| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| 8 Lieder and Choral Motets | Various, composer | mixed chorus 4 voices 6 voices 7 voices |
Renaissance | Lieder, Motets | |||||
| 8 Missae (Octo missae) | George de La Hèle, composer | 5 voices 6 voices 7 voices |
Renaissance | Masses | |||||
| 9 Altitalienische Kirchenstücke | Giovanni Pierluigi da Palestrina, composer | 3 voices 4 voices 6 voices |
Renaissance | Motets, Masses, Miserere, Graduals, Psalms, Improperia | |||||
| A caso un giorno mi guidò la sorte | Giaches de Wert, composer Luigi Tansillo, librettist |
F major | 5 voices 6 voices |
Renaissance | Madrigals | ||||
| A Collection of Catches, Canons and Glees | Thomas Warren, composer | 3 voices 4 voices 5 voices 6 voices 8 voices 8 voices and continuo 9 voices 2 voices, mixed chorus and continuo 3 voices and continuo 3 voices and mixed chorus soprano, alto, tenor, bass and continuo bass and male chorus mixed chorus male chorus |
Classical | Catches, Rounds, Canons, Glees, Madrigals, Odes | |||||
| A l'apparir del sol | Philippe de Monte, composer | 6 voices | Renaissance | Madrigals | |||||
| A la fontaine | Adrian Willaert, composer | 6 voices | Renaissance | Chansons | |||||
| A Plain and Easy Introduction to Practical Music ({{TPtr}} :A plaine and easie introduction to practicall musicke, set down in forme of a dialogue, devided into three partes, the first teacheth to sing with all things necessary for the knowledge of prickt-song. The second treateth of descante and to sing two parts in one upon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, five or more parts with many profitable rules to that effect. With new songs of 2, 3, 4, and 5 parts) | Thomas Morley, composer | voice 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices |
Renaissance | Music theory, Methods, Songs, Canons | |||||
| In 3 Volumes, A Selection of Glees, Duetts, Canzonets, etc. Principally taken from the 9 Books Published at different Periods from the Year 1761 by Saml. Webbe, To which are added many New Glees and Canzonets Never before Published | Samuel Webbe, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 2 mixed chorus soprano, alto, tenor and bass mezzosoprano, alto, tenor and bass 2 sopranos, alto, 2 tenors, bass and continuo |
Classical | Glees, Duets, Canzonets, Odes | |||||
| A Volume of Sacred Musick containing 30 Anthems (A Volume of Sacred Musick containing Thirty Anthems, selected from the works of Handel, Purcel, Croft, and other eminent European authors. By the late Hon. John Hubbard.) | John Hubbard, composer | 2 voices and continuo 3 voices 3 voices and continuo 4 voices 4 voices and continuo 5 voices 6 voices mixed chorus |
Classical | Anthems, Psalms, Hymns | |||||
| Accepit Jesus calicem | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Accipe qua recrees | Orlande de Lassus, composer | LV 1103 | 6 voices | Renaissance | Motets | ||||
| Ach Elslein / Es taget vor dem Walde / Wenn ich des Morgens früh aufsteh | Ludwig Senfl, composer | 6 voices 3 voices, soprano, tenor and bass |
Renaissance | Lieder | |||||
| Ad Dominum cum tribularer | Orlande de Lassus, composer | LV 986 | 6 voices | Renaissance | Motets | ||||
| Ad placitum | Andreas Raselius, composer | 6 voices | Renaissance | Sacred choruses, Psalms | |||||
| Ad primum morsum | Orlande de Lassus, composer | LV 990 | 6 voices | Renaissance | Motets | ||||
| Ad te levavi animam meam | Orlande de Lassus, composer | LV 729 | 6 voices | Renaissance | Motets | ||||
| Adesto dolori meo | Alexander Utendal, composer | 6 voices | Renaissance | Motets | |||||
| Adolescentulus sum ego | William Mundy, composer | C major | 6 voices | Renaissance | Psalms | ||||
