| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Telle en mesdict qui pour soy la desire | Jean Guyot, composer | 6 voices | Renaissance | Chansons | |||||
| Tempus est ut revertar | Orlande de Lassus, composer | LV 260 | 6 voices | Renaissance | Motets | ||||
| Tenebrae factae sunt (Motet for 6 voices) | Antonio Politano, composer Catholic Liturgy, librettist |
2014 | 6 voices | Modern | Motets | ||||
| Tenez moy en voz bras (Ego sum ipse qui deleo iniquitates [contrafactum version]) | Josquin Desprez, composer | NJE 30.12 | 6 voices | Renaissance | Chansons | ||||
| Tertius Psalmus poenitentialis (Domine, ne in furore... quoniam) | Orlande de Lassus, composer | LV 796 | 5 voices 6 voices |
Renaissance | Psalms | ||||
| Teutsche Liedlein, Books 1-5 (Frische teutsche Liedlein) | Georg Forster, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments 7 Unspecified instruments 8 Unspecified instruments |
Renaissance | Lieder | |||||
| The First Set of English Madrigales to 3, 4, 5 and 6 Voices | Thomas Bateson, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| The First Set of English Madrigalls, to 4. 5. & 6. voyces | George Kirbye, composer | RISM A/I: K 627 | 4 voices 5 voices 6 voices |
Renaissance | Madrigals | ||||
| The First Set of English Madrigals | John Wilbye, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| The Lady Oriana | John Wilbye, composer | 6 voices mixed chorus |
Renaissance | Madrigals | |||||
| The Muses Delight: Catches, Glees, Canzonets and Canons (The Muses Delight: Catches, Glees, Canzonets and Canons composed by Dr. Philip Hayes, Professor of Music in the University of Oxford The Muses’ Delight; The Muse’s Delight) |
Philip Hayes, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 2 voices and continuo 4 voices and continuo |
Classical | Catches, Glees, Canzonets, Canons | |||||
| The Second Set of Madrigales | John Wilbye, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Madrigals | |||||
| The Sixt Set of Bookes (Wherein are Anthemes for Versus and Chorus of 5 and 6 Parts; apt for Violls and Voyces) | Michael East, composer | 5 voices 6 voices 5 viols 6 viols voices and strings |
Renaissance | Airs, Anthems | |||||
| The Triumphes of Oriana (Madrigales) | Thomas Morley, composer | 1601 | 5 voices 6 voices |
Renaissance | Madrigals | ||||
| Neue Deutsche Amorische Gesaeng ({{TPtr}} :Theatrum Amoris. Newe, Teutsche, Amorische Gesaeng, mit schoenen, lustigen Texten, nicht allein gantz lieblich zu singen: Sondern auch auff allerhand Musicalischen Instrumenten wol zu gebrauchen, nach art der Welschen Madrigalien, mit 5. und 6. Stimmen componirt, und Druck verfertiget durch Johannem Andream Autumnum, Noribergensem) | Johann Andreas Herbst, composer | 5 voices 6 voices 5 Unspecified instruments 6 Unspecified instruments |
Renaissance | Songs, Madrigals | |||||
| Thesaurus Musicus (Thesaurus musicus continens selectissima octo, septem, sex, quinque et quatuor vocum harmonias, tam a veteribus quam recentioribus symphonistis compositas, & ad omnis generis instrumenta musica accommodatas) | Johann vom Berg, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets, Psalms | |||||
| Thirsis on His fair Phillis' Breast Reposing | Thomas Bateson, composer | 6 voices | Renaissance | Madrigals | |||||
| This day Christ was born (A Carol for Christmas Day) | William Byrd, composer | 6 voices | Renaissance | Carols, Sacred songs | |||||
| Thomae | Andreas Raselius, composer | 6 voices | Renaissance | Sacred choruses | |||||
