| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Jubilate Deo | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Justorum animae | William Byrd, composer | T 86 | 5 voices | Renaissance | Motets, Sacred songs | ||||
| Justus ut palma florebit | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Justus ut palma florebit | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Kein Adler in der welt | Arnold von Bruck, composer | 1534 | 5 voices | Renaissance | Songs | ||||
| Kompt her zu mir | Orlande de Lassus, composer | LV 461 | 5 voices | Renaissance | Songs | ||||
| Kurtze und sonderliche Newe Symbola etlicher Fürsten und Herrn (Kurtze und sonderliche Newe Symbola etlicher Fürsten und Herrn, neben andern mehr schönen liedlein mit fünff und vier Stimmen, auff alle Instrument zu gebrauchen gantz dienstlich) | Mathias Gastritz, composer | 4 voices 5 voices |
Renaissance | Sacred songs | |||||
| L'Acceso | Giovanni Giacomo Gastoldi, composer | 5 voices | Renaissance | Balletts | |||||
| L'altr'hier sul mezzo giorno | Orlande de Lassus, composer | LV 21 | 5 voices | Renaissance | Madrigals | ||||
| L'altro Signor (Tu as esté, Seigneur) | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 137 | 5 voices | Renaissance | Madrigals | ||||
| L'Amorosa Caccia | Various, composer | 5 voices | Renaissance | Madrigals | |||||
| L'amye a tous | Josquin Desprez, composer | NJE 29.13 | 5 voices | Renaissance | Chansons | ||||
| L'arte musicale in Italia (Pubblicazione nazionale delle più importanti opere musicali italiane dal secolo XIV al XVIII) | Luigi Torchi, composer | 3 voices 4 voices 5 voices 5 voices and continuo 6 voices 8 voices 10 voices 12 voices soprano, 2 cornetts, 2 trombones, 2 violins and continuo soprano, 2 cornetts, trombone, 2 violins, viola and continuo tenor and continuo soprano and continuo continuo and 2 sopranos continuo and 3 sopranos 4 sopranos soprano, 2 violins and continuo |
Renaissance | Motets, Madrigals, Masses, Magnificats, Psalms, Canzonettas, Benedictus, Pastorales, Operas, Arias, Ariettas, Secular cantatas, Secular oratorios | |||||
| L'aspetto sacro de la terra vostra | François Roussel, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| L'empio folgore ardente | Giovanni Bernardino Nanino, composer | 5 voices | Renaissance | Madrigals | |||||
| L'ineffabil bontà del Redentore | Cipriano de Rore, composer Lodovico Ariosto, librettist |
F major | 5 voices | Renaissance | Madrigals | ||||
| L’anima mia ferita | Giaches de Wert, composer Ferrante I Gonzaga, librettist |
5 voices | Renaissance | Madrigals | |||||
| L’aura che ’l verde lauro e l’aureo crine | Luca Marenzio, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| L’aura mia sacra al mio stanco riposo | Adrian Willaert, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| L’innamorato - A lieta vita (balletto) | Giovanni Giacomo Gastoldi, composer | G major | 5 voices | Renaissance | Balletti | ||||
| La bella Greca | Cipriano de Rore, composer | 5 voices | Renaissance | Madrigals | |||||
| La bella Ninfa mia, ch’al Tebro infiora | Luca Marenzio, composer Francesco Maria Molza, librettist |
5 voices | Renaissance | Madrigals | |||||
| La belle guancie | Giulio Eremita, composer | 5 voices | Renaissance | Madrigals | |||||
| La bocca onde l’asprissime parole | Claudio Monteverdi, composer Ercole Bentivoglio, librettist |
G minor | 5 voices | Renaissance | Madrigals | ||||
| La donna che ’l mio cor nel viso porta | Philippe de Monte, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| La giovinetta pianta (Florea serta laeti) | Claudio Monteverdi, composer | SV 60 | 5 voices | Renaissance | Madrigals | ||||
| La Jalouzie | Clément Janequin, composer | 5 voices | Renaissance | Chansons | |||||
| La luce occhi miei lassi | Giovan Leonardo Primavera, composer Tarquinia Molza, librettist |
5 voices | Renaissance | Canzonas | |||||
| La mia donna bevea | Giovanni Giacomo Gastoldi, composer | 5 voices | Renaissance | Madrigals | |||||
| La non vol esser più mia | Orlande de Lassus, composer | 5 voices | Renaissance | Madrigals | |||||
| L notte che segui | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 106 | 5 voices | Renaissance | Madrigals | ||||
| La pastorella mia spietata e rigida | Luca Marenzio, composer Jacopo Sannazaro, librettist |
5 voices | Renaissance | Madrigals | |||||
| La terre les eaux (Ich armes medlein / La terre son Dieu / Mon coeur s'en va) | Orlande de Lassus, composer Pierre de Ronsard, librettist |
LV 188 | 5 voices | Renaissance | Chansons | ||||
| La ver l'aurora | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 310 | 5 voices | Renaissance | Madrigals | ||||
| La Verginella | William Byrd, composer Lodovico Ariosto, librettist |
G minor | T 234 | voice 5 voices |
Renaissance | Songs | |||
| La verginella e simile alla rosa | Giovanni Battista Mosto, composer Lodovico Ariosto, librettist |
F major | 5 voices mixed chorus |
Renaissance | Madrigals | ||||
| La verginella è simile alla rosa | Marc'Antonio de Pordenon, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| La verginella è simile alla rosa | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| La verginella e simile alla rosa | Giaches de Wert, composer Lodovico Ariosto, librettist |
D minor | 5 voices mixed chorus |
Renaissance | Madrigals | ||||
| La virtù, la bontà, l’ardente zelo | Andrea Gabrieli, composer | 5 voices | Renaissance | Madrigals | |||||
| La vita fugge | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 144 | 5 voices | Renaissance | Madrigals | ||||
| Laboravi in gemitu meo | Alfonso Ferrabosco Sr., composer | Ch.46 | 5 voices | Renaissance | Motets | ||||
| Lacci, catene e ceppi | Giovanni Battista Conforti, composer | 5 voices | Renaissance | Madrigals | |||||
| Lady Your Words do Spite Me (Lady, Your Words doe Spight Mee) | John Wilbye, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| Lady, Your Eye | Thomas Weelkes, composer | E major | 5 voices | Renaissance | Madrigals | ||||
| Laetamini in Domino | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Laetare sancta mater ecclesia (Augustine, lux doctorum) | Adrian Willaert, composer | 1539 | 5 voices | Renaissance | Motets | ||||
| Laetentur coeli | William Byrd, composer | 5 voices | Renaissance | Sacred songs, Motets | |||||
| Laetus Hyperboream | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Lambeth Choirbook (Arundel Choirbook / Lambeth Palace Library, MS 1) | Various, composer | GB-Llp MS 1 | 5 voices 6 voices |
Renaissance | Masses, Magnificats, Motets | ||||
| Lamentationes (Lamentationes cum omnibus Responsoriis in triduo Hebdomadae Sanctae nec non Passiones in Missis Dominicae Palmaram, & Parasceues, Quinis vocibus concinendae, R. D. Petro Amico Jacobetto archipresbytero Ripano Auctore. Nunc primum in lucem aeditae.) | Pietro Amico Ripano Giacobetti, composer | 5 voices | Renaissance | Lamentations |
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