| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Benedicat tibi Dominus | Gregor Lange, composer | 5 voices mixed chorus |
Renaissance | Motets | |||||
| Benedicite gentes Dominum nostrum | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Benedicite omnia opera | Orlande de Lassus, composer | LV 239 | 5 voices | Renaissance | Motets | ||||
| Benedictus Dominus Deus Israel à 5 (Canticum Zachariae) | Orlande de Lassus, composer | LV Anh.10 | 1550 | 5 voices | Renaissance | Canticles | |||
| Benedictus es, Domine | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Benedictus sit Deus Pater | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Benedixisti Domine terram tuam | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Bestia curvafia pulices (Bestia stultus homo [contrafactum version]) | Orlande de Lassus, composer | 5 voices | Renaissance | Motets | |||||
| Bevea Fillide mia | Claudio Monteverdi, composer | 5 voices | Renaissance | Madrigals | |||||
| Bicinia gallica, latina, germanica, Tomus 2 (Secundus tomus biciniorum quae et ipsa sunt gallica, latina, germanica : ex praestantissimis symphonistis collecta, et in germania typis nunquam excusa : additae sunt quaedam, ut vocant, fugae, plenae artis et suavitatis) | Georg Rhau, composer | 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices |
Renaissance | Bicinia, Fugues, Canons | |||||
| Bierlied | Melchior Franck, composer | tenor and mixed chorus 5 voices |
Baroque | Lieder | |||||
| Blessed art thou that fearest God | Philip van Wilder, composer | 5 voices | Renaissance | Anthems, Psalms | |||||
| Bon jour et puis (Bon couer, amis) | Orlande de Lassus, composer Clément Marot, librettist |
LV 448 | 5 voices | Renaissance | Chansons | ||||
| Bon jour m'amie (Bonjour m'amye) | Anonymous, composer | 4 voices 5 voices |
Renaissance | Chansons | |||||
| Bonitatem fecisti | Orlande de Lassus, composer | LV 241 | 5 voices | Renaissance | Motets | ||||
| Bonum est confiteri Domino | Andrea Gabrieli, composer | A minor | 5 voices | Renaissance | Sacred songs, Psalms | ||||
| Bonum est confiteri Domino | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Bonum est homini | Johann Walter, composer | 5 voices | Renaissance | Sacred songs | |||||
| Bonus et miserator Dominus | Anonymous, composer | 5 voices | Renaissance | Motets | |||||
| Braut-Tantz Auff Herrn HANS RAHNISCH Vnd Fraw ELisabeth VEgnerin Hochzeit | Heinrich Albert, composer Johann Gamper, librettist |
5 voices | Baroque | Secular cantatas, Wedding music | |||||
| Brunette | Johannes de Stokem, composer | 5 voices 5 Unspecified instruments |
Renaissance | Chansons | |||||
| C'estoit en ton jeune age (Donnez au Seigneur gloire) | Orlande de Lassus, composer | LV 786 | 5 voices | Renaissance | Chansons | ||||
| Caligaverunt oculi mei | Orlande de Lassus, composer | LV 132 | 5 voices | Renaissance | Motets | ||||
| Cancionero de Uppsala / Cancionero del Duque de Calabria / Cancionero de Venecia ({{TPtr}} :Villancicos de diversos autores, a dos, y a tres, y a quatro, y a cinco bozes, agora nuevamente corregidos. Ay mas ocho tonos de Canto llano, y ocho tonos de Canto de Organo para que puedam aprovechar los que a cantar començaren.) | Various, composer | voice 2 voices 3 voices 4 voices 5 voices |
Renaissance | Villancicos, Plainchant | |||||
| Canciones y villanescas espirituales | Francisco Guerrero, composer | 3 voices 4 voices 5 voices |
Renaissance | Sacred songs, Villanelle | |||||
| Candide perle e care (Madrigal 16 from Il primo libro de Madrigali a 5 voci) | Cornelis Schuyt, composer | C major | 1600 | 5 voices | Renaissance | Madrigals | |||
| Candidi facti sunt Nazarei | Thomas Tallis, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Canite tuba in Sion | Jacob Handl, composer | 5 voices | Renaissance | Motets | |||||
| Canite tuba in Sion | Hans Leo Hassler, composer | 5 voices | Renaissance | Motets | |||||
| Canite tuba in Sion | Tiburtio Massaino, composer | 5 voices | Renaissance | Responsories | |||||
| Canite tuba | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Canon for 5 Voices | Wolfgang Amadeus Mozart, composer | A major | K.73i | 1772 | 5 voices | Classical | Canons | ||
| Canoni, oblighi et sonate in varie maniere sopra l’Ave maris stella | Gioanpietro Del Buono, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices harpsichord |
Baroque | Canons, Sonatas, Sacred choruses | |||||
| Cantai mentre ch’i’ arsi del mio foco | Cipriano de Rore, composer Giovanni Brevio, librettist |
5 voices | Renaissance | Madrigals | |||||
| Cantai un tempo e se fu dolce il canto | Claudio Monteverdi, composer Pietro Bembo, librettist |
5 voices | Renaissance | Madrigals | |||||
| Cantai un tempo, et se fu dolc'il canto | Annibale Padovano, composer | 5 voices | Renaissance | Madrigals | |||||
| Cantantibus organis | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Cantantibus organis | Peter Philips, composer | B flat major | 5 voices | Renaissance | Motets | ||||
| Cantantibus organis Cecilia virgo | Cipriano de Rore, composer | 5 voices | Renaissance | Sacred songs | |||||
| Cantantibus organis | Orlande de Lassus, composer | LV 704 | 5 voices | Renaissance | Motets | ||||
| Cantate Domino | Guillaume Bouzignac, composer | 5 voices | Renaissance | Motets | |||||
| Cantate Domino | Giovanni Andrea Dragone, composer Sacred music, librettist |
C major | 5 voices mixed chorus |
Renaissance | Motets | ||||
| Cantate Domino canticum novum | Andrea Gabrieli, composer | 5 voices | Renaissance | Sacred songs, Psalms | |||||
| Cantate Domino canticum novum | Hans Leo Hassler, composer | 5 voices | Renaissance | Sacred songs, Motets, Psalms | |||||
| Cantate Domino canticum novum | Orlande de Lassus, composer | LV 220 | 5 voices | Renaissance | Motets | ||||
| Cantava la più vaga pastorella | Luca Marenzio, composer | 5 voices | Renaissance | Madrigals | |||||
| Cantiamo lieti il fortunato giorno | Cipriano de Rore, composer | 5 voices | Renaissance | Madrigals | |||||
| Canticum Zachariae Prophetae I (Lauds on Maundy Thursday - Music for the Triduum Sacrum) | Francesco Corteccia, composer | 3 voices 4 voices 5 voices |
Renaissance | Motets | |||||
| Canticum Zachariae Prophetae II (Lauds on Good Friday - Music for Triduum Sacrum) | Francesco Corteccia, composer | 3 voices 4 voices 5 voices |
Renaissance | Motets | |||||
| Canticum Zachariae Prophetae III (Lauds on Holy Saturday - Music for the Triduum Sacrum) | Francesco Corteccia, composer | 3 voices 4 voices 5 voices |
Renaissance | Motets | |||||
| Cantional (Gesangbuch Augsburgischer Konfession) | Johann Hermann Schein, composer | 4 voices 5 voices 3 voices and continuo 4 voices and continuo 5 voices and continuo |
Baroque | Sacred songs |
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