| Adoramus te | Felice Anerio, composer | 6 voices | Renaissance | Motets | |||||
| Afflicti pro peccatis | William Byrd, composer | 6 voices | Renaissance | Motets | |||||
| Agimus tibi gratias | Orlande de Lassus, composer | LV 520 | 6 voices | Renaissance | Motets | ||||
| Ah, Cannot Sighes, nor Teares | John Wilbye, composer | 6 voices | Renaissance | Madrigals | |||||
| Ahimè, ch'io scorgo | Rinaldo del Mel, composer Lattanzio Benucci, librettist |
1583 | 6 voices | Renaissance | Madrigals | ||||
| Ahimè, tal fu d'Amore e l'esca e l'amo | Luca Marenzio, composer Vincenzo Quirino, librettist |
6 voices | Renaissance | Madrigals | |||||
| Premier livre des airs à III., IV, V et VI parties | Claude Le Jeune, composer | RISM-A/I: L 1697 | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Airs | ||||
| Al Mormorar de' Liquidi Cristalli | Giovanni Giacomo Gastoldi, composer | 1592 | 6 voices | Renaissance | Madrigals | ||||
| Al partir del mio sole | Salamone Rossi, composer | 6 voices | Renaissance | Madrigals | |||||
| Al suon delle dolcissime parole | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Allegez moy | Josquin Desprez, composer | NJE 30.2 | 6 voices | Renaissance | Chansons | ||||
| Alma redemptoris Mater | Orlande de Lassus, composer | LV 1104 | 6 voices | Renaissance | Motets | ||||
| Alma redemptoris mater | Orlande de Lassus, composer | LV 728 | 6 voices | Renaissance | Antiphons | ||||
| Altdeutsche geistliche Chorlieder aus dem 16. Jahrhundert (Old German Sacred Songs of the 16th Century) | Walter Braunfels, composer | 4 voices 5 voices 6 voices mixed chorus |
Renaissance | Sacred choruses | |||||
| Anchor ch'io possa dire | Alessandro Striggio, composer | 6 voices | Renaissance | Madrigals | |||||
| Andreae | Andreas Raselius, composer | 6 voices | Renaissance | Sacred choruses | |||||
| Angeslus ad pastores ait | Nikolaus Zangius, composer | 6 voices mixed chorus |
Baroque | Motets | |||||
| Angelus Domini descendit | Orlande de Lassus, composer | LV 833 | 6 voices | Renaissance | Motets | ||||
| Anima mea turbata est | Dom João IV, composer | 6 voices | Baroque | Motets | |||||
| Ante me non est formatus | Orlande de Lassus, composer | LV 515 | 6 voices | Renaissance | Motets | ||||
| Antequam comedam suspiro | Luca Marenzio, composer | 1616 | 6 voices | Renaissance | Sacred songs | ||||
| Antiphonae septem ad Vesperas Corporis Christi (Sex vocum) | Orlande de Lassus, composer | LV Anh.3 | 1585 | 6 voices | Renaissance | Antiphons | |||
| Antiphonae | Orlande de Lassus, composer | LV Anh.3-4 | 1585 | 4 voices 6 voices |
Renaissance | Antiphons | |||
| Ardenti miei sospiri | Philippe Verdelot, composer | 6 voices | Renaissance | Madrigals | |||||
| As Vesta Was, from Latmos Hill Descending | Thomas Weelkes, composer | 1601 | 6 voices 2 sopranos, alto, 2 tenors and bass |
Renaissance | Madrigals | ||||
| Ascendente Jesu in navicula | Giaches de Wert, composer | 6 voices | Renaissance | Motets | |||||
| Asperges me | Erasmus Emring, composer | 6 voices | Renaissance | Antiphons | |||||
| Aspice Domine quia facta est | Adrian Willaert, composer | 6 voices | Renaissance | Antiphons, Responsories | |||||
| Aspice Domine (Aspice Domine quia facta) | William Byrd, composer | T 7 | 6 voices | Renaissance | Motets | ||||
| Aspro core et selvaggio, et cruda voglia | Adrian Willaert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Assumpta est Maria (In Assumptione Beatae Mariae Virginis) | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Attollite portas principes vestras | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs |
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