| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Ego sum lux mundi | Andreas Raselius, composer | 6 voices | Renaissance | Motets, Sacred choruses | |||||
| Ego sum qui sum | Orlande de Lassus, composer | LV 400 | 6 voices | Renaissance | Motets | ||||
| Ego sum via | Andreas Raselius, composer | 6 voices | Renaissance | Motets, Sacred choruses | |||||
| Ein guten Rat will geben ich | Orlande de Lassus, composer | 6 voices | Renaissance | Lieder | |||||
| Ein Körbelmacher | Orlande de Lassus, composer Hans Sachs, librettist |
6 voices | Renaissance | Lieder | |||||
| Ein schön geistlich Gesangbuch (Ein schön geistlich Gesangbuch darinnen Kirchen Gesenge vnd geistliche Lieder, D. Mart. Lutheri vnd anderer frommen Christen, so in den Christlichen Gemeynden zu singen gebräuchlich, begriffen. Mit vier, etliche mit fünff Stim[m]en, nicht allein auff eine, sondern des mehrentheils auff zwey oder dreyerley Art, mit sonderm Fleiß Contrapuncts Weise gesetzt, im Discant der Choral richtig behalten, vnd ...) | Melchior Vulpius, composer | 4 voices 5 voices 6 voices |
Renaissance | Chorales, Sacred songs | |||||
| Ein schöner Spruch aus dem Hohen Lied Salomonis ({{TPtr}} :Ein schöner liebreicher Spruch aus dem Hoben Lied Salomonis: Zu sonderlichen Ehren vnd glückseliger Wolfart Dem Ehrenfesten vnd Wolbenambten Herrn Johanni Arnoldo, Des Durchl. Hochgebornen Fürsten vnd Herrn, Herrn George Rudolphen Hertzog in Schlesien zur Lignitz vnd Brig, Wolverordneten Kornschreibern: Mit der Ehrbaren, Ehrentugendsamen Jungfrawen Susanna, Des Ehrenfesten Wolgeachten Herrn Pauli Behnisches, Bürgers vnd Tuchscherers in der Fürstlichen Stadt Lignitz, Hertzgeliebten Eheleiblichen Tochter. Mit VI. Stimmen Componiret) | Thomas Elsbeth, composer | 6 voices | Baroque | Wedding music | |||||
| El Parnaso español de madrigales y villancicos | Pedro Rimonte, composer | 4 voices 5 voices 6 voices |
Renaissance | Madrigals, Villancicos | |||||
| Emendemus in melius | Andrea Gabrieli, composer | 6 voices | Renaissance | Motets, Sacred choruses | |||||
| En lieux d’esbatz m’assault mélancolie | Jean Guyot, composer | 6 voices | Renaissance | Chansons | |||||
| Epiphaniae | Andreas Raselius, composer | 6 voices | Renaissance | Sacred choruses | |||||
| Il Trionfe di Dori | Alessandro Striggio, composer Muzio Manfredi, librettist |
6 voices | Renaissance | Madrigals | |||||
| Es springen und singen | Nicolaus Niedt, composer | 6 voices | Baroque | Motets | |||||
| Eton Choirbook (MS 178 from Eton College Library, England) | Various, composer | GB-ETc MS 178 | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 13 voices |
Renaissance | Motets, Magnificats, Passions | ||||
| Eulogodia Sionia ({{TPtr}} :Eulogodia Sionia continens cantiones sacras in ecclesia conclusionis loco ad dimissionem usitatas ... per harmoniam 2. 3. 4. 5. 6. 7. & 8. vocibus (chorali cumprimis observata) ita concinnatas, ut tam in choro quam organo Motectarum etiam loco non incommode usurpari possint) | Michael Praetorius, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs, Motets | |||||
| Evangelischer Sprüche (Deutsche Sonntaegliche Evangelische Sprüche von Advent biß auff Trinitatis [von Trinitatis bis auf Advent]) | Melchior Vulpius, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Sacred songs | |||||
| Ex Patre virtutem didicit (Jn Nuptias Reverendi Et Hvmaniss. Viri, M. Esaiæ Heidenreichii, Pastoris Ecclesiæ Wartembergensis, Sponsi: Et Pvdicissimae Virginis Marthae) | Simon Lyra, composer | 6 voices | Renaissance | Wedding music | |||||
| Exaltabo te Domine | Orlande de Lassus, composer | LV 1001 | 6 voices | Renaissance | Motets | ||||
| Exsurge, quare obdormis, Domine | Jean Rousée, composer | 6 voices | Renaissance | Motets | |||||
| Extollens vocem | Francesco Bianciardi, composer | 6 voices | Renaissance | Motets | |||||
| Exultate justi | Andreas Hakenberger, composer | 6 voices | Renaissance | Motets | |||||
| Exultent et laetentur | Francesco Bianciardi, composer | 6 voices | Renaissance | Motets | |||||
| Factum est silentium | Philippe de Monte, composer | 6 voices | Renaissance | Motets | |||||
| Fahr hin, gutes Liedelein | Hans Leo Hassler, composer | 6 voices | Renaissance | Lieder | |||||
| Fair is the Rose | Orlando Gibbons, composer | 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Fair Orian | John Milton Sr., composer | 6 voices | Renaissance | Madrigals | |||||
| Fair Oriana seeming to wink at folly | Robert Jones, composer | 6 voices | Renaissance | Madrigals | |||||
| Felice primavera | Rinaldo del Mel, composer Torquato Tasso, librettist |
6 voices | Renaissance | Madrigals | |||||
