| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Giammai non resti | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Giardino Novo (Giardino novo bellissimo di varii fiori musicali scieltissimi. il Primo libro de Madrigali, A Cinque Voci, Raccolti per Melchior Borchgrevinck Organista del Serenissimo Re di Danemarca) | Melchior Borchgrevinck, composer | 5 voices | Renaissance | Madrigals | |||||
| Giathi tanda fantiga | Giulio Schiavetti, composer Antonio Molino, librettist |
5 voices | Renaissance | Madrigals | |||||
| Gib unsern Fürsten und aller Obrigkeit | Johann Christian Gundelach, composer | A minor | 5 voices mixed chorus |
Baroque | Motets | ||||
| Gioite voi col canto | Carlo Gesualdo, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| Gira lunga stagion, lucente e viva | Andrea Gabrieli, composer | 5 voices | Baroque | Madrigals | |||||
| Giunto a la tomba | Luca Marenzio, composer Torquato Tasso, librettist |
5 voices | Renaissance | Madrigals | |||||
| Giunto è pur Lidia, il mio | Girolamo Frescobaldi, composer Giambattista Marino, librettist |
F major | F 5.11 | 5 voices | Renaissance | Madrigals | |||
| Giunto è pur, Lidia | Heinrich Schütz, composer | SWV 18 | 5 voices mixed chorus |
Baroque | Madrigals | ||||
| Giunto m'à Amor fra belle et crude braccia | Philippe de Monte, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| Giunto m'à Amor fra belle et crude braccia | Adrian Willaert, composer Francesco Petrarca, librettist |
5 voices mixed chorus |
Renaissance | Madrigals | |||||
| Glees and Madrigals, 2nd Collection (A second Collection of Glees, Madrigals &c. &c. for three, four, five and six voices) | William Horsley, composer | Op.4 | 3 voices 4 voices 5 voices 6 voices |
Classical | Glees, Madrigals, Rounds, Canons | ||||
| Glees and Rounds (A Collection of Twelve Glees, Rounds &c. for Three, Four & Five Voices, as Performed at the Noblemen and Gentlemens Catch Club, Glee Club &c.) | Luffman Atterbury, composer | Op.2 | 3 voices 4 voices 5 voices |
Classical | Glees, Rounds, Elegies | ||||
| Glees, Canons and Madrigals, 3rd Collection (A third Collection of Glees, Canons and Madrigals, for three, four and five voices) | William Horsley, composer | Op.6 | 3 voices 4 voices 5 voices |
Classical | Glees, Canons, Madrigals | ||||
| Li Amanti cantano una Canzonetta | Adriano Banchieri, composer | Op.18 No.9 | 5 voices | Renaissance | Madrigals | ||||
| Gloriosi principes terrae | Jean Mouton, composer | 5 voices | Renaissance | Motets | |||||
| Godea Tirsi gli amori | Alfonso Ferrabosco Sr., composer | 5 voices | Renaissance | Madrigals | |||||
| Godete anima bella | Luzzasco Luzzaschi, composer | 5 voices | Renaissance | Madrigals | |||||
| Goditi pur novo Terren | Giovanni de Macque, composer | 5 voices | Renaissance | Madrigals | |||||
| Gott nimbt und geit | Orlande de Lassus, composer | LV 564 | 5 voices | Renaissance | Songs | ||||
| Gottes Gewalt, Kraft und auch Macht | Ludwig Senfl, composer | 5 voices | Renaissance | Sacred songs | |||||
| Gradualia ac cantiones sacrae, Liber 1 (Gradualia: ac cantiones sacrae, liber primus) | William Byrd, composer | RISM A/I: B 5217 | 1605 | 3 voices 4 voices 5 voices |
Renaissance | Graduals, Sacred songs | |||
| Gradualia ac cantiones sacrae, Liber 2 (Gradualia: seu cantionum sacrarum, liber secundus) | William Byrd, composer | RISM A/I: B 5219 | 4 voices 5 voices 6 voices |
Renaissance | Graduals, Sacred songs | ![]() |
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| Gratia Musarum | Valentin Haussmann, composer | 5 voices mixed chorus |
Renaissance | Motets | |||||
| Grazie ad Amor | Luzzasco Luzzaschi, composer Giovanni Battista Guarini, librettist |
5 voices | Renaissance | Madrigals | |||||
| Gridò più volte il Po | Giovanni Matteo Faà di Bruno, composer Francesco Maria Molza, librettist |
5 voices | Renaissance | Madrigals | |||||
| Guarda'l mio stato | Orlande de Lassus, composer | LV 2 | 5 voices | Renaissance | Madrigals | ||||
