| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Fair is the Rose | Orlando Gibbons, composer | 5 voices 6 voices |
Renaissance | Madrigals | |||||
| Fair Oriana, Beauty's Queen | John Hilton the elder, composer | 5 voices | Renaissance | Madrigals | |||||
| Faire Ladies That to Love | Orlando Gibbons, composer | 5 voices mixed chorus 5 Unspecified instruments |
Renaissance | Madrigals, Motets | |||||
| Falsibordoni | Orlande de Lassus, composer | LV Anh.25-46, 54 | 1574 | 4 voices 5 voices |
Renaissance | Sacred songs, Psalms | |||
| Falsobordone octavi toni quinque vocum | Orlande de Lassus, composer | LV Anh.26 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone primi toni quinque vocum | Orlande de Lassus, composer | LV Anh.27 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone primi toni quinque vocum | Orlande de Lassus, composer | LV Anh.28 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone primi toni quinque vocum | Orlande de Lassus, composer | LV Anh.29 | 1576 | 5 voices | Renaissance | Psalms | |||
| Falsobordone secundi toni quinque vocum | Orlande de Lassus, composer | LV Anh.35 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone secundi toni quinque vocum | Orlande de Lassus, composer | LV Anh.36 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone septimi toni quinque vocum | Orlande de Lassus, composer | LV Anh.37 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone sexti toni quinque vocum | Orlande de Lassus, composer | LV Anh.41 | 5 voices | Renaissance | Psalms | ||||
| Falsobordone tertii toni quinque vocum | Orlande de Lassus, composer | LV Anh.42 | 5 voices | Renaissance | Psalms | ||||
| Farewell All Joys | Orlando Gibbons, composer | 5 voices mixed chorus 5 Unspecified instruments |
Renaissance | Madrigals, Motets | |||||
| Fasciculus myrrhae | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Fasciculus novus (Continens dicta insigniora ex evangeliis eierum cum festorvm tum dominicorum, intra Pentecostes et Adventus ferias contentorum, desumta, & quinarum vocum concentu, XII. Glareani modis indubitatis attemperato, exornata studio) | Philipp Dulichius, composer | 5 voices | Renaissance | Motets | |||||
| Fasset ewre Sehle mit Gedult | Gallus Dressler, composer | 5 voices | Renaissance | Sacred songs | |||||
| Faulte d'argent (Faulte d'argent c'est douleur non pareille / Delevi ut nubem iniquitates tuas [contrafactum version]) | Josquin Desprez, composer | NJE 29.7 | 5 voices | Renaissance | Chansons | ||||
| Febbre, ond'or per le vene | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Feci iudicium | Orlande de Lassus, composer | LV 701 | 5 voices | Renaissance | Motets | ||||
| Felice l'alma che per voi sospira | Alessandro Striggio, composer | F major | 5 voices | Renaissance | Madrigals | ||||
| Felice ohime | Alfonso Ferrabosco Sr., composer | Ch.145 | 5 voices | Renaissance | Madrigals | ||||
| Felice primavera | Carlo Gesualdo, composer Torquato Tasso, librettist |
5 voices | Renaissance | Madrigals | |||||
| Feritevi, ferite (Feritevi, ferite, viperette mordaci) | Heinrich Schütz, composer | SWV 9 | 5 voices mixed chorus |
Baroque | Madrigals | ||||
| Festino nella sera del giovedì grasso (Il Festino nella sera del giovedì grasso avanti cena) | Adriano Banchieri, composer | Op.18 | 1608 | 5 voices | Renaissance | Madrigals | |||
| Festive Harmony (Festive Harmony. a Collection of the most Favorite Madrigals, Elegies, and Glees, Selected from the Works of the most eminent Composers) | Various, composer | alto, tenor and bass soprano, alto, tenor and bass 5 voices 6 voices 3 voices and mixed chorus 3 voices, mixed chorus and piano 3 voices and piano 2 sopranos, bass and piano 4 hands 4 voices and piano soprano, alto, tenor, bass, harp and piano soprano, alto, tenor, bass and 2 harps 5 voices and piano 6 voices and piano |
