| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Choirbook, D-Ju MS 4 | Various, composer | 1512 | 4 voices 5 voices 6 voices |
Renaissance | Masses | ||||
| Choirbook, D-Ju MS 5 | Various, composer | 1512 | 4 voices 5 voices 6 voices |
Renaissance | Masses | ||||
| Choirbook, D-Ju MS 8 | Various, composer | 1508 | 4 voices 5 voices |
Renaissance | Masses | ||||
| Choirbook, D-Ju MS 9 | Various, composer | 1509 | 4 voices 5 voices |
Renaissance | Masses, Motets | ||||
| Choirbook, D-Mbs Mus. MS A (Die Sieben Bußpsalmen mit der Motette Laudes Domini / Psalmi Davidis poenitentiales, modis musicis redditi (…) his accessit psalmus Laudate Dominum de coelis / Penitential Psalms and Laudate dominum de coelis / Mielich Codex) | Orlande de Lassus, composer | 1565 | 5 voices 6 voices |
Renaissance | Psalms, Motets | ||||
| Choirbook, GB-Lbl Royal 11 E.xi (A Choirbook for Henry VIII and his Sisters) | Various, composer | GB-Lbl Royal 11 E.xi | 1516 | 3 voices 4 voices 5 voices |
Renaissance | Motets | |||
| Christ Rising Again (Easter Anthem) | Thomas Tallis, composer | 1560 | 5 voices | Renaissance | Anthems | ||||
| Christe redemptor omnium (In Festo Omnium Sanctorum) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Hymns | |||||
| Christe redemptor omnium (In festo nativitatis christi hymnus) | Orlande de Lassus, composer | LV Anh.13 | 1580 | 5 voices | Renaissance | Hymns | |||
| Christe, qui lux es et dies (In Quadragesima ad Completorium) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Hymns | |||||
| Cicirlanda (Vinata Prima à 5) | Orazio Vecchi, composer | 5 voices | Renaissance | Secular choruses, Madrigals | |||||
| Cinto di neve omai | Luzzasco Luzzaschi, composer Ridolfo Arlotti, librettist |
5 voices | Renaissance | Madrigals | |||||
| Circuire possum Domine | Angelo da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Città di Dio cui fan tempi e fortezze | Giovanni Pierluigi da Palestrina, composer Antonio Migliori, librettist |
5 voices | Renaissance | Madrigals, Sacred songs | |||||
| Civitatem istam | Jacob Handl, composer Sacred music, librettist |
D minor | 5 voices | Renaissance | Motets | ||||
| Glangat Plebs | Johannes Regis, composer | 5 voices | Renaissance | Motets | |||||
| Clare sanctorum senatus | Orlande de Lassus, composer | LV 129 | 5 voices | Renaissance | Motets | ||||
| Claros y hermosos ojos | Francisco Guerrero, composer | 5 voices | Renaissance | Songs | |||||
| Clear or Cloudy Sweet as April Showering | John Dowland, composer | 5 voices 5 voices, lute and viol |
Renaissance | Songs, Airs | |||||
| Clori leggiadra e bella | Giovanni Battista Mosto, composer | 5 voices | Renaissance | Songs | |||||
| Clorinda | Orazio Vecchi, composer | 5 voices | Renaissance | Madrigals | |||||
| Coenantibus illis accepit Jesus | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Cognoscimus Domine | Orlande de Lassus, composer | LV 198 | 5 voices | Renaissance | Motets | ||||
| Cold winter's ice is fled | Thomas Weelkes, composer | 5 voices | Renaissance | Madrigals | |||||
| Collectaneorum Musicorum | Jan Dismas Zelenka, composer | organ keyboard 4 voices 5 voices 6 voices bassoon, cornett, trombone, violin and continuo bassoon, 2 violins and continuo 2 violins, viola and continuo 2 violins and continuo mixed chorus, 2 trumpets, 2 violins and continuo 3 voices and continuo 3 Unspecified instruments 2 voices 4 voices 4 voices and bass 4 voices and continuo |
Baroque | Magnificats, Ricercars, Masses, Sonatas, Canons | |||||
| Collezione di canzonette | Gaetano Donizetti, composer | A 162-170 | voice and piano 2 voices and piano 5 voices |
