| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Columna es immobilis | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Com'al primo apparir del chiaro giorno | Giovanni Ferretti, composer | 6 voices | Renaissance | Canzonas | |||||
| Come fuggir per selva ombrosa | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Come inanti de l'alba ruggiadosa | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Come la cera | Orlande de Lassus, composer Gabriele Fiamma, librettist |
LV 814 | 6 voices | Renaissance | Madrigals | ||||
| Come Sable Night | John Ward, composer | 6 voices | Renaissance | Madrigals | |||||
| Dritter Theil Fest- und Aposteltägige Evangelische Sprüche | Johann Christenius, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Motets | |||||
| Compositions françaises de 4 à 8 voix | Orlande de Lassus, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Chansons | |||||
| Concentus harmonici (Concentus harmonici quattuor missarum, peritissimi musicorum Iacobi Obrecht : tam notularum, clavium, signorum, pausarum, suspiriorumque ... canonum additionibus ... sollertissime pressi : Tenor. [Altus. Discantus. Bassus]) | Jacob Obrecht, composer | RISM-A/I O.8 | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Masses | ||||
| Concerti di Andrea et di Gio: Gabrieli | Andrea Gabrieli, composer | 6 voices 7 voices 8 voices 10 voices 12 voices 16 voices |
Baroque | Madrigals, Motets, Masses, Psalms | |||||
| Concupiscendo concupiscit anima mea | Orlande de Lassus, composer | 6 voices | Renaissance | Psalms | |||||
| Conditor alme siderum (In Adventu Domini) | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Hymns | |||||
| Confirma hoc Deus | Orlande de Lassus, composer | LV 758 | 6 voices | Renaissance | Motets | ||||
| Confitebor tibi Domine | Orlande de Lassus, composer | LV 998 | 6 voices | Renaissance | Motets | ||||
| Confitemini Domino | Orlande de Lassus, composer | LV 516 | 6 voices | Renaissance | Motets | ||||
| Congratulamini mihi omnes | Orlande de Lassus, composer | LV 259 | 6 voices | Renaissance | Motets | ||||
| Congregati sunt | Philippe Verdelot, composer | 6 voices | Renaissance | Psalms | |||||
| Conserva me Domine | Orlande de Lassus, composer | LV 1002 | 6 voices | Renaissance | Motets | ||||
| Constitues eos principes | William Byrd, composer | T 157 | 1607 | 6 voices | Renaissance | Graduals, Sacred songs, Offertories | |||
| Continuatio cantionum sacrarum (Continuatio Cantionum sacrarum quatuor, quinque, sex, septem, octo et plurium vocum, de festis praecipuis anni, a praestantissimis Italiae Musicis nuperrime concinnatarum) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets, Sacred songs | |||||
| Convito musicale | Orazio Vecchi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals, Canzonas, Canzonettas | |||||
| Cor mundum crea in me, Deus | Gregor Lange, composer | 6 voices mixed chorus |
Renaissance | Motets | |||||
| Corollarium cantionum sacrarum (Corollarivm Cantionvm Sacrarvm Qvinqve, Sex, Septem, Octo, Et Plvrivm Vocvm, De Festis Præcipvis Anni : Quarum quædam anteà, à præstantissimis nostræ ætatis musicis, in Italia separatim editæ sunt, quædam vero nuperrimè concinnatæ, nec uspiam typis excusæ, at nunc in unum quasi corpus redactæ studio & opera Friderici Lindneri &c.) | Friedrich Lindner, composer | 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets | |||||
| Corona harmonica (Ausserlesene Sprüch aus den Evangelien, auff alle Sontage und fürnembste Fest durch das gantze Jahr) | Christoph Demantius, composer | 6 voices | Baroque | Sacred songs | |||||