Classical | Madrigals, Elegies, Glees, Odes | |||||
| Fiere silvestre che per lati campi | Luca Marenzio, composer Jacopo Sannazaro, librettist |
5 voices | Renaissance | Madrigals | |||||
| Figlio immortal d'immortal padre | Giovanni Pierluigi da Palestrina, composer Antonio Migliore, librettist |
5 voices | Renaissance | Madrigals, Sacred songs | |||||
| Fili quid fecisti | Orlande de Lassus, composer | LV 199 | 5 voices | Renaissance | Motets | ||||
| Filli cara (Deus, Deus noster (contrafactum)) | Ruggiero Giovannelli, composer Alberto Parma, librettist |
5 voices 2 sopranos, alto, tenor and bass |
Renaissance | Madrigals, Sacred songs | |||||
| Fillida mia più che i ligustri bianca | Luca Marenzio, composer Jacopo Sannazaro, librettist |
5 voices | Renaissance | Madrigals | |||||
| Fire! Fire! (Fyer, Fyer!) | Thomas Morley, composer | 5 voices mixed chorus |
Renaissance | Balletts, Madrigals | |||||
| Fit porta Christi pervia (De Beta Maria Virgo [De B. M. V.] Die in Ms. Mü 55 hinzugefügten Stücke) |
Orlande de Lassus, composer | LV Anh.48 | 1580 | 5 voices | Renaissance | Hymns | |||
| Fiume ch’a l’onde tue | Luca Marenzio, composer Antonio Ongaro, librettist |
5 voices | Renaissance | Madrigals | |||||
| Flamma ch'allacia (Fiamma ch'allaccia e laccio) | Heinrich Schütz, composer | SWV 10 | 5 voices mixed chorus |
Baroque | Madrigals | ||||
| Flora Gave Mee Fairest Flowers | John Wilbye, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| Floridus Concentus sacras ({{TPtr}} :Floridus Concentus sacras continens Laudes a celeberrimis musices erudites auctoribus, binis, ternis, quaternis, quinisque vocibus suavissimis modulis concinnatas, quas in unum collegit R. Floridus canonicus de Sylvestris a Barbarano) | Florido de Silvestris, composer | 2 voices 3 voices 4 voices 5 voices |
Renaissance | Motets | |||||
| Florilège du Concert vocal de la Renaissance | Henry Expert, composer | 4 voices 5 voices |
Renaissance | Chansons, Airs, Villanelles | |||||
| Florilegium selectissimarum cantionum (Florilegium selectissimarum Cantionum, praestantissimorum aetatis nostrae autorum, 4. 5. 6. 7. & 8. Vocum, in illustri Gymnasio Portensi, ante & post cibum sumtum, nunc temporis vsitarum, in gloriam Dei, scholae decus, & studiosae juventutis vtilitatem collectum & editum studio ac labore M. Erhardi Bodenschatz) | Erhard Bodenschatz, composer | Florilegium selectissimarum cantionum | 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Motets, Sacred songs | ||||
| For verie grief | Ruggiero Giovannelli, composer | 5 voices | Renaissance | Madrigals | |||||
| Fors seulement (Fantasien über eine Chanson von Johannes Ockeghem ediert von Clemens Goldberg) | Clemens Goldberg, composer | 3 voices 4 voices 5 voices |
Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Fors seulement (Fors seulement l'attente que je meure) | Pierre de La Rue, composer | 5 voices | Renaissance | Chansons | |||||
| Forse anchor fia | Alfonso Ferrabosco Sr., composer | Ch.141 | 5 voices | Renaissance | Madrigals | ||||
| Forsennata gridava | Giaches de Wert, composer | 5 voices | Renaissance | Madrigals | |||||
| Forte soporifera (Forte soporifera [...] absconduntque / Forte soporifera [...] admiranda) | Orlande de Lassus, composer | LV 270 | 5 voices | Renaissance | Motets | ||||
| Fortuna desperata (Fortuna desperata iniqua e maledecta) | Antoine Busnois, composer | 3 voices 4 voices 5 voices |
Renaissance | Madrigals |
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