| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Anima nostra sicut passer erepta est | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Animam meam dilectam | Orlande de Lassus, composer | LV 244 | 5 voices | Renaissance | Motets | ||||
| Ante Luciferum | Jacob Handl, composer Sacred music, librettist |
D minor | 5 voices mixed chorus |
Renaissance | Motets | ||||
| Anzi, se foco e ferro | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Aperite mihi portas | Giovanni Andrea Dragone, composer Sacred music, librettist |
A major | 5 voices mixed chorus |
Renaissance | Motets | ||||
| Apollonian Harmony (Apollonian Harmony: a Collection of scarce & celebrated Glees, Catches, Madrigals, Canzonetts, Rounds, & Canons, Antient & Modern, with some Originals, Composed by Aldrich, Arne, Atterbury, Battishall [sic], Boyce, Brewer, Dibdin, Eccles, Est, Giardini, Green, Handel, Harrington, Hayes, Hook, Morley, Nares, Purcell, Ravenscroft, Travers, Webbe, and other eminent Masters; most of which are sung at the Noblemens' Catch-Club, Theatres, & Public Gardens. The Words consistent with Female Delicacy. Be Merry and Wise.) | Various, composer | 2 voices 3 voices 4 voices 5 voices |
Classical | Glees, Catches, Madrigals, Canzonets, Rounds, Canons | |||||
| Apparuit caro suo | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Aprestateci fede (Confitemini (contrafactum)) | Adriano Banchieri, composer | 5 voices | Renaissance | Madrigals | |||||
| Apuestan zagales dos | Francisco Guerrero, composer | 5 voices | Renaissance | Sacred songs | |||||
| Aquam quam ego dabo | Manuel Cardoso, composer | 5 voices | Renaissance | Motets | |||||
| Arda pur sempr’o mora | Luca Marenzio, composer Giovanni Battista Guarini, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ardant amour souvent (Ardant amour fit Dieu / Divine amour) | Orlande de Lassus, composer | LV 96 | 5 voices | Renaissance | Chansons | ||||
| Ardemme insieme bella donna | Antonio Cifra, composer | 5 voices | Renaissance | Madrigals | |||||
| Ardens est cor meum | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Arder dunque debb'io di nova fiamma | Filippo Nicoletti, composer | 5 voices | Renaissance | Madrigals | |||||
| Ardo si | Orlande de Lassus, composer | LV 846 | 5 voices | Renaissance | Madrigals | ||||
| Ardo si | Orlande de Lassus, composer | LV 847 | 5 voices | Renaissance | Madrigals | ||||
| Ardo sì, ma non t'amo | Hans Leo Hassler, composer | 5 voices | Renaissance | Madrigals | |||||
| Ardo si, ma non t'amo | Jacob Regnart, composer | 5 voices | Renaissance | Madrigals | |||||
| Ardo sì, ma non t'amo | Francesco Rovigo, composer | 1585 | 5 voices | Renaissance | Madrigals | ||||
| Arse così per voi | Alessandro Striggio, composer | 5 voices | Renaissance | Madrigals | |||||
| Arsi mentre à voi piacque | Paolo Virchi, composer | 5 voices | Renaissance | Madrigals | |||||
| As I beheld I saw a herdman wild | William Byrd, composer | 5 voices | Renaissance | Songs | |||||
| As I walked | Ruggiero Giovannelli, composer | 5 voices | Renaissance | Madrigals | |||||
| Ascendit Deus | Jacob Handl, composer Sacred music, librettist |
F major | 5 voices mixed chorus |
Renaissance | Motets | ||||
| Ascendit Deus in iubilatione | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Ascendo ad Patrem | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Asperges me, Domine | Philippe de Monte, composer | 5 voices | Renaissance | Motets | |||||
| Asperges me (Asperges me, quarti toni) | Orlande de Lassus, composer | LV 528 | 1566 | 5 voices | Renaissance | Psalms, Antiphons | |||
| Asperges me (Asperges me, septimi toni) | Orlande de Lassus, composer | LV 529 | 1566 | 5 voices | Renaissance | Psalms, Antiphons | |||
| Aspice Domine | Jacquet of Mantua, composer | 5 voices | Renaissance | Motets | |||||
| Aspice Domine de sede sancta tua | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Aspice Domine de sede sancta tua | Vicente Lusitano, composer | 1551 | 5 voices | Renaissance | Motets | ||||
| Aspice Domine quia facta est | Vicente Lusitano, composer | 5 voices | Renaissance | Motets | |||||
| Assumpta est Maria in caelum | Jacquet of Mantua, composer | 5 voices | Renaissance | Motets | |||||
| Assumpta est Maria in caelum | Philippe de Monte, composer | 5 voices | Renaissance | Motets | |||||
| Assumpta est Maria | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Au feu, au feu, venez moy secourir (Au feu, au feu, las! [...] O Eternel / Au feu, au feu, las! [...] Seigneur puissant) | Orlande de Lassus, composer | LV 185 | 5 voices | Renaissance | Chansons | ||||
| Au temps jadis | Orlande de Lassus, composer | LV 103 | 5 voices | Renaissance | Chansons | ||||
| Audi benigne conditor | Orlande de Lassus, composer | LV 350 | 5 voices | Renaissance | Motets | ||||
| Auf, auf zu Gott | Nicolaus Niedt, composer | 5 voices | Baroque | Motets | |||||
| Aura che sola segretaria | Agostino Agazzari, composer | 5 voices | Renaissance | Madrigals | |||||
| Aura, che errando intorno | Luzzasco Luzzaschi, composer Ridolfo Arlotti, librettist |
A minor | 5 voices | Renaissance | Madrigals | ||||
| Aure cortesi e liete | Agostino Agazzari, composer | 5 voices | Renaissance | Madrigals | |||||
| Aurea luce (In Festo Apostolorum Petri et Pauli) | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Hymns | |||||
| Auris bona est | Orlande de Lassus, composer | LV 696 | 5 voices | Renaissance | Motets | ||||
| Aurora che ti pensi | Lelio Bertani, composer | 5 voices | Renaissance | Madrigals | |||||
| Aus meines Herzens Grunde | Valentin Haussmann, composer | soprano, 2 altos, tenor and bass 5 voices |
Renaissance | Dances | |||||
| Ausgewählte Madrigale und mehrstimmige Gesänge berühmter Meister des 16.-17. Jahrhunderts (Select madrigals and part-songs by composers of the 16th and 17th centuries) | William Barclay Squire, composer | 4 voices 5 voices 6 voices |
Renaissance | Madrigals, Balletts, Songs, Chansons, Canzonettas | |||||
| Ave color vini (Ave decus caeli [contrafactum version]) | Orlande de Lassus, composer | LV 347 | 5 voices | Renaissance | Motets | ||||
| Ave Dei patris filia | Robert Fayrfax, composer | 5 voices | Renaissance | Motets |
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