Romantic | Canzonettas | ||||
| Com' esser può | Rinaldo del Mel, composer | 1583 | 5 voices | Renaissance | Madrigals | ||||
| Com' in più negre tenebre | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Come Away, Sweet Love | Thomas Greaves, composer | G major | 5 voices 2 sopranos, alto, tenor and bass |
Renaissance | Madrigals | ||||
| Come esser può ch’io viva | Carlo Gesualdo, composer | 5 voices | Renaissance | Madrigals | |||||
| Come Gentle Swains | Michael Cavendish, composer | 5 voices | Renaissance | Madrigals | |||||
| Come la notte ogni fiammella è viva | Cipriano de Rore, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Come la notte ogni fiammella è viva | Orlande de Lassus, composer | 5 voices | Renaissance | Madrigals | |||||
| Come pretty wag | Martin Peerson, composer | F major | 5 voices 5 viols voice and 4 viols 2 voices and 3 viols 3 voices and 2 viols 4 voices and viol voice and 4 Unspecified instruments 2 voices and 3 Unspecified instruments 3 voices and 2 Unspecified instruments 4 voices and Unspecified instrument |
Baroque | Airs | ||||
| Come to me, grief, for ever | William Byrd, composer | G minor | 1586 | voice 5 voices |
Renaissance | Songs | |||
| Come va'l mondo | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 316 | 5 voices | Renaissance | Madrigals | ||||
| Come viver poss'io | Leone Leoni, composer | 1605 | 5 voices | Renaissance | Madrigals | ||||
| Come vivi cor mio (canzonetta) | Carlo Gesualdo, composer | W.10/34 | 1618 | 5 voices | Renaissance | Madrigals, Canzonettas | |||
| Come vivrò nelle mie pene, Amore | Benedetto Pallavicino, composer Torquato Tasso, librettist |
5 voices | Renaissance | Madrigals | |||||
| Comme la tourterelle (Comme la tourterelle languit jusqu'a la mort) | Orlande de Lassus, composer | LV 230 | 5 voices | Renaissance | Chansons | ||||
| Comme un qui prend une couppe (Que malheureuse est la troupe) | Orlande de Lassus, composer Pierre de Ronsard, librettist |
LV 438 | 5 voices | Renaissance | Chansons | ||||
| Como viver mil posso | Andrea Gabrieli, composer Antonio Molino, librettist |
5 voices | Renaissance | Madrigals | |||||
| Compel the Hawk to sit | William Byrd, composer Thomas Churchyard, librettist |
5 voices | Renaissance | Songs | |||||
| Dritter Theil Fest- und Aposteltägige Evangelische Sprüche | Johann Christenius, composer | 4 voices 5 voices 6 voices 7 voices 8 voices |
Baroque | Motets | |||||
| Hymns and Psalms | Thomas Stoltzer, composer | 4 voices 5 voices |
Renaissance | Hymns, Psalms | |||||
| Complete Secular Works (Lieder) | Matthias Greiter, composer | 4 voices 5 voices |
Renaissance | Lieder, Secular choruses | |||||
| Complete Works (The Complete Works of William Billings) | William Billings, composer | 3 voices 4 voices 5 voices mixed chorus |
Classical | Psalms, Anthems, Hymns, Canons, Methods, Sacred choruses | |||||
| Compositions françaises de 4 à 8 voix | Orlande de Lassus, composer | 4 voices 5 voices 6 voices 8 voices |
Renaissance | Chansons | |||||
| Con lei fuss'io | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 17 | 5 voices | Renaissance | Madrigals | ||||
| Con voi giocando Amor | Giaches de Wert, composer | 5 voices | Renaissance | Madrigals | |||||
| Concentus harmonici (Concentus harmonici quattuor missarum, peritissimi musicorum Iacobi Obrecht : tam notularum, clavium, signorum, pausarum, suspiriorumque ... canonum additionibus ... sollertissime pressi : Tenor. [Altus. Discantus. Bassus]) | Jacob Obrecht, composer | RISM-A/I O.8 | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Masses |
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