| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Genuit puerpera | Orlande de Lassus, composer | LV 996 | 6 voices | Renaissance | Motets | ||||
| Ghirlanda di madrigali a sei voci (Ghirlanda di madrigali a sei voci, di diversi eccellentissimi avtori de nostri tempi. Raccolta di Giardini di Fiori odoriferi Musicali.) | Pierre Phalèse, composer | 6 voices | Renaissance | Madrigals | |||||
| Giovane Donna sott'un verde lauro | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Glees and Madrigals, 2nd Collection (A second Collection of Glees, Madrigals &c. &c. for three, four, five and six voices) | William Horsley, composer | Op.4 | 3 voices 4 voices 5 voices 6 voices |
Classical | Glees, Madrigals, Rounds, Canons | ||||
| Gott sei mir gnädig dieser Zeit (Choralbearbeitung) | Josef Gabriel Rheinberger, composer | E minor | WoO 50 | 1879 | 6 voices mixed chorus |
Romantic | Choralbearbeitungen | ||
| Gradualia ac cantiones sacrae, Liber 2 (Gradualia: seu cantionum sacrarum, liber secundus) | William Byrd, composer | RISM A/I: B 5219 | 4 voices 5 voices 6 voices |
Renaissance | Graduals, Sacred songs | ![]() |
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| Gratia sola Dei (Epithalamium) | Orlande de Lassus, composer | LV 364 | 4 voices 6 voices |
Renaissance | Epithalamia | ||||
| Grazie ch'a pochi il ciel largo destina | Giaches de Wert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| Ha ninfe adorn'e belle | Giaches de Wert, composer Torquato Tasso, librettist |
C major | II Nono libro de madrigali a cinque e sei voci 1588 | 6 voices mixed chorus |
Renaissance | Madrigals | |||
| Haec dies quam fecit Dominus | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Haec est vera fraternitas | Orlande de Lassus, composer | LV 835 | 6 voices | Renaissance | Motets | ||||
| Hard by a crystal fountain | Thomas Morley, composer | G major | 1599 | 6 voices | Renaissance | Madrigals | |||
| Hark did ye ever hear | Thomas Hunt, composer | 6 voices | Renaissance | Madrigals | |||||
| Harmonia Celeste (Harmonia Celeste di diversi eccellentissimi musici a 4, 5, 6, 7 et 8 voci, nuovamente raccolta per Andrea Pevernage ; Nella quale si contengono i più Eccellenti Madrigali che boggidi si cantino.) | André Pevernage, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals | |||||
| Harmonia in honorem nuptiarum (Nobilitate, virtute ac pietate praestantis viri Dñ Iohannis Knipkav Inclytae urbis uratislaviensis pharmaco [...] / Rumor ait quod ames) | Johannes Celscher, composer | 6 voices | Renaissance | Wedding music | |||||
| Harmonia Sacra | Andreas Hakenberger, composer | RISM A/I: H 1898 | 6 voices 7 voices 8 voices 9 voices 10 voices 12 voices |
Renaissance | Motets | ||||
| Harmoniae miscellae cantionum sacrarum (Harmoniæ miscellæ cantionum sacrarum ab exquisitissimis aetatis nostræ musicis cum quinque & sex vocibus concinnatæ, pleræque omnes novæ, necdum in Germania typis scriptæ: nunc autem editæ studio Leonardi Lechneri Athesini) | Leonhard Lechner, composer | 5 voices 6 voices mixed chorus |
Renaissance | Sacred songs | |||||
| Ha-shirim asher li-Shlomo (The Songs of Salomon) | Salamone Rossi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Sacred songs, Psalms | |||||
| Heth. Misericordiæ Domini (Lectio prima, Sabbato Sancto) | Tomás Luis de Victoria, composer | 4 voices 6 voices |
Renaissance | Lamentations | |||||
| Heu quis armorum furor | Orlande de Lassus, composer | LV 993 | 6 voices | Renaissance | Motets | ||||
| Heu quos dabimus miseranda | Orlande de Lassus, composer | LV 1065 | 6 voices | Renaissance | Motets | ||||
| Hic est beatissimus Evangelista (In Festo S. Joannis Apostoli et Evangelistae) | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Hierusalem, cito veniet salus tua | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Hispaniae schola musica sacra (Opera varia (saecal. XV, XVI, XVII et XVIII) diligenter excerpta, accurate revisa, sedulo concinnata a Philippo Pedrell) | Felipe Pedrell, composer | soprano, alto, tenor and bass mixed chorus soprano, alto, tenor, bass and mixed chorus 5 voices 6 voices 4 voices, mixed chorus and continuo 3 voices and mixed chorus organ |
Renaissance | Offertories, Magnificats, Responsories, Antiphons, Passions, Psalms, Canticles, Vespers, Hymns, Pieces, Intermedes, Interludes, Versets, Tientos, Fugues, Variations, Pavans | |||||
| Hochzeit Gesänge mit fünff sechs und acht Stimmen (Hochzeit gesänge mit Fünff Sechs vnd Acht stimmen, Zu Hochzeitlichen Ehren vnd sondern wolgesagen: Dem Erbaren vnd Namhafften Friderico Hartman Buch-bindern vnd hendlern in der Stadt Franckfurdt an der Oder, Breutigam) | Bartholomäus Gesius, composer | 5 voices 6 voices 8 voices |
