| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| I' vo piangendo | Ippolito Sabino, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Iam non dicam vos | Orlande de Lassus, composer | LV 521 | 6 voices | Renaissance | Motets | ||||
| Ich hab ein guten Kampf gekämpft (Grab-Lied ... mit 6 singenden Stimmen componirt; Grabgesang; Ich hab ein gute Kampff gekämpfft) | Johann Erasmus Kindermann, composer | G minor | 6 voices | Baroque | Funeral music, Sacred songs | ||||
| Ich ruf zu dir, mein Herr und Gott | Orlande de Lassus, composer Caspar Ulenberg, librettist |
6 voices | Renaissance | Lieder | |||||
| Iesu corona virginum | Orlande de Lassus, composer | LV 224 | 6 voices | Renaissance | Motets | ||||
| Iesu nostra redemptio | Orlande de Lassus, composer | LV 331 | 6 voices | Renaissance | Motets | ||||
| If Beauty be a Treasure | Thomas Weelkes, composer | 6 voices | Renaissance | Madrigals | |||||
| If in thine heart | William Byrd, composer | 6 voices | Renaissance | Songs | |||||
| If the deep sighs | John Ward, composer | 1613 | 6 voices mixed chorus |
Renaissance | Madrigals | ||||
| Il cicalamento delle donne al bucato (Il cicalamento delle donne al bucato, et la caccia di Alessandro Striggio, con un lamento di Didone ad Enea, per la sua partenza, di Cipriano Rore, a quatro, cinque, sei, & sette voci ...) | Cipriano de Rore, composer | 4 voices 5 voices 6 voices 7 voices |
Renaissance | Songs | |||||
| Il grave de l'età | Orlande de Lassus, composer Gabriele Fiamma, librettist |
LV 910 | 6 voices | Renaissance | Madrigals | ||||
| Il Lauro verde (Il lauro verde, madrigali à sei voci di diversi autori) | Vittorio Baldini, composer | RISM B/I: 1583 | 1583 | 6 voices | Renaissance | Madrigals | |||
| Il secondo libro dei madrigali a cinque e sei voci, con due dialoghi | Horatio Faa, composer | 5 voices 6 voices 8 voices 10 voices |
Renaissance | Madrigals | |||||
| Villanelle alla Napolitana a 3 voci, Libro 2 (Il secondo libro delle Villanelle alla Napolitana a 3 voci, de diversi Musici di Barri, raccolte per Ioanne de Antiquis, con alcune delle sue) | Giovanni De Antiquis, composer | 3 voices 6 voices |
Renaissance | Villanelle | |||||
| Impetum inimicorum ne timueritis | Tiburtio Massaino, composer | 6 voices | Renaissance | Motets | |||||
| In Aeternum | William Mundy, composer | 6 voices 6 Unspecified instruments |
Renaissance | Psalms, Motets | |||||
| In dedicatione templi | Gregorius Trehou, composer | 6 voices | Renaissance | Motets | |||||
| In Deo salutare meum | Orlande de Lassus, composer | LV 518 | 6 voices | Renaissance | Motets | ||||
| In exitu Israel de Egypto sex vocum | Orlande de Lassus, composer | LV Anh.54 | 1581 | 6 voices | Renaissance | Psalms | |||
| In Josquinum a Prato, Musicorum principem, Monodia (Musae jovis ter maximi / Circumdederunt me) | Nicolas Gombert, composer | 6 voices | Renaissance | Motets | |||||
| In monte Oliveti | Alfonso Ferrabosco Sr., composer | 6 voices | Renaissance | Motets | |||||
| In monte oliveti | Orlande de Lassus, composer | LV 334 | 6 voices | Renaissance | Motets | ||||
| In qual parte del ciel, in quale idea | Adrian Willaert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| In te Domine speravi | Orlande de Lassus, composer | LV 193 | 6 voices | Renaissance | Motets | ||||
| In te, Domine, speravi (Canon à 6) | Jacob Praetorius, composer | 6 voices | Baroque | Canons | |||||
| In un lucido rio | Luca Marenzio, composer Torquato Tasso, librettist |
C major | 6 voices mixed chorus |
Renaissance | Madrigals | ||||
| In viel Trübsal und Versuchung | Orlande de Lassus, composer | 6 voices | Renaissance | Lieder | |||||
