| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Ad te levavi animam meam | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Ad te levavi oculos meos | Mogens Pedersøn, composer | 5 voices | Renaissance | Motets | |||||
| Ad te levavi oculos meos | Cipriano de Rore, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Adhortatio Christi (Adhortatio I. Christi Ad Genvs Hvmanvm Directa, Porrecta: Musicis numeris quintarum Vocum condecorata, Honoris debiti, observantiævè submissæ ergò dedicata. Admodum Reverendo In Christo Patri, Nobilissimo, Amplissimo Viro Et Domino: Dn, Iohanni Christophoro Neustettero) | Benedikt Faber, composer | 5 voices | Baroque | Sacred songs | |||||
| Adjuro vos filiæ Jerusalem | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Adoramus te Christe | Giovanni Maria Nanino, composer | 5 voices | Renaissance | Motets | |||||
| Adoramus te Christe | Orlande de Lassus, composer Sacred music, librettist |
G minor | LV 1092 | 5 voices | Renaissance | Sacred choruses | |||
| Adoretur, In ultimo, Dies datur, Lilia nunc flores, Pacem | Anonymous, composer | 5 voices | Renaissance | Motets | |||||
| Adriacos numero (Nobis dum sacros) | Adrian Willaert, composer | 1539 | 5 voices | Renaissance | Motets | ||||
| Adversum me loquebantur | Orlande de Lassus, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Aegipte noli flere | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Aeternae laudis lilium | Robert Fayrfax, composer | 5 voices | Renaissance | Motets | |||||
| Affer opem | Gregor Lange, composer | 5 voices mixed chorus |
Renaissance | Motets | |||||
| Afferentur Regi virgines | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Offertorium | |||||
| Agimus tibi gratias | Orlande de Lassus, composer | LV 579 | 5 voices | Renaissance | Motets | ||||
| Agimus tibi gratias | Orlande de Lassus, composer | LV 643 | 5 voices | Renaissance | Motets | ||||
| Ah dear heart | Orlando Gibbons, composer | 5 voices | Renaissance | Madrigals | |||||
| Ah dolente partita | Giaches de Wert, composer Giovanni Battista Guarini, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ah! morior! | Guillaume Bouzignac, composer | 5 voices | Renaissance | Motets | |||||
| Ahi chi mi romp'il sonno | Philippe de Monte, composer | 5 voices | Renaissance | Madrigals | |||||
| Ahi come soffrirò dolce mia vita | Giaches de Wert, composer | 5 voices | Renaissance | Madrigals | |||||
| Ahi cruda sorte mia | Luzzasco Luzzaschi, composer Ridolfo Arlotti, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ahi, letizia fugace | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Ahi, se si grida 'al foco' | Orazio Vecchi, composer | 5 voices | Renaissance | Madrigals | |||||
| Ahi, troppo saggia nell’ errar felice | Carlo Gesualdo, composer Torquato Tasso, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ahimé che Sol, ahimé che paradiso | Ghinolfo Dattari, composer | 5 voices | Renaissance | Villanelle | |||||
| Premier livre des airs à III., IV, V et VI parties | Claude Le Jeune, composer | RISM-A/I: L 1697 | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Airs | ||||
| Airs de cour à quatre et cinq parties (premier livre) | Antoine de Boësset, composer | RISM RISM-A/I: B-3272 | 4 voices 5 voices |
Baroque | Airs | ||||
| Second livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | 4 voices 5 voices |
Baroque | Airs | |||||
| Troisième livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3276 | 4 voices 5 voices |
Baroque | Airs | ||||
| Quatrième livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3278 | 4 voices 5 voices |
Baroque | Airs | ||||
| Cinquième livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3280 | 4 voices 5 voices |
Baroque | Airs | ||||
| Sixième livre d'airs de cour à quatre parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3282 | 4 voices 5 voices |
Baroque | Airs | ||||
| VII. Livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3284 | 4 voices 5 voices |
Baroque | Airs | ||||
| VIII. Livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3286 | 4 voices 5 voices |
Baroque | Airs | ||||
| IX. Livre d'airs de cour à quatre et cinq parties | Antoine de Boësset, composer | RISM RISM-A/I: B-3288 | 4 voices 5 voices |
Baroque | Airs | ||||
| Airs spirituels (Airs spirituels contenant plusieurs hymnes, & cantiques: mis en musique à quatre, & cinq parties) | Anthoine de Bertrand, composer | 4 voices 5 voices |
Renaissance | Hymns, Canticles | |||||
| Al bel de tuoi capelli (Madrigale à 5) | Orazio Vecchi, composer | 5 voices | Renaissance | Madrigals | |||||
| Al dolce suon' | Orlande de Lassus, composer Antonio Sebastiano Minturno, librettist |
LV 370 | 1568 | 5 voices | Renaissance | Madrigals | |||
| Al fin, madre di Dio | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Madrigals | |||||
| Al gran Guglielmo nostro | Orlande de Lassus, composer | 5 voices | Renaissance | Madrigals | |||||
| Al lume delle stelle | Luca Marenzio, composer Torquato Tasso, librettist |
5 voices | Renaissance | Madrigals | |||||
| Al vago del mio sole | Luca Marenzio, composer | 5 voices | Renaissance | Madrigals | |||||
| Alas, What a Wretched Life is This | John Wilbye, composer | 5 voices | Renaissance | Madrigals | |||||
| All as a Sea | William Byrd, composer | 5 voices voice and 4 viols |
Renaissance | Songs | |||||
| Alleluja! Tulerunt Dominum | Giovanni Pierluigi da Palestrina, composer | 5 voices | Renaissance | Motets | |||||
| Alleluya, Deus dixit | Guillaume Bouzignac, composer | 5 voices | Renaissance | Motets | |||||
| Allor fia lieto il core | Luzzasco Luzzaschi, composer | 5 voices | Renaissance | Madrigals | |||||
| Alma afflitta ce fai | Antonio Cifra, composer | 5 voices | Renaissance | Madrigals | |||||
| Alma afflitta che fai? | Heinrich Schütz, composer | SWV 4 | 5 voices | Baroque | Madrigals | ||||
| Alma guidott' amar colei | Girolamo Conversi, composer | 5 voices | Renaissance | Canzonas |
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