| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (V...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (J...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (U...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (D...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (J...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (A...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (Q...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (To iours / Tota jous / Toujours [?]) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 (P...) | Anonymous, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Heinrich Isaac, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Heinrich Isaac, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Heinrich Isaac, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Heinrich Isaac, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Heinrich Isaac, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Johannes Martini, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Johannes Martini, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Johannes Martini, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Johannes Martini, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Jacob Obrecht, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Jacob Obrecht, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Jacob Obrecht, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Robinet, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Robinet, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 3 | Robinet, composer | 3 voices | Renaissance | Pieces | |||||
| Untexted a 4, IA 1955 | Anonymous, composer | 3 voices 4 voices |
Renaissance | Pieces | |||||
| Upon a Summer's Day | William Byrd, composer | T 256 | 3 voices | Renaissance | Songs | ||||
| Upon my lap | Martin Peerson, composer | D minor | 4 voices 4 viols voice and 3 viols 2 voices and 2 viols 3 voices and viol voice and 3 Unspecified instruments 2 voices and 2 Unspecified instruments 3 voices 4 Unspecified instruments |
Baroque | Airs | ||||
| Urania, or A Choice Collection of Psalm-Tunes, Anthems and Hymns, from the most approv'd Authors, with some Entirely New | James Lyon I, composer | 2 voices 3 voices 4 voices mixed chorus |
Classical | Psalms, Hymns, Anthems | |||||
| Ut queant laxis | Anonymous, composer | 3 voices | Renaissance | Hymns | |||||
| Va t'en mon cuer | Guillaume Dufay, composer | 3 voices | Renaissance | Chansons, Rondeaux | |||||
| Va t'en regret | Alexander Agricola, composer | 3 voices | Renaissance | Rondeaux | |||||
| Va t'en regrets celluy qui me convoyé (Va ten regret) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |||||
| Va tost mon amoureux desir | Gilles Binchois, composer | 3 voices | Renaissance | Chansons | |||||
| Vago gentil mio sole | Anonymous, composer | 3 voices | Renaissance | Villanelle | |||||
| Vago monte, fiorite ombrose piagge | Philippe de Monte, composer | 3 voices | Renaissance | Madrigals | |||||
| Variarum linguarum tricinia | Various, composer | RISM B/II: 1560 | 3 voices | Renaissance | Motets, Songs, Chansons | ||||
| Vedo che fortuna me contrasta | Anonymous, composer | 3 voices | Renaissance | Madrigals | |||||
| Venerabilis barba capucinorum (Air sérieux en trio a capella) | Jean-Baptiste Lully, composer | LWV 76/26 | 3 voices | Baroque | Airs | ||||
| Venez regretz sourdes en habondar ce acompaigner | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Veni Creator Spiritus | Pietro Andrea Dentella, composer Rabanus Maurus, librettist |
B flat major | 3 voices female chorus male chorus |
Early 20th century | Hymns | ||||
| Veni creator spiritus | Guillaume Dufay, composer | 3 voices | Renaissance | Hymns | |||||
| Veni sponsa Christi | Fortunato Santini, composer | 3 voices | Renaissance | Motets | |||||
| Venimo tre soldati (La battaglia villanesca) | Giovanni Thomaso Cimello, composer | 3 voices | Renaissance | Villanelle | |||||
| Venis regrets (Harmonice Musices Odhecaton A No.53) | Loyset Compère, composer | 3 voices | Renaissance | Chansons | |||||
| Venus | Anonymous, composer | 3 voices | Renaissance | Chansons | |||||
| Venus Juno Pallas | Anonymous, composer | 3 voices | Renaissance | Songs | |||||
| Venus, du und dein kind | Jacob Regnart, composer | 3 voices | Renaissance | Lieder | |||||
| Verbum caro panem verum | Orlande de Lassus, composer | LV 1072 | 3 voices | Renaissance | Motets | ||||
| Verbum Patris humanatur | Anonymous, composer | 3 voices | Medieval | Motets |
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