| Gustate et videte | Orlande de Lassus, composer | LV 54 | 5 voices | Renaissance | Motets | ||||
| Guter, seltzamer, und künstreicher teutscher Gesang (Guter, seltzamer, und künstreicher teutscher Gesang, sonderlich ettliche Künstliche Quodlibet, Schlacht, und der gleichen, mit vier oder fünff stimmen, biss her, im truck nicht gesehen) | Wolfgang Schmeltzl, composer | soprano, alto, tenor and bass 5 voices |
Medieval | Songs, Quodlibets | |||||
| Guttur tuum sicut vinum optimum | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Ha ! Plange filia Jerusalem | Guillaume Bouzignac, composer | 5 voices | Renaissance | Motets | |||||
| Haec dies | Jacquet of Mantua, composer | 5 voices | Renaissance | Motets | |||||
| Haec est dies | Claudio Merulo, composer | 5 voices | Renaissance | Motets | |||||
| Hai com'a un vago sol (Hai [Ahi] com'a un vago sol) | Agostino Agazzari, composer | 5 voices | Renaissance | Madrigals | |||||
| Hail, The Redeemer, King Divine | Edewede Oriwoh, composer | 5 voices | Modern | Sacred songs | |||||
| Hark all Ye Lovely Saints (Hark all ye lovely saints above) | Thomas Weelkes, composer | 5 voices | Renaissance | Madrigals | |||||
| Hark, hear you not? | Thomas Bateson, composer | 5 voices | Renaissance | Madrigals | |||||
| Hark, the Birds Melodious Sing (Madrigal for 5 Voices) | Thomas Linley Jr., composer | G major | 5 voices mixed chorus |
Classical | Madrigals | ||||
| Harmonia Celeste (Harmonia Celeste di diversi eccellentissimi musici a 4, 5, 6, 7 et 8 voci, nuovamente raccolta per Andrea Pevernage ; Nella quale si contengono i più Eccellenti Madrigali che boggidi si cantino.) | André Pevernage, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals | |||||
| Harmoniae poeticae | Paul Hofhaimer, composer | 3 voices 4 voices 5 voices |
Renaissance | Songs, Odes | |||||
| Harmoniae Sacrae (D. Iacobi Mailandi praestantissimi Harmoniae Sacrae quinqz vocum selectae ac compositione diuinae, nouae prorsus editione) | Jakob Meiland, composer | 5 voices | Renaissance | Sacred songs, Motets | |||||
| Harmoniam musica honori nuptiarum / Beatus vir ({{TPtr}} :Honori Nuptiarum Viri Reverenda Dignitate, Pietate, Ac Solida eruditione præstantissimi, Dn. Georgii Schönwaldii, Diaconi apud Memelenses fidelissimi, Sponsi: Et Lectissimæ, Pvdicissimæq[ue] Virginis Annae, Viri Integerrimi Dn. Andreae Folmessers, Civis quondam apud Regiomontanos primarii, relictæ filiæ, Sponsæ: Harmonia Musica quinq[ue] Vocibus adornata Gratulatur / Iohannes Stobœus Grudentinus Borussus, Chori Musici apud Cneiphovianos Moderator, Dn. Iohannis Eccardi Mulhusini discipulus [''bassus part'']) | Johann Stobäus, composer | 5 voices | Renaissance | Psalms | |||||
| Harmoniae miscellae cantionum sacrarum (Harmoniæ miscellæ cantionum sacrarum ab exquisitissimis aetatis nostræ musicis cum quinque & sex vocibus concinnatæ, pleræque omnes novæ, necdum in Germania typis scriptæ: nunc autem editæ studio Leonardi Lechneri Athesini) | Leonhard Lechner, composer | 5 voices 6 voices mixed chorus |
Renaissance | Sacred songs | |||||
| Ha-shirim asher li-Shlomo (The Songs of Salomon) | Salamone Rossi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Sacred songs, Psalms | |||||
| Have I found her | Thomas Bateson, composer | 5 voices | Renaissance | Madrigals | |||||
| He that hath my commandments | Nathaniel Giles, composer | 5 voices | Renaissance | Anthems | |||||
| Helas mon Dieu | Orlande de Lassus, composer | LV 446 | 5 voices | Renaissance | Chansons | ||||
| Helas, j'ay sans mercy | Orlande de Lassus, composer | LV 787 | 5 voices | Renaissance | Chansons | ||||
| Hence care, thou art too cruel | Thomas Weelkes, composer | 5 voices | Renaissance | Madrigals | |||||
| Heroum soboles | Orlande de Lassus, composer | LV 60 | 5 voices | Renaissance | Motets | ||||
| Herr hebe an zu segnen das Haus | Anonymous, composer | A major | 5 voices mixed chorus |
Baroque | Motets |
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