| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Gardez le trait de la fenestre | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Garrit gallus - In nova fert (Motet) | Philippe de Vitry, composer | 1317 | 3 voices | Medieval | Motets | ||||
| Gather Your Rosebuds | Henry Lawes, composer | 3 voices 2 voices and lute 2 voices and viol 2 voices and continuo |
Baroque | Airs | |||||
| Geistliche und weltliche Lieder | Oswald von Wolkenstein, composer | voice 2 voices 3 voices 4 voices |
Renaissance | Sacred songs, Lieder | |||||
| Gente de corps (Genta decora bella) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Gentil dama non se gana | Johannes Cornago, composer | 3 voices | Renaissance | Songs | |||||
| Gentil galans | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |||||
| Gentil galans | Hayne van Ghizeghem, composer | 3 voices | Renaissance | Chansons | |||||
| Gentil madona (Gentil madona de no me habandonare / Fortune helas / Festo isti servi Christi) | John Bedyngham, composer | 3 voices | Renaissance | Madrigals | |||||
| German Lieder from 15th Century | Various, composer | 3 voices 4 voices |
Renaissance | Lieder | |||||
| Gesangbildungslehre nach Pestalozzischen Grundsätzen (Gesangbildungslehre nach Pestalozzischen Grundsätzen pädagogisch begruendet von Michael Traugott Pfeiffer, methodisch bearbeitet von Hans Georg Nägeli) | Hans Georg Nägeli, composer | voice 2 voices 3 voices |
Classical | Music theory, Methods, Songs | |||||
| Gesänge | Franz Xaver Schnyder von Wartensee, composer | voice and piano 2 voices and piano 3 voices 4 voices |
Classical | Songs, Canons | |||||
| Gesänge der Wehmut (Gesänge der Wehmuth von J. G. v. Salis und F. Matthisson in Musik gesezt von J. R. Zumsteeg) | Johann Rudolf Zumsteeg, composer Johann Gaudenz von Salis-Seewis, librettist Friedrich von Matthisson, librettist |
voice and keyboard voice and piano 3 voices |
Classical | Songs, Lieder | |||||
| Gesaenge für drey Singstimmen | Leonhard von Call, composer | Op.109 | 3 voices | Classical | Songs | ||||
| Gesaenge für drey Singstimmen | Leonhard von Call, composer | Op.112 | 3 voices | Classical | Songs | ||||
| Gesanglehre (Gesanglehre. Ein Hülfsmittel für Elementarschullehrer, durch eine einfachere Bezeichnungsart und Methode und durch eine zweckmäßige Sammlung von Singstücken einen reinen mehrstmmigen Volksgesang zu bilden.) | Johann Friedrich Wilhelm Koch, composer | voice 2 voices 3 voices 4 voices |
Classical | Methods, Songs | |||||
| Gesù sommo conforto | Simone Verovio, composer | 3 voices | Renaissance | Canzonettas, Sacred songs | |||||
| Geystliche gesangk-Buchleyn (Wittembergisch Geistlich Gesangbuch von 1524 zu drei, vier, und fünf Stimmen) | Johann Walter, composer Martin Luther, librettist |
Various | 1524 | 3 voices 4 voices 5 voices mixed chorus |
Renaissance | Sacred songs | |||
| Ghenochte drive | Paulus de Roda, composer | 3 voices | Renaissance | Pieces | |||||
| Gia discopriva il cielo | Anonymous, composer | 3 voices | Renaissance | Villanelles | |||||
| Giovani incauti | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |||||
| Glaub nicht, das ich kündt sein so gar vermessen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Glees and Madrigals, 2nd Collection (A second Collection of Glees, Madrigals &c. &c. for three, four, five and six voices) | William Horsley, composer | Op.4 | 3 voices 4 voices 5 voices 6 voices |
Classical | Glees, Madrigals, Rounds, Canons | ||||
