| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Elle s'en va de moi | Orlande de Lassus, composer Clément Marot, librettist |
LV 90 | 5 voices | Renaissance | Chansons | ||||
| Emendemus in melius | William Byrd, composer | 5 voices | Renaissance | Responsories | |||||
| Emendemus in melius | Vicente Lusitano, composer | 1551 | 5 voices | Renaissance | Motets | ||||
| En doleur en tristesse | Noel Bauldeweyn, composer | 1523 | 5 voices | Renaissance | Chansons | ||||
| En gratulemur hodie (In Festo S. Antonii de Padua) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Hymns | |||||
| En non saichant (Venite ad me omnes qui laboratis [contrafactum version]) | Josquin Desprez, composer | NJE 29.6 | 5 voices | Renaissance | Chansons | ||||
| En novus annus adest (Harmonia melica) | Valentin Haussmann, composer | 5 voices | Renaissance | Songs | |||||
| En tanto que de rosa | Francisco Guerrero, composer | 5 voices | Renaissance | Sacred songs | |||||
| England Receive the Rightful King | Thomas Greaves, composer | 5 voices | Renaissance | Madrigals | |||||
| Epiphaniam Domino canamus | Nicolle des Celliers de Hesdin, composer | 5 voices | Renaissance | Motets | |||||
| Epitaphe de Christofle Plantin | André Pevernage, composer | D minor | 1589 | 5 voices | Renaissance | Elegies, Chansons | |||
| Epithalamion zu Ehren und Wolgefallen ({{TPtr}} :Epithalamion Zu Ehren vnd Wolgefallen Dem Ehrenvesten, Vornehmen vnd Wolgelahrten Herren David Tauten, Vnd Seiner vielgeliebten vertrawten Braut Der Ehr vnd Tugendreichen Jungfrawen Christinæ, Des weilandt Ehrenvesten Vornehmgeachten Herren Hanß Federawen Kirchen Vorstehern der Alten Stadt Königsberg nachgelassenen Eheleiblichen Tochter. Mit Fünff Stimmen componiret.) | Johann Stobäus, composer | 5 voices | Renaissance | Wedding music | |||||
| Era il bel viso suo, quale esser suole | Alessandro Striggio, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Era l'anima mia | Benedetto Pallavicino, composer Giovanni Battista Guarini, librettist |
1600 | 5 voices | Renaissance | Madrigals | ||||
| Era la mia virtù quasi smarrita | Alessandro Striggio, composer | 5 voices | Renaissance | Madrigals | |||||
| Eran le vostre chiome all'aura sparse | Annibale Zoilo, composer | 5 voices | Renaissance | Madrigals | |||||
| Eran le vostre lagrime nel viso | Giovanni Pierluigi da Palestrina, composer | G major | 5 voices | Renaissance | Madrigals | ||||
| Erano capei d'oro (Erano i capei d'oro) | Giovanni Maria Nanino, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| Erasi al sole il mio bel sole assiso | Costanzo Porta, composer Giovan Battista Strozzi, librettist |
5 voices | Renaissance | Madrigals | |||||
| Eripe me de inimicis meis | Andreas Raselius, composer | 5 voices | Renaissance | Motets, Sacred choruses | |||||
| Ero cosi dicea | Giovanni Vincenzo Palma, composer | 5 voices | Renaissance | Madrigals | |||||
| Erzürn dich nicht, o frommer Christ (Du fond de ma pensee) | Orlande de Lassus, composer Ludwig Haetzer, librettist |
LV 458 | 5 voices | Renaissance | Songs | ||||
| Es jagt ein Jeger vor dem holtz | Orlande de Lassus, composer | LV 467 | 5 voices | Renaissance | Songs | ||||
| Es packe dich das Glück beim Kragen | Michael Haydn, composer | F major | MH 577 | 1795 | 5 voices | Classical | Canons | ||
| Es sind doch selig alle die (Du malin le meschant vouloir) | Orlande de Lassus, composer | LV 463 | 5 voices | Renaissance | Songs | ||||
