Composition search
- Compositions
- for 3 voices
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| Die Fröhliche Sommerzeit, Teil 1 (Der froehlichen Sommerzeit erster Theil, aus neuen Concerten zu singen und zu spielen bestehend. Simphoniae, cantiones et canones) | Johann Sommer, composer | soprano and tenor soprano and alto 2 violins 2 cornetts cornett and violin violin and viola 3 voices 3 violins 3 cornetts 3 recorders cornett, violin and continuo 3 violins and continuo voice, 3 violins and continuo 2 cornetts, 2 violins and continuo 2 sopranos, 2 altos, tenor and bass |
Renaissance | Chorales, Bicinia, Canons, Fantasias, Pavans, Galliards |  |
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| Die neue Choral Harmonie (Die neue Choral Harmonie, enthaltend die vornehmsten Kirchen Melodien, eingerichtet zum Gebrauche aller Christlichen Religionen von jeden Benennungen, und auf drei Stimmen gesetzt. Absonderlich eingerichtet zum öffentlichen Gottesdienste, als: Kirchen, Versammlungen und Singschulen) | Samuel Moyer Musselmann, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Chorales, Hymns, Psalms | |
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| Die neue Harmonie, oder eine neue Sammlung con Kirchen-Musik; enthaltend viele Musikalische-Stuecke und Kirchen-Melodien, welche noch nie im Druck erschienen, und manche die neulich fuer dieses Werk componiret worden sind; zusammengetragen aus den beruehmtesten Autoren neuerer Zeit, nebst hinlaenglichem Unterricht fuer Singschulen. von Michael Bentz, York, Penn. (The New Harmony, or a new collection of church-music; containing a number of musical pieces and church-tunes, which have never before appeared in print, and some that have been lately composed for this Collection. Collected from the most celebrated authors of modern times; together with complete instructions for singing Schools. by Michael Bentz, York, PA.) | Various, composer | 2 voices 3 voices 4 voices voices and organ |
Classical | Psalms, Hymns, Anthems | |
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| Die neue Harmonie (Die neue Harmonie, enthaltend eine gute Auswahl von geistlichen Liedern, u.s.w., versehen mit Deutschem und Englischem Texte; zum Gebrauch für Familien, Sing-Schulen, Sonntags- und Wochen-Schulen. The New Harmony, containing an ample assortment of sacred tunes, provided with German and English text, designed for the use of families, singing-schools, Sabbath and common schools) | Thomas R. Weber, composer | 3 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |
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| Die Pennsylvanische Choral Harmonie: enthaltend die vornehmsten Kirchen-Melodien, versehen mit deutschem und englischem Texte (The Pennsylvania Choral Harmony: containing the principal church melodies, provided with German and English text) | Thomas R. Weber, composer | 2 voices 3 voices 4 voices |
Classical | Psalms, Hymns, Anthems, Chants | |
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| Die thoren sprechen wol on schertzen (Dixit insipiens) | Orlande de Lassus, composer | LV 934 | 3 voices | Renaissance | Songs | |
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| Die Union Choral Harmonie, enthaltend drey und vierstimmig ausgeseste Melodien, mit deutschem und englischem Texte (The Union Choral Harmony, Consisting of Sacred Music, With German and English Lines to Each Tune) | Henry C. Eyer, composer | 3 voices 4 voices voices and organ |
Classical | Psalms, Hymns, Anthems | |
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| Die welt und all ihr reichethumb (Domini est terra) | Orlande de Lassus, composer | LV 939 | 3 voices | Renaissance | Songs | |
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| Dieu, gard la bone sans reprise (Trag frischen muth) | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons | |
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| Diffusa est | Luigi Bottazzo, composer | F major | Op.146 No.1 | 3 voices female chorus male chorus |
Romantic | Offertorium | |
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| Digau ales donzelles | Heinrich Isaac, composer | 3 voices | Renaissance | Chansons | |
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| Dijon Chansonnier (Chansonnier from Bibliothèque Municipale de Dijon) | Various, composer | F-Dm, Ms.517 | 2 voices 3 voices 4 voices |
Renaissance | Chansons | |
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| Diletto Spirituale | Simone Verovio, composer | RISM B/I: 1586 | 3 voices 3 voices and continuo 3 voices and lute 4 voices and continuo 4 voices and lute |
Renaissance | Canzonettas, Sacred songs | |
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| Dimmi che e del mio core | Anonymous, composer | 3 voices | Renaissance | Villanelle | |
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| Dimmi disse il mio sol | Anonymous, composer | 3 voices | Renaissance | Villanelle | |
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| Dindiridin ridin rindayna dindirron (Dindiridin ridin rindayna dindirron, me levay un to matin) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Disant adieu madame (Disant adieu a madame et maistresse) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |
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| Disdaine that so doth fill me | Martin Peerson, composer | G major | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | |
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| Diß ist die zeit | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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| Dites moi toutes vos pensées (Dictes le moy / Dites moi toutes vos pensées / Amice ad quid venisti [contrafacta versions]) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |
