| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Herr hebe an zu segnen das Haus | Anonymous, composer | A major | 5 voices mixed chorus |
Baroque | Motets | ||||
| Heu mihi Domine | Andrea Gabrieli, composer | 5 voices | Renaissance | Motets, Responsories | |||||
| Heu mihi Domine | Orlande de Lassus, composer | LV 51 | 5 voices | Renaissance | Motets | ||||
| Heu mihi, Domine | Alfonso Ferrabosco Sr., composer | Ch.37 | 5 voices | Renaissance | Motets | ||||
| Heu quantus dolor | Orlande de Lassus, composer | LV 113 | 5 voices | Renaissance | Motets | ||||
| Hic est discipulus ille | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Hic est Michael archangelus | Vicente Lusitano, composer | 1551 | 5 voices | Renaissance | Motets | ||||
| Hispaniae schola musica sacra (Opera varia (saecal. XV, XVI, XVII et XVIII) diligenter excerpta, accurate revisa, sedulo concinnata a Philippo Pedrell) | Felipe Pedrell, composer | soprano, alto, tenor and bass mixed chorus soprano, alto, tenor, bass and mixed chorus 5 voices 6 voices 4 voices, mixed chorus and continuo 3 voices and mixed chorus organ |
Renaissance | Offertories, Magnificats, Responsories, Antiphons, Passions, Psalms, Canticles, Vespers, Hymns, Pieces, Intermedes, Interludes, Versets, Tientos, Fugues, Variations, Pavans | |||||
| Hispanum ad coenam | Orlande de Lassus, composer | 5 voices | Renaissance | Motets | |||||
| Hoc est præceptum meum | Francisco Guerrero, composer | 5 voices | Renaissance | Motets | |||||
| Hochzeit Gesänge mit fünff sechs und acht Stimmen (Hochzeit gesänge mit Fünff Sechs vnd Acht stimmen, Zu Hochzeitlichen Ehren vnd sondern wolgesagen: Dem Erbaren vnd Namhafften Friderico Hartman Buch-bindern vnd hendlern in der Stadt Franckfurdt an der Oder, Breutigam) | Bartholomäus Gesius, composer | 5 voices 6 voices 8 voices |
Renaissance | Wedding music | |||||
| Hochzeit-Lied ({{TPtr}} :Hochzeit-Lied Zu Ehren vnd besonderm Gefallen Dem Ehrenvesten vnd Wolgeachten Andreæ Schnell, Vnd Seiner vielgeliebten vertrawten Braut Der Ehr vnd Tugendreichen Jungfrawen Annæ, Des auch Ehrenvesten vnd Vornehmgeachten Herrn Hans Klee, Kauff vnd Handelsmans der Altenstadt Königsberg Ehleiblichen Tochter. : Mit 5. Stimmen componiret.) | Johann Stobäus, composer | 5 voices | Baroque | Wedding music | |||||
| Hochzeit-Lied, IJS 4 ({{TPtr}} :Hochzeit-Lied Zu Ehren vnd besonderm gefallen Dem Ehrnvesten vnd Wolgeachten Alexander Buhlbeck, Churfl. Kornschreiber zur Jnsterburg, Vnnd Seiner vielgeliebten vertrawten Braut Der Erbaren vnd Tugendreichen Jungfrawen Elisabeth, Des auch Ehrnvesten vnd Vornehmgeachten Herrn Michel Grossen, Kauffmans vnd wolverordneten Kirchenvatters daselbsten Ehleiblichen Tochter, Mit fünff Stimmen componiret.) | Johann Stobäus, composer | 5 voices | Baroque | Wedding music | |||||
| Hochzeit-Lied, IJS 8 ({{TPtr}} :Hochzeit Lied, Zu Ehren vnd gefallen Dem Erbarn vnd Wolgeachten Ambrosio Löb [...] Vnd seiner vielgeliebten vertrawten Braut, der Thugendtsamen Jungfrawen Dorotheæ, Des Weiland Erbaren Mertin Schmidts [...] Tochter. : Mit fünff Stimmen componiret.) | Johann Stobäus, composer | 5 voices | Baroque | Wedding music | |||||
| Hochzeitliches Ehrenlied ({{TPtr}} :Hochzeitliches Ehrenlied, Auff des Edlen, Bestrengen, Wolehrenfesten und Hochbenambten Herrn Fridrichs von Rotkirch und Panten, auf Teppliwoyda, alß Breutgams, und der Edlen Vielehrentugendreichen Jungfrauen Margaretha, geborner Mauschelnitzin [...] alß der Adelichen Braut, aufgestellete Hochzeitliche Ehrenfreude, welche gehalten zu Herrn Mutschelnitz den 2. Februar. An. 1610. : Fünffstimmig componiret, und zur wolgemeinten Glückwünschung in druck verfertiget, Durch Tobiam Krumbhorn.) | Tobias Krumbhorn, composer | 5 voices | Renaissance | Wedding music | |||||
| Hodie Christus natus est | Johannes Lupi, composer | 1539 | 5 voices | Renaissance | Motets | ||||
| Hodie de virgine Salvator mundi natus est | Jacob Regnart, composer | 5 voices | Renaissance | Motets | |||||
| Hodie nata est beata virgo | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Hodie nata est beata virgo Maria | Pietro Vinci, composer | 5 voices | Renaissance | Motets | |||||