| Es taget vor dem Walde/Fortuna desperata | Ludwig Senfl, composer | 5 voices | Renaissance | Lieder | |||||
| Es taget vor dem Walde/Kein Adler in der Welt | Arnold von Bruck, composer | 5 voices | Renaissance | Lieder | |||||
| Est il possible à moy (Des ma jeunesse / Est il possible à l'homme / Est il possible en ce monde / Ich hab ein frischen freyen mut) | Orlande de Lassus, composer | LV 88 | 5 voices | Renaissance | Chansons | ||||
| Esurientes implevit bonis (Magnificat) | John Sheppard, composer | 1553 | 5 voices | Renaissance | Magnificats | ||||
| Et d'ou venez vous (Que devenez vous / Schons Medlein zu dir / Wie eine Rose) | Orlande de Lassus, composer | LV 179 | 5 voices | Renaissance | Chansons | ||||
| Et respondens Iesus dixit illis | Gregor Lange, composer | 5 voices mixed chorus |
Renaissance | Motets | |||||
| Eton Choirbook (MS 178 from Eton College Library, England) | Various, composer | GB-ETc MS 178 | 4 voices 5 voices 6 voices 7 voices 8 voices 9 voices 13 voices |
Renaissance | Motets, Magnificats, Passions | ||||
| Eulogodia Sionia ({{TPtr}} :Eulogodia Sionia continens cantiones sacras in ecclesia conclusionis loco ad dimissionem usitatas ... per harmoniam 2. 3. 4. 5. 6. 7. & 8. vocibus (chorali cumprimis observata) ita concinnatas, ut tam in choro quam organo Motectarum etiam loco non incommode usurpari possint) | Michael Praetorius, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Sacred songs, Motets | |||||
| Evangelischer Sprüche (Deutsche Sonntaegliche Evangelische Sprüche von Advent biß auff Trinitatis [von Trinitatis bis auf Advent]) | Melchior Vulpius, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Sacred songs | |||||
| Evehor invidia | Orlande de Lassus, composer | LV 713 | 5 voices | Renaissance | Motets | ||||
| Ex Patre Patris (Christe Redemptor omnium) | Luca Marenzio, composer | 5 voices | Renaissance | Sacred songs | |||||
| Exaltabo te Domine (Offertory for Ash Wednesday and Pentecost XI) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium, Psalms, Motets | |||||
| Exaudi Domine preces | Orlande de Lassus, composer | LV 513 | 5 voices | Renaissance | Motets | ||||
| Exaudi Domine vocem meam | Orlande de Lassus, composer | LV 116 | 5 voices | Renaissance | Motets | ||||
| Exaudi me, Domine | Gregor Lange, composer | 5 voices mixed chorus |
Renaissance | Motets | |||||
| Exaudi, Deus, orationem meam | Andrea Gabrieli, composer | 5 voices | Renaissance | Psalms, Motets | |||||
| Exi cito in plateas | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Expectans expectavi Dominum | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Exsultet caelum | Orlande de Lassus, composer | LV 431 | 5 voices | Renaissance | Motets | ||||
| Exsurgat Deus | Giovanni Andrea Dragone, composer Sacred music, librettist |
B minor | 5 voices | Renaissance | Motets | ||||
| Exsurgat Deus | Orlande de Lassus, composer | LV 507 | 5 voices | Renaissance | Motets | ||||
| Exultate Deo | Giovanni Pierluigi da Palestrina, composer | F major | 5 voices | Renaissance | Motets, Psalms | ||||
| Exultet coelum laudibus (In Communi Apostolorum et Evangelistarum) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Hymns | |||||
| Fa, che con l'acque tue | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Factor orbis | Jacob Obrecht, composer | 5 voices | Renaissance | Sacred songs | |||||
| Fair is the Rose | Orlando Gibbons, composer | 5 voices 6 voices |
Renaissance | Madrigals |
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