| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Deh, non cantar, Donna gentil ch'io sento | Luzzasco Luzzaschi, composer | 5 voices | Renaissance | Madrigals | |||||
| Deh, scoprite il bel seno | Pomponio Nenna, composer | 5 voices | Renaissance | Madrigals | |||||
| Deh, vezzose del Tebro amate Ninfe | Luca Marenzio, composer | 5 voices | Renaissance | Madrigals | |||||
| Del auro crin | Orlande de Lassus, composer | LV 397 | 5 voices | Renaissance | Madrigals | ||||
| Del primo libro de i motetti (Del primo libro de i motetti a cinque voci) | Jacquet of Mantua, composer | 5 voices | Renaissance | Motets | |||||
| Del vago Mincio sull'adorne sponde | Giaches de Wert, composer | 5 voices | Renaissance | Madrigals | |||||
| Delitiae Phoebi | Orlande de Lassus, composer | LV 47 | 5 voices | Renaissance | Motets | ||||
| Der Ander Theil Teutscher Lieder (Der ander Theil Teutscher Lieder, mit fuenff stimmen, nit allein zum singen, sonder auch aller handt Instrumenten (wer deren genugsam bericht ist) wol und artlich zu gebrauchen) | Orlande de Lassus, composer | RISM A/I: L 856 | 5 voices 5 Unspecified instruments |
Renaissance | Lieder | ||||
| Der Herr mein getreuer Hirte | Anonymous, composer | 5 voices | Baroque | Sacred songs | |||||
| Der Liebe Lob-Gesang ({{TPtr}} :Der Liebe Lob-Gesang, Auff den Hochzeitlichen Ehren-Tag Des Edlen, Ehrenvesten vnd Vornehmgeachten Herrn Hieronymi von Weimbeer, Vnd seiner Hertzgeliebten Braut Der VielEhr- vnd Tugendreichen Jungfraw Catharinae Des Ehrvesten, Achtbarn vnd Wolberümbten Hn. Caspari Pantzers, Churfl Brandenb. Hoff-Apothekers &c. Eheleiblichen Tochter, Zu Vermehrung Hochzeitlicher Ehren-Frewden Jn fünff Stimmen gesetzet) | Heinrich Albert, composer | 5 voices | Baroque | Songs | |||||
| Der Meye bringt uns | Orlande de Lassus, composer Jacob Klieber, librettist |
LV 462 | 5 voices | Renaissance | Songs | ||||
| Der neuaufgefundene Luther-Codex vom Jahre 1530 (Ein Feste Burgk Is Unser Got: Der Neuaufgefundene Luther-Codex Vom Jahre 1530) | Otto Kade, composer | 2 voices 4 voices 5 voices 6 voices |
Romantic | Writings, Music history, Hymns | |||||
| Der preussischen Fest-Lieder (Volume 1: [Erster Theil] Der preussischen Fest-Lieder vom Advent an biss Ostern Volume 2: [Ander Theil] Der preussischen Fest-Lieder von Ostern an biss Advent) |
Johannes Eccard, composer | 5 voices 6 voices 7 voices 8 voices |
Baroque | Lieder, Sacred songs | |||||
| Der Tag der ist so freudenreich (Der Tag der ist so frewdenreich) | Orlande de Lassus, composer | LV 460 | 5 voices | Renaissance | Lieder, Sacred songs | ||||
| Der wein der schmeckt mir also wol (Dieu nous soit doux et favorable) | Orlande de Lassus, composer | 5 voices | Renaissance | Songs | |||||
| Der Welte pracht | Orlande de Lassus, composer | LV 567 | 5 voices | Renaissance | Songs | ||||
| Derelinquat impius viam | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Derelinquit impius | Thomas Tallis, composer | 1575 | 5 voices | Renaissance | Sacred songs | ||||
| Descendi in hortum nucum | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Descendit angelus Domini (In Festo Sancti Joannis Baptistæ) | Tomás Luis de Victoria, composer | 5 voices | Renaissance | Motets | |||||
| Descendit sicut pluvia | Orlande de Lassus, composer | LV 434 | 5 voices | Renaissance | Motets | ||||
| Deus canticum novum | Orlande de Lassus, composer | LV 222 | 5 voices | Renaissance | Motets | ||||
