| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Concentus harmonici (Concentus harmonici quattuor missarum, peritissimi musicorum Iacobi Obrecht : tam notularum, clavium, signorum, pausarum, suspiriorumque ... canonum additionibus ... sollertissime pressi : Tenor. [Altus. Discantus. Bassus]) | Jacob Obrecht, composer | RISM-A/I O.8 | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Masses | ||||
| Conditor alme siderum (In adventu domini hymnus / Qui condolens interitu) | Orlande de Lassus, composer | LV Anh.15 | 1580 | 5 voices | Renaissance | Hymns | |||
| Confessio et pulchritudo | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Confirma hoc Deus quod operatus es | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Confisus Domino tua pectora | Orlande de Lassus, composer | LV 201 | 5 voices | Renaissance | Motets | ||||
| Confitebor tibi Domine | Andrea Gabrieli, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Confitebor tibi Domine | Rodolfo da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Confitebor tibi Domine in toto corde meo | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Confitebor tibi, Domine | Cipriano de Rore, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Confitebuntur coeli | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Confitemini Domino | Orlande de Lassus, composer | LV 108 | 5 voices | Renaissance | Motets | ||||
| Confundantur superbi | Orlande de Lassus, composer | LV 128 | 5 voices | Renaissance | Motets | ||||
| Congrega, Domine | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Congregati sunt inimici | Orlande de Lassus, composer | LV 1044 | 5 voices | Renaissance | Motets | ||||
| Consertfactory | Andy Costello, composer | 5 voices | Modern | Songs | |||||
| Conserva me, Domine | Alfonso Ferrabosco Sr., composer | Ch.24-25 | 5 voices | Renaissance | Motets | ||||
| Constant Penelope | William Byrd, composer | voice 5 voices |
Renaissance | Songs | |||||
| Constitues eos principes | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Continuatio cantionum sacrarum (Continuatio Cantionum sacrarum quatuor, quinque, sex, septem, octo et plurium vocum, de festis praecipuis anni, a praestantissimis Italiae Musicis nuperrime concinnatarum) | Friedrich Lindner, composer | 4 voices 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets, Sacred songs | |||||
| Un cane, un cucco, un gatto e un chiù per spasso fan contraponto a mente sopra un basso | Adriano Banchieri, composer | 5 voices | Baroque | Madrigals | |||||
| Convito musicale | Orazio Vecchi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals, Canzonas, Canzonettas | |||||
| Cor Mio (Fantasia No. 11) | John Ward, composer | VdGS No. 12 | 5 voices 5 viols |
Renaissance | Madrigals | ||||
| Cor mio, deh non languire | Benedetto Pallavicino, composer Giovanni Battista Guarini, librettist |
1600 | 5 voices | Renaissance | Madrigals | ||||
| Cor mio, deh, non piangete | Ruggiero Giovannelli, composer Giovanni Battista Guarini, librettist |
5 voices | Renaissance | Madrigals | |||||
| Cor mio, mentre vi miro | Claudio Monteverdi, composer Giovanni Battista Guarini, librettist |
SV 77 | 5 voices | Renaissance | Madrigals | ||||
| Corollarium cantionum sacrarum (Corollarivm Cantionvm Sacrarvm Qvinqve, Sex, Septem, Octo, Et Plvrivm Vocvm, De Festis Præcipvis Anni : Quarum quædam anteà, à præstantissimis nostræ ætatis musicis, in Italia separatim editæ sunt, quædam vero nuperrimè concinnatæ, nec uspiam typis excusæ, at nunc in unum quasi corpus redactæ studio & opera Friderici Lindneri &c.) | Friedrich Lindner, composer | 5 voices 6 voices 7 voices 8 voices 10 voices 12 voices |
Renaissance | Motets | |||||
| Corona aurea | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Corona gemmarum coelestium (Corona gemmarum coelestium...in hanc musicalem harmoniam sola, duobus, tribus, quatuor, et quinque vocibus contextam) | Giovanni Paolo Nodari, composer | RISM RISM A/I: N-733 | 1613 | soprano alto tenor bass soprano and tenor soprano and bass 2 sopranos and tenor soprano and 2 tenors soprano, alto and bass soprano, tenor and bass soprano, alto, tenor and bass 3 sopranos and bass 5 voices |
Baroque | Sacred songs | |||
| Cosi d'Arno sul lido | Giovanni Del Turco, composer | 5 voices | Renaissance | Madrigals | |||||
| Cosi dissi egli | Annibale Zoilo, composer | 5 voices | Renaissance | Madrigals | |||||
| Così morir debb'io, SWV 5 | Heinrich Schütz, composer | SWV 5 | 5 voices | Baroque | Madrigals | ||||
| Così nel mio parlar voglio esser aspro | Luca Marenzio, composer | 5 voices | Renaissance | Madrigals | |||||
| Cottidie apud vos eram | Johann Walter, composer | 5 voices | Renaissance | Motets | |||||
| Credete a me | Luzzasco Luzzaschi, composer Ridolfo Arlotti, librettist |
5 voices | Renaissance | Madrigals | |||||
| Credidi propter quod | Orlande de Lassus, composer | LV 357 | 5 voices | Renaissance | Motets | ||||
| Crucem sanctam subiit | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Crucifixus | Luca Spada, composer Catholic Liturgy, librettist |
B flat minor | Op.77 | 2019 | 5 voices | Modern | Sacred songs | ||
| Cruda Amarilli | Benedetto Pallavicino, composer Giovanni Battista Guarini, librettist |
1600 | 5 voices mixed chorus |
Renaissance | Madrigals | ||||
| Cruda Amarilli che co ’l nom’ancora | Luca Marenzio, composer Giovanni Battista Guarini, librettist |
5 voices | Renaissance | Madrigals | |||||
| Crudele acerba inesorabil’ morte | Luca Marenzio, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| Crudelissima doglia | Benedetto Pallavicino, composer | 1600 | 5 voices | Renaissance | Madrigals | ||||
| Crudelissima Donna | Luzzasco Luzzaschi, composer | 5 voices | Renaissance | Madrigals | |||||
| Crux et virga vigilans | Vicente Lusitano, composer | 1551 | 5 voices | Renaissance | Motets | ||||
| Cueur langoreulx | Josquin Desprez, composer | NJE 29.2 | 5 voices | Renaissance | Chansons | ||||
| Cueurs desolez par toute nation | Josquin Desprez, composer | 5 voices | Renaissance | Chansons | |||||
| Cueurs desolez par toutes nations | Pierre de La Rue, composer | 5 voices | Renaissance | Chansons | |||||
| Cuius corpus sanctissimum | Adrian Willaert, composer | 1542 | 5 voices | Renaissance | Hymns | ||||
| Cum beatus Ignatius (In Festo Sancti Ignatii) | Tomás Luis de Victoria, composer | 5 voices | Renaissance | Motets | |||||
| Cum ieiunatis | Sebastián de Vivanco, composer | 5 voices | Renaissance | Motets | |||||
| Cum pervenisset beatus Andreas | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Cum rides mihi | Orlande de Lassus, composer | 5 voices | Renaissance | Motets |
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