| Creator omnium Deus | Adrian Willaert, composer | 6 voices | Renaissance | Motets | |||||
| Creator omnium Deus | Orlande de Lassus, composer | LV 62 | 6 voices | Renaissance | Motets | ||||
| Crudel perche mi fuggi | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Cruel, Behold My Heavy Ending (Cruell, Behold My Heavie Ending) | John Wilbye, composer | 6 voices | Renaissance | Madrigals | |||||
| Cum autem esset Stephanus (In Festo S. Stephani Protomartyris) | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Cum invocarem | Orlande de Lassus, composer | LV 403 | 6 voices | Renaissance | Motets | ||||
| Cum natus esset | Orlande de Lassus, composer | LV 255 | 6 voices | Renaissance | Motets | ||||
| Cum ortus fuerit | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Cymbalum Davidicum (Cymbalum Davidicum, das ist: Geistliche Melodeyen unnd Gesaenge, auss den Psalmen Davids mehrentheils genommen, zu Befoerderung Goettlichen Nahmens Ehre, der Christlichen Kirchen Zierde, und Erweckung hertzlicher Freude, mit 5. 6. und 8. Stimmen componiret) | Bartholomäus Helder, composer | 5 voices 6 voices 8 voices 2 mixed chorus |
Renaissance | Psalms, Motets | |||||
| Cymbalum Genethliacum (Cymbalum Genethliacum, das ist Funffzehen Schoene, Liebliche und Anmutige, Newe Jahrs unnd Weinacht Gesenge, neben einem Corollario dreyer anderer Melodeyen mit 4. 5. und 6. Stimmen, nach jtziger ahrt componiret, mit Lateinischen und deutschen Texten gezieret, und in Druck vorfertiget durch Bartholomaeum Helderum Gothanum) | Bartholomäus Helder, composer | soprano, alto, tenor and bass 5 voices 6 voices |
Renaissance | Sacred songs, Motets | |||||
| Cymbalum Sionium sive Cantiones Sacrae (Cymbalum Sionium sive Cantiones Sacrae, 5. 6. 8. 10. & 12. vocum) | Johann Hermann Schein, composer | 5 voices 6 voices 8 voices 10 voices 12 voices |
Renaissance | Sacred songs, Motets | |||||
| D'ogni gratia et d'amor la madr'errante | Alessandro Striggio, composer | 6 voices | Renaissance | Madrigals | |||||
| Da le Cimerie grotte | Andrea Gabrieli, composer | 6 voices | Renaissance | Madrigals | |||||
| Da mihi auxilium | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Da pacem Domine | Ascanio Trombetti, composer | 6 voices | Renaissance | Motets | |||||
| Da pacem Domine | Orlande de Lassus, composer | LV 63 | 6 voices | Renaissance | Motets | ||||
| Da pacem Domine | Orlande de Lassus, composer | LV 718 | 6 voices | Renaissance | Motets | ||||
| Dai bei labbri di rose | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Danzava con maniere sopre humane | Luca Marenzio, composer | 6 voices mixed chorus |
Renaissance | Madrigals | |||||
| Das Glaut zu Speyer (Das Gläut zu Speyer) | Ludwig Senfl, composer | 6 voices | Renaissance | Lieder | |||||
| De moins riens | Hubert Naich, composer | 6 voices | Renaissance | Chansons | |||||
| De peu assez | Jacques Buus, composer | 6 voices | Renaissance | Chansons | |||||
| De profundis clamavi | Andrea Gabrieli, composer | 6 voices | Renaissance | Psalms, Motets | |||||
| Dear if You Wish My Dying | Thomas Bateson, composer | 6 voices | Renaissance | Madrigals | |||||
| Death hath deprived me (A remembrance of my friend, M. Thomas Morley) | Thomas Weelkes, composer | 6 voices | Renaissance | Songs, Elegies | |||||
| Deficiat in dolore vita | Orlande de Lassus, composer | LV 977 | 6 voices | Renaissance | Motets | ||||
| Deliver me from mine enemies | Robert Parsons, composer | 6 voices | Renaissance | Anthems |
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