| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Vostre oeil s'est bien tost repenty | Johannes Prioris, composer | 3 voices | Renaissance | Chansons | |||||
| Vostre regard si treffort m'a feru | Johannes Tinctoris, composer | 3 voices | Renaissance | Chansons | |||||
| Vostre regard tant fort m'enflamme (Vostre regart tant fort menflamme) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vostre rigueur trop importune | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vostro fui, vostro son, e sarò vostro | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |||||
| Vous me faittes morir d'envie (Vous me faites mourir) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |||||
| Vous n'avez poient le couer certain | Firminus Caron, composer | 3 voices | Renaissance | Chansons | |||||
| Vous, noblez cuers, qui mes regretz voyez (Tous noblez cuers qui mes regretz voyez) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vrai Dieu d'amours (Vray dieu damors) | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vraiz amans pour Dieu suppliez | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Vray Dieu d'amours | Antoine Brumel, composer | 3 voices | Renaissance | Chansons | |||||
| Vrucht ende moet is gar da hin (Joy and emotion are all gone) | Roelkin, composer | 3 voices | Renaissance | Songs | |||||
| Wann ich den gantzen tag | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Wann ich gedenck der Stund | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Wann ich gedenck der Stund 2 | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Waters' Choral Harp for Sunday Schools (Waters' Choral Harp. ) | Horace Waters, composer | 3 voices 4 voices mixed chorus voices and piano |
Romantic | Hymns, Psalms, Sacred songs | |||||
| We are Three Friars of Orders Grey (I am a Friar of Orders Grey; Glee for three voices) | William Reeve, composer | D major | 3 voices | Classical | Glees | ||||
| We be soldiers three | Thomas Ravenscroft, composer | D minor | 3 voices | Renaissance | Glees | ||||
| We be three poore mariners | Thomas Ravenscroft, composer | C major | 3 voices | Renaissance | Glees | ||||
| We, who wand'ring Arabs are (A Favorite Glee) | Stephen Storace, composer | B flat major | 3 voices | Classical | Glees | ||||
| Weep, o mine eyes | John Wilbye, composer | 3 voices | Renaissance | Madrigals | |||||
| Weet ghy wat mynder jonghen herten deert | Johannes Ghiselin, composer | 3 voices | Renaissance | Songs | |||||
| Weil du dann wilt gen mir dein lib verneuen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Weil du so gantz, und gar mich thust verachten | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Wenn ich ein Vöglein wär (Kanon zu 3 Stimmen) | Clara Schumann, composer | 3 voices | Romantic | Canons | |||||
| Wer sehen will zwen lebendige Brunnen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Wer sich mit liebessucht empfind besessen | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Wer sich ohn gelt zum bulen stellt | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Wer wirdet trösten mich | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| When V and I Together Meet | Henry Purcell, composer | D minor | Z.287 | 1686 | 3 voices | Baroque | Catches | ||
| When Younglings First | William Byrd, composer | T 255 | 3 voices | Renaissance | Songs | ||||
| Who Comes There? | Henry Purcell, composer | C major | Z.288 | 1685 | 3 voices | Baroque | Catches | ||
| Who shall have my fayre lady | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Who shall tow'rd thy chosen seat (Lo, my shepherd's hand divine) | Benjamin Cooke, composer | F major | 3 voices | Classical | Psalms | ||||
| Wie ein hirsch girlich schreyen thut (Quemadmodum desiderat) | Orlande de Lassus, composer | LV 948 | 3 voices | Renaissance | Songs | ||||
| Wie sach oit blider dach | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Wie sach oit blider dach | Simon Le Breton, composer | 3 voices | Renaissance | Songs | |||||
| Wilkommen, lieber schöner Mai (Welcome, Dear Beautiful May) | Franz Schubert, composer Ludwig Christoph Heinrich Hölty, librettist |
D.244 | 1815 | 3 voices | Romantic | Canons | |||
| Winds, Gently Whisper | John Whitaker, composer | E major | 3 voices | Classical | Glees | ||||
| Wine in a Morning | Henry Purcell, composer | C major | Z.289 | 1686 | 3 voices | Baroque | Catches | ||
| Wir haben Herr mit unsern ohren (Deus auribus nostris) | Orlande de Lassus, composer | LV 949 | 3 voices | Renaissance | Songs | ||||
| The Wolfenbüttel Chansonnier (Manuscript, D-W Codex Guelf. 287 Extrav.) | Various, composer | 3 voices 4 voices |
Renaissance | Chansons | |||||
| Wondrous Love (What Wondrous Love is This?) | James Christopher, composer | G minor | 3 voices mixed chorus |
Traditional | Hymns | ||||
| Would You Know How We Meet | Henry Purcell, composer | D major | Z.290 | 1685 | 3 voices | Baroque | Catches | ||
| Wyeth's Repository of Sacred Music. Selected from the most eminent and approved authors in that science, for the use of Christian Churches of every Denomination, Singing Schools and Private Societies. Together with a plain and concise Introduction to the Grounds of Music, and Rules for Learners (Wyeth's Repository Part First) | Various, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| Wyeth's Repository of Sacred Music, Part II (Wyeth's Repository of Sacred Music. Part Second. Original and selected from the most eminent and approved authors in that science. For the use of Christian churches, singing schools & private societies. Together with a plain and concise Introduction to the Grounds of Music, and rules for learners. By John Wyeth.) | Various, composer | 2 voices 3 voices 4 voices mixed chorus soprano, bass and mixed chorus mixed chorus and keyboard |
Traditional (folk) | Hymns, Psalms, Anthems | |||||
| Y Caniedydd Cymreig (Y Caniedydd Cymreig. The Cambrian Minstrel; being a collection of the melodies of Cambria [i.e. Wales], with original words in English and Welsh; together with several original airs.) | John L. Thomas, composer | voice 2 voices 3 voices 4 voices |
Classical | Folksongs | |||||
| Y Drysorfa Gerddorol (Y drysorfa gerddorol; sef casgliad newydd o donau, anthemau, a darnau gosodedig; yn cynnwys tonau cynnulleidfaol, priodol i addoliad y gwir Dduw, yn nghydag amrywiaeth o donau ac anthemau cyfaddas at wahanol achosion crefyddol: yn wreiddiol a detholedig o waith yr awduron goreu hen a diweddar. Gan Hugh J. Hughes.) | Hugh John Hughes, composer | 2 voices 3 voices 4 voices mixed chorus |
Romantic | Psalms, Hymns, Anthems | |||||
| Glee: Ye fields with blighted herbage brown | John Wall Callcott, composer William Shenstone, librettist |
E major | 3 voices | Classical | Glees | ||||
| Ye Gentlemen of England (Glee for Three Voices; You Gentlemen of England) | John Wall Callcott, composer Thomas Campbell, librettist |
B flat major | 3 voices 2 tenors and bass |
Classical | Glees | ||||
| Yerra con poco saber (Ex ore tuo [contrafactum version]) | Johannes Cornago, composer | 3 voices | Renaissance | Songs |
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