| Those Spots upon My Lady's Face | Thomas Weelkes, composer | 6 voices | Renaissance | Madrigals | |||||
| Thou art but Young, Thou Say'st | John Wilbye, composer | 6 voices | Renaissance | Madrigals | |||||
| Thule, the Period of Cosmography | Thomas Weelkes, composer | 6 voices | Renaissance | Madrigals | |||||
| Tibi progenies unica | Orlande de Lassus, composer | LV 1124 | 6 voices | Renaissance | Motets | ||||
| Tigre mia | Luca Marenzio, composer Luigi Groto, librettist |
6 voices | Renaissance | Madrigals | |||||
| Timor et tremor | Giovanni Gabrieli, composer | Ch.142 | 6 voices | Renaissance | Sacred songs | ||||
| Timor et tremor | Orlande de Lassus, composer | 6 voices | Renaissance | Motets | |||||
| Tirsi morir volea | Benedetto Pallavicino, composer Giovanni Battista Guarini, librettist |
6 voices | Renaissance | Madrigals | |||||
| Tityre tu patulae (Christe Deus patris residens) | Orlande de Lassus, composer | LV 100 | 6 voices | Renaissance | Motets | ||||
| Tota pulchra es Maria | Francisco Guerrero, composer | 6 voices | Renaissance | Motets | |||||
| Tous les regretz | Nicolas Gombert, composer | 6 voices | Renaissance | Chansons | |||||
| Tra pure nevi alme purpuree rose | Claudio Merulo, composer | 6 voices | Baroque | Madrigals | |||||
| Tra verdi rami | Orlande de Lassus, composer | LV 917 | 6 voices | Renaissance | Madrigals | ||||
| Tradent enim vos | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Tragico tecti syrmate | Orlande de Lassus, composer | LV 1126 | 6 voices | Renaissance | Motets | ||||
| Triaca musicale (Triaca musicale ... nella quale vi sono diversi caprici a 4. 5. 6. et 7. voci) | Giovanni Croce, composer | 4 voices 5 voices 6 voices 7 voices |
Renaissance | Canzoni, Canzonettas | |||||
| Tribue Domine | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Tribularer si nescirem | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Tribus miraculis | Hans Leo Hassler, composer | 6 voices | Renaissance | Motets | |||||
| Tristis est anima mea (Motet for 6 voices) | Antonio Politano, composer | 2012 | 6 voices | Modern | Motets | ||||
| Tu es Petrus | William Byrd, composer | T 159 | 1607 | 6 voices | Renaissance | Graduals, Sacred songs, Motets | |||
| Tu es Petrus (In festo Sancti Petri) | Tomás Luis de Victoria, composer | 6 voices | Renaissance | Motets | |||||
| Tu es Petrus | Giovanni Pierluigi da Palestrina, composer | 6 voices | Renaissance | Motets | |||||
| Tulerunt Dominum meum | Michael Praetorius, composer | 6 voices | Baroque | Motets, Sacred songs | |||||
| Tutte sue squadre di miserie e stenti | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals | |||||
| Ultimi miei sospiri | Philippe Verdelot, composer | 6 voices | Renaissance | Madrigals | |||||
| Un ciego que ver quería | Manuel de Zumaya, composer | 1716 | 6 voices | Baroque | Villancicos | ||||
| Un giorno a Pale sacro | Ippolito Baccusi, composer Maurito Moro, librettist |
6 voices | Renaissance | Madrigals | |||||
| Un tempo sospirava | Giovanni Ferretti, composer | 6 voices | Renaissance | Canzonas | |||||
| University of Munich MSS 328-331 partbooks | Various, composer | 1523 | 4 voices 5 voices 6 voices 4 Unspecified instruments 5 Unspecified instruments 6 Unspecified instruments |
Renaissance | Lieder, Motets, Sacred songs, Chansons, Fantasias | ||||
| Unto the Hills Mine Eyes I Lift | William Byrd, composer | 6 voices | Renaissance | Anthems | |||||
| Vaghi capelli aurati | Luca Marenzio, composer | 6 voices | Renaissance | Madrigals |
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