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| Divine Harmony (Divine Harmony, being A Collection of Psalm & Hymn Tunes, in score, composed & adapted to suitable words by the late Revd. Phocion Henley, M.A. formerly Rector of St. Anne, Blackfriars, to which are added: Four Psalm Tunes, composed & adapted to proper Psalms, by the late Revd. Thos. Sharp, M.A. formerly Rector of St. Bartholomew the less, West Smithfield. Published (by Permission of their respective Families) by John Page, of St. Paul's Cathedral, the whole Arranged and Figured for the Organ, Harpsichord or Piano-Forte. Divine Harmony: being a Collection of Psalm-Tunes, in Three, Four, and Five, Parts, composed by the late Rev. Phocion Henley, M.A. and the late Rev. Thomas Sharp, M.A.) |
Phocion Henley, composer | soprano and bass 3 voices 4 voices 5 voices mixed chorus voices and continuo mixed chorus and continuo |
Baroque | Psalms, Hymns | |
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| Divine Recreations (Being a Collection of Psalms, Hymns, and Canons, in 2, 3, and 4 Parts: with Easy, Grave, and Pleasant Tunes adapted to each of them) | Various, composer | 2 voices 3 voices 4 voices 8 voices mixed chorus |
Baroque | Psalms, Hymns, Canons | |
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| Divine Songs (Divine Songs, extracted from Mr. J. Hart's Hymns, and set to Musick in Three and Four Parts. By Abraham Wood. Suitable to be sung in Churches immediately before or after Divine Worship.) | Abraham Wood, composer | 3 voices 4 voices mixed chorus |
Classical | Hymns, Sacred songs, Anthems | |
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| Dixit Dominus Domino meo | Anonymous, composer | 3 voices | Renaissance | Psalms | |
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| Dixit Sanctus Philippus | Gilles Binchois, composer | 3 voices | Renaissance | Motets | |
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| Do, do, l’enfant do (Air sérieux en trio a capella) | Joseph Bodin de Boismortier, composer | C major | 3 voices | Baroque | Airs | |
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| Dodecacorde (Dodecacorde contenant douze Pseaumes de David, mis en musique selon les douze modes, approuvez des meilleurs Autheurs anciens et modernes. à 2. 3. 4. 5. 6. et 7. voix Dodecacorde selon les douze modes à II, III, IIII, V, VI & VII voix, ... sous lesquels ont été mis des paroles morales) |
Claude Le Jeune, composer | RISM RISM-A/I: L-1679 | 2 voices 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Psalms | |
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| Dolce mia pastorella | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Dolce mia vita | Luca Marenzio, composer | 3 voices | Renaissance | Canzonettas | |
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| Dolce mia vita, da cui vivo & moro | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |
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| Dolce speranza del cor mio | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Domine Dominus noster | Geminiano Giacomelli, composer | A minor | 3 voices | Baroque | Motets | |
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| Domine non est exaltatum | Orlande de Lassus, composer | 3 voices | Renaissance | Psalms, Motets | |
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| Domine non sum dignus | Guy Miaille, composer | E minor | 1996 | 3 voices | Modern | Sacred songs |  |
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| Dona gentile | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons | |
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| Dona i ardenti | Guillaume Dufay, composer | 3 voices | Renaissance | Ballatas | |
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| Dona nobis pacem | Alberto Gomez Gomez, composer | mixed chorus 3 voices |
Classical | Canons | |
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| Doncella non me culpeis (Donzella non me colpeis si fago mudanza) | Anonymous, composer | 3 voices | Renaissance | Songs | |
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| Doncella non me culpeis | Johannes Cornago, composer | 3 voices | Renaissance | Songs | |
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| Donde stas que non te veo | Johannes Cornago, composer | 3 voices | Renaissance | Songs | |
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| Done done or done le mio signore (Dove dove) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |
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| Donna che sol di donna | Anonymous, composer | 3 voices | Renaissance | Villanelle | |
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| Donna da vostri sguardi | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |
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| Donna quando | Hans Brachrogge, composer | 3 voices | Renaissance | Madrigals | |
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| Donna, che sol | Giovanni Maria Nanino, composer | C major | 3 voices | Renaissance | Canzonettas | |
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| Donna, m'havete acceso | Giovanni Maria Nanino, composer | F major | 3 voices | Renaissance | Canzonettas | |
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| Down, Down with Bacchus | Henry Purcell, composer | F major | Z.247 | 1693 | 3 voices | Baroque | Catches | |
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| Doye je languir | Anonymous, composer | 3 voices | Renaissance | Chansons | |
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| Dreifach ist der Schritt der Zeit, D.69 (Threefold Is The Step Of Time) | Franz Schubert, composer Friedrich Schiller, librettist |
D.69 | 3 voices | Romantic | Canons | |
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| Drink On, till Night Be Spent | Henry Purcell, composer | C major | Z.248 | 1686 | 3 voices | Baroque | Catches | |
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| Du hast dich gegen mir gar freundlich | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |
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