| Hodie Simon Petrus | Vicente Lusitano, composer | 1551 | 5 voices | Renaissance | Motets | ||||
| Homo quidam fecit cenam (Homo quidam fecit caenam magnam et misit) | Josquin Desprez, composer | NJE 19.4 | 5 voices | Renaissance | Motets | ||||
| Homo quidam fuit | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Honor, Virtus et potestas | Thomas Tallis, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Hope of my heart | John Ward, composer | 5 voices | Renaissance | Madrigals | |||||
| Hor che'l donar | Benedetto Pallavicino, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| Hor oires une canzon (Hor oires vostre chansons) | Anonymous, composer | 5 voices | Renaissance | Chansons | |||||
| Hor oires une chanson | Johannes de Stokem, composer | 5 voices 5 Unspecified instruments |
Renaissance | Chansons, Pieces | |||||
| Hor qui son lasso | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 6 | 5 voices | Renaissance | Madrigals | ||||
| Hor vi riconfortate | Orlande de Lassus, composer Francesco Petrarca, librettist |
LV 808 | 5 voices | Renaissance | Madrigals | ||||
| Hort zu ein neus gedicht | Orlande de Lassus, composer | LV 569 | 5 voices | Renaissance | Songs | ||||
| Hostis Herodes impie (Ibant magi / In Epiphania domini hymnus) | Orlande de Lassus, composer | LV Anh.51 | 1580 | 5 voices | Renaissance | Hymns | |||
| How art Thou Thrald | Orlando Gibbons, composer | 5 voices mixed chorus 5 Unspecified instruments |
Renaissance | Madrigals, Motets | |||||
| How long shall mine enemies | William Byrd, composer | 5 voices | Renaissance | Anthems, Psalms | |||||
| Hymni quinque vocum de praecipuis festis anniversariis | Bartholomäus Gesius, composer | 5 voices | Renaissance | Hymns | |||||
| Hymno del Corpo di Christo | Philippe Verdelot, composer | 5 voices | Renaissance | Hymns | |||||
| Hymno della Resurectione di Christo | Philippe Verdelot, composer | 5 voices | Renaissance | Hymns | |||||
| Hymno di San Niccolo | Philippe Verdelot, composer | 5 voices | Renaissance | Hymns | |||||
| Hymnodia Sionia (Hymnodia Sionia continens hymnos sacros XXIV. anniversarios selectos, in ecclesia usitatos, per harmoniam duabus, 3. 4. 5. 6. 7. & 8. vocibus, (chorali cumprimis observata,) ita concinnatos, ut tam in choro quam organo, motectarum etiam loco percommode usurpari possint) | Michael Praetorius, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices organ |
Renaissance | Hymns, Pieces | |||||
| Hypomnematum musicae poeticae (Hypomnematvm mvsicae poeticae) | Joachim Burmeister, composer | 5 voices | Renaissance | Music theory, Antiphons, Motets | |||||
| I Always Beg (I Alwaies Beg) | John Wilbye, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| I begli occhi ond'i sui percosso | Adrian Willaert, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals | |||||
| I Fall, I Fall (I Fall, I Fall, O Stay Mee) | John Wilbye, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| I faine not friendship where I hate | Orlando Gibbons, composer | 5 voices 5 viols |
Renaissance | Madrigals, Motets | |||||
| I Joy Not in no Earthly Bliss | William Byrd, composer | T 221 | voice and 4 Unspecified instruments 5 voices |
Renaissance | Songs | ||||
| I Love, alas, I Love Thee (Innamorato sono) | Thomas Morley, composer | 5 voices mixed chorus |
Renaissance | Balletts, Madrigals | |||||
| I Saw My Lovely Phillis | Thomas Morley, composer | 5 voices mixed chorus |
Renaissance | Balletts, Madrigals | |||||
| I See Ambition Never Pleasde (I See Ambition Never Pleased) | Orlando Gibbons, composer | 5 voices | Renaissance | Madrigals | |||||
| I Sung Sometimes (I Soung Sometimes My Thoughts and Fancies Pleasure) | John Wilbye, composer | 5 voices mixed chorus |
Renaissance | Madrigals | |||||
| I Thought that Love | William Byrd, composer | T 272 | 5 voices | Renaissance | Songs | ||||
| I Tremble Not at Noyse of Warre (I Tremble Not at Noise of War) | Orlando Gibbons, composer | 5 voices | Renaissance | Madrigals | |||||
| I vo piangendo (I vo piangendo - Sì che s'io viss' in guerra) | Gioseffo Zarlino, composer Francesco Petrarca, librettist |
5 voices | Renaissance | Madrigals |
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