Renaissance | Wedding music | |||||
| Hochzeit-Lied, IJS 5 ({{TPtr}} :Hochzeit Lied Zu Ehren vnd besonderm gefallen Dem Ehrnvesten vnd Wolgeachten Herrn Nicolao von Dühren, Vnnd Seiner vielgeliebten vertrawten Braut Der Erbaren vnd vielthugendreichen Jungfrawen Gertrud, Des Edlen, Ehrnvesten, Nahmhafften vnd Wolweisen Herrn Reinholdi Eggerds, Burgermeisters der Churfl. Stadt Kneiphoff Königsberg, Ehleiblichen Tochter, Mit 6. Stimmen componiret Durch.) | Johann Stobäus, composer | 6 voices | Baroque | Wedding music | |||||
| Hochzeit-Lied, IJS 6 ({{TPtr}} :Hochzeit-Lied Zu Ehren vnd besonderm Wolgefallen Dem WolEhrwürdigen GroßAchtbahren vnd Hochgelahrten Hn. Michael Behmen, Der Heyligen Schrifft Doctori, vnd bey hiesiger löblichen Universitet Professori Publico: Vnd Seiner vielgeliebten vertrawten Braut Der Viel-Ehr vnd Tugendreichen Jungfrawen Annæ Des Weiland Ehrnvesten Achtbahrn vnnd Wolgelahrten Herrn Matthiæ Pohlen, der Dreyen Städte Königsberg, wie auch der Churfl. Freyheiten wolverordneten Gerichts-Secretarij hinterlassenen Tochter. : Mit 6. Stimmen componiret.) | Johann Stobäus, composer | 6 voices | Baroque | Wedding music | |||||
| Hochzeit-Lied, IJS 7 ({{TPtr}} :Hochzeit-Lied Zu Ehren vnd besonderm Gefallen Dem Ehrenvesten vnd Wolgelahrten Georgio Decimatori, vnd Seiner vielgeliebten vertrawten Braut, Der Erbahren, wiel Ehr- vnd Thugendreichen Jungfrawen Catharinæ, Des Ehrenvesten vnd Wolgeachten Hn. Albrecht Wicherts, weiland Mittbürgers der Altenstadt Königsberg, hinterlassenen Tochter, Mit 6. Stimmen componiret.) | Johann Stobäus, composer | 6 voices | Baroque | Wedding music | |||||
| Hodie Christus natus est | Jacob Handl, composer | 6 voices | Renaissance | Motets | |||||
| Hodie Christus natus est | Rinaldo del Mel, composer | 6 voices | Renaissance | Sacred songs, Vespers | |||||
| Hodie Christus natus est | Cipriano de Rore, composer | 6 voices | Renaissance | Sacred songs | |||||
| Hodie completi sunt | Orlande de Lassus, composer | LV 713 | 6 voices | Renaissance | Motets | ||||
| Hodie nobis caelorum rex | Giovanni Maria Nanino, composer | 6 voices | Renaissance | Motets | |||||
| Hodie nobis cœlorum Rex | Philippe de Monte, composer | 6 voices | Renaissance | Sacred songs | |||||
| Hodie Simon Petrus | William Byrd, composer | T 160 | 1607 | 6 voices | Renaissance | Motets, Antiphons | |||
| Homo natus de muliere | John Wilbye, composer | 6 voices | Renaissance | Motets | |||||
| Hor ch'a l'albergo del monton | Orlande de Lassus, composer Gabriele Fiamma, librettist |
LV 918 | 6 voices | Renaissance | Madrigals | ||||
| Hor vedi, amor | Alfonso Ferrabosco Sr., composer | 6 voices | Renaissance | Madrigals | |||||
| Hor vi riconfortate | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 792 | 6 voices | Renaissance | Madrigals | ||||
| Hosianna in der Höhe | Michael Praetorius, composer | 6 voices | Renaissance | Sacred songs | |||||
| Hostis Herodes impie (In Epiphania Domini) | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Hymns | |||||
| How are the mighty fallen | Robert Ramsey, composer | 6 voices | Renaissance | Anthems, Sacred choruses | |||||
| Huc ades o Erneste | Orlande de Lassus, composer | 6 voices | Renaissance | Motets | |||||
| Huc me sidereo descendere jussit Olympo | Adrian Willaert, composer Maffeo Vegio, librettist |
6 voices | Renaissance | Motets | |||||
| Huc me sidereo | Orlande de Lassus, composer | LV 326 | 6 voices | Renaissance | Motets | ||||
| Hymnodia Sionia (Hymnodia Sionia continens hymnos sacros XXIV. anniversarios selectos, in ecclesia usitatos, per harmoniam duabus, 3. 4. 5. 6. 7. & 8. vocibus, (chorali cumprimis observata,) ita concinnatos, ut tam in choro quam organo, motectarum etiam loco percommode usurpari possint) | Michael Praetorius, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices organ |
Renaissance | Hymns, Pieces | |||||
| I begl'occhi und'io | Philippe de Monte, composer | 6 voices | Renaissance | Madrigals | |||||
| I lieti amanti | Benedetto Pallavicino, composer | 6 voices mixed chorus |
Renaissance | Madrigals | |||||
| I vidi in terra angelici costumi | Adrian Willaert, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| I' vo piangendo à 6 | Andrea Gabrieli, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals | |||||
| I' vo piangendo | Ippolito Sabino, composer Francesco Petrarca, librettist |
6 voices | Renaissance | Madrigals |
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