| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Codex Faenza (Codex, I-FZc 117) | Various, composer | 2 voices 3 voices 4 voices keyboard |
Medieval | Kyrie, Gloria, Sanctus, Magnificats, Motets, Madrigals, Chansons, Songs, Pieces | |||||
| Columbian Harmony (or A Choice Collection of Psalm Tunes, Hymns, and Anthems, in Three Parts) | William B. Moore, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| Combien le joyeux je fasse (Combien que le ioyeulx je fasse) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Come fa de la ritrosa | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Come Fenice | Giovanni Maria Nanino, composer | D major | 3 voices | Renaissance | Canzonettas | ||||
| Come fenice che rinova | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Come Oh Come Etherial Guest | Benjamin Cooke, composer | E flat major | 1785 | 3 voices | Classical | Songs | |||
| Come, My Hearts | Henry Purcell, composer | F major | Z.246 | 1685 | 3 voices | Baroque | Catches | ||
| Comische Canons für drei Männerstimmen, WoO 183 (Comical Canons for three male voices) | Friedrich Kuhlau, composer | WoO 183 | 3 voices male chorus |
Classical | Canons | ||||
| Comme femme desconfortée (Virgo sub ethereis semper veneranda [contrafactum version]) | Gilles Binchois, composer | 3 voices | Renaissance | Chansons | |||||
| Comme femme desconfortée | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |||||
| Comme un qui prend | Pierre Clereau, composer Pierre de Ronsard, librettist |
3 voices | Renaissance | Chansons | |||||
| Comment est la manière (Et congit en m'amour [contrafactum version]) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Comment peut avoir joie | Heinrich Isaac, composer | 3 voices | Renaissance | Chansons | |||||
| Comment suis-je de vostre coeur | Jean Delahaye, composer | 3 voices | Renaissance | Chansons | |||||
| Como potro gia mai vivo | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Compendium musicae () | Adam Gumpelzhaimer, composer | 2 voices 3 voices 4 voices |
Renaissance | Methods, Music theory, Canons, Hymns | |||||
| Complete Works (The Complete Works of William Billings) | William Billings, composer | 3 voices 4 voices 5 voices mixed chorus |
Classical | Psalms, Anthems, Hymns, Canons, Methods, Sacred choruses | |||||
| Con brachi assai (Chon brachi assai e chõ molti sparuerj) | Giovanni da Cascia, composer | 3 voices | Medieval | Catches | |||||
| Con gran disdigno | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Con la fronte fiorita | Luca Marenzio, composer | 3 voices | Renaissance | Villanelle | |||||
| Con questa bella mano | Giovanni Maria Nanino, composer | G minor | 3 voices | Renaissance | Canzonettas | ||||
| Con tutta gentilezza (Con tutta gentilecca) | Antoine Busnois, composer | 3 voices | Renaissance | Madrigals | |||||
| Concentus harmonici (Concentus harmonici quattuor missarum, peritissimi musicorum Iacobi Obrecht : tam notularum, clavium, signorum, pausarum, suspiriorumque ... canonum additionibus ... sollertissime pressi : Tenor. [Altus. Discantus. Bassus]) | Jacob Obrecht, composer | RISM-A/I O.8 | 3 voices 4 voices 5 voices 6 voices 7 voices |
Renaissance | Masses | ||||
| Concerti fatti in corte (Gli Intermedij delle Sirene) | Pietro Vecoli, composer | 1595 | 3 voices | Renaissance | Intermedes | ||||
| Confitemini Domino | Alessandro Costantini, composer | 3 voices | Renaissance | Motets | |||||
| Consumo la mia vita a poco a poco | Johannes Prioris, composer | 3 voices 4 voices |
Renaissance | Madrigals | |||||
| Contrappunto 15 | Fernando de las Infantas, composer | C major | 3 voices | Baroque | Sacred songs | ||||
| Contrappunto 16 | Fernando de las Infantas, composer | C major | 3 voices | Baroque | Sacred songs | ||||
| Contre le mal que le vostre coeur porte | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Convito musicale | Orazio Vecchi, composer | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
Renaissance | Madrigals, Canzonas, Canzonettas | |||||
| Cor dulce | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Cor mio che pensi | Giovanni Maria Nanino, composer | F major | 3 voices | Renaissance | Canzonettas | ||||
| Coral | José De Nito, composer | 3 voices | Early 20th century | Chorales | |||||
| Could gold prolong my fleeting breath (Glee) | Francis Hutcheson, composer | B flat major | 3 voices | Classical | Glees | ||||
| Cousine trop vous abuses | Robert Morton, composer | 3 voices | Renaissance | Chansons | |||||
| Crede tu per fuggire | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Credo | John Benet, composer | 3 voices | Medieval | Credo | |||||
| Crions Nouel (Crions Noël) | Alexander Agricola, composer | 3 voices | Renaissance | Chansons | |||||
| Crist ist erstanden | Johannes Brassart, composer | 3 voices | Renaissance | Motets | |||||
| Cristo al morir tendea | Anonymous, composer | 3 voices | Renaissance | Sacred songs | |||||
| Crosby's Irish Musical Repository (The Irish Musical Repository. A choice selection of esteemed Irish Songs, adapted for the voice, violin and German flute.) | Irish Folk Music, composer | voice 2 voices 3 voices violin flute |
Classical | Folksongs | |||||
| Crudel di che peccat'a doler t'hai | Andrea Festa I, composer | 3 voices | Renaissance | Madrigals | |||||
| Crudel, di che peccato a doler t'hai | Hoste Da Reggia, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Crystal Gems for the Sabbath School (Crystal Gems for the Sabbath School. Containing a choice collection of new hymns and tunes, suitable for anniversaries, and all other exercises of the Sabbath-School; together with a fine selection of hymns for prayer and Praise Meetings. In the Seven Character Notes. With a clear explanation of the first principles of musical science. By L.W. Aikin.) | Various, composer | 3 voices 4 voices |
Romantic | Hymns, Sacred songs, Chants | |||||
| Cuides vous quil ait assez joie (Fuggir non posso [contrafactum version]) | Firminus Caron, composer | 3 voices | Renaissance | Chansons | |||||
| Cum audisset Job nuntiorum verba | Cornelius Rigo de Bergis, composer | 3 voices | Renaissance | Motets | |||||
| Curte ca 'scurte la mia vita (Curte cascurte la mia trista) | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Cy gist celle | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Cyfaill i'r Cantorion (Cyfaill i'r Cantorion; sef casgliad o donau hawdd ar wahanol achosion. Gan R. H. Prichard, Bala; Cyfaill y Cantorion) | Rowland Huw Prichard, composer | voice 2 voices 3 voices 4 voices mixed chorus |
Classical | Hymns, Psalms, Anthems | |||||
| D'amer je me vueil | Anonymous, composer | 3 voices | Renaissance | Chansons |
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