| Festive Harmony (Festive Harmony. a Collection of the most Favorite Madrigals, Elegies, and Glees, Selected from the Works of the most eminent Composers) | Various, composer | alto, tenor and bass soprano, alto, tenor and bass 5 voices 6 voices 3 voices and mixed chorus 3 voices, mixed chorus and piano 3 voices and piano 2 sopranos, bass and piano 4 hands 4 voices and piano soprano, alto, tenor, bass, harp and piano soprano, alto, tenor, bass and 2 harps 5 voices and piano 6 voices and piano |
Classical | Madrigals, Elegies, Glees, Odes | |||||
| Filli al partir del suo caro Pastore | Luzzasco Luzzaschi, composer | 6 voices | Renaissance | Madrigals | |||||
| First Morning (A Christmas Chorus for 6 Sopranos) | Rictor Noren, composer | 2019 | 6 sopranos 6 voices |
Modern | Secular choruses, Carols | ||||
| Flemus extremos hominum | Orlande de Lassus, composer | LV 1125 | 6 voices | Renaissance | Motets | ||||
| Flora’s Queen | John Stainer, composer John Frederick Randall Stainer, librettist |
F major | 1899 | 6 voices mixed chorus |
Romantic | Secular choruses | |||
| Florilegium selectissimarum cantionum (Florilegium selectissimarum Cantionum, praestantissimorum aetatis nostrae autorum, 4. 5. 6. 7. & 8. Vocum, in illustri Gymnasio Portensi, ante & post cibum sumtum, nunc temporis vsitarum, in gloriam Dei, scholae decus, & studiosae juventutis vtilitatem collectum & editum studio ac labore M. Erhardi Bodenschatz) | Erhard Bodenschatz, composer | Florilegium selectissimarum cantionum | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets, Sacred songs | ||||
| Fond Love is Blind | Thomas Bateson, composer | 6 voices 2 sopranos, alto, 2 tenors and bass |
Renaissance | Madrigals | |||||
| Fortuna alata il pié | Alessandro Striggio, composer | 6 voices | Renaissance | Madrigals | |||||
| Fortuna desperata (Fortuna desperata iniqua e maledecta) | Alexander Agricola, composer | 6 voices | Renaissance | Madrigals | |||||
| Frisch auf, ihr Menschenkinder | Nicolaus Niedt, composer | 6 voices | Baroque | Motets | |||||
| Frisque et gaillard (Frais et gaillard) | Jacobus Clemens non Papa, composer | 6 voices soprano, alto, tenor and bass mixed chorus |
Renaissance | Chansons, Galliards | |||||
| Fugarum libellus (Liebliche Fugen und Geistliche Lieder allen Kunstliebenden Musicis zu gefallen auff mancherley art, mit Drey, Vier, Fünff, und mehr Stimmen Componiret und im Druck verfertiget) | Johann Friedrich Görlitz, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices |
Renaissance | Canons | |||||
| Fuggi, speme mia, fuggi | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Fundamenta tenet mundi concordia | Michael Praetorius, composer | 6 voices | Baroque | Motets, Sacred choruses | |||||
| Gaudebunt labia mea | Ascanio Trombetti, composer | 6 voices | Renaissance | Motets, Psalms | |||||
| Gaudent in caelis animae Sanctorum | Philippe de Monte, composer | 6 voices | Renaissance | Motets | |||||
| Geistliche Deudsche Lieder (Nawe schöne außerlesene Geistliche Deudsche Lieder, mit Fünff, und Sechs Stimmen, gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen, sampt einem Dialogo mit Acht Stimmen) | Antonio Scandello, composer | 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs, Lieder | |||||
| Geistliche Musicalische Lustgarten, Teil 1 (Geistlichen Musicalischen Lustgartens Erster Theil darinnen allerley schoene liebliche Harmonien, von Psalmen unnd andern troestreichen Texten zu finden ... so wol voce als instrumentis zu musiciren und zu gebrauchen, mit 4. 5. 6. 7. 8. und 9. Stimmen componiret) | Melchior Franck, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices |
Renaissance | Sacred songs, Motets | |||||
| Gelo hà madonna il seno e fiamma il volto | Claudio Merulo, composer Torquato Tasso, librettist |
6 voices | Renaissance | Madrigals | |||||
| Gemma Musicalis I (Gemma musicalis: selectissimas varii stili cantiones (vulgo Italis madrigali et Napolitane dicuntur) quatuor, quinque, sex et plurium vocum continens ... Liber Primus) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Madrigals | |||||
| Gemma Musicalis II (Liber Secundus Gemmae Musicalis: selectissimas varii stili cantiones, quae madrigali et napolitane Italis dicuntur, quatuor, quinque, sex & plurium vocum, continens) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Madrigals | |||||
| Gemma Musicalis III (Tertius Gemmae Musicalis Liber: selectissias diversorum autorum cantiones, Italis Madrigali & Napolitane dictas, octo, septem, sex, quinque & quatuor vocum continens) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals | |||||
| Genuit puerpera | Orlande de Lassus, composer | LV 996 | 6 voices | Renaissance | Motets |
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