| Incipit oratio Jeremiae Prophetae (Sabbato Sancto / Lectio III) | Giovanni Pierluigi da Palestrina, composer Sacred music, librettist |
C major | 6 voices mixed chorus |
Renaissance | Lamentations | ||||
| Inclina Domine aurem tuam | Giovanni Gabrieli, composer | 6 voices | Renaissance | Sacred concertos, Motets | |||||
| Infelix ego | William Byrd, composer Girolamo Savonarola, librettist |
6 voices | Renaissance | Motets, Sacred songs | |||||
| Infelix ego | Cipriano de Rore, composer Girolamo Savonarola, librettist |
6 voices | Renaissance | Motets | |||||
| Infelix Ego | Adrian Willaert, composer Girolamo Savonarola, librettist |
6 voices | Renaissance | Motets | |||||
| Infelix ego | Orlande de Lassus, composer Girolamo Savonarola, librettist |
6 voices | Renaissance | Motets | |||||
| Iniquos odio habui | Andrea Gabrieli, composer | 6 voices | Renaissance | Sacred concertos, Motets | |||||
| Introitus, kyrie, sequenti, et plures alias cantiones de praecipuis festis anniversariis (Pars Posterior Continens Introitvs, Kyrie, Sequentia, Et Plures Alias Cantiones De Præcipuis Festis Anniversariis, Ad Melodias chorales musicis Sex, Quinq[ue] & Quatuor Vocum numeris adornatas. Quibus Præmissa Est Historia Passionis Domini Nostri Iesu Christi ex Evangelista Matthæo cap. 26. & 27.) | Bartholomäus Gesius, composer | 4 voices 5 voices 6 voices |
Renaissance | Introits, Kyrie, Sequences, Sacred songs | |||||
| Io morirò d'Amore | Luca Marenzio, composer | 6 voices mixed chorus |
Renaissance | Madrigals | |||||
| Is not that my fancy's queen? (Is not that my fancies Queen?) | Martin Peerson, composer | E major | 6 voices 6 viols voice and 5 viols 2 voices and 4 viols 3 voices and 3 viols 4 voices and 2 viols 5 voices and viol voice and 5 Unspecified instruments 2 voices and 4 Unspecified instruments 3 voices and 3 Unspecified instruments 4 voices and 2 Unspecified instruments 5 voices and Unspecified instrument |
Baroque | Airs | ||||
| Isti sunt triumphatores | Andrea Gabrieli, composer | 6 voices | Renaissance | Sacred choruses | |||||
| Iubilemus singuli | Orlande de Lassus, composer | LV 401 | 6 voices | Renaissance | Motets | ||||
| J'ai bien cause de lamenter (J'ai bien cause de lamenter et de laisier) | Josquin Desprez, composer | NJE 30.5 | 6 voices | Renaissance | Chansons | ||||
| Je ne scay pas | Benedictus Appenzeller, composer | 6 voices | Renaissance | Chansons | |||||
| Je prens en grez (Je prends en gré) | Eustachius Barbion, composer | 6 voices | Renaissance | Chansons | |||||
| Jerusalem gaude | Jacob Handl, composer | 6 voices | Renaissance | Motets | |||||
| Jerusalem, Responsoria | Fulvio Caldini, composer | Op.98 No.20 | 2009 | 6 voices mixed chorus |
Modern | Responsories | |||
| Jesu, mein Jesu | Andreas Hammerschmidt, composer | B flat major | 6 voices | Baroque | Sacred songs | ||||
| Jesu, nostra redemptio (In Ascensione Domini) | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Hymns | |||||
| Jubilate Deo, 6-part canon | Michael Praetorius, composer | 6 voices 2 sopranos, alto, 2 tenors and bass |
Renaissance | Canons, Sacred songs | |||||
| Jubilate Deo omnis terra | Orlande de Lassus, composer | LV 247 | 6 voices | Renaissance | Motets | ||||
| Judas mercator pessimus | Carlotta Ferrari, composer | 2016 | 6 voices male chorus |
Modern | Sacred songs | ||||
| Judica me Deus, et discerne | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| L'alto signor dinanzi a cui non vale | Cipriano de Rore, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals |
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