songs | |||||
| Newe Deutsche Weltliche Cantzonette (Newe Deutsche Weltliche Cantzonette, derenetliche auff ein besondere art der Italienischen Concerten gerichtet, und auff aller hand Musicalischen Instrumenten zu gebrauchen sindt, mit vier, fuenff, sechs, sieben und acht Stimmen componirt) | Andreas Myller, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments 8 Unspecified instruments |
Renaissance | Canzonettas | |||||
| Newe künstliche Musicalische Intraden etc. (Newe künstliche Musicalische Intraden, Pavanen, Galliarden, Passamezen, Courant unnd Uffzueg, zu 4. 5. und 6. Stimmen darunter etliche Phantasien oder Fugen mit 2. und 3. Stimmen zufinden, welche von unterschiedenen Authoren, Theils mit unnd ohne Text, gar newlich Componirt, dass sie mit Menschlicher Stimm unnd auff Instrumenten fueglich unnd lieblich moegen gebraucht werden) | Konrad Hagius, composer | 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 4 voices 5 voices 6 voices |
Renaissance | Intradas, Pavans, Galliards, Passamezzos, Courantes, Fantasias, Fugues | |||||
| Nigra sum sed formosa | Jean Lhéritier, composer | 6 voices | Renaissance | Motets | |||||
| Nimphes, nappées / Circumdederunt me (Haec dicit Dominus liberabo populum / Videte omnes populi) | Josquin Desprez, composer | 6 voices | Renaissance | Chansons | |||||
| Non è questa la mano | Luca Marenzio, composer Torquato Tasso, librettist |
6 voices | Renaissance | Madrigals | |||||
| Non ha tante serene stelle (Sois moy, Signeur) | Orlande de Lassus, composer | LV 74 | 6 voices | Renaissance | Madrigals | ||||
| Non rumor di tamburi | Alessandro Striggio, composer Lodovico Ariosto, librettist |
6 voices | Renaissance | Madrigals | |||||
| Non turbetur cor vestrum | Curtio Valcampi, composer | 6 voices | Renaissance | Motets | |||||
| 6 Motets à trois voix (1542) | Claudin de Sermisy, composer | RISM A/I: S-2818 | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Motets | ||||
| Nova belta somma virtu | Stefano Felis, composer | Cinquante Pseaumes | 6 voices | Renaissance | Madrigals | ||||
| Novae Cantiones Sacrae (Novae Cantiones Sacrae, quatuor, quinque et sex vocum, tum instrumentorum cuuis generi, tum vivae voci aptissimae. Authoribus Francisco, Iacobo, Pascasio, Carolo Regnart fratribus germanis) | Various, composer | RISM B/I: 1590 | 4 voices 5 voices 6 voices |
Renaissance | Sacred songs | ||||
| Novello's Glee-Hive (A Collection of Popular Glees and Madrigals in Vocal Score with Ad Lib. Accompaniment for the Pianoforte.) | Various, composer | 3 voices 4 voices 5 voices 6 voices |
Romantic | Glees, Madrigals | |||||
| Novi thesauri musici | Antonio Gardano, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | |||||
| Novi thesauri musici, Libro 2 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | |||||
| Novi thesauri musici, Libro 3 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets | |||||
| Novi thesauri musici, Libro 4 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 8 voices 12 voices |
Renaissance | Motets | |||||
| Novi thesauri musici, Libro 5 | Antonio Gardano, composer | voices 4 voices 5 voices 6 voices 7 voices 8 voices 12 voices |
Renaissance | Motets | |||||
| Novit Dominus | Leonhard Lechner, composer | 6 voices | Renaissance | Psalms | |||||
| Novum et insigne opus musicum, sex, quinque, et quatuor vocum (Novum et insigne opus musicum, sex, quinque, et quatuor vocum, cuius in Germania hactenus nihil simile usquam est editum) | Hieronymus Formschneider, composer | 4 voices 5 voices 6 voices |
Renaissance | Motets | |||||
| Novum et insigne opus musicum (Novum et insigne opus musicum quinis, senis, septenis, octonis, & pluribus vocibus compositum ad totius anni festivitates) | Thomas Fritsch, composer | 5 voices 6 voices 7 voices 8 voices 9 voices 10 voices |
Baroque | Motets |
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