| Deus Deus meus ad te de luce vigilo | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Deus enim firmavit orbem terrae | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Deus iudex iustus | Orlande de Lassus, composer | LV 430 | 5 voices | Renaissance | Motets | ||||
| Deus misereatur nostri | Mogens Pedersøn, composer | 5 voices | Renaissance | Motets | |||||
| Dues noster refugiam | Andrea Gabrieli, composer | 5 voices | Renaissance | Sacred songs | |||||
| Deus noster refugium et virtus | Orlande de Lassus, composer | 5 voices | Renaissance | Motets, Psalms | |||||
| Deus qui dedisti legem | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Deus qui sedes | Orlande de Lassus, composer | LV 112 | 5 voices | Renaissance | Motets | ||||
| Deus tu conversus | Orlande de Lassus, composer | LV 710 | 5 voices | Renaissance | Motets | ||||
| Deus tu convertens vivificabis nos | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Deus tuorum militum, IGP 339 (In Communi Unius Martyris) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Hymns | |||||
| Deus, venerunt gentes | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Deus, venerunt gentes | Costanzo Festa, composer | 5 voices | Renaissance | Motets | |||||
| Deutsche Magnificat auff die 8 Tonos Musicales (Deutsche Magnificat auff die acht Tonos Musicales, derer ein jeglicher zwey mahl, und Peregrini Toni drey mal gesetzt, mit vier und fuenff Stimmen, sampt etlichen Newen Benedicamus, gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen, darzu auch andere Magnificat ad aequales) | Giovanni Battista Pinello di Ghirardi, composer | 4 voices 5 voices |
Renaissance | Magnificats, Benedictus | |||||
| Deuxième recueil de musique vocale (XVIe et XVIIe siècles) | Henri Lammers, composer | 3 voices 4 voices 5 voices mixed chorus |
Renaissance | Chansons, Psalms | |||||
| Devrò dunque morire | Filippo Vitali, composer | 5 voices | Renaissance | Madrigals | |||||
| Dextera Domini fecit virtutem | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Di marmo siete voi | Marco da Gagliano, composer Giovambatista Marino, librettist |
5 voices | Renaissance | Madrigals | |||||
| Di marmo siete voi | Heinrich Schütz, composer | SWV 17 | 5 voices mixed chorus |
Baroque | Madrigals | ||||
| Di morte già sentia | Giaches de Wert, composer | 5 voices | Renaissance | Madrigals | |||||
| Di quà di là va le noiose piume | Orlande de Lassus, composer | 5 voices | Renaissance | Madrigals | |||||
| Di questa bionde e vaga treccia | Alessandro Striggio, composer | 5 voices | Renaissance | Madrigals | |||||
| Di semplice farfalla | Luzzasco Luzzaschi, composer | 5 voices | Renaissance | Madrigals | |||||
| Di terrena armonia | Orlande de Lassus, composer | 5 voices | Renaissance | Madrigals | |||||
| Di virtù, di costumi, di valore | Cipriano de Rore, composer | 5 voices | Renaissance | Madrigals | |||||
| Dica chi vuol allegro viver voglio | Giaches de Wert, composer | 5 voices | Renaissance | Canzonettas, Villanelle, Madrigals | |||||
| Dicesi che la morte | Orlande de Lassus, composer | LV 139 | 5 voices | Renaissance | Madrigals | ||||
| Dido chi giace entro quest' urna | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Die Chansons (Die Chansons ediert von Clemens Goldberg) | Johannes Ockeghem, composer | 3 voices 4 voices 5 voices |
Renaissance | Chansons, Motets |
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