| Glees and Rounds (A Collection of Twelve Glees, Rounds &c. for Three, Four & Five Voices, as Performed at the Noblemen and Gentlemens Catch Club, Glee Club &c.) | Luffman Atterbury, composer | Op.2 | 3 voices 4 voices 5 voices |
Classical | Glees, Rounds, Elegies | ||||
| Glees, Canons and Madrigals, 3rd Collection (A third Collection of Glees, Canons and Madrigals, for three, four and five voices) | William Horsley, composer | Op.6 | 3 voices 4 voices 5 voices |
Classical | Glees, Canons, Madrigals | ||||
| Glogauer Liederbuch | Various, composer | 3 voices 3 Unspecified instruments |
Renaissance | Lieder, Sacred songs, Pieces | ![]() |
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| Gloria | John Benet, composer | 3 voices | Medieval | Gloria | |||||
| Gloria | Bartolomeo Brolo, composer | 3 voices | Renaissance | Gloria | |||||
| Glorious Apollo (Glee for Three Voices) | Samuel Webbe, composer | D major | 3 voices | Classical | Glees | ||||
| Glück zum neuen Jahr (3-part Canon in F major) | Ludwig van Beethoven, composer | F major | WoO 176 | 1819 | 3 voices | Classical | Canons | ||
| God Save Our Sovereign Charles | Henry Purcell, composer | C major | Z.250 | 1685 | 3 voices | Baroque | Catches | ||
| God the heavens aloud proclaim | Benjamin Cooke, composer James Merrick, librettist |
G major | 3 voices | Classical | Psalms | ||||
| Gold'ner Schein, D.357 (Golden Shine) | Franz Schubert, composer Friedrich von Matthisson, librettist |
G major | D.357 | 3 voices | Romantic | Canons | |||
| Gott ist auf den wir immer hoffen (Deus noster refugium) | Orlande de Lassus, composer | LV 950 | 3 voices | Renaissance | Songs | ||||
| Gracias a vos donzella | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Gracias refero tibi (Gratias refero tibi) | Heinrich Isaac, composer | 1475 | 3 voices | Renaissance | Motets | ||||
| Gracieuse fleur | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Gracieuse plaisant | Antoine Brumel, composer | 3 voices | Renaissance | Sacred songs | |||||
| Gracuuly et biaulx (Gracuuly Gracioulx et biaulx) | Jacobus Barbireau, composer | 3 voices | Renaissance | Chansons | |||||
| Gradualia ac cantiones sacrae, Liber 1 (Gradualia: ac cantiones sacrae, liber primus) | William Byrd, composer | RISM A/I: B 5217 | 1605 | 3 voices 4 voices 5 voices |
Renaissance | Graduals, Sacred songs | |||
| Gratulemur Cristicole | Johannes Brassart, composer | 3 voices | Renaissance | Sacred songs | |||||
| Grave aduto e soave sono | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Grave dolor mi dà (Grave dolor mi da) | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |||||
| Gravi pene in amor | Jacob Arcadelt, composer Lodovico Ariosto, librettist |
3 voices mixed chorus |
Renaissance | Madrigals | |||||
| Gravi pene in amor si provan molte | Cipriano de Rore, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Gray's Elegy (An Elegy written in a country church yard) | Thomas Billington, composer Thomas Gray, librettist |
Op.8 | voice and keyboard voice and harp 3 voices |
Classical | Elegies | ||||
| Great Apollo and Bacchus | Henry Purcell, composer | C major | Z.251 | 3 voices | Baroque | Catches | |||
| Great God of Sleep (To Sleep. Glee) | Francis Hutcheson, composer | F major | 3 voices | Classical | Glees | ||||
| Green Groweth the Holly | Henry VIII, composer | 1509 | 3 voices | Medieval | Carols | ||||
| Gregorius praesul meritis (Gregorius praesul meritis et nomine dignus) | Anonymous, composer | 3 voices | Renaissance | Motets | |||||
| Greveuse m'est vostre acointance | Anonymous, composer | 3 voices | Renaissance | Chansons |
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